Every New Yorker post.
Beyoncé won’t burn down the barn with “cowboy carter”.
On “Cowboy Carter,” the artist wants to make “Beyoncé” the synecdoche for an American, but the album highlights only her singularity.
By Doreen St. Félix
April 1, 2024
Daily cartoon: monday, april 1st.
“I’m so happy to have something new to point out on our walks.”
By Sarah Kempa
David Bezmozgis Reads Sarah Shun-lien Bynum
The author joins Deborah Treisman to read and discuss the story “Likes,” which was published in a 2017 issue of The New Yorker .
By Deborah Treisman
Pascal Campion’s “Into the Light”
The artist depicts stepping out of the subway into the overwhelming glow of the city.
By Pascal Campion and Françoise Mouly
Kara Swisher on Tech Billionaires: “I Don’t Think They Like People”
One of the most influential Silicon Valley reporters chronicles the rise of an industry, and moguls like Elon Musk, in “Burn Book.”
By David Remnick
Souvankham Thammavongsa Reads “Bozo”
The author reads her story from the April 8, 2024, issue of the magazine.
Souvankham thammavongsa on adoration.
The author discusses her story “Bozo.”
By Cressida Leyshon
In Praise of the Benediction
Whether it’s a sombre Good Friday service or the trumpets of Easter Sunday, the blessing confers both the promise of a future and a surrender to its uncertainty.
By Julia Cho
March 31, 2024
Mookie betts makes baseball fun again.
Overshadowed by his epochal teammate, the diminutive superstar, now a shortstop, plays the game with a quick, open mind and an astonishing array of skills.
By Louisa Thomas
March 30, 2024
Piecing for cover.
At our darkest moments, why do so many of us take up quilting?
By Ayelet Waldman
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In his new novel, “James,” Everett explores how an emblem of American slavery can write himself into being. By Lauren Michele Jackson. March 26, 2024. Shouts & Murmurs.