how to write an essay about two stories

How to Write a Comparison Essay on Two Different Stories

26 sep 2017.

When a teacher or professor asks you to compare two stories, this gives you the opportunity to experience the works in a new way. You can look closely at how a writer’s style conveys what is at stake in the story and the way each story connects with the reader. This close assessment will also help you discover what you appreciate in fiction. Knowing some of the components to evaluate in these stories will help you build your comparison essay.

Explore this article

• Compare Plots
• Examine Characters
• Consider Point of View
• Evaluate Writing Styles

1 Compare Plots

You can discuss the plot, which is what happens in each story. Even with many similarities, stories will vary in what actually takes place. For example, in one story the main character may take a trip and experience many setbacks before discovering her true desires, but in the other story the character may stay home and review his past to make himself stronger. Since someone reading your essay may not know the stories, starting the body of your essay with a discussion of these plot differences and similarities will also help ground the reader in each story, says Jeffrey Nealon and Susan Searls Giroux, authors of “The Theory Toolbox: Critical Concepts for the Humanities, Arts, and Social Sciences.”

2 Examine Characters

Another option is to compare the main characters. Look at dialogue, interactions and the decisions they make. You can also evaluate how believable each character seems and whether or not you relate to that character. Look at the side characters in the stories as well. Each character should seem believable and have a role in the story. You might choose to mention if a character doesn’t have a role in moving the story forward, such as evaluating if the story would remain the same if the character were there or not. Discussing these findings will help you compare how well characters work in each story, explains Janet Burroway in “Imaginative Writing.”

3 Consider Point of View

You can also compare the point of view the writers use to tell their stories. Whether each story’s narration comes from a first-person, second-person, or third-person point of view impacts the story, and this might provide an interesting comparison for the stories. For example, one story might have a first-person narrator, making you feel close to the characters. In comparison, a third-person story might create distance between you and the characters, making you feel less involved.

4 Evaluate Writing Styles

Take time to discuss each writer's style throughout the story, evaluating concepts such as level of difficulty and your own enjoyment in reading the story. Consider the writers’ skills and how well they pull their stories together. You may like one writer better than the other, and Janet Burroway suggests you can discuss the reasons for this.

• 1 Purdue Online Writing Lab: Essay Writing
• 2 The Theory Toolbox: Critical Concepts for the Humanities, Arts, and Social Sciences; Jeffrey Nealon and Susan Searls Giroux
• 3 Imaginative Writing; Janet Burroway

About the Author

Kate Beck started writing for online publications in 2005. She worked as a certified ophthalmic technician for 10 years before returning to school to earn a Masters of Fine Arts degree in writing. Beck is currently putting the finishing touches on a novel.

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How to Compare Two Stories

Do you have two stories and don’t understand how they work together?

Welcome to this Mometrix lesson on comparing two stories!

To compare two stories, we need to consider their similarities and differences pertaining to main ideas , themes , tone , characters , greater contributions, inspirations, opinions, etc. This is an important skill to have when reading because it stretches your thinking and your brain’s ability to remember key points of one story and assess how those points may be similar in a different context. Practicing this skill is actually really fun and helps to bring reading to life. It allows for your readings, or interpretations, of different texts to go beyond just one, uncovering multiple levels hidden in each text.

If you’ve watched our video on how to compare and contrast , then you know that a great way to compare two things is to create a list. The first side of the list should consist of key things you noticed in the first story, and the second side of the list should consist of how the second story lines up with what you noticed in the first.

Comparison #1

Let’s look at an off-the-wall but simple example first. Let’s compare Alice’s Adventures in Wonderland with Harry Potter . For the first side of our list, we’ll look at Alice in Wonderland :

Alice’s Adventures in Wonderland The story centers around a young child It deals with magical elements There are darker themes at play in the novel Heavy themes of loss of innocence and coming of age Many fantastical features and animated creatures The child is not being led by an adult, rather by her imagination and by trial and error Focus on an alternate reality

  For the second side of our list, we’ll look at Harry Potter :

Harry Potter The story also centers around a young child, really, young children There is a heavy influence of sorcery throughout the novels It also deals with darker themes, loss of innocence, and coming of age Many fantastical creatures Kids are being led Focus on an alternate reality

Comparison #2

A more complex example might be if you wanted to compare Walt Whitman’s Leaves of Grass with Emily Dickinson’s poem “#1400 – What Mystery Pervades a Well!”

To do this comparison you might note what Whitman uses:

Leaves of Grass Nature Grass Man’s curiosity Man’s divine connection with nature

  On the other side of your list, you might note about Dickinson’s poem:

“#1400 – What Mystery Pervades a Well!” She also uses nature Personification of grass and of a well Themes concerning the divinity of man and nature You might also note her inclination towards man’s disconnect with nature

  Again, this is a little more complex of an example, but even without knowing the references, you can still see that there are clear similarities between the two texts. With this list of information, you could easily write multiple pages for an essay comparing these two texts.

With either of the examples presented, you could write a well-informed essay, if you needed to, comparing and contrasting two stories. Even if not for writing an essay, comparing two stories, no matter how seemingly unrelated like in our first example, is great practice for stretching your mind to see similarities that might otherwise be overlooked.

Thanks for joining us, today. Until next time!

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Sat / act prep online guides and tips, 3 great narrative essay examples + tips for writing.

General Education

A narrative essay is one of the most intimidating assignments you can be handed at any level of your education. Where you've previously written argumentative essays that make a point or analytic essays that dissect meaning, a narrative essay asks you to write what is effectively a story .

But unlike a simple work of creative fiction, your narrative essay must have a clear and concrete motif —a recurring theme or idea that you’ll explore throughout. Narrative essays are less rigid, more creative in expression, and therefore pretty different from most other essays you’ll be writing.

But not to fear—in this article, we’ll be covering what a narrative essay is, how to write a good one, and also analyzing some personal narrative essay examples to show you what a great one looks like.

What Is a Narrative Essay?

At first glance, a narrative essay might sound like you’re just writing a story. Like the stories you're used to reading, a narrative essay is generally (but not always) chronological, following a clear throughline from beginning to end. Even if the story jumps around in time, all the details will come back to one specific theme, demonstrated through your choice in motifs.

Unlike many creative stories, however, your narrative essay should be based in fact. That doesn’t mean that every detail needs to be pure and untainted by imagination, but rather that you shouldn’t wholly invent the events of your narrative essay. There’s nothing wrong with inventing a person’s words if you can’t remember them exactly, but you shouldn’t say they said something they weren’t even close to saying.

Another big difference between narrative essays and creative fiction—as well as other kinds of essays—is that narrative essays are based on motifs. A motif is a dominant idea or theme, one that you establish before writing the essay. As you’re crafting the narrative, it’ll feed back into your motif to create a comprehensive picture of whatever that motif is.

For example, say you want to write a narrative essay about how your first day in high school helped you establish your identity. You might discuss events like trying to figure out where to sit in the cafeteria, having to describe yourself in five words as an icebreaker in your math class, or being unsure what to do during your lunch break because it’s no longer acceptable to go outside and play during lunch. All of those ideas feed back into the central motif of establishing your identity.

The important thing to remember is that while a narrative essay is typically told chronologically and intended to read like a story, it is not purely for entertainment value. A narrative essay delivers its theme by deliberately weaving the motifs through the events, scenes, and details. While a narrative essay may be entertaining, its primary purpose is to tell a complete story based on a central meaning.

Unlike other essay forms, it is totally okay—even expected—to use first-person narration in narrative essays. If you’re writing a story about yourself, it’s natural to refer to yourself within the essay. It’s also okay to use other perspectives, such as third- or even second-person, but that should only be done if it better serves your motif. Generally speaking, your narrative essay should be in first-person perspective.

Though your motif choices may feel at times like you’re making a point the way you would in an argumentative essay, a narrative essay’s goal is to tell a story, not convince the reader of anything. Your reader should be able to tell what your motif is from reading, but you don’t have to change their mind about anything. If they don’t understand the point you are making, you should consider strengthening the delivery of the events and descriptions that support your motif.

Narrative essays also share some features with analytical essays, in which you derive meaning from a book, film, or other media. But narrative essays work differently—you’re not trying to draw meaning from an existing text, but rather using an event you’ve experienced to convey meaning. In an analytical essay, you examine narrative, whereas in a narrative essay you create narrative.

The structure of a narrative essay is also a bit different than other essays. You’ll generally be getting your point across chronologically as opposed to grouping together specific arguments in paragraphs or sections. To return to the example of an essay discussing your first day of high school and how it impacted the shaping of your identity, it would be weird to put the events out of order, even if not knowing what to do after lunch feels like a stronger idea than choosing where to sit. Instead of organizing to deliver your information based on maximum impact, you’ll be telling your story as it happened, using concrete details to reinforce your theme.

3 Great Narrative Essay Examples

One of the best ways to learn how to write a narrative essay is to look at a great narrative essay sample. Let’s take a look at some truly stellar narrative essay examples and dive into what exactly makes them work so well.

A Ticket to the Fair by David Foster Wallace

Today is Press Day at the Illinois State Fair in Springfield, and I’m supposed to be at the fairgrounds by 9:00 A.M. to get my credentials. I imagine credentials to be a small white card in the band of a fedora. I’ve never been considered press before. My real interest in credentials is getting into rides and shows for free. I’m fresh in from the East Coast, for an East Coast magazine. Why exactly they’re interested in the Illinois State Fair remains unclear to me. I suspect that every so often editors at East Coast magazines slap their foreheads and remember that about 90 percent of the United States lies between the coasts, and figure they’ll engage somebody to do pith-helmeted anthropological reporting on something rural and heartlandish. I think they asked me to do this because I grew up here, just a couple hours’ drive from downstate Springfield. I never did go to the state fair, though—I pretty much topped out at the county fair level. Actually, I haven’t been back to Illinois for a long time, and I can’t say I’ve missed it.

Throughout this essay, David Foster Wallace recounts his experience as press at the Illinois State Fair. But it’s clear from this opening that he’s not just reporting on the events exactly as they happened—though that’s also true— but rather making a point about how the East Coast, where he lives and works, thinks about the Midwest.

In his opening paragraph, Wallace states that outright: “Why exactly they’re interested in the Illinois State Fair remains unclear to me. I suspect that every so often editors at East Coast magazines slap their foreheads and remember that about 90 percent of the United States lies between the coasts, and figure they’ll engage somebody to do pith-helmeted anthropological reporting on something rural and heartlandish.”

Not every motif needs to be stated this clearly , but in an essay as long as Wallace’s, particularly since the audience for such a piece may feel similarly and forget that such a large portion of the country exists, it’s important to make that point clear.

But Wallace doesn’t just rest on introducing his motif and telling the events exactly as they occurred from there. It’s clear that he selects events that remind us of that idea of East Coast cynicism , such as when he realizes that the Help Me Grow tent is standing on top of fake grass that is killing the real grass beneath, when he realizes the hypocrisy of craving a corn dog when faced with a real, suffering pig, when he’s upset for his friend even though he’s not the one being sexually harassed, and when he witnesses another East Coast person doing something he wouldn’t dare to do.

Wallace is literally telling the audience exactly what happened, complete with dates and timestamps for when each event occurred. But he’s also choosing those events with a purpose—he doesn’t focus on details that don’t serve his motif. That’s why he discusses the experiences of people, how the smells are unappealing to him, and how all the people he meets, in cowboy hats, overalls, or “black spandex that looks like cheesecake leotards,” feel almost alien to him.

All of these details feed back into the throughline of East Coast thinking that Wallace introduces in the first paragraph. He also refers back to it in the essay’s final paragraph, stating:

At last, an overarching theory blooms inside my head: megalopolitan East Coasters’ summer treats and breaks and literally ‘getaways,’ flights-from—from crowds, noise, heat, dirt, the stress of too many sensory choices….The East Coast existential treat is escape from confines and stimuli—quiet, rustic vistas that hold still, turn inward, turn away. Not so in the rural Midwest. Here you’re pretty much away all the time….Something in a Midwesterner sort of actuates , deep down, at a public event….The real spectacle that draws us here is us.

Throughout this journey, Wallace has tried to demonstrate how the East Coast thinks about the Midwest, ultimately concluding that they are captivated by the Midwest’s less stimuli-filled life, but that the real reason they are interested in events like the Illinois State Fair is that they are, in some ways, a means of looking at the East Coast in a new, estranging way.

The reason this works so well is that Wallace has carefully chosen his examples, outlined his motif and themes in the first paragraph, and eventually circled back to the original motif with a clearer understanding of his original point.

When outlining your own narrative essay, try to do the same. Start with a theme, build upon it with examples, and return to it in the end with an even deeper understanding of the original issue. You don’t need this much space to explore a theme, either—as we’ll see in the next example, a strong narrative essay can also be very short.

Death of a Moth by Virginia Woolf

After a time, tired by his dancing apparently, he settled on the window ledge in the sun, and, the queer spectacle being at an end, I forgot about him. Then, looking up, my eye was caught by him. He was trying to resume his dancing, but seemed either so stiff or so awkward that he could only flutter to the bottom of the window-pane; and when he tried to fly across it he failed. Being intent on other matters I watched these futile attempts for a time without thinking, unconsciously waiting for him to resume his flight, as one waits for a machine, that has stopped momentarily, to start again without considering the reason of its failure. After perhaps a seventh attempt he slipped from the wooden ledge and fell, fluttering his wings, on to his back on the window sill. The helplessness of his attitude roused me. It flashed upon me that he was in difficulties; he could no longer raise himself; his legs struggled vainly. But, as I stretched out a pencil, meaning to help him to right himself, it came over me that the failure and awkwardness were the approach of death. I laid the pencil down again.

In this essay, Virginia Woolf explains her encounter with a dying moth. On surface level, this essay is just a recounting of an afternoon in which she watched a moth die—it’s even established in the title. But there’s more to it than that. Though Woolf does not begin her essay with as clear a motif as Wallace, it’s not hard to pick out the evidence she uses to support her point, which is that the experience of this moth is also the human experience.

In the title, Woolf tells us this essay is about death. But in the first paragraph, she seems to mostly be discussing life—the moth is “content with life,” people are working in the fields, and birds are flying. However, she mentions that it is mid-September and that the fields were being plowed. It’s autumn and it’s time for the harvest; the time of year in which many things die.

