film review 7

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Seven (1995)

“Seven,” directed by David Fincher and released in 1995, is a dark and atmospheric psychological thriller that immerses viewers in a world of moral decay and psychological torment. With its chilling portrayal of a serial killer’s twisted game and the two detectives determined to bring him to justice, “Seven” stands as a landmark film in the genre, known for its gritty visuals, haunting atmosphere, and thought-provoking exploration of human nature.

Plot: The film follows seasoned detective William Somerset (played by Morgan Freeman), who is on the brink of retirement, and his young and impulsive partner, David Mills (Brad Pitt), as they investigate a series of brutal murders that seem to follow the pattern of the seven deadly sins. As the detectives delve deeper into the mind of the sadistic killer (played by Kevin Spacey), they become entangled in a cat-and-mouse game that pushes the boundaries of their morality and sanity.

Atmosphere and Visuals: “Seven” is characterized by its atmospheric and foreboding tone. The rain-soaked streets of an unnamed city, the decaying urban landscapes, and the dimly lit interiors contribute to the film’s sense of dread and hopelessness. David Fincher’s meticulous direction and use of cinematography create a visually striking and oppressive atmosphere that reflects the moral decay and despair at the heart of the story.

Exploration of the Human Condition: At its core, “Seven” is a chilling examination of the human condition and the dark depths of the human psyche. The film delves into the themes of sin, guilt, and the consequences of unchecked human desires. Each murder represents one of the seven deadly sins, serving as a reflection of the flaws and moral failings that exist within society. “Seven” forces viewers to confront their own capacity for evil and question the boundaries of morality.

Character Dynamics and Performances: Morgan Freeman and Brad Pitt deliver compelling performances as the contrasting detectives. Freeman portrays Somerset as a wise and introspective investigator burdened by the darkness he has witnessed throughout his career. Pitt brings youthful energy and emotional intensity to the role of Mills, a detective driven by his desire to make a difference. The chemistry between the two actors adds depth and complexity to their evolving relationship as they navigate the psychological labyrinth set before them.

Unforgettable Climax: “Seven” is renowned for its shocking and unforgettable climax, which exposes the full extent of the killer’s twisted plan. The film’s conclusion confronts viewers with a devastating moral dilemma, leaving a lasting impact and provoking intense discussion and debate. The climax, along with the film’s ambiguous final moments, leaves audiences haunted by the dark truths it exposes.

Critical Reception and Cultural Impact: “Seven” was met with critical acclaim upon its release, praised for its atmospheric direction, gripping screenplay by Andrew Kevin Walker, and the performances of its cast. The film’s success solidified David Fincher’s reputation as a master of psychological thrillers. “Seven” has since become a cultural touchstone, influencing subsequent films in the genre and leaving an indelible mark on popular culture.

Legacy and Enduring Significance: “Seven” remains a benchmark in the psychological thriller genre, admired for its uncompromising depiction of violence and its exploration of human depravity. The film’s impact can be seen in its enduring popularity, its inclusion on lists of the greatest films of all time, and its influence on subsequent works that seek to capture its dark and atmospheric storytelling.

Conclusion: “Seven” is a haunting and visceral journey into the depths of the human psyche. With its gripping storyline, atmospheric visuals, and powerhouse performances, the film continues to captivate audiences and provoke contemplation on the nature of sin, morality, and the fragility of the human condition. “Seven” stands as a testament to David Fincher’s masterful storytelling and remains a timeless classic in the realm of psychological thrillers.

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Seven, directed by David Fincher and released in 1995, is a masterfully crafted psychological thriller that immerses viewers in a dark and chilling world. With its atmospheric cinematography, intricate storytelling, and outstanding performances, the film stands as a benchmark in the genre. The film follows the story of two detectives, the seasoned and cynical Detective Somerset (Morgan Freeman) and the impulsive and ambitious Detective Mills (Brad Pitt), as they investigate a series of gruesome murders inspired by the seven deadly sins. As the detectives delve deeper into the case, they are drawn into a twisted game of cat and mouse with a meticulous and sadistic serial killer (Kevin Spacey). One of the greatest strengths of Seven lies in its atmospheric and immersive world-building. From the rain-soaked streets of a bleak and decaying city to the grim and unsettling crime scenes, the film creates a palpable sense of dread and despair. The meticulously crafted cinematography by Darius Khondji captures the gritty and dark tones of the narrative, enhancing the film's ominous atmosphere. The performances in Seven are exceptional across the board. Morgan Freeman delivers a commanding portrayal of the wise and world-weary Detective Somerset, bringing depth and gravitas to the character. Brad Pitt shines as the hot-headed Detective Mills, capturing the character's vulnerability and volatility with conviction. Kevin Spacey's portrayal of the enigmatic serial killer is chilling and haunting, leaving a lasting impact on viewers. David Fincher's direction is meticulous and precise, perfectly complementing the film's dark and unsettling tone. His keen attention to detail and ability to create tension through pacing and editing are on full display in Seven. The film's narrative unfolds with a deliberate pace, gradually building suspense and keeping viewers on the edge of their seats. The shocking and visceral climax remains one of the most memorable and impactful sequences in cinematic history. The screenplay by Andrew Kevin Walker is a dark and thought-provoking exploration of human nature and the destructive forces that lurk within society. It delves into themes of morality, justice, and the thin line between good and evil. The film's intricate plot keeps audiences engaged and guessing until the very end, with its twists and turns adding layers of complexity to the story. Seven's visual style is both gritty and stylish, with its somber color palette and atmospheric lighting reflecting the bleakness of the narrative. The production design effectively creates a world that feels lived-in and worn, further immersing viewers in the film's dark and grim atmosphere. The haunting and atmospheric score by Howard Shore adds an extra layer of tension and unease to the overall experience. In conclusion, Seven is a dark and gripping psychological thriller that showcases the mastery of director David Fincher. With its atmospheric cinematography, intricate storytelling, and outstanding performances, the film remains a standout in the genre. If you appreciate thought-provoking and unsettling narratives that push the boundaries of conventional crime thrillers, Seven is an absolute must-see. However, be prepared for its dark and disturbing themes, as the film ventures into deeply unsettling territory.

Another movie starring Brad Pitt and directed by David Fincher and I can say that I wasn’t disappointed. The concept and storyline were incredible and it will forever be one of the best crime movies I have ever watched, with it having an engaging plot, lots of action and ‘good’ murders. The movie was often tense constantly putting me on the edge of my seat which was achieved not only by the highly skilled acting, but also because of the music of Howard Shore who never fails to produce a soundtrack that reflects both the mood and style of a film. Both Pitt and Morgan Freeman portrayed their characters well, with it in my opinion being one of Freeman’s best roles. The gritty colour scheme helps to add to the tone of the movie, helping it to become one of the darkest yet cleverest crime thrillers I have ever watched. The plot, as I have already mentioned, is incredibly well written and I am looking forward to watching more films by the same director (David Fincher) since I have been very impressed with both this and Fight Club. Being both totally unsettling and totally gripping, I highly recommend it to anyone who doesn’t mind seeing a lot of gore or a film with a deeply depressing finale as, to me, it is one of the best movies I have ever watched.

I don’t usually want to comment on movies, but I won’t feel happy if I don’t share my joy about this film. I absolutely love this movie. This movie was the first time I saw a movie made by David Fincher, I spent the whole night on Wikipedia browsing about every single person who impressed me in the film. I think this is probably Fincher’s best work so far. This movie is the most suspense-filled thriller I have ever watched. The performances of the cast are so chilling yet captivating that you would wonder what hit you after watching the movie. This is the GREAT MOVIE that you don’t want to miss watching.

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Grim, slick, shocking thriller. Older teens only.

A Lot or a Little?

What you will—and won't—find in this movie.

Though justice is said to be "worth fighting for,"

Though Seven aims to show that all people are capa

The gory aftermath (and allusions to) horrific tor

References to prostitution, sex.

Lots of swearing.

Parents need to know that this film contains graphic depictions of the aftermath of grisly murders involving the seven deadly sins. While none of this takes place on-screen, the vivid descriptions prove to be nearly as chilling. For example, an obese man is forced to eat until his stomach bursts. A man is forced to…

Positive Messages

Though justice is said to be "worth fighting for," the world is so bleak and full of horror that this doesn't seem believable.

Positive Role Models

Though Seven aims to show that all people are capable of great sin, Detective Somerset is level-headed, wise, and kind.

Violence & Scariness

The gory aftermath (and allusions to) horrific torture and murder. Gunshots. Off-screen murder. Rape.

Did you know you can flag iffy content? Adjust limits for Violence & Scariness in your kid's entertainment guide.

Sex, Romance & Nudity

Did you know you can flag iffy content? Adjust limits for Sex, Romance & Nudity in your kid's entertainment guide.

Did you know you can flag iffy content? Adjust limits for Language in your kid's entertainment guide.

Parents Need to Know

Parents need to know that this film contains graphic depictions of the aftermath of grisly murders involving the seven deadly sins. While none of this takes place on-screen, the vivid descriptions prove to be nearly as chilling. For example, an obese man is forced to eat until his stomach bursts. A man is forced to kill a prostitute by stabbing her reproductive organs with an 8-inch knife. A beauty queen's face is cut off. A lawyer must cut out his own stomach. A police officer's pregnant wife is beheaded. In the end, the line between good and evil is blurred, with evil more or less coming out on top. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails .

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Community Reviews

• Parents say (22)
• Kids say (64)

Based on 22 parent reviews

"What's in the box?!"

Become vengeance, david, become wrath., what's the story.

SEVEN combines horror and film noir genres, with overconfident rookie David Mills ( Brad Pitt ) as the doomed detective of the noir tradition, and book veteran William Somerset ( Morgan Freeman ) as the desexualized, pedantic survivor familiar to slasher movie fans. The story follows the archetypal pair as they wind their way through a dark world of urban violence in search of a serial killer ( Kevin Spacey ). Mills and Somerset conclude that each murder corresponds to one of the seven deadly sins from the Bible, and that the killer is trying to preach his message of religious morality through his murders and the press they receive. Even after being willfully apprehended, the killer has one final trick up his sleeve -- a horrific gesture designed to goad Mills into crossing the line between lawful justice and sinful vengeance.

