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Art History Research Paper
Pablo was a famous Spanish painter, sculptor, ceramicist, poet and playwright. He is best associated with the art movement referred to as Cubism. Picasso was born into a middle class Spanish family and baptized as a catholic. His father was a painter and trained him at a tender age to draw and paint with oil paints. He later rose to be a prominent professor and curator at a local museum. Picasso is known for the art movement which he started with Braque Georges which involved the dominant use of monochrome brownish and neutral colours. During the early 20 th century, this art movement had taken shape and a lot of paintings and artists followed this form of art (Galenson 97). Analytical forms of cubism transformed gradually into the synthetic cubism in which paper fragment would be used to enhance the overall effect and resulting in the first collage arts. The choice to analyse Pablo Picasso is based on the fact that he gained very great admiration and acquired a considerable fortune through his art. He also stands out as a great talent, a great organizer and a fearless foe in his elaborate artistic apprentice. Generally, Picasso is depicted as a very talented artist from a tender age and contributed to a wide variety of great works of arts. Cubism as an art form attract very considerable appraisal and exude social rhetoric which fortunately embody the queer personality that Picasso was. Picasso therefore presents both the complexity and awe that only very highly skilled artists tend to capture.
A Life of Picasso.
Tessel M . Bauduin, PhD
Paul Éluard’s Voir: art, artists, collections T.M. Bauduin Note: this text is unpublished. It forms the basis for sections in: M. Koffeman, T.M. Bauduin & M. Hamel. ‘De Wereld van Paul Éluard/ Le Monde de/ The World of Paul Éluard’, in: Francis Poulenc: Le Travail du Peintre, J. Schweppe (tenor) and Maaike Koffeman (ed.). Belgium: Etcetera Records/Amsterdam: Amsterdam University Press, cd + large booklet, October 2017, 14-82. My original text is provided here for scholarly purposes only. Do not use it for commercial or profit-based ends. Please respect my intellectual labour and properly cite this article when you use my work. Always include the published final form (see above) in your reference. Questions, or do you want my permission to use this text in your own work or for education? Contact me. All illustrations are included here solely for educational purposes.
An Introduction to Abstract Art
As a prominent figure in the history of painting, Pablo Picasso has bestowed upon the world his uniquely striking paintings in different styles, the most revolutionary of which being his Cubist art. The representation of women occupies a significant space in Picasso’s Cubist works. While the painter’s style is highly revolutionary, rejecting the accepted principles of painting, the subject matter does not change as such: nude women are objectified with a cubist look. Judith Butler’s theory of gender performativity which examines the roots of naturalized concepts of gender, has been applied to Picasso’s representations of women in his cubist paintings. This research examines the way naturalized definitions of gender have found their way into Picasso’s paintings. By applying the Butlerian concept of gender performativity to a number of Picasso’s cubist artworks, we try to indicate how stereotypes of gender linger in the discourse of modernism. Analyses lead to the conclusion that alth...
The conceptualised period of 'Modernism' and its impression within the Art-world, is understood to be typified by the rejection of tradition (English and Quin 2009). This concept of 'stepping outside' of traditional style, pre-established artistic movements, and previous techniques – consequently contributed to the development of this period, as acknowledged by artists, historians, and scholars alike. 'Modernism', as considered in contemporary-discussion, owes in great part to its artistic-predecessors and 'traditional masters'. This essay will provide and in-depth analysis of six European artistic-works created between 1860 and 1935; the period in which Modernism, and various movements and sub-movements (that will be discussed), originated.
Raphael’s great superiority is the result of his capacity to feel deeply which, in his case, destroys form. The form in his works is what it should be in ours: only a pretext for the transmission of ideas, sensations, diverse poesies. Honoré de Balzac. Le Chef-d’œuvre inconnu.
The aim of the project is to follow the main line of the development of 20 th century art, the evolution of the form. The form that describes the development of thinking of the society and artists as representative of this society. The main aim of the project is why art of 20 th century chose the way of conceptual perception of the world and reality and went far from the way how it describes items, subjects and human beings. All the tendencies of the 20 th century art have its own attitude towards nature, human and things around human. Art becomes individual and individualism is the main characteristics of art and artist. Artist creates tendencies and he claims that his own perception can be one to express the world. The historical and revolutionary changes of 20 th century including wars, technical development influences art and the form becomes more nervous, scattered and goes far from real description of the world. The world in the paintings of artists of 20 th century is not whole, common, natural unity but this is union of separated items, human beings and result of violent machinery world that was brought by 20 th century. The technological progress that came fast and made greatest influence on human and on the style of life of the humanity was expressed in art too. The perception of the reality in just one decade became very different and this is very fast development. Human body painted by impressionists and human body painted by cubist painter is totally different. It means that way of thinking of the painter changed: painter is new human who lives in the world where human being becomes like background for new machinery world and it is just like toy for the catastrophes that was brought by the war. Artists is new individual that carries responsibility to bring out real values of the society, to keep them, to defend but at the same time to create absolutely new art that is different from old one, that responds to new changes and that describes strives of new human. Before impressionism art develops with logical way; mainly it is built on the logic of development and evolution of the form. The form expresses the point of view and attitude of the painter towards the world. This is one line that begins from European and Italian Renaissance and that lasts till Impressionism. Here the development of the form is connected to the epochal changes, or the form itself reaches perfection and is under self-evolution that of course is caused by the historical, epochal events; the origin of the form is based on the revolutionary points of views or processes.
Raymond S Solga
Meliza Viquez Salazar
Picasso & Rivera
Amanda H Beresford
The Sinister Side: How Left-Right Symbolism Shaped Western Art (OUP)
Jonathan Frederick Walz
Hugo Miguel Carriço
Cubism: The Leonard A. Lauder Collection
Man Ray: Enigmas and Desires
Ara H. Merjian
Picasso and the War Years, 1937-1945
Michèle C Cone
Nineteenth-Century Art Worldwide
john D goddard
The Russian Avant-Garde and Radical Modernism: An Introductory Reader
Jane A. Sharp
L. Brandon Krall
Pity and Terror. Picasso path to Guernica
Marisa García Vergara
Eliza J Reilly
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