In this short essay, she chronicles the experience of watching a moth seemingly embody life, then die. Though this essay is literally about a moth, it’s also about a whole lot more than that. After all, moths aren’t the only things that die—Woolf is also reflecting on her own mortality, as well as the mortality of everything around her.

At its core, the essay discusses the push and pull of life and death, not in a way that’s necessarily sad, but in a way that is accepting of both. Woolf begins by setting up the transitional fall season, often associated with things coming to an end, and raises the ideas of pleasure, vitality, and pity.

At one point, Woolf tries to help the dying moth, but reconsiders, as it would interfere with the natural order of the world. The moth’s death is part of the natural order of the world, just like fall, just like her own eventual death.

All these themes are set up in the beginning and explored throughout the essay’s narrative. Though Woolf doesn’t directly state her theme, she reinforces it by choosing a small, isolated event—watching a moth die—and illustrating her point through details.

With this essay, we can see that you don’t need a big, weird, exciting event to discuss an important meaning. Woolf is able to explore complicated ideas in a short essay by being deliberate about what details she includes, just as you can be in your own essays.

Notes of a Native Son by James Baldwin

On the twenty-ninth of July, in 1943, my father died. On the same day, a few hours later, his last child was born. Over a month before this, while all our energies were concentrated in waiting for these events, there had been, in Detroit, one of the bloodiest race riots of the century. A few hours after my father’s funeral, while he lay in state in the undertaker’s chapel, a race riot broke out in Harlem. On the morning of the third of August, we drove my father to the graveyard through a wilderness of smashed plate glass.

Like Woolf, Baldwin does not lay out his themes in concrete terms—unlike Wallace, there’s no clear sentence that explains what he’ll be talking about. However, you can see the motifs quite clearly: death, fatherhood, struggle, and race.

Throughout the narrative essay, Baldwin discusses the circumstances of his father’s death, including his complicated relationship with his father. By introducing those motifs in the first paragraph, the reader understands that everything discussed in the essay will come back to those core ideas. When Baldwin talks about his experience with a white teacher taking an interest in him and his father’s resistance to that, he is also talking about race and his father’s death. When he talks about his father’s death, he is also talking about his views on race. When he talks about his encounters with segregation and racism, he is talking, in part, about his father.

Because his father was a hard, uncompromising man, Baldwin struggles to reconcile the knowledge that his father was right about many things with his desire to not let that hardness consume him, as well.

Baldwin doesn’t explicitly state any of this, but his writing so often touches on the same motifs that it becomes clear he wants us to think about all these ideas in conversation with one another.

At the end of the essay, Baldwin makes it more clear:

This fight begins, however, in the heart and it had now been laid to my charge to keep my own heart free of hatred and despair. This intimation made my heart heavy and, now that my father was irrecoverable, I wished that he had been beside me so that I could have searched his face for the answers which only the future would give me now.

Here, Baldwin ties together the themes and motifs into one clear statement: that he must continue to fight and recognize injustice, especially racial injustice, just as his father did. But unlike his father, he must do it beginning with himself—he must not let himself be closed off to the world as his father was. And yet, he still wishes he had his father for guidance, even as he establishes that he hopes to be a different man than his father.

In this essay, Baldwin loads the front of the essay with his motifs, and, through his narrative, weaves them together into a theme. In the end, he comes to a conclusion that connects all of those things together and leaves the reader with a lasting impression of completion—though the elements may have been initially disparate, in the end everything makes sense.

You can replicate this tactic of introducing seemingly unattached ideas and weaving them together in your own essays. By introducing those motifs, developing them throughout, and bringing them together in the end, you can demonstrate to your reader how all of them are related. However, it’s especially important to be sure that your motifs and clear and consistent throughout your essay so that the conclusion feels earned and consistent—if not, readers may feel mislead.

5 Key Tips for Writing Narrative Essays

Narrative essays can be a lot of fun to write since they’re so heavily based on creativity. But that can also feel intimidating—sometimes it’s easier to have strict guidelines than to have to make it all up yourself. Here are a few tips to keep your narrative essay feeling strong and fresh.

Develop Strong Motifs

Motifs are the foundation of a narrative essay . What are you trying to say? How can you say that using specific symbols or events? Those are your motifs.

In the same way that an argumentative essay’s body should support its thesis, the body of your narrative essay should include motifs that support your theme.

Try to avoid cliches, as these will feel tired to your readers. Instead of roses to symbolize love, try succulents. Instead of the ocean representing some vast, unknowable truth, try the depths of your brother’s bedroom. Keep your language and motifs fresh and your essay will be even stronger!

Use First-Person Perspective

In many essays, you’re expected to remove yourself so that your points stand on their own. Not so in a narrative essay—in this case, you want to make use of your own perspective.

Sometimes a different perspective can make your point even stronger. If you want someone to identify with your point of view, it may be tempting to choose a second-person perspective. However, be sure you really understand the function of second-person; it’s very easy to put a reader off if the narration isn’t expertly deployed.

If you want a little bit of distance, third-person perspective may be okay. But be careful—too much distance and your reader may feel like the narrative lacks truth.

That’s why first-person perspective is the standard. It keeps you, the writer, close to the narrative, reminding the reader that it really happened. And because you really know what happened and how, you’re free to inject your own opinion into the story without it detracting from your point, as it would in a different type of essay.

Stick to the Truth

Your essay should be true. However, this is a creative essay, and it’s okay to embellish a little. Rarely in life do we experience anything with a clear, concrete meaning the way somebody in a book might. If you flub the details a little, it’s okay—just don’t make them up entirely.

Also, nobody expects you to perfectly recall details that may have happened years ago. You may have to reconstruct dialog from your memory and your imagination. That’s okay, again, as long as you aren’t making it up entirely and assigning made-up statements to somebody.

Dialog is a powerful tool. A good conversation can add flavor and interest to a story, as we saw demonstrated in David Foster Wallace’s essay. As previously mentioned, it’s okay to flub it a little, especially because you’re likely writing about an experience you had without knowing that you’d be writing about it later.

However, don’t rely too much on it. Your narrative essay shouldn’t be told through people explaining things to one another; the motif comes through in the details. Dialog can be one of those details, but it shouldn’t be the only one.

Use Sensory Descriptions

Because a narrative essay is a story, you can use sensory details to make your writing more interesting. If you’re describing a particular experience, you can go into detail about things like taste, smell, and hearing in a way that you probably wouldn’t do in any other essay style.

These details can tie into your overall motifs and further your point. Woolf describes in great detail what she sees while watching the moth, giving us the sense that we, too, are watching the moth. In Wallace’s essay, he discusses the sights, sounds, and smells of the Illinois State Fair to help emphasize his point about its strangeness. And in Baldwin’s essay, he describes shattered glass as a “wilderness,” and uses the feelings of his body to describe his mental state.

All these descriptions anchor us not only in the story, but in the motifs and themes as well. One of the tools of a writer is making the reader feel as you felt, and sensory details help you achieve that.

What’s Next?

Looking to brush up on your essay-writing capabilities before the ACT? This guide to ACT English will walk you through some of the best strategies and practice questions to get you prepared!

Part of practicing for the ACT is ensuring your word choice and diction are on point. Check out this guide to some of the most common errors on the ACT English section to be sure that you're not making these common mistakes!

A solid understanding of English principles will help you make an effective point in a narrative essay, and you can get that understanding through taking a rigorous assortment of high school English classes !

Melissa Brinks graduated from the University of Washington in 2014 with a Bachelor's in English with a creative writing emphasis. She has spent several years tutoring K-12 students in many subjects, including in SAT prep, to help them prepare for their college education.

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How to Compare Two Novels in Comparative Essay

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• Writing Essays
• Writing Research Papers
• English Grammar
• M.Ed., Education Administration, University of Georgia
• B.A., History, Armstrong State University

At some point in your literature studies, probably just about the time you get really good at finding the theme of a novel and coming up with a sound analysis of a single literary piece, you will be required to compare two novels.

Your first task in this assignment will be to develop a good profile of both novels. You can do this by making a few simple lists of traits that might be comparable. For each novel, identify a list of characters and their roles in the story or important characteristics, and any important struggles, time periods, or major symbols (like an element of nature).

You may also attempt to come up with book themes that could be comparable. Sample themes would include:

• Man versus nature (is each main character battling the elements?)
• Individual versus society (does each main character feel like an outsider?)
• Struggle between good and evil (are your characters involved in good v. evil scenarios?)
• Coming of age (do the main characters experience a tough lesson that makes them grow?)

Your assignment will most likely give you direction as to whether you should find specific characters, story characteristics, or overall themes to compare. If it is not that specific, don't worry! You actually have a little more leeway.

Comparing Two Novel Themes

The teacher's goal when assigning this paper is to encourage you to think and analyze. You no longer read for a surface understanding of what happens in a novel; you are reading to understand why things happen and what the deeper meaning behind a character is a setting or an event. In short, you are expected to come up with an interesting comparative analysis.

As an example of comparing novel themes, we will look at The Adventures of Huckleberry Finn and The Red Badge of Courage . Both of these novels contain a "coming of age" theme since both have characters who grow a new awareness through tough lessons. Some comparisons you could make:

• Both characters have to explore the notion of "civilized behavior" in the societies where they exist.
• Each main character has to question the behavior of his male role models and his male peers.
• Each main character leaves his childhood home and encounters challenges.

To craft an essay about these two novels and their similar themes, you would create your own list of similarities like those above, using a list, chart, or a Venn diagram .

Sum up your overall theory about how these themes are comparable to create your thesis statement . Here is an example:​ "Both characters, Huck Finn and Henry Fleming, embark on a journey of discovery, and each boy finds new understanding when it comes to traditional notions about honor and courage."

You will use your common characteristic list to guide you as you create body paragraphs .

Comparing Main Characters in Novels

If your assignment is to compare the characters of these novels, you would make a list or Venn diagram to make more comparisons:

• Both characters are young men
• Both question society's notion of honor
• Both witness behavior that makes them question their role models
• Both have a nurturing female influence
• Both question their former beliefs

Comparing two novels is not as difficult as it sounds at first. Once you generate a list of traits, you can easily see an outline emerging.

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Narrative Essay with Tips - a Detailed Guide

Defining What Is a Narrative Essay

We can explain a narrative essay definition as a piece of writing that tells a story. It's like a window into someone's life or a page torn from a diary. Similarly to a descriptive essay, a narrative essay tells a story, rather than make a claim and use evidence. It can be about anything – a personal experience, a childhood memory, a moment of triumph or defeat – as long as it's told in a way that captures the reader's imagination.

You might ask - 'which sentence most likely comes from a narrative essay?'. Let's take this for example: 'I could hear the waves crashing against the shore, their rhythm a soothing lullaby that carried me off to sleep.' You could even use such an opening for your essay when wondering how to start a narrative essay.

To further define a narrative essay, consider it storytelling with a purpose. The purpose of a narrative essay is not just to entertain but also to convey a message or lesson in first person. It's a way to share your experiences and insights with others and connect with your audience. Whether you're writing about your first love, a harrowing adventure, or a life-changing moment, your goal is to take the reader on a journey that will leave them feeling moved, inspired, or enlightened.

So if you're looking for a way to express yourself creatively and connect with others through your writing, try your hand at a narrative essay. Who knows – you might just discover a hidden talent for storytelling that you never knew you had!

Meanwhile, let's delve into the article to better understand this type of paper through our narrative essay examples, topic ideas, and tips on constructing a perfect essay.

Types of Narrative Essays

If you were wondering, 'what is a personal narrative essay?', know that narrative essays come in different forms, each with a unique structure and purpose. Regardless of the type of narrative essay, each aims to transport the reader to a different time and place and to create an emotional connection between the reader and the author's experiences. So, let's discuss each type in more detail:

• A personal narrative essay is based on one's unique experience or event. Personal narrative essay examples include a story about overcoming a fear or obstacle or reflecting on a particularly meaningful moment in one's life.
• A fictional narrative is a made-up story that still follows the basic elements of storytelling. Fictional narratives can take many forms, from science fiction to romance to historical fiction.
• A memoir is similar to personal narratives but focuses on a specific period or theme in a person's life. Memoirs might be centered around a particular relationship, a struggle with addiction, or a cultural identity. If you wish to describe your life in greater depth, you might look at how to write an autobiography .
• A literacy narrative essay explores the writer's experiences with literacy and how it has influenced their life. The essay typically tells a personal story about a significant moment or series of moments that impacted the writer's relationship with reading, writing, or communication.

You might also be interested in discovering 'HOW TO WRITE AN AUTOBIOGRAPHY'

Pros and Cons of Narrative Writing

Writing a narrative essay can be a powerful tool for self-expression and creative storytelling, but like any form of writing, it comes with its own set of pros and cons. Let's explore the pros and cons of narrative writing in more detail, helping you to decide whether it's the right writing style for your needs.

• It can be a powerful way to convey personal experiences and emotions.
• Allows for creative expression and unique voice
• Engages the reader through storytelling and vivid details
• It can be used to teach a lesson or convey a message.
• Offers an opportunity for self-reflection and growth
• It can be challenging to balance personal storytelling with the needs of the reader
• It may not be as effective for conveying factual information or arguments
• It may require vulnerability and sharing personal details that some writers may find uncomfortable
• It can be subjective, as the reader's interpretation of the narrative may vary

If sharing your personal stories is not your cup of tea, you can buy essays online from our expert writers, who will customize the paper to your particular writing style and tone.