Is It Any Good?

Dark, disturbing and occasionally gory, Seven is a psychological thriller that, along with Chinatown , is among the bleakest films in mainstream cinema history.

The murders are not shown on screen, but the film has a morbid fascination with the pain inflicted on the victims. And it depicts a dark universe, where the lines between good and evil are blurred. There's no question that it aims to be more philosophical than other detective/horror films (namely The Silence of the Lambs ). Attempts at deeper meaning might be pretentious or profound, depending on how serious you can take Brad Pitt as an actor.

Talk to Your Kids About ...

Families can talk about horror movies. How is this movie different than a slasher film? What makes it disturbing? Is it any less chilling because the violence is not shown on screen?

Movie Details

• In theaters : January 1, 1995
• On DVD or streaming : June 7, 2001
• Cast : Brad Pitt , Gwyneth Paltrow , Morgan Freeman
• Director : David Fincher
• Inclusion Information : Female actors, Black actors
• Studio : Warner Bros.
• Genre : Drama
• Run time : 127 minutes
• MPAA rating : R
• MPAA explanation : grisly afterviews of horrific and bizarre killings, and for strong language.
• Last updated : February 28, 2022

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The Silence of the Lambs

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2015, Action/Adventure, 2h 17m

What to know

Critics Consensus

Serving up a fresh round of over-the-top thrills while adding unexpected dramatic heft, Furious 7 keeps the franchise moving in more ways than one. Read critic reviews

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Furious 7 videos, furious 7   photos.

After defeating international terrorist Owen Shaw, Dominic Toretto (Vin Diesel), Brian O'Conner (Paul Walker) and the rest of the crew have separated to return to more normal lives. However, Deckard Shaw (Jason Statham), Owen's older brother, is thirsty for revenge. A slick government agent offers to help Dom and company take care of Shaw in exchange for their help in rescuing a kidnapped computer hacker who has developed a powerful surveillance program.

Rating: PG-13 (Brief Strong Language|Action|Mayhem|Suggestive Content|Violence)

Genre: Action, Adventure, Mystery & thriller

Original Language: English

Director: James Wan

Producer: Neal H. Moritz , Vin Diesel , Michael Fottrell

Writer: Chris Morgan

Release Date (Theaters): Apr 3, 2015  wide

Release Date (Streaming): Mar 1, 2016

Box Office (Gross USA): $350.8M

Runtime: 2h 17m

Distributor: Universal Pictures

Production Co: Original Film

Sound Mix: Datasat, Dolby Digital

View the collection: The Fast and the Furious

Cast & Crew

Dom Toretto

Paul Walker

Brian O'Conner

Dwayne Johnson

Michelle Rodriguez

Letty Ortiz

Tyrese Gibson

Roman Pearce

Jordana Brewster

Mia Toretto

Djimon Hounsou

Mose Jakande

Tachakorn Yeerum

Ronda Rousey

Nathalie Emmanuel

Megan Ramsey

Kurt Russell

Jason Statham

Deckard Shaw

Elsa Pataky

Elena Neves

Lucas Black

Sean Boswell

Romeo Santos

Tommy Lentsch

Chris Morgan

Screenwriter

Neal H. Moritz

Michael Fottrell

Samantha Vincent

Executive Producer

Amanda Lewis

Stephen F. Windon

Cinematographer

Marc Spicer

Leigh Folsom Boyd

Film Editing

Dylan Highsmith

Kirk M. Morri

Christian Wagner

Brian Tyler

Original Music

Bill Brzeski

Production Design

Sanja Milkovic Hays

Costume Design

Anne McCarthy

Desma Murphy

Supervising Art Direction

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Critic Reviews for Furious 7

Audience reviews for furious 7.

Arguably the best and probably my personal favorite of the bunch, Furious 7 doesn't do a lot different from the F&F formula, but it does it all so damn well and with such style. The set pieces here, be it parachuting down a mountain or launching through buildings in Abu Dhabi, are some of the most memorable in the whole franchise, and Jason Statham is a welcome entry to the cast as an incredible villain. The rest of the new ensemble is great too, be it prominent characters like Michael Douglas or bit parts like Rhonda Rousey and Tony Jaa, they make everyone memorable for their time on screen. And how the film is displayed is wonderful too, with some wildly inventive camera gymnastics spinning with the characters as they tumble around, or the visual storytelling of showing Statham's aftermath instead of his actions during his introduction. The film is a godamn action masterpiece. The chemistry among the leads is on point, the action is better than ever, and the heart of the film is actually pretty powerful too with some damn well written lines and scenes that are actually somewhat touching. And yeah, the homage to the late Paul Walker at the end is beautiful and if you've been on this ride since the beginning it will make you feel things. Really if I have any criticisms of this movie it's that I would have liked more of Dwayne Johnson's Agent Hobb's. That being said, it's kind of telling that the scenes we do get with him are so damn good that when I rewatched it I almost forgot how little of the movie he's actually in, so make of that what you will. It's tough to rank the fast films, but I would probably put this one at the top.

I think the franchise (despite in it's 7th installment) continues to move in the right direction and from the fact that they've greenlit more films, we know that the loss of Paul Walker (while tragic) won't derail Universal from cashing in on the money train that this franchise apparently is. Good and over the top action sequences in this, which given this franchise is no surprise. I really saw this movie as 2 F&F installments crammed into one. There is the carry over from F&F6 but then in the first 1/3 of the movie, Kurt Russell's character comes out of nowhere and injects a completely different motivation for the characters. It could've been much more organic but came off clunky and forced. Djimon Hounsou is great in nearly everything he does but really doesn't get a chance to explore his character and is completely wasted here. I understand that in action films a certain sense of belief suspension has to happen, but there was a military grade helicopter and drone blowing up stuff in downtown LA, and not only were the streets empty but there were no cops or police helicopters anywhere. That was ridiculous to me. Still check this one out. It is worth a watch but I still can't bring myself to give it 4 full stars.

My path to watching the entire Fast & Furious franchise (which I was put upon by my roommate) has finally come to an end in this, the seventh instalment, which was frankly my favourite of the bunch. It's got balls to the wall absurdity, absolutely, but it wasn't until they started having exactly that in Fast 5 that I started to enjoy the series at all. Furious 7 does it with aplomb, and for that I can say I definitely get the appeal. But now having watched all seven movies, and even understanding how Tokyo Drift fits into all this, I can definitively say that Fast & Furious is not really my cup of tea.

Furious 7 was a lot of fun, I think I like this film almost as much as its predecessor. This film has all of the Fast and Furious goodness that we're use to! The only negatives I have is that the fight scenes are kind of poorly edited as James Wan decides to adopt the modern day way of editing fight scenes. Another negative is that Hobbs is barely in the film until the final act... All of that aside, Furious 7 is a lot of fun and a fitting sendoff for Paul Walker.

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Mission: Impossible – Dead Reckoning Part One Review

Tom cruise is back to fight god and save hollywood’s jobs..

After the resounding success of Top Gun: Maverick , a 60-year-old Tom Cruise is back to save the summer blockbuster yet again, this time with an even more direct confrontation of obsolescence. Dead Reckoning Part One, the seventh Mission: Impossible film and the first of what was envisioned as a two-part finale is both a timely rumination on the dangers of AI as well as a banger of an action sequel that never slows down. It’s by no means the best Mission: Impossible, but it’s easily the funniest, and a sure contender for the most purely entertaining of the lot, with the kind of farcical escalations that kneecap the average summer movie (looking at you, Fast X ). Anything that seems like a flaw gets folded into the subtext by writer-director Christopher McQuarrie, who crafts a winding head trip that houses some of the most precise, rhythmically assembled, and tension-filled sequences in the series’ history

Until the previous entry in the franchise, Mission: Impossible – Fallout (the one with Henry Cavill reloading his forearms), these movies largely stood alone, but Dead Reckoning Part One reaches into the past on numerous fronts. The return of the first movie’s morally dubious intelligence head, Eugene Kittridge (Henry Czerny), serves less as a wistful cameo and more as a throwback to the series’ neo-noir roots – a welcome antidote to a summer overrun with empty nostalgia à la The Flash and the new Indiana Jones . Ethan Hunt’s (Cruise) need to go rogue in Dead Reckoning is a direct result of characters and events of the original, Brian De Palma-directed Mission: Impossible, leading to a scenario where Hunt’s own government can’t be trusted with the movie’s dangerous McGuffin: an all-powerful, artificially intelligent algorithm dubbed “the Entity.”

Right from the thrilling opening scene set aboard a Russian submarine, the Entity’s abilities seem almost supernatural, but they’re ultimately grounded in the ones and zeroes that dominate all modern life. Every wall humanity has built quickly becomes a weakness, requiring Hunt to leave the shadows, lest control of the Entity fall into the wrong hands – which is to say, the hands of any individual or agency. He re-emerges both burdened and determined; saving the world is something he must do, but this far into his career as a super-spy, it’s also something he wants to do.

Perhaps it’s the only thing he's capable of doing anymore, a story that Cruise expresses quietly amidst the movie’s bombast. (McQuarrie even apes some of De Palma’s askew framing to enhance the intensity of his close-ups.) Cruise is an underrated actor, but his job here is made slightly easier since the movie’s subtext so closely aligns with his own anti-streaming credo as an actor and producer. It isn’t long before one gets the impression that Cruise made Dead Reckoning out of an altruistic duty toward preserving classical, big-screen action cinema – and, of course, because he enjoys the sheer lunacy of practical stunt work – in an age when AI and algorithms have become existentially threatening to artistry itself.

The gang's all back together, from the irreverent Luther Stickle (Ving Rhames), to wisecracking Benji Dunn (Simon Pegg), to the mysterious Ilsa Faust (Rebecca Ferguson), now comfortably the only romantic interest whose lifestyle matches Hunt’s. But this well-oiled unit is also our hero’s weakness. As a man who saw his entire team gunned down in the first film, he’s always been torn between completing the mission at hand and ensuring his friends get out alive. This time, he may have met his match: The Entity is the polar opposite of Hunt – an unthinking, unfeeling machine whose logic-first approach is at odds with Hunt’s empathy – and it’s found itself a human avatar to do its bidding, in the form of a terrorist named Gabriel (Esai Morales), a specter from Hunt’s past.

