the golden age essay example

The Golden Age

Table of contents, introduction, metalanguage and techniques, analysis for the themes, analysis of the characters, analysis of the quotes, essay 1 : discuss the role of art and poetry in the golden age..

• Essay 2 : How does The Golden Age explore the idea of change?
• Essay 3 : How much control over their lives do the characters in The Golden Age possess?
• Essay 4 : The Golden Age suggests that nothing can replace the loss of one’s home. Discuss.
• Essay 5 : ’In The Golden Age, the past is never far away from any of the characters.’ Discuss.
• Essay 6 : ’In migrating to Australia, the Golds gain more than they lose. Discuss.’
• Essay 7: ’The Golden Age uses a range of literary techniques to convey its themes of belonging and identity.’ Discuss.
• Essay 8 : How important is love and connection in The Golden Age?
• Essay 9 : “In recovery he felt a hunger to know why he was alive.” ‘In The Golden Age, recovery means much more than survival.’ Discuss.

The Golden Age is a prize-winning novel by Joan London, first published in 2014. It is set in 1954, in the Golden Age Children’s Polio Convalescent Home in Perth. The novel follows Frank Gold, a thirteen-year-old Hungarian immigrant who has bee struck down by polio and is now recovering at the Golden Age. The novel charts his physical recovery, and his emotional and intellectual coming-of-age; he falls in love with fellow-patient Elsa Briggs and develops a passion for poetry.

London creates a sensitive portrait of her adolescent characters and depicts their gradual withdrawal from their parents and increasing independence – a process symbolically mirrored in their physical recovery. The story is told from Frank’s perspective, but also from Elsa’s, Frank’s parents Meyer and Ida, and a nurse at the Golden Age, Olive Penny. All of the central characters are embarking on their own journeys. Meyer and Ida lost everything to the Second World War and must attempt to find their place in their new country. Olive Penny is estranged from her daughter and largely shunned by her family; she lives a forbidden life of casual sexual encounters. All of these characters find themselves in the same city, on the far west of Australia – an Australia which in 1954 is itself struggling to find its own identity.

In 1954, Australia is a deeply conservative country which sees itself as fundamentally British. Since Federation, the White Australian Policy (the Immigration Restriction Act 1901) has been in place, making it almost impossible for non-whites to enter the country permanently. Even central and eastern Europeans like the Golds are exotic by the standards of the time. The ‘New Australians’ from post-war Europe are essentially the first wave of immigrants in the 20 th Century to begin diversifying the Australian population. The Golds are very much outsiders.

London’s tale of two young people who fall in love and are forced apart is about the personal journeys of those characters, the maturation of Australia, but also, crucially, about the power of poetry. Frank’s “vocation” is tied to his love for Elsa and becomes “his way in,” his method for understanding himself and his place in the world. Frank’s poetry also embodies the changes soon to sweep Australia and the world. His style is modern, and Sullivan, the ill-fated patient who introduces Frank to poetry, speaks of exciting things happening in America – presumably referring to the outrageous Beat poets, and other mid-century groups. The 1960s will see immense and world-changing Civil Rights movements, anti-war movements, the birth of popular culture, student revolts, and a sexual revolution. The next two decades are characterised by significant challenges to social and political norms and a new emphasis on the individual. Youth culture, be it embodied in stoned hippies, rioting students, rock and roll and eventually punk culture, will be predicated on rebellion. In 1954, Frank Gold is, in his own, quiet way, a precursor to these seismic shifts, rubbing up against teachers in disputes about what poetry is meant to be, and focussing on verse as that which can liberate the self.

London writes in a highly evocative style, and goes to great lengths to capture Perth in the 1950s. The novel also includes flash-backs to the Golds’ experiences in Budapest, and leaps forward in the final chapter to when Frank is an old, acclaimed poet living in New York. Ultimately, it is a novel which affirms the nature of love, and the power of art.