20 Excellent Narrative Essay Topics and How to Choose One

Choosing a good topic among many narrative essay ideas can be challenging, but some tips can help you make the right choice. Here are some original and helpful tips on how to choose a good narrative essay topic:

• Consider your own experiences: One of the best sources of inspiration for a narrative essay is your own life experiences. Consider moments that have had a significant impact on you, whether they are positive or negative. For example, you could write about a memorable trip or a challenging experience you overcame.
• Choose a topic relevant to your audience: Consider your audience and their interests when choosing a narrative essay topic. If you're writing for a class, consider what topics might be relevant to the course material. If you're writing for a broader audience, consider what topics might be interesting or informative to them.
• Find inspiration in literature: Literature can be a great source of inspiration for a narrative essay. Consider the books or stories that have had an impact on you, and think about how you can incorporate elements of them into your own narrative. For example, you could start by using a title for narrative essay inspired by the themes of a favorite novel or short story.
• Focus on a specific moment or event: Most narrative essays tell a story, so it's important to focus on a specific moment or event. For example, you could write a short narrative essay about a conversation you had with a friend or a moment of realization while traveling.
• Experiment with different perspectives: Consider writing from different perspectives to add depth and complexity to your narrative. For example, you could write about the same event from multiple perspectives or explore the thoughts and feelings of a secondary character.
• Use writing prompts: Writing prompts can be a great source of inspiration if you struggle to develop a topic. Consider using a prompt related to a specific theme, such as love, loss, or growth.
• Choose a topic with rich sensory details: A good narrative essay should engage the senses and create a vivid picture in the reader's mind. Choose a topic with rich sensory details that you can use to create a vivid description. For example, you could write about a bustling city's sights, sounds, and smells.
• Choose a topic meaningful to you: Ultimately, the best narrative essays are meaningful to the writer. Choose a topic that resonates with you and that you feel passionate about. For example, you could write about a personal goal you achieved or a struggle you overcame.

Here are some good narrative essay topics for inspiration from our experts:

• A life-changing event that altered your perspective on the world
• The story of a personal accomplishment or achievement
• An experience that tested your resilience and strength
• A time when you faced a difficult decision and how you handled it
• A childhood memory that still holds meaning for you
• The impact of a significant person in your life
• A travel experience that taught you something new
• A story about a mistake or failure that ultimately led to growth and learning
• The first day of a new job or school
• The story of a family tradition or ritual that is meaningful to you
• A time when you had to confront a fear or phobia
• A memorable concert or music festival experience
• An experience that taught you the importance of communication or listening
• A story about a time when you had to stand up for what you believed in
• A time when you had to persevere through a challenging task or project
• A story about a significant cultural or societal event that impacted your life
• The impact of a book, movie, or other work of art on your life
• A time when you had to let go of something or someone important to you
• A memorable encounter with a stranger that left an impression on you
• The story of a personal hobby or interest that has enriched your life

Narrative Format and Structure

The narrative essay format and structure are essential elements of any good story. A well-structured narrative can engage readers, evoke emotions, and create lasting memories. Whether you're writing a personal essay or a work of fiction, the following guidelines on how to write a narrative essay can help you create a compelling paper:

• Introduction : The introduction sets the scene for your story and introduces your main characters and setting. It should also provide a hook to capture your reader's attention and make them want to keep reading. When unsure how to begin a narrative essay, describe the setting vividly or an intriguing question that draws the reader in.
• Plot : The plot is the sequence of events that make up your story. It should have a clear beginning, middle, and end, with each part building on the previous one. The plot should also have a clear conflict or problem the protagonist must overcome.
• Characters : Characters are the people who drive the story. They should be well-developed and have distinct personalities and motivations. The protagonist should have a clear goal or desire, and the antagonist should provide a challenge or obstacle to overcome.
• Setting : The setting is the time and place the story takes place. It should be well-described and help to create a mood or atmosphere that supports the story's themes.
• Dialogue : Dialogue is the conversation between characters. It should be realistic and help to reveal the characters' personalities and motivations. It can also help to move the plot forward.
• Climax : The climax is the highest tension or conflict point in the story. It should be the turning point that leads to resolving the conflict.
• Resolution : The resolution is the end of the story. It should provide a satisfying conclusion to the conflict and tie up any loose ends.

Following these guidelines, you can create a narrative essay structure that engages readers and leaves a lasting impression. Remember, a well-structured story can take readers on a journey and make them feel part of the action.

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Narrative Essay Outline

Here is a detailed narrative essay outline from our custom term paper writing :

Introduction

A. Hook: Start with an attention-grabbing statement, question, or anecdote that introduces the topic and draws the reader in. Example: 'The sun beat down on my skin as I stepped onto the stage, my heart pounding with nervous excitement.'

B. Background information: Provide context for the story, such as the setting or the characters involved. Example: 'I had been preparing for this moment for weeks, rehearsing my lines and perfecting my performance for the school play.'

C. Thesis statement: State the essay's main point and preview the events to come. Example: 'This experience taught me that taking risks and stepping outside my comfort zone can lead to unexpected rewards and personal growth.'

Body Paragraphs

A. First event: Describe the first event in the story, including details about the setting, characters, and actions. Example: 'As I delivered my first lines on stage, I felt a rush of adrenaline and a sense of pride in my hard work paying off.'

B. Second event: Describe the second event in the story, including how it builds on the first event and moves the story forward. Example: 'As the play progressed, I became more comfortable in my role and connecting with the other actors on stage.'

C. Turning point: Describe the turning point in the story, when something unexpected or significant changes the course of events. Example: 'In the final act, my character faced a difficult decision that required me to improvise and trust my instincts.'

D. Climax: Describe the story's climax, the highest tension or conflict point. Example: 'As the play reached its climax, I delivered my final lines with confidence and emotion, feeling a sense of accomplishment and fulfillment.'

A. Restate thesis: Summarize the essay's main point and how the events in the story support it. Example: 'Through this experience, I learned that taking risks and pushing past my comfort zone can lead to personal growth and unexpected rewards.'

B. Reflection: Reflect on the significance of the experience and what you learned from it. Example: 'Looking back, I realize that this experience not only taught me about acting and performance but also about the power of perseverance and self-belief.'

C. Call to action: if you're still wondering how to write an essay conclusion , consider ending it with a call to action or final thought that leaves the reader with something to consider or act on. Example: 'I encourage everyone to take risks and embrace new challenges because you never know what kind of amazing experiences and growth they may lead to.

You might also be interested in getting detailed info on 'HOW TO WRITE AN ESSAY CONCLUSION'

Narrative Essay Examples

Are you looking for inspiration for your next narrative essay? Look no further than our narrative essay example. Through vivid storytelling and personal reflections, this essay takes the reader on a journey of discovery and leaves them with a powerful lesson about the importance of compassion and empathy. Use this sample from our expert essay writer as a guide for crafting your own narrative essay, and let your unique voice and experiences shine through.

Narrative Essay Example for College

College professors search for the following qualities in their students:

• the ability to adapt to different situations,
• the ability to solve problems creatively,
• and the ability to learn from mistakes.

Your work must demonstrate these qualities, regardless of whether your narrative paper is a college application essay or a class assignment. Additionally, you want to demonstrate your character and creativity. Describe a situation where you have encountered a problem, tell the story of how you came up with a unique approach to solving it, and connect it to your field of interest. The narrative can be exciting and informative if you present it in such fashion.

Narrative Essay Example for High School

High school is all about showing that you can make mature choices. You accept the consequences of your actions and retrieve valuable life lessons. Think of an event in which you believe your actions were exemplary and made an adult choice. A personal narrative essay example will showcase the best of your abilities. Finally, use other sources to help you get the best results possible. Try searching for a sample narrative essay to see how others have approached it.

Final Words

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How to write a narrative essay [Updated 2023]

A narrative essay is an opportunity to flex your creative muscles and craft a compelling story. In this blog post, we define what a narrative essay is and provide strategies and examples for writing one.

What is a narrative essay?

Similarly to a descriptive essay or a reflective essay, a narrative essay asks you to tell a story, rather than make an argument and present evidence. Most narrative essays describe a real, personal experience from your own life (for example, the story of your first big success).

Alternately, your narrative essay might focus on an imagined experience (for example, how your life would be if you had been born into different circumstances). While you don’t need to present a thesis statement or scholarly evidence, a narrative essay still needs to be well-structured and clearly organized so that the reader can follow your story.

When you might be asked to write a narrative essay

Although less popular than argumentative essays or expository essays, narrative essays are relatively common in high school and college writing classes.

The same techniques that you would use to write a college essay as part of a college or scholarship application are applicable to narrative essays, as well. In fact, the Common App that many students use to apply to multiple colleges asks you to submit a narrative essay.

How to choose a topic for a narrative essay

When you are asked to write a narrative essay, a topic may be assigned to you or you may be able to choose your own. With an assigned topic, the prompt will likely fall into one of two categories: specific or open-ended.

Examples of specific prompts:

• Write about the last vacation you took.
• Write about your final year of middle school.

Examples of open-ended prompts:

• Write about a time when you felt all hope was lost.
• Write about a brief, seemingly insignificant event that ended up having a big impact on your life.

A narrative essay tells a story and all good stories are centered on a conflict of some sort. Experiences with unexpected obstacles, twists, or turns make for much more compelling essays and reveal more about your character and views on life.

If you’re writing a narrative essay as part of an admissions application, remember that the people reviewing your essay will be looking at it to gain a sense of not just your writing ability, but who you are as a person.

In these cases, it’s wise to choose a topic and experience from your life that demonstrates the qualities that the prompt is looking for, such as resilience, perseverance, the ability to stay calm under pressure, etc.

It’s also important to remember that your choice of topic is just a starting point. Many students find that they arrive at new ideas and insights as they write their first draft, so the final form of your essay may have a different focus than the one you started with.

How to outline and format a narrative essay

Even though you’re not advancing an argument or proving a point of view, a narrative essay still needs to have a coherent structure. Your reader has to be able to follow you as you tell the story and to figure out the larger point that you’re making.

You’ll be evaluated on is your handling of the topic and how you structure your essay. Even though a narrative essay doesn’t use the same structure as other essay types, you should still sketch out a loose outline so you can tell your story in a clear and compelling way.

To outline a narrative essay, you’ll want to determine:

• how your story will start
• what points or specifics that you want to cover
• how your story will end
• what pace and tone you will use

In the vast majority of cases, a narrative essay should be written in the first-person, using “I.” Also, most narrative essays will follow typical formatting guidelines, so you should choose a readable font like Times New Roman in size 11 or 12. Double-space your paragraphs and use 1” margins.

To get your creative wheels turning, consider how your story compares to archetypes and famous historical and literary figures both past and present. Weave these comparisons into your essay to improve the quality of your writing and connect your personal experience to a larger context.

How to write a narrative essay

Writing a narrative essay can sometimes be a challenge for students who typically write argumentative essays or research papers in a formal, objective style. To give you a better sense of how you can write a narrative essay, here is a short example of an essay in response to the prompt, “Write about an experience that challenged your view of yourself.”

Narrative essay example

Even as a child, I always had what people might call a reserved personality. It was sometimes framed as a positive (“Sarah is a good listener”) and at other times it was put in less-than-admiring terms (“Sarah is withdrawn and not very talkative”). It was the latter kind of comments that caused me to see my introverted nature as a drawback and as something I should work to eliminate. That is, until I joined my high school’s student council.

The first paragraph, or introduction, sets up the context, establishing the situation and introducing the meaningful event upon which the essay will focus.

The other four students making up the council were very outspoken and enthusiastic. I enjoyed being around them, and I often agreed with their ideas. However, when it came to overhauling our school’s recycling plan, we butted heads. When I spoke up and offered a different point of view, one of my fellow student council members launched into a speech, advocating for her point of view. As her voice filled the room, I couldn’t get a word in edgewise. I wondered if I should try to match her tone, volume, and assertiveness as a way to be heard. But I just couldn’t do it—it’s not my way, and it never has been. For a fleeting moment, I felt defeated. But then, something in me shifted.

In this paragraph, the writer goes into greater depth about how her existing thinking brought her to this point.

I reminded myself that my view was valid and deserved to be heard. So I waited. I let my fellow council member speak her piece and when she was finished, I deliberately waited a few moments before calmly stating my case. I chose my words well, and I spoke them succinctly. Just because I’m not a big talker doesn’t mean I’m not a big thinker. I thought of the quotation “still waters run deep” and I tried to embody that. The effect on the room was palpable. People listened. And I hadn’t had to shout my point to be heard.

This paragraph demonstrates the turn in the story, the moment when everything changed. The use of the quotation “still waters run deep” imbues the story with a dash of poetry and emotion.

We eventually reached a compromise on the matter and concluded the student council meeting. Our council supervisor came to me afterward and said: “You handled that so well, with such grace and poise. I was very impressed.” Her words in that moment changed me. I realized that a bombastic nature isn't necessarily a powerful one. There is power in quiet, too. This experience taught me to view my reserved personality not as a character flaw, but as a strength.

The final paragraph, or conclusion, closes with a statement about the significance of this event and how it ended up changing the writer in a meaningful way.

Narrative essay writing tips

1. pick a meaningful story that has a conflict and a clear “moral.”.

If you’re able to choose your own topic, pick a story that has meaning and that reveals how you became the person your are today. In other words, write a narrative with a clear “moral” that you can connect with your main points.

2. Use an outline to arrange the structure of your story and organize your main points.

Although a narrative essay is different from argumentative essays, it’s still beneficial to construct an outline so that your story is well-structured and organized. Note how you want to start and end your story, and what points you want to make to tie everything together.

3. Be clear, concise, concrete, and correct in your writing.

You should use descriptive writing in your narrative essay, but don’t overdo it. Use clear, concise, and correct language and grammar throughout. Additionally, make concrete points that reinforce the main idea of your narrative.

4. Ask a friend or family member to proofread your essay.

No matter what kind of writing you’re doing, you should always plan to proofread and revise. To ensure that your narrative essay is coherent and interesting, ask a friend or family member to read over your paper. This is especially important if your essay is responding to a prompt. It helps to have another person check to make sure that you’ve fully responded to the prompt or question.

Frequently Asked Questions about narrative essays

A narrative essay, like any essay, has three main parts: an introduction, a body and a conclusion. Structuring and outlining your essay before you start writing will help you write a clear story that your readers can follow.

The first paragraph of your essay, or introduction, sets up the context, establishing the situation and introducing the meaningful event upon which the essay will focus.

In the vast majority of cases, a narrative essay should be written in the first-person, using “I.”

The 4 main types of essays are the argumentative essay, narrative essay, exploratory essay, and expository essay. You may be asked to write different types of essays at different points in your education.

Most narrative essays will be around five paragraphs, or more, depending on the topic and requirements. Make sure to check in with your instructor about the guidelines for your essay. If you’re writing a narrative essay for a college application, pay close attention to word or page count requirements.

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5 Compare and Contrast Essay Examples (Full Text)

A compare and contrast essay selects two or more items that are critically analyzed to demonstrate their differences and similarities. Here is a template for you that provides the general structure:

A range of example essays is presented below.