Gabriel is a new addition to the Mission: Impossible roster, but thanks to some well-placed flashbacks – and a stone-cold, terrifying performance from Morales – he feels like he’s always been lurking in the shadows, lying in wait. Playing messenger to an AI capable of accessing any information and bending even the nature of truth, Gabriel becomes the Entity’s aptly-named archangel. (We knew it would happen sooner or later, but this is the closest Cruise has come to making a movie where he fights the biblical God). The plot bears a striking resemblance to season 3 of Westworld , whose all-knowing AI Rehoboam similarly exerted control through precise predictive models – but in the case of Dead Reckoning, the plot charges forward at lightspeed instead of slowing down to reflect on the larger implications. Those consequences are, instead, made apparent through innovative action and chase scenes, where the Entity’s intrusion complicates what might otherwise be straightforward missions.

What's your favorite Mission: Impossible movie?

The Impossible Mission Force (IMF for short) has always relied on its imaginative spy tech – get ready for mask reveals galore! – but this time their tools are turned against them by a digital force that can manipulate everything they see and hear, imbuing Dead Reckoning with a sense of constant paranoia across its 163 minutes. (The filmmaking makes the longest Mission: Impossible yet feel remarkably brisk.) After a while, the characters can barely trust their own senses. What they can trust – and what the audience trusts as well, nearly 30 years into the franchise – is tactile action and propulsive movement. Dunn can no longer simply sit behind a computer to make Hunt’s job easier. Now, with one more film to go (though plans look like they may change), every supporting character must join the chase.

This is where newcomer Grace (Hayley Atwell) comes in: a thief recruited to steal a secret key from some rich and powerful so-and-so who, she has no idea how in over her head she is until she crosses paths with Hunt. Virtually every scene features the collision of multiple parties with their own interests, including Gabriel and his gleeful henchwoman Paris (Pom Klementieff); the returning White Widow (Vanessa Kirby) and her arms-dealer crew; and a pair of bewildered, well-meaning U.S. agents (Greg Tarzan Davis and the ever-reliable Shea Whigham). And yet, this plot never becomes overwhelming, thanks in part to the idea that everything we’re seeing may have been orchestrated (or pre-ordained) by the Entity. That’s a built-in excuse for the story’s conveniences and contrivances, but it’s really a function of McQuarrie’s clear-eyed directing, which works in tandem with Maverick editor Eddie Hamilton’s penchant for building tension and excitement through reaction shots alone. No matter the scenario, logistical information is never lost, and emotional clarity is always ensured (not to mention enhanced, by Lorne Balfe’s pulsating score ).

Mission Impossible Movies in Order

Each new Mission: Impossible brings with it expectations for greater heights of on-screen spectacle, but Grace grounds the film in hilarious ways. She’s a proficient pickpocket, but compared to the highly trained agents all around her, she’s a civilian, and so for Hunt to protect her from bullets and armored Humvees essentially means scaling back his own MacGyver-esque tinkering and problem solving, forcing him to aim for more pragmatic and attainable solutions. A regular human companion humanizes him in turn, yielding an amusing extended car chase with amazing seat-rumbling sound design, a sequence that relies more on wit and improvisation than Cruise’s otherwise superhuman skills.

In Mission: Impossible – Rogue Nation, Alec Baldwin’s IMF Secretary called Hunt “the living manifestation of destiny.” Here, a character refers to him as an “incarnation of chaos,” a thematic concept further articulated through McQuarrie’s aesthetic approach. There’s a claustrophobia and unpredictability to the hand-to-hand combat, but the image’s geography and meaning is never obscured, even during the most rapid action scenes. Still, the way the film retroactively incorporates this chaotic credo into Hunt’s past is one of its major flaws. It lasers in on the idea that the people in his vicinity – especially women – are forever placed in danger, but over-emphasizes it in a way that creates a problem where one didn’t previously exist. Characters like Grace, Isla, and even a woman from Hunt’s past invented from whole cloth for Dead Reckoning are thus rendered interchangeable.

A similar overcorrection emerges in the exposition. Where the heroes’ many realizations about the Entity yield fascinatingly funny exchanges (the actors are always sincerely tuned in to the plot’s ludicrous tonal wavelength), the amount of information revealed beforehand saps at least a fraction of the tension. Where, on one extreme, you have the non-specific Rabbit’s Foot from Mission: Impossible III — a weapon whose actual nature is never specified — the goal of Hunt’s fetch quest here (i.e. what the aforementioned key unlocks) is made so clear and simplistic to the audience that leaving the characters in the dark about it feels like a misstep. In the process of trying to clarify the nature of its McGuffin, Dead Reckoning demystifies it entirely, creating a “cliffhanger” ending that’s more of a gentle lean across a ledge.

In order to gain this information, Hunt and his team must perform a heist so silly and gloriously over-the-top that it papers over those imperfections at least for a little while. The cliffside bike jump teased in the movie’s marketing is a minor letdown (what you see in the trailers is what you get), but what follows is a third act the likes of which Mission: Impossible has never seen – as jaw-dropping as it is knee-slapping. It’s a locomotive climax that, despite its realistic physics, combines Looney Tunes sensibilities with palpable human stakes – which about sums up the movie as a whole.

If every tentpole franchise entry were this fun and finely tuned, the theatrical-versus-streaming debate would be immediately put to rest. Ethan Hunt may fight to save the world, but Dead Reckoning Part One plays like Tom Cruise’s fight to save the summer blockbuster through entertainment on an enormous scale. Whatever lies in store for the future of Mission: Impossible, McQuarrie’s third outing as director proves that he still has an ingenious bag of tricks to pull from, having departed from the gloom and doom of Fallout to create an explosive yet self-reflexive action saga that leaves you wanting more.

Mission: Impossible 7 Review

More Reviews by Siddhant Adlakha

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Lesson 7: Task: Write a film review

This is the lesson where you put everything together. We want you to write a review of a film.

Writing a Film Review

This is the lesson where you put everything together. We want you to write a review of a film. You will see two examples of film reviews which you can use to help you write your own review. When you’ve finished your review, post it in the comments section and read other participants reviews and tell them what you think. In lesson one we looked at film vocabulary, in lesson three we gave you some advice about using film to improve your English and gave two short reviews of films about football, in lesson four we focussed on the passive which is a common form to use when writing about films, and in lesson six we showed you some websites where you can read lots of film reviews. While you are writing your review, you can go back to these lessons for some help.

What should I include in my film review?

It's up to you! Here is a list of some common things that you see in film reviews. Have a look at the Bend It Like Beckham film review and match the five colours to the things in this list. Is there anything extra included in the review? Is there anything missing?

• The film's title.
• An eye-catching heading.
• The genre (type of film). 
• The audience. Who is the film for?
• The director, main actors, when it was made, has it won any awards?
• The plot. A brief summary that doesn't mention the ending!
• Your opinion.
• Your evaluation.

Film Review 1

Bend it like beckham – brilliant and funny.

How can I describe Bend It Like Beckham? If I had to choose a genre, I would say it’s a romantic comedy-drama sports film!

The film was made in 2002 and directed by Gurinder Chandha who is well-known for films which explore the lives of Indians living in the UK. 

The film is set in London and stars Jess (Parminder Naghra) , who is an 18-year-old girl with Indian parents. One of the main storylines is the tension between Jess, who loves football, and her parents, who don’t allow her to play. Jess’s friend and teammate, Jules, who is played by Keira Knightly (Pirates of the Caribbean) encourages Jess to play despite her parent's wishes. 

The film deals with serious social problems such as sexism and racism, but the film is very funny at the same time! The acting is very good and of course, there is a happy ending! Oh, and David Beckham is in the movie, but you must wait until the end for that! I would give Bend It Like Beckham four and a half stars out of five and definitely recommend you watch it!

Now, look at the second film review. Is it a good review ? What does it include? Is there anything missing?

Film Review 2

Fever pitch – funny, dramatic and a perfect finish.

I love football and I love films, so Fever Pitch was the perfect movie for me. It tells the story of a school teacher who is mad about his football club – Arsenal! The film was made in 1997 and is based on a best-selling book of the same name. The film has also been remade for American audiences based on baseball.

The main role is played by Colin Firth (Paul) one of the UK’s most famous actors. Paul falls in love with a new teacher (Sally) at his school during the 1989/90 football season, one of the most important seasons in Arsenal’s history. The plot follows the ups and downs of Paul’s romance with Sally and the fortunes of Paul’s football team. But who does he love more? Sally or Arsenal? You’ll have to watch the film to find out!

There are strong performances by Colin Firth and Ruth Gemmell (Sally) in this romantic comedy-drama. If you are a football fan you will love this film, but it definitely has a wider appeal, too! I will give it five-stars and not just because I’m an Arsenal fan!

Write a film review

Write a film review in the comments section below.

Write about a film you enjoyed or a film that you didn't like. It could be a recent film or a film that you watched a long time ago.

The film doesn't have to be about football.

Reply to other learners and tell them if you have seen the film. Did you like it? Do you agree with their opinions?

When you have finished, mark the page  complete  on the side of this page and go to the end of week quiz!

Leave a comment

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I would say that An Angel at my table is one of my top ten most favourite films. It’s a drama film which directed by Janet Campion and shot in 1990. The film is based on Janet Frame’s three autobiographies. Kerry Fox plays the role of Janet Frame, a famous New Zealander writer and poet. The film is about the life of Janet Frame who was a very clever child until, as a teenager, she was misdiagnosed with schizophrenia and sent to a mental institution……… The story takes place in Australia, New Zealand and the UK in the different parts of Janet’s life. It ’s a flawless masterpiece. The storyline is so beautiful and inspiring and Kerry Fox’s acting is just incredible. I was mesmerized by that shy, intelligent and lonely girl and could totally relate to her. Besides, his movie makes New -Zealand look like the most gorgeous place on earth Another thing I loved about Another thing I loved about the movie was the excellent music score.