The Golden Age is a highly stylised and poetic novel – which should be unsurprising, given its keen interest in the nature and purpose of poetry. It is written in what is known in literary studies as “free indirect discourse.” This is a form of third-person narration (he, she, they) which slips in and out of the perspectives of its characters. So when we read The Golden Age , even though the narrative voice positions their subject at a distance, saying “he” or “she,” it still presents the thoughts of that character, without necessarily saying “he thought” or “he said.” Essentially, the narration is in the third person, but it is a third person flavoured with the worldview of the person it describes. For example, when the narrative voice describes Meyer’s reflections on loss, it frequently dispenses with phrases like “he thought this,” and instead melds Meyer’s thoughts with the narrative voice: “He, Ida and Frank had left behind all their family and friends, those who had survived. But the dead came with you.” This style has many advantages. One is that it infuses the narrative with rich and evocative poetic description based on character perspectives. For example, the prose is laden with images of light whenever Frank, and to a lesser extent Myer, drive the narrative forward. The narrative description of Elsa as “the light which swirled around” Frank is another excellent example of imagery appearing in the text which is dependent on the narrative perspective being employed. Many of the metaphors and similes in the text are also good examples – such as Myer’s characterisation of Australians as a “lost tribe” or his description of Ida as “a bird who refused to sing.”

The Golden Age , although largely chronological, has a non-linear narrative structure . This means that the events in the novel do no occur in a strictly correct order. Rather, the novel is characterised by its use of flash-backs, effectively weaving characters’ memories and reflections into the storyline of the novel. This helps build the sense of a world lived in part through memory. This structure, combined with the free indirect discourse narration, makes The Golden Age a self-consciously modernist novel. The Modernist movement, which arguably reached its peak in the 1920s but can be traced long before and after then, was characterised by writers such as James Joyce and Virginia Woolf using free-indirect discourse and displaying a keen interest in the nature of memory – a central theme in The Golden Age . The Golden Age is of course partially about these dramatic changes in literature, and Sullivan Backhouse stresses to Frank Gold that modern poetry is radically different to the poetry of Byron. Modernist literature is also highly allusive, characterised by at times oblique references to many other works. We see this in The Golden Age . Allusions are made to various important modernist and mid-century poets, such as Sassoon and what is possibly the Beat generation (referred to by Sullivan as the “exciting” developments in the United States). The defining work of Modernist poetry, The Waste Land , by T.S Eliot, is directly referenced. This extra layer of interpretative meaning brought to the novel by its allusions reflects its central contention, which is that art and a love of beauty is essential to navigating loss, change and suffering.

Poetry and Art

The Golden Age is in some respects a meditation on the role of art, and especially poetry, in life – particularly in regards to love, healing and survival. It is Sullivan Backhouse, an older boy being treated in an iron lung, who introduces Frank to poetry; or rather, who introduces him to the potential of poetry. Frank has already been exposed to his parents’ fondness for Hungarian poetry, but he always found something “theatrical, deliberate” in their reading, and he particularly disliked his mother’s “holy tone.” Sullivan, by contrast, introduces him to modern poetry, which could be written in “simple, everyday language.” Frank alights on poetry as his “vocation” and begins writing lines of free verse down in an old prescription pad. The use of a prescription pad to write poetry symbolises the healing potential of the act; indeed, after his separation from Elsa, Frank becomes convinced that “poetry had to save him.” Poetry becomes a sophisticated way of interpreting and responding to calamity. “Coming to terms with death,” Sullivan remarks, “is a necessary element in any great poem.”

Frank’s relationship with poetry is closely connected to his relationship with Elsa. He thinks of her as a poetic muse; he conceives her as the symbolic “light which swirled around him.” He finds that he struggles to even write poetry if she is not present, and years later, when he is an established poet, Frank still believes that all his poems in some way have been “messages” to Elsa. This poetic relationship with Elsa is potentially disadvantageous to their genuine, human connection, however. One of his first impressions of her, for example, depicts her as a piece of art: “She looked like a drawing done with a fine lead pencil.” Later, he finds that in his imagination she has stopped being a real person and become a sort of “radiant warrior” – in other words, a poetic creation. In this sense, their separation, and the fact that she is allowed to remain a largely poetic construction over the course of his life, is probably the key to her enduring influence on his poetry.

Poetry also plays an important contextual role in The Golden Age . Frank and Sullivan emphasise that modern poetry should be free-form and experimental. Sullivan looks to the great war poets for inspiration – this is no coincidence, as the First World War is often seen as the defining event in the creation of 20 th Century modernist literature. Later in the novel, Frank is shown to be reading The Waste Land by T.S Eliot (1922), which is arguably the defining text of modernism. It is long, fragmented, disorienting, and full of allusions and mysterious references. Poetry in The Golden Age is essentially depicted as a force for change. Sullivan points to “exciting things” happening in the United States, referring to mid-century poets and, potentially, to the notorious and ground-breaking Beat Generation. This is perhaps why Ida can connect to her new country through music, but does not seem to embrace her new lifestyle to the same extent as Frank or Meyer – she has her music, but her music is old, written by long-dead men who lived on the continent she has fled.