Compare and Contrast Essay Examples

#1 jean piaget vs lev vygotsky essay.

1480 Words | 5 Pages | 10 References

(Level: University Undergraduate)

Thesis Statement: “This essay will critically examine and compare the developmental theories of Jean Piaget and Lev Vygotsky, focusing on their differing views on cognitive development in children and their influence on educational psychology, through an exploration of key concepts such as the role of culture and environment, scaffolding, equilibration, and their overall implications for educational practices..”

#2 Democracy vs Authoritarianism Essay

Thesis Statement: “The thesis of this analysis is that, despite the efficiency and control offered by authoritarian regimes, democratic systems, with their emphasis on individual freedoms, participatory governance, and social welfare, present a more balanced and ethically sound approach to governance, better aligned with the ideals of a just and progressive society.”

#3 Apples vs Oranges Essay

1190 Words | 5 Pages | 0 References

(Level: 4th Grade, 5th Grade, 6th Grade)

Thesis Statement: “While apples and oranges are both popular and nutritious fruits, they differ significantly in their taste profiles, nutritional benefits, cultural symbolism, and culinary applications.”

#4 Nature vs Nurture Essay

1525 Words | 5 Pages | 11 References

(Level: High School and College)

Thesis Statement: “The purpose of this essay is to examine and elucidate the complex and interconnected roles of genetic inheritance (nature) and environmental influences (nurture) in shaping human development across various domains such as physical traits, personality, behavior, intelligence, and abilities.”

#5 Dogs vs Cats Essay

1095 Words | 5 Pages | 7 Bibliographic Sources

(Level: 6th Grade, 7th Grade, 8th Grade)

Thesis Statement: “This essay explores the distinctive characteristics, emotional connections, and lifestyle considerations associated with owning dogs and cats, aiming to illuminate the unique joys and benefits each pet brings to their human companions.”

How to Write a Compare and Contrast Essay

I’ve recorded a full video for you on how to write a compare and contrast essay:

Get the Compare and Contrast Templates with AI Prompts Here

In the video, I outline the steps to writing your essay. Here they are explained below:

1. Essay Planning

First, I recommend using my compare and contrast worksheet, which acts like a Venn Diagram, walking you through the steps of comparing the similarities and differences of the concepts or items you’re comparing.

I recommend selecting 3-5 features that can be compared, as shown in the worksheet:

Grab the Worksheet as Part of the Compare and Contrast Essay Writing Pack

2. Writing the Essay

Once you’ve completed the worksheet, you’re ready to start writing. Go systematically through each feature you are comparing and discuss the similarities and differences, then make an evaluative statement after showing your depth of knowledge:

Get the Rest of the Premium Compare and Contrast Essay Writing Pack (With AI Prompts) Here

How to Write a Compare and Contrast Thesis Statement

Compare and contrast thesis statements can either:

• Remain neutral in an expository tone.
• Prosecute an argument about which of the items you’re comparing is overall best.

To write an argumentative thesis statement for a compare and contrast essay, try this AI Prompts:

💡 AI Prompt to Generate Ideas I am writing a compare and contrast essay that compares [Concept 1] and [Concept2]. Give me 5 potential single-sentence thesis statements that pass a reasonable judgement.

Ready to Write your Essay?

Take action! Choose one of the following options to start writing your compare and contrast essay now:

Read Next: Process Essay Examples

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Ultimate Guide to Writing Your College Essay

Tips for writing an effective college essay.

College admissions essays are an important part of your college application and gives you the chance to show colleges and universities your character and experiences. This guide will give you tips to write an effective college essay.

Want free help with your college essay?

UPchieve connects you with knowledgeable and friendly college advisors—online, 24/7, and completely free. Get 1:1 help brainstorming topics, outlining your essay, revising a draft, or editing grammar.

Writing a strong college admissions essay

Learn about the elements of a solid admissions essay.

Avoiding common admissions essay mistakes

Learn some of the most common mistakes made on college essays

Brainstorming tips for your college essay

Stuck on what to write your college essay about? Here are some exercises to help you get started.

How formal should the tone of your college essay be?

Learn how formal your college essay should be and get tips on how to bring out your natural voice.

Taking your college essay to the next level

Hear an admissions expert discuss the appropriate level of depth necessary in your college essay.

Student Stories

Student Story: Admissions essay about a formative experience

Get the perspective of a current college student on how he approached the admissions essay.

Student Story: Admissions essay about personal identity

Get the perspective of a current college student on how she approached the admissions essay.

Student Story: Admissions essay about community impact

Student story: admissions essay about a past mistake, how to write a college application essay, tips for writing an effective application essay, sample college essay 1 with feedback, sample college essay 2 with feedback.

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Handling Two Stories At One Time

Joyce Maynard

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Lesson Info

15. Handling Two Stories At One Time

Class introduction, a short story about a big idea, what do you want to write about, look what you can do with 806 words, stories of change, big ideas to small stories, when you have too many stories, writing about loss & exploring secrets, 1 story 5 ways, deconstructing an example essay, the importance of language, my favorite writing tool, choose your words carefully, what's wrong with being shameless, the opening and landing place, finding the through story, picking the story you should tell, how i write a personal essay, 'letting it fly' - workshopping joyce's personal essay, the privacy question.

I'm going to look at the story of one of the members of our audience here. I grew up with strong patriotic notions having been raised in a military family. My dad was invited into the US Navy after guerrilla fighting as a teen during the Japanese occupation of the Philippines during World War II. Wow, and that opened the doors for my family to come to America. My older siblings-- I have a brother 10 years my senior and a sister who is three years older than me-- were born in the Philippines. I was the first child born in the states, just a few miles from where my dad worked. Incidentally, that's where her story begins. Everything before this, as interesting as it is, happened before she was born, and it's for them to tell the memoir of that story. She can tell the story of being the daughter of that dad, the sister of those siblings, but her story begins as the first child born in the states. That's a big piece, I'm guessing, of Edna's identity. Just a few miles from where my dad worke...