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The other side of the door-thriller

the other side of the door is a horror movie that was made in 2016-the stars is Sarah Wayne and Jeremy Sisto and it is directed by Johannes Roberts the movie is set in India and it tells the story of maria whose her son died in an accident and she blame herself because she is the one who caused this accident and therefore she is doing a spell ritual to bring her son back to life Or feel his presence which causes harm to her and her family

I love this film because the plot was interesting as it means don't try to life in past and accept the situation you are in trying to adapt.

That isn't a just horror movie but actually it is a movie Know the consequences of what you do so if you are fan of wisdom movie ,I recommend this movie to you, I give it four star of five Don't miss it .

El Ruby House

El Ruby House is a comedy-drama Movie that was made in 2023. the stars are Kareem abdelaziz and Nour, and directed by Peter Mimi.

The movie is set in Boston and it tells the story of private family event gets leaked on social media, Ibrahim Al Ruby decides to live in a village with his wife and children, far from people and the pressure of modern life. After his younger brother, Ihab, convinces Ibrahim to go back to the city for some important paperwork, the family embarks on a trip full of surprises that is bound to change the lives of the "Rubies".

The film deals with serious social problems, but the film is very funny at the same time! The acting is very good and of course, there is a happy ending!, I love this movie because the plot was interesting. I am also a big fan of Kareem abdelaziz

I would give It four and a half stars out of five and definitely recommend you watch it!

Assel Aswad dramatic - comedian Aseel Aswad is a drama - comdey film. The film was made in 2010 . it tells the story of an Egyptian person (masry) he was live in America along his life .then came back home(Egypt).he surprised about deferent between the life in America VS Egypt. he discovered that deference when he dose some files in government interests school transportation . The main role is played by Ahmed Hilmy(masry) one of Egyptian famous actors share with Anaam Salosa ' Edward 'Lotfy Labib ' Emy Samir ghanim. The film directed by KHaled maray. I would give Asel Aswad four stars out of five and definitely recommend you watch it!

Hatchi: a dog's tale It's a drama film The film was made in 2009 and directed by ( lasse hallstrom ) and the stars are (Richard Gere ) ,( Jason Alexander) and ( Joan Allen) The story is based on Barker who works as a professor and he goes to the university by the train And one day he found a little dog at the train station, he took it home with him and called it ( hatchi ) Then ( hatchi) grown up and it's attachment to the professor ( Barker ) increased, the dog used to drive the professor every day to the train station and wait until his return The dog was very popular with the people at the train station And on day the professor didn't come back to take ( hatchi) home with him So what's happened to the professor and hatchi ?!! Watch the film to know the end This is one of my favorites movies Definitely recommend you to watch it ❤️

Pride and prejudice It's a romance and drama film. It's directed by (Joe Wright) in 2005 the story is based on (Jane Austin's) novel. The film is set in United States . the stars Mr.Darcy (Matthew Macfady) and his best friend Bingley( Simon Woods) Jane (Rosamund Pike), Elizabeth (Keira Knightley),Mary (Talulah Riley),Kitty (Carey Mulligan)and Lydia Bennet (Jena Malone) . The story tells about Mr and Mrs Bennetts five unmarried daughters after the rich and eligible Mr . Darcy and his best friend Mr . Bingley have moved into their neighborhood. While Mr . Bingley takes an immediate liking to the eldest Bennet daughter Elizabeth ,Jane and Darcy has difficulty adapting to local society and repeatedly. You must wait until the end to know what will happen! I like Pride and prejudice and I would like to give Pride and prejudice eight and half stars out of ten and definitely recommend you to watch it ♡

Work it It’s dance comedy film that was made in 2020 . The stars Sabrina carpenter and Liza koshy and Jordan fisher , and it directed by Laura Terruso . The film talk about quinn Ackerman she is a nerd and she want to Join in college duke because was dreaming her like her father because father Quinn joined this college but she can’t because they won’t accept her , she has to do something different, so she will apply to a dance competition and be her team . But my favorite character is jake Taylor in this film . Watching a jake Taylor dance is very funny and fantastic. I recommend this film to watch it who wants to laugh and exciting watch this film , so go to see it with your friends. I give jake Taylor 5 stars because he deserve this 5 stars . Don’t miss it.

I agree with you ♡

John Wick 3. It is an action film directed by Chad Stahelski and the cast includes Keonu Reeves and Scott ADKINS SET IN 2023. The plot is about Johnwick taking his fight against the high table global as he seeks out the most powerful players in the underworld. The performance of the cast was thrilling and keeps the audience on the edge of their seats from the beginning to the end. I would give it a four rating and strongly recommend others to watch it.

John Wick 4. It is an action film directed by Chad Stahelski and the cast includes Keonu Reeves and Scott ADKINS SET IN 2023. The plot is about Johnwick taking his fight against the high table global as he seeks out the most powerful players in the underworld. The performance of the cast was thrilling and keeps the audience on the edge of their seats from the beginning to the end. I would give it a four rating and strongly recommend others to watch it.

I would like to give a film review about 'Titanic.' It was written, directed and also produced by James Cameron. It is a genre of romance and drama. The film was made in 1997. It's about two characters falling in love during a voyage. The plot was remarkable and brilliant. It was first-rate and I would give it five stars and also strongly recommend those who missed this film to watch it.

I love the Long Shadow movie, an animated series, a comic series about the story of an orphan girl named Judy Abbott, who got a scholarship to Lincoln High School, by someone she doesn't know named John Smith, Judy called him the Long Shadow Owner, because she had never seen anything but his shadow . Her story contains sad clips, but she overcomes all misfortunes. Her story ends with a happy marriage with the owner of the long shadow.

Django Unchained-Action,romantic and comedy.

Django is a action movie and a one of the best movies have directed and it was made in 2012.The stars are Jamie Foxx (Django),Christoph Waltz (Dr.Schultz) and the infinite Leonardo Dicaprio(Candie) and it is directed by Tarantino.The story tells about Django the slave whose wife was kidnapped by Englishmen then Django try to find his wife with Dr.schultz.So can he find his wife ?

I was interested in this movie because the plot is wonderful and graphics is outstanding and i am a big fan of Dicaprio but my favorite characters in this movie is Dr.s schultz .

I think this movie is not for children because there is blood and screenshots +18. I recommend this movie to adults .I give the movie four stars Don`t miss it.

Enchanted - Real world and the animated world collide I am fond of princesses and fantasy world , so enchanted is my favourite film i would say it's animation adventure comedy family romance film it was made in 2007 at New York City it's related PG for some scary images and mild innuendo. It was produced by Alan menken and stephen schwartz and performed by Amy Adams and james marsden its story line is about the beautiful princess Giselle is banished by evil queen narissa from her magical land shocked by this strange new environment,but when Giselle begins to fall in love with a divorce lawyer, Can a storybook view of romance survive in the real world?. I think it's a great choice for a movie night. I would give it five stars.

Jumanji is an amazing adventure movie and its comedy at the same time that was made in2017. The stars are (dwayne Johnson)and (Karen Gillian) and it’s directed by (Jake Kasdan) while a group of teenagers were in detention at school one of them found a video game which took them inside it and they stuck at that video game until they complete the missions I am in love with this movie because it’s make me laugh and excited to watch the end This movie for children and adults so I recommend it for a family night. I give jumanji five stars

Marvel Age of Ultron Its my favourite film cause i like the gerne and from all marvel films its my favourite. i like the characters and i like the plot and everything that happends in the film

avenger is an amazing action superhero film that is made in 2012 in United Kingdom it is directed by Joss Whedon its cast including Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, and Jeremy Renner as the Avengers, alongside Tom Hiddleston, Stellan Skarsgård, and Samuel L. Jackson. i am abig fan of this film and i recommened the all to see this film

Africano Africano is an amazing adventure, comedy movie I have ever seen. It was made in 2001.Ahmed El Sakka and Mona Zaki played the leading role, Hassan Hosny was in it. The movie was directed by Amr Arafa. It was set in South Africa and it tells the story of Badr who workes as a vet. His wish is tragically granted when his uncle who lives in Africa dies and Badr travels to get his inheritance as he meets his cousin Gamila. I love this movie because, the plot was interesting. I am also a big fan of Ahmed El Sakka. Hoever my favourite character in this movie is Gamila . Also the music is fantastic. I highly reccommend this movie, So go see it with your friends. I give it three stars, Do not miss it.

Spider man is my favourite movie

My fav is marvel movies

yes that is a good movies company

World war Z is my favorite movie , It has been my favorite movie since I watched it , it's my favorite movie cause i love zombie movies and every one liked it ; The film was made in 2013 and the director is Marc Forstar He is a German film producer and screenwriter , The film won an Empire award. U.K .The film is set on U.S.A and the star is Brad pett (Gerry Lane), Former United Nations employee Gerry Lane traverses the world in a race against time to stop a zombie pandemic that is toppling armies and governments and threatens to destroy humanity itself. it is the best film i had watched it ever I would give it five stars and I recommend everyone to watch it!.

Spiderman no way home It's my favourite superhero and the actor who role the Peter parker is Tom Holland and the other actors played the role very well also i like the genre of this movie it's action. Finally, I think that this movie can watch it teenagers and adults but I don't think youngers can't watch it.

yes its a good one too

Marvels: Endgame is my favorite movie, It has been my favorite movie since 2019, and it has been my favorite because everyone loved Avengers: Endgame, but it’s not just any other superhero flick. It’s actually the best film in the MCU. It’s emotionally resonant. Endgame has a sense of beauty behind all of the action and violence. At the center of the film, it really is a love story. Thor goes back to see his mother before she is murdered by the Dark Elves, Tony Stark (Robert Downey Jr.) reconciles with his father, and Steve Rodgers reunites with his wife back in his original time.