The Golden Age depicts the practicalities of survival; whether it be through the food parcels Ida sends through to her husband as he starves in a labour camp, or the safehouse where she deposits Frank in the hope that the Nazis won’t find him, or in the survival of children with polio, a recovery characterised in a practical sense by exercises, iron lungs and splints. However, the novel is more concerned with the emotional traits necessary for survival – and its emotional toll.

In war-torn Budapest, the survival of both Meyer and Frank depend on Ida. It is through her old piano teacher that she finds shelter for Frank whilst she scavenges for food to send her husband. Survival under such conditions requires some astonishingly difficult calculations – for example, she is quite aware that in the event of a bombing raid, Julia’s house would probably not survive, but she would prefer that fate for her son than for the Nazis to find him. She reflects: “That was the choice she’d made. Its awfulness made her dizzy for a moment.” Ida must draw on her “little fighting core of survival.” This siege-mentality, so necessary amidst the devastation of Europe, is translated into resentment and bitterness in Australia. Although Ida and Meyer had drawn on their own, significant inner resources to survive, they are acutely aware of the sheer chance of the matter – that it is only by “frail threads of chance or luck” that Meyer had stayed alive after most of his family and all of Ida’s were killed, that it is only luck which stopped a shell landing on Julia’s house. For Ida, their survival barely looks like a blessing upon arrival in Australia; particularly when her son, who had “survived cellars, ceilings, bombing, near starvation,” is struck down by polio. For much of the novel, this sense of resentment paralyses Ida: “Now she was a bird who refused to sing.”

Like survival in warfare, survival against polio is to a large extent a matter of chance. Sullivan Backhouse, for example, despite being healthy, athletic and strong-willed, is killed by the disease, whilst many seemingly more vulnerable children survive. Also like warfare, however, there are individual traits and qualities which improve chances of survival, or at least of recovery. For the recovering children, one of the most dangerous elements of their condition is the sense of helplessness it creates. The patients must learn to will themselves well: “in the end, their success or failure in overcoming polio was up to them.” The novel explores the individual impetuses behind each child’s recovery. Young Ann Lee, for example, recalls being unable to give water to desperately thirsty brumbies on her drought-stricken property, and resolves never to be so helpless again. The older children often land on slightly more profound resolutions. Frank’s brush with mortality has him searching for a reason for living: “In recovery he felt a hunger to know why he was alive.” His effort to survive and to carve out a purpose is part of the new-found sense of individuality burning within him; he determines to become “his own reason for living.”

Europe and Australia

The Golds have a complex relationship with Europe. Compared with the seemingly barren city they have arrived in, they can at times not help but be nostalgic. They reflect on long holidays on Lake Belaton, their city of “archways, courtyards, boulevards, cafes and concerts, twinkling bridges,” and Frank finds it astonishing that most people his age do not know the word “nostalgia.” Yet at the same time the Golds must accept that this city which they had loved so much had also proven treacherous. Budapest turned into a “hunting ground,” and suddenly the young Jewish family found themselves unable to trust the very people they had been living alongside for decades. They lose their homes, in this sense, twice – in the literal sense that they must leave Hungary, but also in the sense that the city they thought they knew has proven to be an illusion. This painful history informs the Golds’ reaction to insular, conservative 1950s Australia. Meyer watches the Australians prepare to celebrate the royal visit with bemusement; he considers them a “tiny lost tribe” stranded from the “motherland.” But he is also alarmed by the way the Australians cling to old nationalistic attachments to Britain and their status in the Empire: “Didn’t they understand what had happened to the old countries of Europe?” The air of belonging and civility which Australians attach to Britain, was Meyer understands, a fiction. The people of Perth see themselves as the inheritors of a northern European civilisation – a civilisation which Meyer is painfully aware can break down at any minute.

It thus becomes essential for Ida and Meyer to find a way to belong in Australia. For the first decade of their time in Perth Meyer finds it difficult to relate to this “city with no past.” Worse, the Golds are unable to entirely escape the sort of prejudice which nearly led to their extermination in Europe. Nance, Elsa’s grandmother, expresses disgust at her having “that migrant boy hanging around her,” and Rodney Bennet is surprised that Ida expects to be treated as well as her talent warrants, not like some desperate immigrant happy for whatever scraps the locals throw her. Bennet assumes that any migrant, “especially members of her race,” would be happy to play for anything. Australia is found by the Golds, overwhelmingly, to be dull, insular, conservative and backwards, culturally and intellectually.