d at the WH. I assume that's White House. Is that what that is? Yes, whoa. Storytelling is a significant facet of my life as is evident with my lifelong hobbies turned careers as a professional dancer in the highly narrative form from Hawaii, the hula, and as an artist/writer teaching specialist in the schools. I believe that my story as a Filipino-American is an important tale worth telling in an era in which immigrants are misrepresented, misunderstood, and treated horribly. I believe my story is an American tale that transcends the color of my skin and my outward appearance. Where is the most concrete information in this story? Where is the picture in this story? Anybody wanna take a guess? You're veterans of several hours of classes at this point. Well, it's the hula, of course. It's that word hula. In between, we've got White House and Japanese occupation and guerrilla fighting and all kinds of big, really interesting stories, big stories. The nice little container is right in the middle, hula, and that's, Edna, where I would love to see you start with a personal essay. And, of course, I always have to qualify because nobody should write any personal essay because I say it. Does that appeal to you at all? I guess, yeah. It is a huge subject for me, the hula itself. The hula. So, even hula, it's not like hula is small for Edna. Hula might look this big for us, but it's this big for you, right? How do we take a big subject like that? Remember when we were talking to Kati about the extraordinary love affair over the, over 35 years? How they met, that's a pretty safe beginning. How you first met hula. How did you first encounter the hula? You're not from Hawaii. I started hula when I was a teenager and I danced in a hula group. Whoa, whoa, whoa, you're jumping way too quick. I danced in a hula group. How did you begin? Everybody's doing this, jumping ahead. Don't... Take your time with this. What was the moment, when did you first see hula? When were you first aware of hula? When did you first put on that skirt? Oh, okay, then I should backtrack. Yes! (laughing) I visited my brother who was living in Hawaii at the time. He was in the military, and... Do you feel what just happened? The whole story shifts. Now, we've got a character going to a place. Continue. And I fell in love with the hula when I was there. Okay, fell in love with the hula. Can we see that? Oh, no, we can't. No, no, no. What's the scene? How did you fall in love with the hula? Well, I... We stayed in the plantation with some friends. We woke up with the roosters, and they lived in the plantation housing, and the girl, she's a good friend of my sister who lived in Hawaii too with my brother, and we went with her to her halau, her school of hula. And that was... Any particular reason why you went to the hula school? Just to hang out. Just to hang out. You didn't have any passion to learn the hula? Not necessarily. We were visitors, we were guests with her. Were you dancer before this? I was, I was a dancer. You were a dancer. Yeah. And, but this was not your culture, this was just... You were just dropping in on the school, and what... Describe seeing that very first hula. I'm sure you've seen hundreds, maybe thousands of hula performances, and you have yourself participated in them. Tell me what you remember of that very first. What was it? I mean, I'm sure you've seen the ballet, you've seen modern dance. What was it about the hula? It was the combination of expression and the movement, it was... Tell me what she did with her body. Well, it was... It was a group of dancers communicating expressively at the same time to the music. Communicating, can't see it. Expressively, this is my annoying self. Okay. Hammering away at you. It made my heart move to see... Describe what she did with her body. Okay. Come on up here. (laughing) You're a hula dancer. I'm not gonna do hula in front of this crowd. Come on up here. Okay, I will describe. This is my first vision of hula. Okay, well, this is a basic movement in hula. It's the hala. Okay, so you saw her... Beautiful. Do a little bit more. Okay. (laughing) This is the kaholo. Okay, whoa, okay. So, now there's a thing with the hips, and I, if I had more time and I were able, I'd wanna study you doing the hula for a while. I would want to talk very specifically about the thing with the hips, and you're not just looking at the thing with the hips and saying that's a really interesting thing with the hips, you want to do that with your hips, right? That's what I feel when I see you. I think whoa, that must feel good being able to do that, especially if you're a, what, 16-year-old girl, 15-year-old girl? Yeah, 15. Yeah, yeah, and a tall girl and a girl who loves to dance. When did you start to actually learn it? Soon as I got back. As soon as she got back. So, now we have what we want. I hope you don't feel put on the spot, but it was so beautiful. I feel lucky. You can sit down now, that's okay. Now we have, instead of this abstract concept of expression, cultural (mumbling), we have a girl, 15-year-old girl, who sees somebody... I won't do it, I won't, I can't do it. And we see her with a quest as soon as she got home, and where was home at that point? Back to the Bay Area. The Bay Area, not a noted hula center, probably. So, was it easy finding a hula teacher? Actually, a classmate was telling other students at school that there was a halau opening up, and I was one of the first students. Okay, now I don't know the landing place of this story, Edna, but this, now we have a story. And is there anybody who doesn't feel the difference between where it was and where it is now? What has hula, I said earlier, that the... An essential element of the personal essay is that it take us somewhere, and it's not just gonna take you to I used to not know the hula, now I know the hula. What has the hula given you? Well, the hula is a narrative form so it allows me to tell a story and... (mumbling) And how interesting that you're at a storytelling workshop and you know how to tell a story with your body, and you're learning how to tell a story with words. I'd like just the opposite. I'd like to learn the hula, actually. In fact, I think this is my last day as a teacher of writing. I'm just gonna give it all up and study hula. So, you get to tell a story. What are some of the stories you can tell or have told in hula? Think about, in fact, I won't say some of the stories 'cause you already know. Instead of a big group, choose one. What's a story you have... Have you lost a parent yet? Yes, I have. I've lost two. You've lost both your parents. Have you... Do you dance your stories of your life? Yeah, they're contained. I'm using your word. They're contained in the songs that I learn as hula dancer with a company. I danced in a company in San Francisco. Yes, what's the name of the company? Nā Lei Hulu Ka Wekiu. So, we... When we dance together, we personalize the songs and so, there's some personal stories for me coming through that. So, have you danced the death of your mother? I've danced a love song to her. A love song to her, yeah. And did the audience know that you were doing that when you did that? I think they could feel it. I think they could feel it on that level. Yeah, is there one night, one performance, that stands out for you as a hula dancer? As a dancer of hula, I'm guessing that's the way to say it. Yeah. And what night is that? It's dancing with the rest of my hula sisters, all of us on stage, and it's dancing to Roberta Flack's First Time Ever I Saw Your Face. So, we, in our group, we danced hula mua, and that means hula moving forward, and that's a term that the director of the company uses. Using non-traditional hula music for a hula dance, and when you danced The First Time Ever I Saw Your Face, whose face were you thinking of? I was thinking of my mom's. Yeah, there is a container. And my dad, too. It is... How recently had your mother and father died when you danced? Well, my father died when I was very young. My mother died in 2010. And when, how old were you when your mother died? Well, that was later. I have to say, I hadn't seen my mom in a long time. So, she was living in another country. Does that feel like part of the story? Yes. Had you become alienated from your mother? No, I just couldn't visit her. You couldn't visit her. So, there was trouble in some way. Yeah. Yeah. It wasn't just logistical, it wasn't that you didn't have the money for a plane ticket. Yeah, it was... There was something else. There were some challenges. Yes, so, does that feel as if it belongs? Absolutely, and if we had the time that we don't have to work on the whiteboard, Edna, I would have a couple of columns, and one would be mother and the other would be hula. And it would all come down to the Roberta Flack song The First Time Ever. How... And it would include the fact that you didn't see her, and I'd wanna know what preceded that. So, you were not there when she died? No. You got a phone call? But I did see... I did see her the year before she died. See her, The First Time Ever I Saw Your Face, and you had not seen her face for a while, but you had seen her for the first time in a long time not long before that, right? What were the circumstances of seeing her? She was very ill. Okay, didn't see her for a long time, then you did see her, then you learned she died. How long after her death did you perform that song? Actually, that was while I was... That was while she was alive. I was missing her. You were missing her. That's... That is a personal essay if ever there was one, and we will certainly hear about the hula, but it is not an essay about the hula. The hula is the lens through which we explore the story of you and your mother, and notice what's not there that are very rich in important studies. The guerrilla fighting, the first child in the family to be born in this country. Guerrilla fighting she only knows through hearsay, through stories, which is not the best way. In fact, not a good way, I would say, for you to focus for your own storytelling, but you are the daughter of that person. You're the daughter of somebody who... And I'm sure that shaped you enormously, and all of those are stories for you to tell, but first tell this one. Thank you. Thank you for this. I didn't wanna put you on the spot, but I just, (clapping) I couldn't resist. Keep it concrete. Hula, very concrete. I mean, it's also a whole idea and an art form, but it was very concrete. Keep it simple. This point, I'm going to read you the little bio of a member of our group, Bambi. (laughing) I grew up in the Owens Valley. This is okay, right, Bambi? Yeah. Yeah. It's too late now. (laughing) No, I don't mean that if you said no. My firstborn son in named Cameron Whitney after Mount Whitney as it is near where he was born. I want to write about the three letters my daughter wrote to her brothers and me before she took her life. In what others often call a selfish act of suicide, she did the most unselfish thing. During her most painful moments, she lovingly told each one of us what we would need to be able to take the next breath. My mother raised three boys and a girl in a small mountain town in the chaos of a messy house. Look what just happened. We just heard about Bambi's daughter taking her own life and writing the letters before she did it. Very, very generous thing for a person in that level of distress and pain to do, and now we go back to her mother, new paragraph. My mother raised three boys and a girl in a small mountain town in the chaos of a messy house, often bare cupboards, laundry piled high, until we were old enough to take care of these things ourselves, but our lives were full of love, creativity, art, sports, music, humor, gratefulness, belly laughs, and we loved in a wonderful... lived in a wonderful home. Well, you know that I would do some work on all of that, but that's for another day. In the 60s, our mother wrote a weekly column for the local newspaper titled What A Woman Thinks. I love the title of that column. The memoir about my mother is ongoing, poignant, humorous, loving, painful, all the things that make a family real, and the many encounters we experienced with celebrities we thought happened to all families in all small towns like Mammoth Lakes. I wanted to mention that because I just wanna say forget the celebrities, I'm... Who are we more interested in? What famous person Bambi met at, you know, that hotel in... What is that hotel, it's a great... Where all the western movies were filmed? I know you know it. (audience member mumbles) Yes, anyway. Well, anyway, who are we more interested in, a brief encounter with John Wayne at a diner or Bambi's life? Obviously, Bambi's life. Okay. I dance every night under the stars, rain or shine. I started doing it honor my daughter now. To honor my daughter. Now, I do it for her and my boys and daughter-in-law even though they don't know. If we just saw a scene from a movie, Bambi, she is not Edna, she's not trained as a dancer, she doesn't belong to a professional troupe, she doesn't have an audience, she's not up on stage, she is alone in the darkness, under the stars, dancing alone to honor her daughter. And I'm not gonna make you come up and do your dance, Bambi, but it is every bit as beautiful as Edna's dance, and it is concrete, it is a scene, and it is a container for an almost uncontainable amount of grief and pain. Even though they don't know. If anyone every looked through my fences, yikes. My life is underscored... This is a new topic, but I wanted to mention this one too. My life is underscored by Beatle lyrics. They are officially listed as my religion at Kaiser. Don't you love this woman? (laughing) I am a polyana by nature. The first album I bought was the soundtrack to the Unsinkable Molly Brown. I remember that too, Debbie Reynolds. Then Meet The Beatles, and this lifelong part of me struggles daily with the new part of me that will forever live with a mother's broken heart. There's a lot in here, and obviously, there's too much for one personal essay, but in a way, it can almost all be there. So, we've got happy home. One of the rarest things to find in a memoir workshop, may I add, a happy childhood, and optimistic nature and unsinkable. How many people have seen Unsinkable Molly Brown? It is the quintessential optimist's movie. Sing me a couple of bars of one of those songs. ♪ Belly up to the bar, boys ♪ ♪ Only drink when you're all alone or with some ♪ I can't say the rest of that line. Okay, belly up to... (laughing) Perfect, perfect, and Molly Brown had plenty of challenges, but she didn't let them get her down. Does that sound like anybody we have here before us in this room? I am going to... You know, sometimes you have really good stories that don't belong in your story. Witness Dianne's, what Dianne wrote about Mutual of Omaha Wild Kingdom and how angry she was at Jerry Lewis for preempting her animal show. Great story that didn't belong there. Listing The Beatles as her religion? Great, but not for today. For today, it's Unsinkable Molly Brown. So, we get a picture, pretty clearly, of a woman who grows up in a small town. House is messy, cupboards were bare, but does anybody feel sorry for her about her childhood? I want that childhood, that sounds just great. Optimistic nature, we can always over... Incidentally, how old were you? I'm guessing we're about the same age. How old were you when Unsinkable Molly Brown came out? Do you remember seeing that movie? I think I was 12. Did it come to Lone Pine or... It came to Bishop. To Bishop, okay. We had to drive a long way. Okay, so you drove to see that, and in the same way that I wanted to hear how Edna encountered hula, I might want... When you dance out alone under the stars, do you sing as well? In my head. Sometimes I take music out there and do, but I just usually sing in my head. You take music, like you take a portable stereo or something? I used to, but then I was afraid the neighbors would look through to see what was going on. But you have done that. You have actually brought a boombox out there. (mumbling) This is why I love memoir, you know? We can't... I'm a fiction writer, I've got a good imagination, but I cannot invent scenes better than your lives. And you were sitting there thinking that you had to tell us about the celebrities you met? You know, who among them has done this? Okay, so this is who... This is our curtain goes up person, and her whole history of what a family was was happy, things go well. You don't have money, you don't have some other stuff, but it's okay. And you have how many children? Three. Three, and your daughter was where in the order? She was second. Second, and can you tell us her name? Kenna. Kenna. Would you... Would you have known from Kenna's childhood that this... Could you ever have imagined that Kenna would take her life? No. No. Before the incident that caused it, it was unthinkable for her, for any of us. It was something we all thought, like many people, that it was cowardly, that it's something you would never do. Did you know anybody who ever took their life? No. No. You lived in a small town happy world, and the big dramas were like shoot 'em up in the movies or.. Yeah. Yeah, and may I ask you what changed? She was gang raped when she was 17 by four men that came to our house, and she lived until she was 30. She was very independent, always worked, always took care of herself, but things had greatly changed after that, and she, you know, she had a lot of counseling and a lot of help, but and then she also became sick and couldn't take care of herself, couldn't work the last year. Sick, mentally ill sick? And that changed for her. Physically, she became sick, and when she couldn't work and be independent, things changed for her, and that's part of the letter writing. Okay, this is a lot for one essay, but I'm maybe gonna surprise you and say that I actually think you can tell these. There is life before. When there is life before things, before the terrible event that changed Kenna's life. So, then there's life when you were the daughter and the happy family, and then there's the life of you as the mother of a happy family, right? Married to her father or not? We were divorced, but we still raised our kids together. But even all those things... My parents got divorced too, but still, my unsinkable... I call those get-overables. Get-overables, okay. Those are all things you can get over. This is an example of the kind of thing I would write on the whiteboard. Get-overables, I love that. Those are all get-overables, Kenna is not. You know, you move beyond. She's never gonna be a get-overable. I wanna hear that word, get-overable, early on because I'm gonna hear it at the end as the thing that is, the first... Was anything ever a not get-overable before? I lost my eyesight in my right eye when I was 12, also about that same time of Unsinkable Molly Brown, but the way my mom handled it and the way my family handled it, it was a get-overable. That actually does belong because that's an early experience of a loss, only that was a get-overable loss. Loss of sight in one eye, a get overable. Okay, so then you marry, the divorce, get-overable. Definitely. (laughing) Get-overable. Yeah, I mean, your parents' divorce and then your divorce, and then there is the rape. You know, I haven't talked much about proportion, but we do not need to give equal or huge proportion to all of these things. We can actually quite, in the same way that, I'll go back again to Johnathan Lethan, half a sentence, seizures, diagnosis, unsuccessful surgeries. We can jump pretty quickly to she was not okay again. She was really never okay again, and we probably need just a very couple of, a very few images, three. Kenna, at 18, she.. Or maybe she was okay for a while and then less okay, but maybe three images, and then she took her life. Now... And it is the not get-overable, but it is also true... Remember I said early on, it's not necessarily a happy ending, but I look always for redemption, and actually, it's not hard to find it with you, Bambi. She dances, and that's the redemption that she carries on, that she was not destroyed by it. Bambi dances, and I... I, more and more in my writing, I do not feel a need to offer any big conclusive sentences, but I choose very carefully what the image is that I wanna leave you with, and the image I want you to leave me with, and I actually don't think this is manipulating the truth, I think this is your truth, is you... Yes, it is a not get-overable.. No, you will never, your heart will never be the same again, but you still dance, and it's Bambi under the stars with her boombox. Well, and part of that is because Kenna asked us not to let her life become our life, and to honor that, we have to do that because one thing I took from that was that she always tried to make everyone happy and she always wanted us to be happy, and why wouldn't she still want that? Yes. And that's a... That was a big moment for me when I finally got that. Why wouldn't she still want that? And now I'm gonna tell you one thing I don't want you to do. I love it, I love it that Kenna wrote those letters. You are not allowed... What am I gonna do, I'm not gonna be able to stop you, but I don't want your essay to be Kenna's three letters. Those were Kenna's voice and they were Kenna's voice talking to you, and you are talking to us. And you're maybe coincidentally, and I'm sure John can tell you more about this, talking to other parents who have lost a child. So, Kenna's voice was for you. That's her gift to you, and this story is your gift to us, and it'll be a gift to you to write it, too, but you cannot seed the floor to Kenna. It is your story, and it is a gorgeous story, and I don't know if... I don't ever wanna create false bookends if they aren't, but whatever the piece of music It]s, if it happens that you dance to Unsinkable Molly Brown, great, but what do you dance to? It's different every time. Sometimes it's her songs, sometimes it's a Beatles song, sometimes it's Eric Clapton. Great, and actually I love that better because it's not as neat, it's not as perfect. And sometimes it's Bob Dylan It's everything. Yeah, it is (laughs). That's great, and I want you to be very specific. I want you to name three songs. It might be, you know, sometimes it's this, sometimes it's this, sometimes it's this, and sometimes I don't even play any music 'cause I don't want the neighbors to hear, but the songs are going on in my head, and that's... You've got... And that, actually, she can do all of that in 1700 words, possibly less.

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Ratings and reviews, a creativelive student.

Wonderful high points from this class for me: - Very generous analysis of one critical scene in At Home in the World - super gripping and a good scaffolding of how the scene works - Lovely and generous live critiques of her students’ work - first sentences shown on a projected screen. Maynard does a great job procuring from the students why the information is important, what the material means, how they can stretch themselves as writers. - Helping the students to identify a theme that runs throughout their stories is very actionable and is certainly something I took away from this class as I could see how one susses it out from an ordinary paragraph full of sequential events and other information. - The way Maynard shows how she categorized themes for her memoir The Best of Us was an excellent tactical show-and-tell. The pricepoint for the class, roughly $150, seems more than fair given the material, the rare and intimate looks Maynard offers on her own writing and the coaching she does for several writers in various stages of memoir writing. The course contains 25 live lessons — that’s just over $5/lesson with a master teacher. The added benefit of being able to rewatch the videos makes CreativeLive such an excellent venue and I am considering purchasing Maynard’s Personal Essay course next.

This was an excellent course on so many levels. Joyce's way of imparting her knowledge with such verve and humor really captivated all of us. Ii was so thrilled to work with her one-on-one and the way she helped me develop my story via her whiteboard really helped me see how I can get started on it. She is truly inspiring and I loved her insights and guidelines.

Anne Caverhill

Highly recommend this class, not only for the insights about writing and some of the technical information as to why something does or doesn’t work—but I would recommend this for anyone who loves stories. There was so much depth to the participants stories and I loved how Joyce M gently takes them apart and asks probing questions, almost like a good therapist. Well. Maybe that is what good writing is all about anyway. Facing and getting at and then writing those emotional truths as she puts it. Joyce Maynard is the queen of making that happen. Take this course.

Student Work

Related classes, wired for story: how to become a story genius, writing your story, write your book: start strong and get it done, related articles.

The short story is a fiction writer’s laboratory: here is where you can experiment with characters, plots, and ideas without the heavy lifting of writing a novel. Learning how to write a short story is essential to mastering the art of storytelling . With far fewer words to worry about, storytellers can make many more mistakes—and strokes of genius!—through experimentation and the fun of fiction writing.

Nonetheless, the art of writing short stories is not easy to master. How do you tell a complete story in so few words? What does a story need to have in order to be successful? Whether you’re struggling with how to write a short story outline, or how to fully develop a character in so few words, this guide is your starting point.

Famous authors like Virginia Woolf, Haruki Murakami, and Agatha Christie have used the short story form to play with ideas before turning those stories into novels. Whether you want to master the elements of fiction, experiment with novel ideas, or simply have fun with storytelling, here’s everything you need on how to write a short story step by step.

The Core Elements of a Short Story

There’s no secret formula to writing a short story. However, a good short story will have most or all of the following elements:

• A protagonist with a certain desire or need. It is essential for the protagonist to want something they don’t have, otherwise they will not drive the story forward.
• A clear dilemma. We don’t need much backstory to see how the dilemma started; we’re primarily concerned with how the protagonist resolves it.
• A decision. What does the protagonist do to resolve their dilemma?
• A climax. In Freytag’s Pyramid , the climax of a story is when the tension reaches its peak, and the reader discovers the outcome of the protagonist’s decision(s).
• An outcome. How does the climax change the protagonist? Are they a different person? Do they have a different philosophy or outlook on life?

Of course, short stories also utilize the elements of fiction , such as a setting , plot , and point of view . It helps to study these elements and to understand their intricacies. But, when it comes to laying down the skeleton of a short story, the above elements are what you need to get started.

Note: a short story rarely, if ever, has subplots. The focus should be entirely on a single, central storyline. Subplots will either pull focus away from the main story, or else push the story into the territory of novellas and novels.

The shorter the story is, the fewer of these elements are essentials. If you’re interested in writing short-short stories, check out our guide on how to write flash fiction .

How to Write a Short Story Outline

Some writers are “pantsers”—they “write by the seat of their pants,” making things up on the go with little more than an idea for a story. Other writers are “plotters,” meaning they decide the story’s structure in advance of writing it.

You don’t need a short story outline to write a good short story. But, if you’d like to give yourself some scaffolding before putting words on the page, this article answers the question of how to write a short story outline:

https://writers.com/how-to-write-a-story-outline

How to Write a Short Story Step by Step

There are many ways to approach the short story craft, but this method is tried-and-tested for writers of all levels. Here’s how to write a short story step by step.