The equalizer the equalizer is a realistic action film, where Denzel Washington, plays Robert mccall , the film talks about how robert faked his death in order to live a quiet life, but when he sees a young woman being abused by a Russian gang, he comes out of his retirement to fight crime and reinforce justice, the movie is set in Salisbury, Hamilton, Chelsea, Haverhill, and Boston, Massachusetts and is directed by Antoine fuqua it was released in 2014 has an interesting story, the acting is fantastic, and the special effects are impeccable, to me this movie is perfect, 10/10, i recommend it to everyone, but be warned since it has a lot of violence

end game if you like action movies this movie will be perfect for you the film is talking about the marvel universe Thanos has come to the earth and he wants to take all of the infinity stones and destroy the world then the avengers came to kill him and they make many wars two on earth and one in the space the film was made in 2019 and directed by Anthony Russo The film stars are Robert Downey Jr(iron man) and Chris Evans(Captain America) I would give this film five stars because the film is very Interisting

interstellar 2014 this is an amazing sci-fi movies that was made 2014.Matthew McConaughey, Anne Hathaway & Jessica Chastain. And its director is Christopher Nolan. the movie revolves around the Earth when it becomes uninhabitable in the future, a farmer and ex-NASA pilot, Joseph Cooper (Matthew McConaughey), is tasked to pilot a spacecraft, along with a team of researchers, to find a new planet for humans. I love this movie because the poly is amazing. I'm also a big fan of Christopher Nolan's works. I recommend this movie to everyone I'm sur that you gonna love it, don't miss it

i had to watch it twice to understand the idea

Twilight Saga

I loved this saga, I saw it many times and today in summer I saw it again and I can't get enough of it. I love the story, the characters and the villains, everything was well done. When I finished the saga for the first time, I did a lot of research on the characters, their lives, relationships etc. I saw a news that they will make a new movie based on Edwar Cullen's point of view, I hope they make it soon.

Mamma Mia! - Who is my father?

If you like musicals and the popular Swedish group ABBA, this is a perfect film for you. Dona is a single woman managing a small family hotel on a little Greek island. Her daughter, Sophie, is getting married and she decides to invite her father to the wedding. The tricky thing is that she doesn‘t know who her father is. The film was made in 2008 and directed by Phyllida Lloyd. It stars Meryl Streep (Donna), Amanda Seyfried (Sophie), Pierce Brosnan (Sam), Colin Firth (Harry) and Stellan Skarsgard (Bill). There is fabulous music, excellent acting and singing and a lot of funny scenes. The plot is funny on one side but there is a serious overtone. I would give Mamma Mia! five stars because I think the film has positive vibes and it is more important than anything else.

Films title: Mission Impossible Fallout is an action movie and is for a person that like action and tension. The Director is Christoper Mcquarrie, the main actors is Tom Cruise,Henry Cavill , Ving Rhames, Simon Pegg and more. The film was made in 2018 and it has won Prizes. My little review is that it is nice, entertaining and it´s so nice to watch. The film is about after a mission After a mission to recover a deadly weapon goes wrong, IMF agent Ethan Hunt and his team are forced to work alongside CIA agent Augustus Walker as they must race against time to continue their assignment. When Lane escapes from prison, Hunt must do whatever it takes to capture him once more.

Hello, I'm at school and have to write answers, I think it's good

So I like what you wrote

I am going to talk about Frozen. I don´t like the most of films but i thinked that i wanted to take one that i hated the most, why i hate it is becuse they sing those bad songs all the time and its just annoying.

The Twilight Saga, a franchise you've probably all heard of. But it is actually that good? Here's what I think:

The movies are based on the book series with the same name, written by Stephenie Meyer. I would describe them as your high school-dream books: you've got the romance, the rivalry, the drama, and an amazing story! What more could you ask for. In the first movie from 2008, we see Bella (Kristen Stweart), Edward (Robert Pattinson), and Jacob (Taylor Lautner) live out their triangle-drama just the way we imagined from the books we already know and love!

If you, like me, love watching a cheesy, teenage drama and would like to fall in love with your new favorite vampire family over and over again - I suggest you watch and/or read the amazing Twilight saga, written by the one and only Stephenie Meyer, brought to life by Melissa Rosenberg.

The Bourne identity is really good action spy movie. The main actor Matt Damon is just perfect for his role. This movie is about a good-looking young man suffering from amnesia, trying to find out his identity. On the beginning we can see a fisherman on a boat spots a body floating … When they got him on board, the body turns out to be alive. The friendly fisherman rescued him, gave him some money to go to Switzerland, because he has a capsule embedded under his skin, contains the code to a Swiss bank account. He was welcome in that country, he took a lot of money despite lacking a name or any form of personal identification. Also, he finds several passports, one saying his name is Bourne. The problem was that he really wanted to know why he was in the sea, and his real name, because he noticed about himself that he is not like everyone else. He speaks several languages, has highly trained power observation and memory, know all the spy tricks and was perfect driver. In a fact he was a special agent, he was hired by special service to kill important political people. When he finds out who he really is, he decided to leave his job, because he was a good person, he did not want to kill anyone anymore. And of course, there was a girl, why helped him a lot and he was in love with her. In the end of that movie, he has found his girl Maria and decided to live with her a simple normal life… far away from his past life. I like that movie a lot it has everything. I would definitely recommend that movie.

The book of life It is an animated film directed by Jorge Gutiérrez with a duration of 95 minutes, released in the United States in 2014. It is a legend-like story of two young men, Manolo and Joaquín, who live in a traditional Mexican town and compete for the love of María. Behind that bet are also two spirits, La Muerte and Xibalba, who will take part for each young person, tipping the balance for one of them to know who will conquer the sweet Maria? From that moment on, a very dizzying adventure begins that takes the viewer into the world of the living and the dead with fantastic colors and definition. It amazes so much level of detail and authenticity. The movie offers unique universes. The Book of Life is an entertaining animated film, suitable for children from the age of seven (more or less), it is a fairly elaborate film, with easy and simple content to digest. For me, the film also has authenticity, it is that although there is a stamp of the producer, it does not go beyond the creativity of the author.

I'm not a big fan of superhero films, but the movie Black Panther really caught my attention. It was directed by Ryan Coogler and it came out on February 16, 2018. The film is about a young man name T'Challa, play by the late Chadwick Boseman, who returns home to the African country of Wakanda to take his rightful place as king. But when he's tested by a sudden enemy, Erik Killmonger play by non other than the talented Michael B Jordan, he must resolved this conflict because the fate of Wakanda and the world is at risk. With that said, he must gather an army, the Dora Milaje(adore ones) and the lead Okye (Danai Gurria), his wife to be Nakia (Lupita Nyong'o) and his brilliant little sister Shuri(Letitia Wright) that must fight with him till the end to defeat their enemy and keep their country safe. Overall the movie was amazing. I like that it appreciated the cultures of blacks in the United States and African cultures. Also the actors and actresses put their heart, soul, mind and body into each of their roles. Last but not least, the customs changes and effects was flawless.

Film title "Eddie the Eagle" Directed by Dexter Fletcher.This movie based on real life of British first ski-jumper Eddie Edwards. Film gives us an idea about the power of encouragement, dedication and passion. All the person should have a target and must try to pass barriers.Then "the light will appear at the end of the tunnel" In my opinion this movie must be watched by all the students who at the beggining of their life journey. Don't give up and try and try again. This is motto of this film.

I learnt about the genre of film. props that characters use to make the movie realistic.

Five feet apart Romance This film is a 2019,directed be Justin Baldony.The stars are Cole Sprouse,Geyly Lu Richardson,Emily Baldony. The movie tells about girl Stella,who was sick on cystic fibrosis.She met a guy Will.He was also ill.But they weren’t allowed to approach each other’s,because they could infecting deadly viruses. But they didn’t heed all the bons... This film is very interesting and exciting. I highly recommend watching this movie to everyone.This story won’t leave anyone indifferent.

The Theory of Everything Drama/melodrama/biography, 2014 This film directed by James Marsh. The stars are Eddie Redmayne, Felicity Jones. This movie is based on a book. This is the story of the life of the famous physicist Stephen Hoging. Stephen goes to university, where he meets Jane. She became his wife in the future. Then, he learns of his incurable illness. His friends and wife support him. Man tries to fight. They are born children and all are happy in the family. But his health is deteriorating. Stephen makes great discoveries in physics. He becomes known worldwide. This film is very moving and romantic. The most touches is the love of Steven and Jane. I recomend this film everyone because it's very interesting and good. It has strong points.

my favourite film is THE DARK KNIGHT i think is action and drama and crime, itis the most brilliant movie made by nolan, it was awsom movie, full of shoking seens.

Skills: Writing a film review

‘7 Days’ Review: A Lousy First Date Gets a COVID-19-Enforced Do-Over

Stars Karan Roni and Geraldine Viswanathan inject the right dose of sweet (anti) chemistry in this arranged-marriage romantic comedy.

By Lisa Kennedy

Lisa Kennedy

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Turns out love and hookup seekers aren’t the only ones who fib online. In the winning indie rom-com “ 7 Days ,” two mothers gin up glowing profiles for their children on an Indian marriage website. After a decidedly arid date at a drought-dried reservoir, Ravi and Rita wind up at her rental home. Each of them stands within feet of the other, on the phone reporting how brilliantly the date went to their inquisitive mothers. It comes as no surprise (romantic comedy or otherwise) that when Ravi meets Rita, the two realize quickly that maintaining those lies isn’t worth it. At least, keeping up the ruse between them isn’t sustainable.

Karan Soni portrays Ravi, a guy who has many of the qualities his mother touted: a good cook, very bright, loyal and youngest of three boys, but in a combination that makes for a spectacularly uptight mama’s boy. Geraldine Viswanathan proves deadpan deft as Rita, who is far from the “traditional” Indian woman her mother has marketed.

Written by director Roshan Sethi and Soni, the comedy wastes little time confirming that Rita and Ravi are not a match made in the heavens. That out of the way, “7 Days” — which premiered at the Tribeca Film Festival — goes cleverly, enjoyably about its business teasing Ravi and Rita’s differences and suggesting with wit and patience that their anti-chemistry might just make for the truest kind of connection.

When Ravi overhears Rita on the phone, the carnal conversation she is having stiffens his resolve to get the heck out of Dodge. Her frank talk and a sex toy on the edge of her bathroom sink suggest she is not the “traditional girl” offered up by her mom. Indeed, the affair she has been engaged in has hit a quarantine roadblock. Rita agrees to the matchmaking dates her mother devises for a purely practical purpose. If that reason seems a little mercenary, it won’t after Rita’s mother says on the phone, “I hope you didn’t show him the real you. He can’t love that one.”

Of course, Ravi doesn’t leave. He stands near the door a few times, his leather pack strapped on his back, but he can’t leave. And not because of the tug of romance. The movie opens with signs of the coronavirus: Ravi being Ravi, he was already adhering to safety protocols. Now the pandemic is arriving in larger and larger waves. His every escape route is cut off. All of a sudden, the “traditional kids” are shacking up, sort of.

While Rita pretends (badly) to be the straightlaced Indian girl, her house tells a different story. It’s rife with signs that she is pursuing her own eclectic course: Western tchotchkes, ceramic horses, vintage kitchen canisters and trays with farmland motifs. In a well-timed visual poke, a few of those items feature roosters. (Her messy, textured home is the work of Ashley and Megan Fenton.) In Rita’s bedroom sits a slew of canvases turned toward the wall. When Ravi asks what about the paintings, she tells him each is a painting of a vagina. And not, she adds, ones that are all sweetness and flower petals but images that would confirm Freudian anxieties. Ravi looks like he’s about to faint. But then, he often looks dazed and confused.

Forced to be one another’s only company, they do what presumptive couples so often do in rom-coms: They bicker; they warm to each other. There’s something wonderfully Felix Unger about Ravi. And Rita’s satisfyingly messy. He’s repressed — and lonesome. She’s carnally knowing — and increasingly worried about the status of her clandestine relationship. The film takes its sweet time posing whether they can make a couple — odd, or otherwise.

“7 Days” nods — sometimes subtly, other times obviously — to 2017’s terrific romantic comedy “The Big Sick.” And not just because it depicts the expectations of South Asian parents. With its pandemic theme, this movie also wrestles with the feelings that come when faced with illness — although one wonders how differently the filmmakers would have dealt with the pandemic if the Delta variant had been raging through India during production.

Throughout their non-courtship, Rita and Ravi tango with their mothers’ belief in the rightness of arranged marriages. “7 Days” begins and concludes with interviews with actual couples whose marriages were arranged. How this footage works before and after Rita and Ravi’s sojourn has its own pleasing, thought-provoking payoffs.

Each time the script could take a trite turn, it twists, rebuffing any easy magic. The dinner they make together is not perfect. The stand-up routine he’s been dying to do all his life has the asset of vulnerability but lacks the timing. She’d be within her rights to heckle. The apotheosis of their differences comes when he stands holding two pots ready to clang them in honor of health-care workers and she storms out of the house into the shuttered world on a fool-for-love errand without a mask.

In the future, audiences may tire of movies about COVID-19. For the moment, however, “7 Days” arrives as a funny, modest charmer. What will or won’t become of Rita and Ravi is left for audiences to imagine. No matter what, they have been unmasked, literally and romantically.

Reviewed online, June. 28, 2021. Running time: 86 MIN.

• Production: A Duplass Brothers Prods. presentation. Producers: Liz Cardenas, Mel Eslyn. Executive producers: Mark Duplass, Jay Duplass, Geraldine Viswanathan.
• Crew: Director: Roshan Sethi. Screenplay: Karan Soni, Roshan Sethi. Camera: Jeremy Mackie. Editor: Stephanie Kaznocha. Music: Amanda Jones.
• With: Karan Soni, Geraldine Viswanathan, Zenobia Shroff, Aparna Nancherla, Gita Reddy, Jeffrey Self.

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‘7 days’ (‘sette giorni’): film review | tallinn 2016.

Swiss director Rolando Colla explores the exquisite agonies of midlife romance in the bittersweet Mediterranean drama '7 Days.'

By Stephen Dalton

Stephen Dalton

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A pair of world-weary, middle-aged dreamers behave like horny adolescents in Swiss director Rolando Colla’s  latest romantic reverie, with predictably messy results. Set on an idyllic Mediterranean island, 7 Days is Colla’s follow-up project to his 2011 coming-of-age drama Summer Games , which screened in Venice and Toronto. Sensually rich and sumptuously shot, this sun-drenched two-hander is a poetic love letter to love itself, but also a wry critique of romantic fantasy. Following its international debut in competition at Black Nights Film Festival in Estonia last week, more festival bookings should follow. The evergreen theme, stunning scenery and hedonistic mood could also boost theatrical prospects.

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Bohemian botanist and wild-haired Bruce Springsteen look-alike Ivan (Bruno Todeschini ) meets up with elegant costume designer Chiara ( Alessia Barela ) on Levanzo , a ruggedly beautiful, sparsely inhabited isle off the coast of Sicily. They arrive one week in advance to prepare for the wedding between Ivan’s brother Richard (Marc Barbe ) and Chiara’s best friend Francesca (Linda Olsansky ). Lodged in a quaint family hotel, surrounded by the deserted island’s last few elderly residents, these French-speaking exiles can hardly help but develop a sizzling sexual tension. Ivan proposes a novel solution: a brief, passionate affair that ends “in full flight” the night before the wedding, then both partners walk away with no regrets. After all, he muses Frenchly , “it’s time that kills love.”

The Bottom Line A lyrical portrait of late summer love.

Chiara initially resists Ivan’s indecent proposal but — predictably — she soon surrenders to his louche , unshaven, sulky magnetism. This is Italy, after all. Even more inevitably, their smoking-hot sex sessions bring unseen complications, forcing Ivan to reassess his track record of failed relationships while Chiara weighs up the damage she risks inflicting on her long-term partner and teenage daughter. These tensions reach a crescendo during the climactic wedding sequence, when Ivan’s emotionally aloof composure finally cracks as the elderly islanders teach him to value the deeper pleasures of lifelong commitment.

By turns cynical and starry-eyed about the transformative power of love, 7 Days arguably wants to have its cake and eat it, too. The resolution will irritate some, a symbolic gesture which feels dramatically illogical. Colla also relies a little too heavily on audience empathy for Ivan, whose pursuit of Chiara  turns increasingly petulant, pushy and entitled. That said, such passive-aggressive charmers clearly exist in real life, and Todeschini’s performance has the grain of authenticity. Indeed, all these midlife party animals are depicted with a pleasingly plausible, unsentimental eye. All have their demons, from past drug addictions to painful family histories. Even in this sunny fairytale setting, there is grit in the honey.

In purely sensory terms, 7 Days is a ravishing feast for the eyes and ears. Colla and his cinematographers, Lorenz Merz and Gabriel Lobos, make full use of the windswept island scenery and shimmering ocean vistas, excelling themselves during several bravura underwater sequences. The story is also saturated in fine music, from achingly lovely Sicilian folk songs performed by the island’s senior citizens to an agreeably unexpected airing of “Human Fly” by cult trash-punks The Cramps. One collective musical number, performed in a flotilla of boats bobbing across a silvery harbor, stands out as an exquisitely lyrical set-piece in a film that is occasionally corny but never less than gorgeous.

Venue: Black Nights Film Festival, Tallinn Production companies: Peacock Film AG, Solaria Film, Schweizer Radio und Fernsehen , RSI Radiotelevisione svizzera , ARTE , Movimento Film Cast: Bruno Todeschini , Alessia Barela , Marc Barbe , Linda Olsansky , Gianfelice Imparato Director: Rolando Colla Screenwriters: Rolando Colla , Olivier Lorelle , Nicole Borgeat , Heloise Adam Producers: Elena Pedrazzoli , Emanuele Nespeca , Mario Mazzarotto Cinematographers: Lorenz Merz , Gabriel Lobos Editors: Nicolas Chaudeurge , Rolando Colla Music: Bernd Schurer Sales company: Film Republic, London

Not rated, 96 minutes  

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tv   The Film Review  BBC News  October 7, 2022 5:45pm-6:00pm BST

The Film Review BBC News October 7, 2022 5:45pm-6:00pm BST

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How to Write a Movie Review

Last Updated: March 13, 2024 Fact Checked

wikiHow is a “wiki,” similar to Wikipedia, which means that many of our articles are co-written by multiple authors. To create this article, 179 people, some anonymous, worked to edit and improve it over time. There are 14 references cited in this article, which can be found at the bottom of the page. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 5,573,050 times. Learn more...

Whether a movie is a rotten tomato or a brilliant work of art, if people are watching it, it's worth critiquing. A decent movie review should entertain, persuade and inform, providing an original opinion without giving away too much of the plot. A great movie review can be a work of art in its own right. Read on to learn how to analyze a movie like a professional film critic, come up with an interesting thesis, and write a review as entertaining as your source material.

Sample Movie Reviews

Writing an Intro for a Movie Review

• Comparison to Relevant Event or Movie: "Every day, our leaders, politicians, and pundits call for "revenge"– against terrorist groups, against international rivals, against other political parties. But few of them understand the cold, destructive, and ultimately hollow thrill of revenge as well as the characters of Blue Ruin. "
• Review in a nutshell: "Despite a compelling lead performance by Tom Hanks and a great soundtrack, Forrest Gump never gets out of the shadow of its weak plot and questionable premise."
• Context or Background Information: " Boyhood might be the first movie made where knowing how it was produced–slowly, over 12 years, with the same actors–is just as crucial as the movie itself."

• Using stars, a score out of 10 or 100, or the simple thumbs-up and thumbs-down is a quick way to give your thoughts. You then write about why you chose that rating.
• Great Movie: ABC is the rare movie that succeeds on almost every level, where each character, scene, costume, and joke firing on all cylinders to make a film worth repeated viewings."
• Bad Movie: "It doesn't matter how much you enjoy kung-fu and karate films: with 47 Ronin, you're better off saving your money, your popcorn, and time."
• Okay Movie: "I loved the wildly uneven Interstellar far more than I should have, but that doesn't mean it is perfect. Ultimately, the utter awe and spectacle of space swept me through the admittedly heavy-handed plotting and dialogue."