1. Start With an Idea

Often, generating an idea is the hardest part. You want to write, but what will you write about?

What’s more, it’s easy to start coming up with ideas and then dismissing them. You want to tell an authentic, original story, but everything you come up with has already been written, it seems.

Here are a few tips:

• Originality presents itself in your storytelling, not in your ideas. For example, the premise of both Shakespeare’s A Midsummer Night’s Dream and Ostrovsky’s The Snow Maiden are very similar: two men and two women, in intertwining love triangles, sort out their feelings for each other amidst mischievous forest spirits, love potions, and friendship drama. The way each story is written makes them very distinct from one another, to the point where, unless it’s pointed out to you, you might not even notice the similarities.
• An idea is not a final draft. You will find that exploring the possibilities of your story will generate something far different than the idea you started out with. This is a good thing—it means you made the story your own!
• Experiment with genres and tropes. Even if you want to write literary fiction , pay attention to the narrative structures that drive genre stories, and practice your storytelling using those structures. Again, you will naturally make the story your own simply by playing with ideas.

If you’re struggling simply to find ideas, try out this prompt generator , or pull prompts from this Twitter .

2. Outline, OR Conceive Your Characters

If you plan to outline, do so once you’ve generated an idea. You can learn about how to write a short story outline earlier in this article.

If you don’t plan to outline, you should at least start with a character or characters. Certainly, you need a protagonist, but you should also think about any characters that aid or inhibit your protagonist’s journey.

When thinking about character development, ask the following questions:

• What is my character’s background? Where do they come from, how did they get here, where do they want to be?
• What does your character desire the most? This can be both material or conceptual, like “fitting in” or “being loved.”
• What is your character’s fatal flaw? In other words, what limitation prevents the protagonist from achieving their desire? Often, this flaw is a blind spot that directly counters their desire. For example, self hatred stands in the way of a protagonist searching for love.
• How does your character think and speak? Think of examples, both fictional and in the real world, who might resemble your character.

In short stories, there are rarely more characters than a protagonist, an antagonist (if relevant), and a small group of supporting characters. The more characters you include, the longer your story will be. Focus on making only one or two characters complex: it is absolutely okay to have the rest of the cast be flat characters that move the story along.

Learn more about character development here:

https://writers.com/character-development-definition

3. Write Scenes Around Conflict

Once you have an outline or some characters, start building scenes around conflict. Every part of your story, including the opening sentence, should in some way relate to the protagonist’s conflict.

Conflict is the lifeblood of storytelling: without it, the reader doesn’t have a clear reason to keep reading. Loveable characters are not enough, as the story has to give the reader something to root for.

Take, for example, Edgar Allan Poe’s classic short story The Cask of Amontillado . We start at the conflict: the narrator has been slighted by Fortunato, and plans to exact revenge. Every scene in the story builds tension and follows the protagonist as he exacts this revenge.

In your story, start writing scenes around conflict, and make sure each paragraph and piece of dialogue relates, in some way, to your protagonist’s unmet desires.

4. Write Your First Draft

The scenes you build around conflict will eventually be stitched into a complete story. Make sure as the story progresses that each scene heightens the story’s tension, and that this tension remains unbroken until the climax resolves whether or not your protagonist meets their desires.

Don’t stress too hard on writing a perfect story. Rather, take Anne Lamott’s advice, and “write a shitty first draft.” The goal is not to pen a complete story at first draft; rather, it’s to set ideas down on paper. You are simply, as Shannon Hale suggests, “shoveling sand into a box so that later [you] can build castles.”

5. Step Away, Breathe, Revise

Whenever Stephen King finishes a novel, he puts it in a drawer and doesn’t think about it for 6 weeks. With short stories, you probably don’t need to take as long of a break. But, the idea itself is true: when you’ve finished your first draft, set it aside for a while. Let yourself come back to the story with fresh eyes, so that you can confidently revise, revise, revise .

In revision, you want to make sure each word has an essential place in the story, that each scene ramps up tension, and that each character is clearly defined. The culmination of these elements allows a story to explore complex themes and ideas, giving the reader something to think about after the story has ended.

6. Compare Against Our Short Story Checklist

Does your story have everything it needs to succeed? Compare it against this short story checklist, as written by our instructor Rosemary Tantra Bensko.

Below is a collection of practical short story writing tips by Writers.com instructor Rosemary Tantra Bensko . Each paragraph is its own checklist item: a core element of short story writing advice to follow unless you have clear reasons to the contrary. We hope it’s a helpful resource in your own writing.

Update 9/1/2020: We’ve now made a summary of Rosemary’s short story checklist available as a PDF download . Enjoy!

Click to download

How to Write a Short Story: Length and Setting

Your short story is 1000 to 7500 words in length.

The story takes place in one time period, not spread out or with gaps other than to drive someplace, sleep, etc. If there are those gaps, there is a space between the paragraphs, the new paragraph beginning flush left, to indicate a new scene.

Each scene takes place in one location, or in continual transit, such as driving a truck or flying in a plane.

How to Write a Short Story: Point of View

Unless it’s a very lengthy Romance story, in which there may be two Point of View (POV) characters, there is one POV character. If we are told what any character secretly thinks, it will only be the POV character. The degree to which we are privy to the unexpressed thoughts, memories and hopes of the POV character remains consistent throughout the story.

You avoid head-hopping by only having one POV character per scene, even in a Romance. You avoid straying into even brief moments of telling us what other characters think other than the POV character. You use words like “apparently,” “obviously,” or “supposedly” to suggest how non-POV-characters think rather than stating it.

How to Write a Short Story: Protagonist, Antagonist, Motivation

Your short story has one clear protagonist who is usually the character changing most.

Your story has a clear antagonist, who generally makes the protagonist change by thwarting his goals.

(Possible exception to the two short story writing tips above: In some types of Mystery and Action stories, particularly in a series, etc., the protagonist doesn’t necessarily grow personally, but instead his change relates to understanding the antagonist enough to arrest or kill him.)

The protagonist changes with an Arc arising out of how he is stuck in his Flaw at the beginning of the story, which makes the reader bond with him as a human, and feel the pain of his problems he causes himself. (Or if it’s the non-personal growth type plot: he’s presented at the beginning of the story with a high-stakes problem that requires him to prevent or punish a crime.)

The protagonist usually is shown to Want something, because that’s what people normally do, defining their personalities and behavior patterns, pushing them onward from day to day. This may be obvious from the beginning of the story, though it may not become heightened until the Inciting Incident , which happens near the beginning of Act 1. The Want is usually something the reader sort of wants the character to succeed in, while at the same time, knows the Want is not in his authentic best interests. This mixed feeling in the reader creates tension.

The protagonist is usually shown to Need something valid and beneficial, but at first, he doesn’t recognize it, admit it, honor it, integrate it with his Want, or let the Want go so he can achieve the Need instead. Ideally, the Want and Need can be combined in a satisfying way toward the end for the sake of continuity of forward momentum of victoriously achieving the goals set out from the beginning. It’s the encounters with the antagonist that forcibly teach the protagonist to prioritize his Needs correctly and overcome his Flaw so he can defeat the obstacles put in his path.

The protagonist in a personal growth plot needs to change his Flaw/Want but like most people, doesn’t automatically do that when faced with the problem. He tries the easy way, which doesn’t work. Only when the Crisis takes him to a low point does he boldly change enough to become victorious over himself and the external situation. What he learns becomes the Theme.

Each scene shows its main character’s goal at its beginning, which aligns in a significant way with the protagonist’s overall goal for the story. The scene has a “charge,” showing either progress toward the goal or regression away from the goal by the ending. Most scenes end with a negative charge, because a story is about not obtaining one’s goals easily, until the end, in which the scene/s end with a positive charge.

The protagonist’s goal of the story becomes triggered until the Inciting Incident near the beginning, when something happens to shake up his life. This is the only major thing in the story that is allowed to be a random event that occurs to him.

How to Write a Short Story: Characters

Your characters speak differently from one another, and their dialogue suggests subtext, what they are really thinking but not saying: subtle passive-aggressive jibes, their underlying emotions, etc.

Your characters are not illustrative of ideas and beliefs you are pushing for, but come across as real people.

How to Write a Short Story: Prose

Your language is succinct, fresh and exciting, specific, colorful, avoiding clichés and platitudes. Sentence structures vary. In Genre stories, the language is simple, the symbolism is direct, and words are well-known, and sentences are relatively short. In Literary stories, you are freer to use more sophisticated ideas, words, sentence structures and underlying metaphors and implied motifs.

How to Write a Short Story: Story Structure

Your plot elements occur in the proper places according to classical Act Structure so the reader feels he has vicariously gone through a harrowing trial with the protagonist and won, raising his sense of hope and possibility. Literary short stories may be more subtle, with lower stakes, experimenting beyond classical structures like the Hero’s Journey. They can be more like vignettes sometimes, or even slice-of-life, though these types are hard to place in publications.

In Genre stories, all the questions are answered, threads are tied up, problems are solved, though the results of carnage may be spread over the landscape. In Literary short stories, you are free to explore uncertainty, ambiguity, and inchoate, realistic endings that suggest multiple interpretations, and unresolved issues.

Some Literary stories may be nonrealistic, such as with Surrealism, Absurdism, New Wave Fabulism, Weird and Magical Realism . If this is what you write, they still need their own internal logic and they should not be bewildering as to the what the reader is meant to experience, whether it’s a nuanced, unnameable mood or a trip into the subconscious.

Literary stories may also go beyond any label other than Experimental. For example, a story could be a list of To Do items on a paper held by a magnet to a refrigerator for the housemate to read. The person writing the list may grow more passive-aggressive and manipulative as the list grows, and we learn about the relationship between the housemates through the implied threats and cajoling.

How to Write a Short Story: Capturing Reader Interest

Your short story is suspenseful, meaning readers hope the protagonist will achieve his best goal, his Need, by the Climax battle against the antagonist.

Your story entertains. This is especially necessary for Genre short stories.

The story captivates readers at the very beginning with a Hook, which can be a puzzling mystery to solve, an amazing character’s or narrator’s Voice, an astounding location, humor, a startling image, or a world the reader wants to become immersed in.

Expository prose (telling, like an essay) takes up very, very little space in your short story, and it does not appear near the beginning. The story is in Narrative format instead, in which one action follows the next. You’ve removed every unnecessary instance of Expository prose and replaced it with showing Narrative. Distancing words like “used to,” “he would often,” “over the years, he,” “each morning, he” indicate that you are reporting on a lengthy time period, summing it up, rather than sticking to Narrative format, in which immediacy makes the story engaging.

You’ve earned the right to include Expository Backstory by making the reader yearn for knowing what happened in the past to solve a mystery. This can’t possibly happen at the beginning, obviously. Expository Backstory does not take place in the first pages of your story.

Your reader cares what happens and there are high stakes (especially important in Genre stories). Your reader worries until the end, when the protagonist survives, succeeds in his quest to help the community, gets the girl, solves or prevents the crime, achieves new scientific developments, takes over rule of his realm, etc.

Every sentence is compelling enough to urge the reader to read the next one—because he really, really wants to—instead of doing something else he could be doing. Your story is not going to be assigned to people to analyze in school like the ones you studied, so you have found a way from the beginning to intrigue strangers to want to spend their time with your words.

Where to Read and Submit Short Stories

Whether you’re looking for inspiration or want to publish your own stories, you’ll find great literary journals for writers of all backgrounds at this article:

https://writers.com/short-story-submissions

Learn How to Write a Short Story at Writers.com

The short story takes an hour to learn and a lifetime to master. Learn how to write a short story with Writers.com. Our upcoming fiction courses will give you the ropes to tell authentic, original short stories that captivate and entrance your readers.

Rosemary – Is there any chance you could add a little something to your checklist? I’d love to know the best places to submit our short stories for publication. Thanks so much.

Hi, Kim Hanson,

Some good places to find publications specific to your story are NewPages, Poets and Writers, Duotrope, and The Submission Grinder.

“ In Genre stories, all the questions are answered, threads are tied up, problems are solved, though the results of carnage may be spread over the landscape.”

Not just no but NO.

See for example the work of MacArthur Fellow Kelly Link.

[…] How to Write a Short Story: The Short Story Checklist […]

Thank you for these directions and tips. It’s very encouraging to someone like me, just NOW taking up writing.

[…] Writers.com. A great intro to writing. https://writers.com/how-to-write-a-short-story […]

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4.4 COMPOSITION: The Three-Story Thesis

Another way to improve your academic writing is to write a better thesis statement. You already know that a strong thesis statement is more than just naming the topic. It includes some sort of claim, or what the author (in this case, you!) wants to say about the topic. If you can do that, then you are ready to take it a step further by exploring the ideas below.

What makes a good thesis in college?

• A good thesis is arguable.  This means that it’s worth questioning or debating: it’s something with which a reasonable person might disagree. A thesis like “sustainability is important” isn’t at all difficult to argue for, and the reader would have little motivation to read the rest of the paper. However, an arguable thesis like “sustainability policies will fail if they do not include social justice,” brings up some interesting questions. Thus, the arguable thesis makes the reader want to keep reading.
• A good thesis is specific.  Don’t just say that a particular policy is effective or fair; say what makes it so.
• A good thesis includes implications.  In other words, why does it matter? What are the consequences? Why do you care? And why should the reader care?

There are one-story intellects, two-story intellects, and three-story intellects with skylights. All fact collectors who have no aim beyond their facts are one-story men. Two-story men compare, reason, generalize using the labor of fact collectors as their own. Three-story men idealize, imagine, predict—their best illumination comes from above the skylight. — Oliver Wendell Holmes, Sr.   One way to strengthen your thesis statement is to write it as a three-story thesis. Here, when we talk about “story,” we mean “level” or “floor” (like a three-story building). Each “story” builds upon the previous one to make a strong structure. You can think of it this way:

• One-story theses state inarguable facts. What’s the background?
• Two-story theses bring in an arguable (interpretive or analytical) point.  What’s your main idea?
• Three-story theses place that point within its larger, compelling implications. Why does it matter?