• Great: "Michael B. Jordan and Octavia Spencer's chemistry would carry Fruitvale Station even if the script wasn't as good. The mid-movie prison scene in particular, where the camera never leaves their faces, shows how much they can convey with nothing but their eyelids, the flashing tension of neck muscles, and a barely cracking voice."
• Bad: " Jurassic World's biggest flaw, a complete lack of relatable female characters, is only further underscored by a laughably unrealistic shot of our heroine running away from a dinosaur – in heels."
• Okay: "At the end of the day, Snowpiercer can't decide what kind of movie it wants to be. The attention to detail in fight scenes, where every weapon, lightbulb, and slick patch of ground is accounted for, doesn't translate to an ending that seems powerful but ultimately says little of substance."

• Does the film reflect on a current event or contemporary issue? It could be the director's way of engaging in a bigger conversation. Look for ways to relate the content of the film to the "real" world.
• Does the film seem to have a message, or does it attempt to elicit a specific response or emotion from the audience? You could discuss whether or not it achieves its own goals.
• Does the film connect with you on a personal level? You could write a review stemming from your own feelings and weave in some personal stories to make it interesting for your readers.

Composing Your Review

• When you name characters in your plot summary, list the actors' names directly afterward in parenthesis.
• Find a place to mention the director's name and the full movie title.
• If you feel you must discuss information that might "spoil" things for readers, warn them first.

• Cinematography: " Her is a world drenched in color, using bright, soft reds and oranges alongside calming whites and grays that both build, and slowly strip away, the feelings of love between the protagonists. Every frame feels like a painting worth sitting in."
• Tone: "Despite the insane loneliness and high stakes of being stuck alone on Mars, The Martian's witty script keeps humor and excitement alive in every scene. Space may be dangerous and scary, but the joy of scientific discovery is intoxicating."
• Music and Sound: " No Country For Old Men's bold decision to skip music entirely pays off in spades. The eerie silence of the desert, punctuated by the brief spells of violent, up-close-and-personal sound effects of hunter and hunted, keeps you constantly on the edge of your seat."
• Acting: "While he's fantastic whenever he's on the move, using his cool stoicism to counteract the rampaging bus, Keanu Reeves can't quite match his costar in the quiet moments of Speed, which falter under his expressionless gaze."

• Keep your writing clear and easy to understand. Don't use too much technical filmmaking jargon, and make your language crisp and accessible.
• Present both the facts and your opinion. For example, you might state something such as, "The Baroque background music was a jarring contrast to the 20th century setting." This is a lot more informative then simply saying, "The music was a strange choice for the movie."

• Great: "In the end, even the characters of Blue Ruin know how pointless their feud is. But revenge, much like every taut minute of this thriller, is far too addictive to give up until the bitter end.""
• Bad: "Much like the oft-mentioned "box of chocolates", Forest Gump has a couple of good little morsels. But most of the scenes, too sweet by half, should have been in the trash long before this movie was put out."
• Okay: "Without the novel, even revolutionary concept, Boyhood may not be a great movie. It might not even be "good.” But the power the film finds in the beauty of passing time and little, inconsequential moments – moments that could only be captured over 12 years of shooting – make Linklater's latest an essential film for anyone interested in the art of film."

Polishing Your Piece

• Ask yourself whether your review stayed true to your thesis. Did your conclusion tie back in with the initial ideas you proposed?
• Decide whether your review contains enough details about the movie. You may need to go back and add more description here and there to give readers a better sense of what the movie's about.
• Decide whether your review is interesting enough as a stand-alone piece of writing. Did you contribute something original to this discussion? What will readers gain from reading your review that they couldn't from simply watching the movie?

Studying Your Source Material

• The title of the film, and the year it came out.
• The director's name.
• The names of the lead actors.

• Make a note every time something sticks out to you, whether it's good or bad. This could be costuming, makeup, set design, music, etc. Think about how this detail relates to the rest of the movie and what it means in the context of your review.
• Take note of patterns you begin to notice as the movie unfolds.
• Use the pause button frequently so you make sure not to miss anything, and rewind as necessary.

• Direction: Consider the director and how he or she choose to portray/explain the events in the story. If the movie was slow, or didn't include things you thought were necessary, you can attribute this to the director. If you've seen other movies directed by the same person, compare them and determine which you like the most.
• Cinematography: What techniques were used to film the movie? What setting and background elements helped to create a certain tone?
• Writing: Evaluate the script, including dialogue and characterization. Did you feel like the plot was inventive and unpredictable or boring and weak? Did the characters' words seem credible to you?
• Editing: Was the movie choppy or did it flow smoothly from scene to scene? Did they incorporate a montage to help build the story? And was this obstructive to the narrative or did it help it? Did they use long cuts to help accentuate an actor's acting ability or many reaction shots to show a group's reaction to an event or dialogue? If visual effects were used were the plates well-chosen and were the composited effects part of a seamless experience? (Whether the effects looked realistic or not is not the jurisdiction of an editor, however, they do choose the footage to be sent off to the compositors, so this could still affect the film.)
• Costume design: Did the clothing choices fit the style of the movie? Did they contribute to the overall tone, rather than digressing from it?
• Set design: Consider how the setting of the film influenced its other elements. Did it add or subtract from the experience for you? If the movie was filmed in a real place, was this location well-chosen?
• Score or soundtrack: Did it work with the scenes? Was it over/under-used? Was it suspenseful? Amusing? Irritating? A soundtrack can make or break a movie, especially if the songs have a particular message or meaning to them.

Community Q&A

• If you don't like the movie, don't be abusive and mean. If possible, avoid watching the movies that you would surely hate. Thanks Helpful 1 Not Helpful 1
• Understand that just because the movie isn't to your taste, that doesn't mean you should give it a bad review. A good reviewer helps people find movie's they will like. Since you don't have the same taste in movies as everyone else, you need to be able to tell people if they will enjoy the movie, even if you didn't. Thanks Helpful 2 Not Helpful 0
• Structure is very important; try categorizing the different parts of the film and commenting on each of those individually. Deciding how good each thing is will help you come to a more accurate conclusion. For example, things like acting, special effects, cinematography, think about how good each of those are. Thanks Helpful 1 Not Helpful 0

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• ↑ https://owl.purdue.edu/owl/subject_specific_writing/writing_in_literature/writing_about_film/terminology_and_starting_prompts.html
• ↑ https://www.spiritofbaraka.com/how-write-a-movie-review
• ↑ https://www.nyfa.edu/student-resources/9-tips-for-writing-a-film-review/
• ↑ https://en.oxforddictionaries.com/writing-help/top-tips-for-writing-a-review
• ↑ https://writingcenter.unc.edu/tips-and-tools/summary-using-it-wisely/
• ↑ https://twp.duke.edu/sites/twp.duke.edu/files/file-attachments/film-review-1.original.pdf
• ↑ https://www.dailywritingtips.com/7-tips-for-writing-a-film-review/
• ↑ https://owl.purdue.edu/owl/subject_specific_writing/writing_in_literature/writing_about_film/film_writing_sample_analysis.html
• ↑ https://learning.hccs.edu/faculty/onnyx.bei/dual-credit/movie-review-writing-guide
• ↑ https://writingcenter.unc.edu/tips-and-tools/conclusions/
• ↑ https://www.grammarly.com/blog/how-to-write-a-movie-review/
• ↑ https://gustavus.edu/writingcenter/handoutdocs/editing_proofreading.php
• ↑ https://writingcenter.unc.edu/tips-and-tools/editing-and-proofreading/
• ↑ https://edusson.com/blog/how-to-write-movie-review

About This Article

To write a movie review, start with a compelling fact or opinion to hook your readers, like "Despite a great performance by Tom Hanks, Forrest Gump never overcomes its weak plot." Then, elaborate on your opinion of the movie right off the bat so readers know where you stand. Once your opinion is clear, provide examples from the movie that prove your point, like specific scenes, dialogue, songs, or camera shots. To learn how to study a film closely before you write a review, scroll down! Did this summary help you? Yes No

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An anonymous young man unleashes a campaign of vengeance against the corrupt leaders who murdered his mother and continue to systemically victimize the poor and powerless. An anonymous young man unleashes a campaign of vengeance against the corrupt leaders who murdered his mother and continue to systemically victimize the poor and powerless. An anonymous young man unleashes a campaign of vengeance against the corrupt leaders who murdered his mother and continue to systemically victimize the poor and powerless.

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• Sharlto Copley
• 11 User reviews
• 38 Critic reviews
• 71 Metascore

• Baba Shakti
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“Tonstant Weader fwowed up.” Dorothy Parker originated that immortal line, in 1928, expressing, under her “The New Yorker” pen name “Constant Reader,” what would turn out to be very much a minority opinion on A.A. Milne’s “The House At Pooh Corner.” It occurred to this reviewer as he attempted to grapple with the oppressive, bloodless, winsome gentility of “5 To 7,” a romantic comedy written and directed by Victor Levin and set in a New York City where its protagonist/narrator tells you in the first five minutes or so, “you’re never more than twenty feet away from someone you know, or someone you’re meant to know.”

Said protagonist/narrator is a fellow in his 20s named Brian and, as you may have guessed, this motion picture does not depict him taking the subway a whole hell of a lot. Brian, played by Anton Yelchin , is a young wannabe writer whose study wall is festooned with rejection letters—on paper, even—from august publications, but the steady stream of do-not-wants does not stop him from continuing to ply his whatever it is; the fiction editor of “The Atlantic,” Brian tells his mom, said “sorry” in the latest rejection, which to him is a sign of progress. One afternoon while out maybe trying to acquire Life Experience to feed his fiction, Brian meets a most enchanting French woman, Arielle ( Bérénice Marlohe ), and after getting off to a poorish start with a “Little Mermaid” reference, recovers with some wry in-French banter about how to be a smoker in New York these days is to be a kind of exile, and she mysteriously offers to meet him again between the hours of the film’s title. As it happens, Arielle is married, not unhappily, but it’s just that she’s so French she can take a lover, as her husband has, and while this proposition temporarily affronts Brian’s sense of ethics, he soon gives himself over to a new kind of amour, and why not.

So far, so tolerable, and when Brian and Arielle share a champagne toast in a long, unbroken take in her gorgeous apartment and Arielle responds to one of Brian’s bromides with “Maybe you should write fortune cookies,” so moderately sharp. But somewhere before the halfway point the movie crosses a line, and its fantasy version of New York, not to mention of French women, gets to looking kind of hoary and inadvertently adolescent. Eventually, the fact that the characters are all aware of the multiple clichés they’re uttering—an exchange between Brian and a young editor ( Olivia Thirlby ) is particularly excruciating in this respect—doesn’t redeem or excuse the clichés.

Writer/director Levin, an old television hand, is clearly looking to make his own “Stolen Kisses”—his Truffaut fandom extends to strategically placing a “Jules And Jim” clip in the movie—but the stupefying level of wish fulfillment here makes the film play, oddly, like a much more refined “Killing Zoe.” Yes, the 1993 movie in which a callow bro played by Eric Stoltz makes a gorgeous French call girl fall madly in love with him in the first ten minutes. Speaking of Stoltz, he appears here, playing an editor named Jonathan Galassi, which is also the name of a very real New York-based book person, and it’s odd that an actor should be playing the role since Levin, who must be very well-connected, persuaded luminaries such as Julian Bond and Daniel Boulud to appear in cameos as themselves. 

The oddest cameo is by David Remnick, the real-life editor of the real-life “New Yorker,” appearing as himself and proclaiming Brian’s fiction-writing talents (in case you weren’t able to guess this, his affair with Arielle really agitates his muse, and stuff) to Brian and Brian’s parents (played by Glenn Close and Frank Langella ) in a very confusing scene. I wondered whether Remnick had lost a bet at first. I then reflected that in the weirdly rarified world this movie wants to depict, a “New Yorker” editor would not be caught inanimate doing a cameo in any film, let alone one as mediocre as this one, and this paradox set my head a-spin a little bit. But by the time the picture wound down to its finale, with the narration spouting a bunch of unearned platitudes about “perfect love” (as Truffaut knew, and communicated in “Stolen Kisses” and elsewhere, there’s no such thing, and imperfect love is something to be unequivocally treasured) and one of its characters sporting tortoise-shell-rimmed glasses to connote the Passage Of Time, the only thing in my mind was that Dorothy Parker phrase.

Glenn Kenny

Glenn Kenny was the chief film critic of Premiere magazine for almost half of its existence. He has written for a host of other publications and resides in Brooklyn. Read his answers to our Movie Love Questionnaire here .

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7 years into its legendary comeback, No Man's Sky claws back another 1% on its Steam review score: "I never thought it possible, but guys we might hit 'Very Positive' one day"

It took 5 years just to hit 70% positive reviews

No Man's Sky remains one of the greatest comeback stories in the industry, a shaky launch entirely reversed by nearly a decade of meaningful and entirely free support. More than a dozen expansions later, however, and despite a new game on the way, game director Sean Murray is still yearning to improve the game's reputation.

In a tweet yesterday, nearly eight years after the initial release of No Man's Sky, Murray announced that the game's Steam review score had just ticked up to 78% positive. He also revealed that it had taken five years for the game to reach Steam's 'Mostly Positive' rating, which is unlocked when 70% of reviews recommend a title. No Man's Sky reached that marker in 2021, which means that it's taken around three years for it to gain the next 8%.

Guys, we just ticked up to 78% Positive in "All Reviews" ♥️ 2021 we hit Mostly Positive (70%), which took 5 years 😅Mathematically each % point is much harder to gain than the last - I never thought it possible, but guys we might hit "Very Positive" (80%) one day 🙏😭 pic.twitter.com/YLasvQO5zT April 2, 2024

That's a pretty impressive trajectory, but the redemption arc will get shallower over time. Murray points out that "mathematically each % point is much harder to gain than the last." From one perspective, that could mean that No Man's Sky has done well to find that 8% over just three years, but for Murray, it seems to suggest that the pace of change is likely to slow down. Nevertheless, it's possible that at some point, perhaps even in the not-too-distant future, that No Man's Sky will finally tick over to the 'Very Positive' threshold of 80% - something that Murray says that he once "never thought [...] possible."

After that, the next goal would be 'Overwhelmingly Positive', which is unlocked at 95% positive reviews. At the current trajectory, however, that would take at least six years. There's always the chance that with the continuation of its regular update cadence , No Man's Sky might finally hit that target, but with the studio's new game, Light No Fire , on the horizon, that does seem like a distant goal.

Cyberpunk 2077 studio congratulates No Man's Sky dev on new game Light No Fire and jokes "you can always fix it later."

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Movie Review: ‘Godzilla x Kong’ has scales and scale but not much else

This image released by Warner Bros. Pictures shows Godzilla, left, and Kong in a scene from “Godzilla x Kong: The New Empire.” (Warner Bros. Pictures via AP)

This image released by Warner Bros Pictures shows Dan Stevens, left, Rebecca Hall and Kaylee Hottle in a scene from “Godzilla X Kong: The New Empire.” (Warner Bros. Pictures via AP)

This image released by Warner Bros Pictures shows Godzilla in a scene from “Godzilla X Kong: The New Empire.” (Warner Bros. Pictures via AP)

This image released by Warner Bros Pictures shows Rebecca Hall, left, and Brian Tyree Henry in a scene from “Godzilla X Kong: The New Empire.” (Warner Bros. Pictures via AP)

This image released by Warner Bros Pictures shows Brian Tyree Henry in a scene from “Godzilla X Kong: The New Empire.” (Warner Bros. Pictures via AP)

This image released by Warner Bros Pictures shows Rebecca Hall, foreground, and Kaylee Hottle in a scene from “Godzilla X Kong: The New Empire.” (Warner Bros. Pictures via AP)

This image released by Warner Bros Pictures shows Rebecca Hall, left, and Dan Stevens in a scene from “Godzilla X Kong: The New Empire.” (Warner Bros. Pictures via AP)

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As the old saying goes, there are two kinds of people on this Earth: Those who like their movies with a giant evil ape swinging a vertebrae like a lasso while riding a kaiju controlled by a crystal, and those who don’t.

The former types will have much to cheer in “Godzilla x Kong: The New Empire,” a ground-stomping, radiation-spewing monster-mash feast. Technically, we are not on this Earth. We’re inside it, in a subterranean jungle world that gives the movie’s filmmakers an exotic, untrampled realm in which they try to chart some new ground for a pair of well-traveled beasts.

But aside from the film’s strong Jules Verne streak, “Godzilla x Kong” is no drastic pivot for its long-in-the-tooth monsters. For that, you were better off catching last year’s Toho-made “Godzilla Minus One,” which grippingly returned to Godzilla’s post-WWII origins and in the process won the 70-year-old lizard its first Oscar.

Other, less respectable creatures might have used an Academy Award as a springboard for more dramatic roles. But not Godzilla. No costume dramas for him, unless you count the robotic fist that Kong gets outfitted with midway through the movie.

No, we are back in the pure spectacle territory that has traditionally been Godzilla and King Kong’s stomping ground. It’s even a very small title tweak from the previous installment, “Godzilla vs. Kong,” to “Godzilla x Kong.” This one promises a team-up, with the frenemies joining forces to fight a mutual foe. If things keep up this way, we can look forward to “Godzilla xoxo Kong.”

Returning director Adam Wingard kicks things off with his two stars separated, like star-crossed lovers, with only Earth’s mantle in between. Godzilla roams above ground while Kong romps around in Hollow Earth. To humankind, this is a good arrangement that keeps city-destroying rampages to a minimum – though Godzilla’s choice of bed, the Roman Coliseum, is surely unpopular among archeologists.

Every movement of each monster is closely tracked digitally. The humans in “Godzilla x Kong” verge on being bit players — or more like roving sports commentators — who spend most of their time trying to analyze what the goliaths are up to. It’s a lean crew of scientist Ilene Andrews (Rebecca Hall), conspiracy-spouting podcaster Bernie (Brian Tyree Henry) and biologist Trapper (Dan Stevens) who fly into the Earth’s center when Kong is hurt and confusing distress signals seem to emanating from the underworld. With them are Ilene’s adoptive daughter Jia (Kaylee Hottle), the lone surviving member of the tribe that protected Kong’s Skull Island.

Being in Hollow Earth takes some of the fun out of things. What good is a colossus when you can’t fling it against a skyscraper? Some of that comes later in “Godzilla x Kong.” But most of the film’s thrills come out of the strange dimensions that can turn up around every corner. In Hollow Earth they stumble onto a host of lost civilizations and a cavernous lair held up by giant crystals that look like the roman numerals of a Super Bowl logo.

That also leaves “Godzilla x Kong” residing in a purely CGI arena without even tenuous connections to reality. It’s a empty chamber for movie spectacle and nothing else, where the only option is to pile elements on top of each other until you have, you know, a giant evil ape swinging a vertebrae like a lasso while riding a kaiju controlled by a crystal.

But this mostly a very big, very simple tag team affair. The bad guys underground — the nasty gorilla Skar King and equally unpleasant lizard kaiju Shimo — eventually battle Kong and Godzilla in a finale that strips out the last vestige of reality, gravity, in a floating melee.

Who is there to root for here? Godzilla has first billing but it spends most of its time traipsing around the globe sucking up radiation. Of the humans, Hall does the most to bring something real to the movie. Kong, as he’s been throughout this iteration of the franchise, is the main guy. But he’s just on the lookout for a friend or two. His most emotional scene, like Nick Nolte in “Affliction,” is due to a tooth ache. That, and the resulting yank via helicopter, prompted me to wish the movie was just a series of medical issues for an aging Kong. A knee replacement. Some reading glasses.

“Godzilla x Kong: The New Empire,” a Warner Bros. release, is rated PG-13 by the Motion Picture Association for creature violence and action. Running time: 115 minutes. Two stars out of four.