For example, imagine you have been assigned a paper about the impact of online learning in higher education. To outline this example:

• First story:  Online learning is becoming more common and takes many different forms.
• Second story:  While most people see it as a transformation of higher education, it is better to think of online learning as an extension of higher education because it reaches learners who do not want to participate —  or cannot participate —  in traditional campus-based education.
• Third story:  Online learning appears to be one way to better integrate higher education with other institutions in society since online learners integrate their educational experiences with other parts of their life, promoting a better flow of ideas between college and the rest of society.
• Final thesis (all three stories combined):  Online  learning is becoming more common and takes many different forms. While most people see it as a transformation of higher education, it is better to think of online learning as an extension of higher education because it reaches learners who do not want to participate — or cannot participate —  in traditional campus-based education. Online learning appears to be one way to better integrate higher education with other institutions in society since online learners integrate their educational experiences with other parts of their life, promoting a better flow of ideas between college and the rest of society.

Here’s another example of a three-story thesis:

• First story:  Edith Wharton did not consider herself a modernist writer, and she did not write like her peers.
• Second story:  However, in her work we can see her thinking about both the questions and forms that fascinated modernist writers of her time. While not a modernist herself, she did engage with modernist themes and questions.
• Third story:  Thus, it is more revealing to think of modernism as a conversation rather than a category or practice.
• Final thesis (all three stories combined):  Edith Wharton did not consider herself a modernist writer, and she did not write like her peers. However, in her work we can see her thinking about both the questions and forms that fascinated modernist writers of her time. While not a modernist herself, she did engage with modernist themes and questions. Thus, it is more revealing to think of modernism as a conversation rather than a category or practice.

Use the following exercise to review what you’ve learned. You can complete this exercise as many times as you want; it is not graded.

Let’s try writing a three-story thesis. Here is a list of one-story theses. Choose one to rewrite. Make it a full three-story thesis (in other words, it should have three sentences).

• Television programming includes content that some find objectionable.
• The percent of children and youth who are overweight or obese has risen in recent decades.
• First-year college students must learn how to independently manage their time.
• The things we surround ourselves with symbolize who we are.

Text adapted from: Guptill, Amy. Writing in College: From Competence to Excellence . 2022. Open SUNY Textbooks, 2016, milneopentextbooks.org/writing-in-college-from-competence-to-excellence/ . Accessed 16 Jan. 2022. CC BY-NC-SA

Image adapted from Tampa, Florida Code of Ordinances .

Synthesis Copyright © 2022 by Timothy Krause is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

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• How to write an essay introduction | 4 steps & examples

How to Write an Essay Introduction | 4 Steps & Examples

Published on February 4, 2019 by Shona McCombes . Revised on July 23, 2023.

A good introduction paragraph is an essential part of any academic essay . It sets up your argument and tells the reader what to expect.

The main goals of an introduction are to:

• Catch your reader’s attention.
• Give background on your topic.
• Present your thesis statement —the central point of your essay.

This introduction example is taken from our interactive essay example on the history of Braille.

The invention of Braille was a major turning point in the history of disability. The writing system of raised dots used by visually impaired people was developed by Louis Braille in nineteenth-century France. In a society that did not value disabled people in general, blindness was particularly stigmatized, and lack of access to reading and writing was a significant barrier to social participation. The idea of tactile reading was not entirely new, but existing methods based on sighted systems were difficult to learn and use. As the first writing system designed for blind people’s needs, Braille was a groundbreaking new accessibility tool. It not only provided practical benefits, but also helped change the cultural status of blindness. This essay begins by discussing the situation of blind people in nineteenth-century Europe. It then describes the invention of Braille and the gradual process of its acceptance within blind education. Subsequently, it explores the wide-ranging effects of this invention on blind people’s social and cultural lives.

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Table of contents

Step 1: hook your reader, step 2: give background information, step 3: present your thesis statement, step 4: map your essay’s structure, step 5: check and revise, more examples of essay introductions, other interesting articles, frequently asked questions about the essay introduction.

Your first sentence sets the tone for the whole essay, so spend some time on writing an effective hook.

Avoid long, dense sentences—start with something clear, concise and catchy that will spark your reader’s curiosity.

The hook should lead the reader into your essay, giving a sense of the topic you’re writing about and why it’s interesting. Avoid overly broad claims or plain statements of fact.

Examples: Writing a good hook

Take a look at these examples of weak hooks and learn how to improve them.

• Braille was an extremely important invention.
• The invention of Braille was a major turning point in the history of disability.

The first sentence is a dry fact; the second sentence is more interesting, making a bold claim about exactly  why the topic is important.

• The internet is defined as “a global computer network providing a variety of information and communication facilities.”
• The spread of the internet has had a world-changing effect, not least on the world of education.

Avoid using a dictionary definition as your hook, especially if it’s an obvious term that everyone knows. The improved example here is still broad, but it gives us a much clearer sense of what the essay will be about.

• Mary Shelley’s  Frankenstein is a famous book from the nineteenth century.
• Mary Shelley’s Frankenstein is often read as a crude cautionary tale about the dangers of scientific advancement.

Instead of just stating a fact that the reader already knows, the improved hook here tells us about the mainstream interpretation of the book, implying that this essay will offer a different interpretation.

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Next, give your reader the context they need to understand your topic and argument. Depending on the subject of your essay, this might include:

• Historical, geographical, or social context
• An outline of the debate you’re addressing
• A summary of relevant theories or research about the topic
• Definitions of key terms

The information here should be broad but clearly focused and relevant to your argument. Don’t give too much detail—you can mention points that you will return to later, but save your evidence and interpretation for the main body of the essay.

How much space you need for background depends on your topic and the scope of your essay. In our Braille example, we take a few sentences to introduce the topic and sketch the social context that the essay will address:

Now it’s time to narrow your focus and show exactly what you want to say about the topic. This is your thesis statement —a sentence or two that sums up your overall argument.

This is the most important part of your introduction. A  good thesis isn’t just a statement of fact, but a claim that requires evidence and explanation.

The goal is to clearly convey your own position in a debate or your central point about a topic.

Particularly in longer essays, it’s helpful to end the introduction by signposting what will be covered in each part. Keep it concise and give your reader a clear sense of the direction your argument will take.

As you research and write, your argument might change focus or direction as you learn more.

For this reason, it’s often a good idea to wait until later in the writing process before you write the introduction paragraph—it can even be the very last thing you write.

When you’ve finished writing the essay body and conclusion , you should return to the introduction and check that it matches the content of the essay.

It’s especially important to make sure your thesis statement accurately represents what you do in the essay. If your argument has gone in a different direction than planned, tweak your thesis statement to match what you actually say.

To polish your writing, you can use something like a paraphrasing tool .

You can use the checklist below to make sure your introduction does everything it’s supposed to.

Checklist: Essay introduction

My first sentence is engaging and relevant.

I have introduced the topic with necessary background information.

I have defined any important terms.

My thesis statement clearly presents my main point or argument.

Everything in the introduction is relevant to the main body of the essay.

You have a strong introduction - now make sure the rest of your essay is just as good.

• Argumentative
• Literary analysis

This introduction to an argumentative essay sets up the debate about the internet and education, and then clearly states the position the essay will argue for.

The spread of the internet has had a world-changing effect, not least on the world of education. The use of the internet in academic contexts is on the rise, and its role in learning is hotly debated. For many teachers who did not grow up with this technology, its effects seem alarming and potentially harmful. This concern, while understandable, is misguided. The negatives of internet use are outweighed by its critical benefits for students and educators—as a uniquely comprehensive and accessible information source; a means of exposure to and engagement with different perspectives; and a highly flexible learning environment.

This introduction to a short expository essay leads into the topic (the invention of the printing press) and states the main point the essay will explain (the effect of this invention on European society).

In many ways, the invention of the printing press marked the end of the Middle Ages. The medieval period in Europe is often remembered as a time of intellectual and political stagnation. Prior to the Renaissance, the average person had very limited access to books and was unlikely to be literate. The invention of the printing press in the 15th century allowed for much less restricted circulation of information in Europe, paving the way for the Reformation.

This introduction to a literary analysis essay , about Mary Shelley’s Frankenstein , starts by describing a simplistic popular view of the story, and then states how the author will give a more complex analysis of the text’s literary devices.

Mary Shelley’s Frankenstein is often read as a crude cautionary tale. Arguably the first science fiction novel, its plot can be read as a warning about the dangers of scientific advancement unrestrained by ethical considerations. In this reading, and in popular culture representations of the character as a “mad scientist”, Victor Frankenstein represents the callous, arrogant ambition of modern science. However, far from providing a stable image of the character, Shelley uses shifting narrative perspectives to gradually transform our impression of Frankenstein, portraying him in an increasingly negative light as the novel goes on. While he initially appears to be a naive but sympathetic idealist, after the creature’s narrative Frankenstein begins to resemble—even in his own telling—the thoughtlessly cruel figure the creature represents him as.

If you want to know more about AI tools , college essays , or fallacies make sure to check out some of our other articles with explanations and examples or go directly to our tools!

• Ad hominem fallacy
• Post hoc fallacy
• Appeal to authority fallacy
• False cause fallacy
• Sunk cost fallacy

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Your essay introduction should include three main things, in this order:

• An opening hook to catch the reader’s attention.
• Relevant background information that the reader needs to know.
• A thesis statement that presents your main point or argument.

The length of each part depends on the length and complexity of your essay .

The “hook” is the first sentence of your essay introduction . It should lead the reader into your essay, giving a sense of why it’s interesting.

To write a good hook, avoid overly broad statements or long, dense sentences. Try to start with something clear, concise and catchy that will spark your reader’s curiosity.

A thesis statement is a sentence that sums up the central point of your paper or essay . Everything else you write should relate to this key idea.

The thesis statement is essential in any academic essay or research paper for two main reasons:

• It gives your writing direction and focus.
• It gives the reader a concise summary of your main point.

Without a clear thesis statement, an essay can end up rambling and unfocused, leaving your reader unsure of exactly what you want to say.

The structure of an essay is divided into an introduction that presents your topic and thesis statement , a body containing your in-depth analysis and arguments, and a conclusion wrapping up your ideas.

The structure of the body is flexible, but you should always spend some time thinking about how you can organize your essay to best serve your ideas.

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How to Resist the Temptation of AI When Writing

Whether you're a student, a journalist, or a business professional, knowing how to do high-quality research and writing using trustworthy data and sources, without giving in to the temptation of AI or ChatGPT , is a skill worth developing.

As I detail in my book Writing That Gets Noticed , locating credible databases and sources and accurately vetting information can be the difference between turning a story around quickly or getting stuck with outdated information.

For example, several years ago the editor of Parents.com asked for a hot-take reaction to country singer Carrie Underwood saying that, because she was 35, she had missed her chance at having another baby. Since I had written about getting pregnant in my forties, I knew that as long as I updated my facts and figures, and included supportive and relevant peer-reviewed research, I could pull off this story. And I did.

The story ran later that day , and it led to other assignments. Here are some tips I’ve learned that you should consider mastering before you turn to automated tools like generative AI to handle your writing work for you.

Identify experts, peer-reviewed research study authors, and sources who can speak with authority—and ideally, offer easily understood sound bites or statistics on the topic of your work. Great sources include professors at major universities and media spokespeople at associations and organizations.

For example, writer and author William Dameron pinned his recent essay in HuffPost Personal around a statistic from the American Heart Association on how LGBTQ people experience higher rates of heart disease based on discrimination. Although he first found the link in a secondary source (an article in The New York Times ), he made sure that he checked the primary source: the original study that the American Heart Association gleaned the statistic from. He verified the information, as should any writer, because anytime a statistic is cited in a secondary source, errors can be introduced.

Jen Malia, author of  The Infinity Rainbow Club  series of children’s books (whom I recently interviewed on my podcast ), recently wrote a piece about dinosaur-bone hunting for Business Insider , which she covers in her book Violet and the Jurassic Land Exhibit.

After a visit to the Carnegie Museum of Natural History in Pittsburgh, Pennsylvania, Malia, whose books are set in Philadelphia, found multiple resources online and on the museum site that gave her the history of the Bone Wars , information on the exhibits she saw, and the scientific names of the dinosaurs she was inspired by. She also used the Library of Congress’ website, which offers digital collections and links to the Library of Congress Newspaper Collection.

Malia is a fan of searching for additional resources and citable documents with Google Scholar . “If I find that a secondary source mentions a newspaper article, I’m going to go to the original newspaper article, instead of just stopping there and quoting,” she says.

Nena Farrell

Christopher Null

Reece Rogers

Adrienne So

Your local public library is a great source of free information, journals, and databases (even ones that generally require a subscription and include embargoed research). For example, your search should include everything from health databases ( Sage Journals , Scopus , PubMed) to databases for academic sources and journalism ( American Periodical Series Online , Statista , Academic Search Premier ) and databases for news, trends, market research, and polls (t he Harris Poll , Pew Research Center , Newsbank , ProPublica ).

Even if you find a study or paper that you can’t access in one of those databases, consider reaching out to the study’s lead author or researcher. In many cases, they’re happy to discuss their work and may even share the study with you directly and offer to talk about their research.

For journalist Paulette Perhach’s article on ADHD in The New York Times, she used Epic Research to see “dual team studies.” That's when two independent teams address the same topic or question, and ideally come to the same conclusions. She recommends locating research and experts via key associations for your topic. She also likes searching via Google Scholar but advises filtering it for studies and research in recent years to avoid using old data. She suggests keeping your links and research organized. “Always be ready to be peer-reviewed yourself,” Perhach says.

When you are looking for information for a story or project, you might be inclined to start with a regular Google search. But keep in mind that the internet is full of false information, and websites that look trustworthy can sometimes turn out to be businesses or companies with a vested interest in you taking their word as objective fact without additional scrutiny. Regardless of your writing project, unreliable or biased sources are a great way to torpedo your work—and any hope of future work.

Author Bobbi Rebell researched her book Launching Financial Grownups using the IRS’ website . “I might say that you can contribute a certain amount to a 401K, but it might be outdated because those numbers are always changing, and it’s important to be accurate,” she says. “AI and ChatGPT can be great for idea generation,” says Rebell, “but you have to be careful. If you are using an article someone was quoted in, you don’t know if they were misquoted or quoted out of context.”

If you use AI and ChatGPT for sourcing, you not only risk introducing errors, you risk introducing plagiarism—there is a reason OpenAI, the company behind ChatGPT, is being sued for downloading information from all those books.

Audrey Clare Farley, who writes historical nonfiction, has used a plethora of sites for historical research, including Women Also Know History , which allows searches by expertise or area of study, and JSTOR , a digital library database that offers a number of free downloads a month. She also uses Chronicling America , a project from the Library of Congress which gathers old newspapers to show how a historical event was reported, and Newspapers.com (which you can access via free trial but requires a subscription after seven days).

When it comes to finding experts, Farley cautions against choosing the loudest voices on social media platforms. “They might not necessarily be the most authoritative. I vet them by checking if they have a history of publication on the topic, and/or educational credentials.”

When vetting an expert, look for these red flags:

• You can’t find their work published or cited anywhere.
• They were published in an obscure journal.
• Their research is funded by a company, not a university, or they are the spokesperson for the company they are doing research for. (This makes them a public relations vehicle and not an appropriate source for journalism.)

And finally, the best endings for virtually any writing, whether it’s an essay, a research paper, an academic report, or a piece of investigative journalism, circle back to the beginning of the piece, and show your reader the transformation or the journey the piece has presented in perspective.

As always, your goal should be strong writing supported by research that makes an impact without cutting corners. Only then can you explore tools that might make the job a little easier, for instance by generating subheads or discovering a concept you might be missing—because then you'll have the experience and skills to see whether it's harming or helping your work.

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Our Trump reporting upsets some readers, but there aren’t two sides to facts: Letter from the Editor

• Published: Mar. 30, 2024, 8:16 a.m.

Some readers complain that we have different standards involving Donald Trump and Joe Biden. (AP Photo, File) AP

• Chris Quinn, Editor, cleveland.com/The Plain Dealer

A more-than-occasional arrival in the email these days is a question expressed two ways, one with dripping condescension and the other with courtesy:

Why don’t our opinion platforms treat Donald Trump and other politicians exactly the same way. Some phrase it differently, asking why we demean the former president’s supporters in describing his behavior as monstrous, insurrectionist and authoritarian.

I feel for those who write. They believe in Trump and want their local news source to recognize what they see in him.

The angry writers denounce me for ignoring what they call the Biden family crime syndicate and criminality far beyond that of Trump. They quote news sources of no credibility as proof the mainstream media ignores evidence that Biden, not Trump, is the criminal dictator.

The courteous writers don’t go down that road. They politely ask how we can discount the passions and beliefs of the many people who believe in Trump.

Chris Quinn's recent Letters from the Editor

• Let’s hang it up on polling. In election after election, they get it wrong: Letter from the Editor
• Most of us readily acknowledge when our slip is showing. Why can’t Ohio politicians? Letter from the Editor
• I made a presentation Wednesday while wearing two different shoes. Read on to see how common that is.

This is a tough column to write, because I don’t want to demean or insult those who write me in good faith. I’ve started it a half dozen times since November but turned to other topics each time because this needle hard to thread. No matter how I present it, I’ll offend some thoughtful, decent people.

The north star here is truth. We tell the truth, even when it offends some of the people who pay us for information.

The truth is that Donald Trump undermined faith in our elections in his false bid to retain the presidency. He sparked an insurrection intended to overthrow our government and keep himself in power. No president in our history has done worse.

This is not subjective. We all saw it. Plenty of leaders today try to convince the masses we did not see what we saw, but our eyes don’t deceive. (If leaders began a yearslong campaign today to convince us that the Baltimore bridge did not collapse Tuesday morning, would you ever believe them?) Trust your eyes. Trump on Jan. 6 launched the most serious threat to our system of government since the Civil War. You know that. You saw it.

The facts involving Trump are crystal clear, and as news people, we cannot pretend otherwise, as unpopular as that might be with a segment of our readers. There aren’t two sides to facts. People who say the earth is flat don’t get space on our platforms. If that offends them, so be it.

As for those who equate Trump and Joe Biden, that’s false equivalency. Biden has done nothing remotely close to the egregious, anti-American acts of Trump. We can debate the success and mindset of our current president, as we have about most presidents in our lifetimes, but Biden was never a threat to our democracy. Trump is. He is unique among all American presidents for his efforts to keep power at any cost.

Personally, I find it hard to understand how Americans who take pride in our system of government support Trump. All those soldiers who died in World War II were fighting against the kind of regime Trump wants to create on our soil. How do they not see it?

The March 25 edition of the New Yorker magazine offers some insight. It includes a detailed review of a new book about Adolf Hitler, focused on the year 1932. It’s called “Takeover: Hitler’s Final Rise to Power” and is by historian Timothy W. Ryback. It explains how German leaders – including some in the media -- thought they could use Hitler as a means to get power for themselves and were willing to look past his obvious deficiencies to get where they wanted. In tolerating and using Hitler as a means to an end, they helped create the monstrous dictator responsible for millions of deaths.

How are those German leaders different from people in Congress saying the election was stolen or that Jan. 6 was not an insurrection aimed at destroying our government? They know the truth, but they deny it. They see Trump as a means to an end – power for themselves and their “team” – even if it means repeatedly telling lies.

Sadly, many believe the lies. They trust people in authority, without questioning the obvious discrepancies or relying on their own eyes. These are the people who take offense to the truths we tell about Trump. No one in our newsroom gets up in the morning wanting to make a segment of readers feel bad. No one seeks to demean anyone. We understand what a privilege it is to be welcomed into the lives of the millions of people who visit our platforms each month for news, sports and entertainment. But our duty is to the truth.

Our nation does seem to be slipping down the same slide that Germany did in the 1930s. Maybe the collapse of government in the hands of a madman is inevitable, given how the media landscape has been corrupted by partisans, as it was in 1930s Germany.

I hope not.

In our newsroom, we’ll do our part. Much as it offends some who read us, we will continue to tell the truth about Trump.

I’m at [email protected]

Thanks for reading.

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How many lives can one author live? In new short stories, Amor Towles invites us along for the ride

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Book Review

Table for Two: Fictions

By Amor Towles Viking: 464 pages, $32 If you buy books linked on our site, The Times may earn a commission from Bookshop.org , whose fees support independent bookstores.

In three bestselling novels over eight years, Amor Towles has established himself as one of our most beloved contemporary novelists, exhibiting a chameleon-esque ability to inhabit vastly different settings and characters in a style uniquely his own, yet never the same from book to book.

He can write elegantly and persuasively from the point of view of young women looking to make their mark in 1938 Manhattan, as he did with “Rules of Civility,” in which the intricacies of New York society are revealed to be as Darwinian as any jungle. With “A Gentleman in Moscow,” Towles transported us to 1920s Russia, where an unapologetic aristocrat is exiled to a once-grand hotel by the incoming socialist regime, and eventually forced to join the ranks of the proletariat. And in 2021’s “The Lincoln Highway,” we follow four boys as they embark on an enthralling road trip that takes them from 1950s Nebraska to a New York City filled with danger and delight.

Towles’ latest is the superb short fiction collection “Table for Two.” For fans who worry that a volume comprising six stories and a novella won’t serve up the deeper delights of his novels, prepare to eat your hat: This may be Towles’ best book yet. Each tale is as satisfying as a master chef’s main course, filled with drama, wit, erudition and, most of all, heart.

Case in point: “Hasta Luego,” the third story in the volume, involves a chance encounter at LaGuardia Airport between a debonair political consultant named Jerry — who could be Towles’ twin — and an amiable schlub named Smitty. The two are thrown together for an evening in Manhattan when their flight is canceled and they are routed to a Midtown hotel for the night. After checking into their rooms, they repair to the bar for their meal, and the drinks flow.

For Jerry, the many tequila shots they consume into the wee hours pose only the risk that he may be hung over the next day. For Smitty, though, the stakes are much higher, something Jerry learns when he mistakenly leaves the bar with his new acquaintance’s phone and receives a series of concerned calls from Smitty’s wife, Jennifer. At first Jerry doesn’t see how Smitty’s dilemma should concern him, but by the time morning comes, Jerry’s studied nonchalance has evolved into something more like compassion. It’s a perfectly constructed story that had me in tears.

“Eve in Hollywood” is the book’s headliner. It’s a novella that occupies half the book’s 400-plus pages, and deserves every bit of that real estate. Its heroine, Eve Ross, will be recognizable to readers of “Rules of Civility” as its Holly Golightly-esque character whose life unalterably changes when a car accident in Manhattan leaves her scarred.

We’re fortunate that Towles wasn’t entirely done with the enigmatic Eve. In the new story’s opening scene — which is as tight and suspenseful as a Hitchcock film — she’s on a train out of New York bound for Chicago. The year is 1938, and the plan is to move back in with her parents in Indiana. But on a whim, when the conductor announces their approach to Union Station, Chicago, she decides to pay the extra fare and head to L.A. (Defeat averted!) There Eve takes center stage amid con men, retired cops, movie studio heads and such film stars as Olivia de Havilland, who is just being cast in “Gone With the Wind.”

If Eve was a semi-tragic figure in her first literary outing, here she has reclaimed the verve and spirit of which recent events might have robbed her. Her personality shines even brighter now, but the vulnerability is gone, and in its place is an unshakable belief in her own instincts and intelligence. She has become adept at sniffing out troublemakers, but she’s equally proficient at recognizing a kind soul when she sees one. This noir-ish tale of police corruption, exploitation and 1930s Beverly Hills elan is an ode to such hard-boiled crime masters as Raymond Chandler and Dashiell Hammett, but with a feminist twist.

In the remaining stories — all set in Manhattan during various periods — desperate financial straits prompt desperate schemes, which most of the time leave the perpetrators with pockets emptier than when they started. Few salvage lessons from their failures, yet somehow, they remain sympathetic, even endearing. It’s true that Towles is a polymath whose knowledge of such varied topics as finance, art collection and classical music can feel a little daunting at times, but these stories make clear that, at heart, he is a humanist with deep compassion for even the faultiest among us.

While known primarily as a novelist, the author is not entirely new to short fiction: In 1989, his Stanford master’s thesis, “The Temptations of Pleasure,” was published in the Paris Review. After graduate school, the Boston native moved to New York City, where he shared an apartment in the East Village and chipped away at his goal of writing a novel. But when Towles finally finished that book, he deemed it unfit for publication. He stored it away. Broke and uncertain of his literary future, he turned to a career in investment banking, where he stayed put for 20 years.

On weekends, he worked on what became “Rules of Civility,” and when it was sold at auction to his publisher, he retired from banking and turned to writing full time. He describes his process as one that entails “Plan, design, outline,” which is a system that must work well for him, as his three books have sold 6 million copies. Towles has also said he jots down ideas for future books on index cards and keeps multiple notebooks in which he explores potential plotlines or character arcs. It should be no wonder that “Table for Two” could spring from such a treasure trove.

On the final page of “Hasta Luego,” as Jerry finally makes his way home after being stranded with Smitty, he reflects on his imperfections — that he doesn’t remember birthdays; feels compelled to complain whenever inconvenienced; allows his own priorities to come first, even when it comes to loved ones, including his wife. In fact, he realizes, he hasn’t been very considerate of his wife. But perhaps his rendezvous with Smitty was transformative: “As I stood there in the customer service line thinking of all that had just transpired, what I found myself hoping, what I found myself almost praying for, was that despite all my flaws, when the time came, as it surely would, my wife would be willing to fight for me as hard as Jennifer had fought for her husband.”

Leigh Haber is a writer, editor and publishing strategist. She was director of Oprah’s Book Club and books editor for O, the Oprah Magazine.

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8-Year-Old Survives Bus Plunge Off Bridge That Left 45 People Dead

The bus, which was carrying people from Botswana to an Easter weekend pilgrimage in South Africa, fell 165 feet into a ravine.

By John Eligon

Reporting from Johannesburg

An 8-year-old girl was the sole survivor after a bus carrying 46 people on their way to an Easter weekend pilgrimage in South Africa on Thursday plunged 165 feet from a bridge into a ravine and burst into flames, according to a local department of transportation.

The bus was traveling from Botswana to Moria, a religious pilgrimage site in South Africa’s northeast, when it careered off a bridge winding through the Mmamatlakala mountain pass after the driver “lost control,” the department said in a statement.

Forty-five people, including the driver, were killed.

The girl was receiving medical attention at a nearby hospital, the Limpopo Province department of transportation in South Africa said in a statement . The child was in serious condition, according to another government statement.

“Rescue operations continued until the late hours of Thursday evening, as some bodies were burned beyond recognition, others trapped inside the debris and others scattered on the scene,” the transportation department said.

President Cyril Ramaphosa of South Africa called his counterpart in Botswana, President Mokgweetsi Masisi, to extend his condolences, the president’s office said in a statement released late Thursday.

The crash occurred in a scenic, mountainous area of winding roads and sweeping vistas about three and a half hours north of Johannesburg. The road on a high overpass bent sharply over a ravine flanked on both sides by rocky, tree-covered slopes.

The area attracts a lot of traffic on Easter weekend for a pilgrimage to Moria, the headquarters of the Zion Christian Church, one of the largest in the country. Mr. Ramaphosa visited last year’s pilgrimage, the first one since the Covid-19 pandemic. South African border officials had said they were bracing for an influx of visitors for this year’s pilgrimage.

The nationalities of the victims have not yet been determined.

The tragedy struck as South Africans prepared for a four-day weekend, with public holidays on Friday and Monday.

Around major holidays, the South African authorities often take extra measures like police roadblocks and publicity campaigns to help prevent traffic accidents. On Wednesday, South Africa’s minister of transport, Sindisiwe Chikunga, started an Easter road-safety campaign, noting that traffic accidents often spiked during the holiday.

“Easter is a time for celebration, but it is also a time when roads can be more dangerous due to increased traffic and holiday festivities,” the ministry warned .

Africa has historically had among the highest road-fatality rates in the world, according to data from the World Bank and the World Health Organization .

South Africa had more than 12,400 road fatalities in 2022, the most recent year for which statistics are available. The Automobile Association of South Africa called the traffic deaths a “national crisis” in a statement released last year. The association argued that the government needed to invest more in road safety and to enforce traffic laws better.

“Unless these two issues are dealt with, our country’s abysmal road safety situation will never improve,” it said.

Russell Goldman contributed reporting from New York.

John Eligon is the Johannesburg bureau chief for The Times, covering a wide range of events and trends that influence and shape the lives of ordinary people across southern Africa. More about John Eligon