However, these binaries are broken down by the end of the novel. Both Ida and Meyer eventually find their place in the new country. For Meyer, it is his attraction to Olive Penny which eventually shifts his perspective on Perth, and allows him to see its “mythic” potential. Ida is almost overwhelmed by the gratitude of her Australian audience for a performance which she suspects would have been considered an embarrassment in Perth, and realises that Australia is the place “in which her music must grow.” Australia itself is on the cusp of change; in a few years it will experience the cultural assault of the 1960s – and the enthusiasm for the royal visit depicted in The Golden Age won’t hold a candle to what happens when the Beatles visit in the next decade. However, Frank still feels compelled to move to New York to pursue his poetry. Whilst this is no doubt partly for personal reasons, it is also the case that up until the present day a great many Australian artists, thinkers and musicians have long felt compelled to move to Britain or America in order to thrive. In that sense, perhaps contemporary Australia is not too far removed from the Australia depicted by London.

Love is central to The Golden Age , although it comes in several forms. Most obviously is the fledgling relationship between Elsa and Frank. Frank falls for Elsa immediately; and she is immediately associated with light: “Her face, in profile, was outlined by light.” Elsa takes a little longer to warm to Frank, but not too long. The two adolescents soon begin to depend on one another emotionally: “Being together made them stronger.” Characteristically, Elsa’s observations about their relationship are slightly less gushing than the young poet’s. Frank describes love variously as “a promise made to all human beings” and “the big thing, maybe the best thing, that happened in lives.” Elsa, whilst taken by this boy she describes as being like no other boy she has ever met, is still slightly reserved. In her view that Frank acted like he had just “elected” her into a “two-person club,” there is perhaps a tacit recognition that his need for her is less as a human being, and more as a concept which he employs for his own, artistic requirements. Certainly he always perceives her in connection to light imagery, and, as discussed above, she soon becomes a more symbolic than literal figure: a “radiant warrior.” Nonetheless, their love is understood to be real, and powerful. Sister Olive Penny recognises it, and argues that having spent much of her career caring for children, knows that they “can surprise you by how much they feel and understand.” The importance of love in the lives of characters in The Golden Age is closely connected to memory. For Frank, “polio is like love… Years later, when you think you have recovered, it comes back.”

The persistence of love and memory is even more pertinent for Frank’s parents. They lost the city they loved, the lives they loved and the families they loved to the Second World War. Their experiences in Australia mirror Frank’s late-life reflections on the nature of love. Even after both Ida and Meyer, through their music and appreciation of beauty respectively, learn to love their new country, Meyer still has flashbacks to his life in Budapest, yearning for Australia to forgo “these terrible tea-parties” and embrace a more European lifestyle (as any brief stroll through Melbourne’s inner city will demonstrate, many Australians did well and truly embrace the life Meyer longs for). More poignantly, he is reminded by Elsa’s parents of the rape and murder of his little sister. Despite Meyer’s attraction to Olive Penny, he never acts on it; both players understand the consequences would be disastrous, and Meyer recognises that he is actually exhausted beyond mere “intimacy,” and that the life he has with Ida, whom he loves in his own deep and lasting way, must be his priority. Although the relationship between Ida and Meyer is frequently strained, the final description of them dying within weeks of each other and then being buried together creates an impression of lasting love.

One form of love which is tested in The Golden Age is that between parents and children. Both Elsa and Frank feel increasingly distant from their parents over the course of the novel. Elsa finds her parents looking “smaller,” even “shrunken” from grief, and Frank finds his mother cloying. This is owing to their natural transition into adulthood, alongside the enforced independence which comes from being removed from home and having to recover from polio. However, Frank and Meyer still get on well, and after the concert Frank and Ida exchange glances which demonstrate that “all is forgiven.” Ida recognises the grief her son undergoes upon separation from Elsie and she promptly organises a meeting between the two families. Frank himself will come to understand the depth of love between parent and child through his brief time caring for the young Edie.

All of the major themes in The Golden Age are intimately connected, and one idea in particular which binds them together is the concept of loss. All of the characters in the novel have encountered one form of loss or another. An obvious example are the Golds, who, as discussed above, have lost their former European lives, and most of their extended family. This loss follows the Golds into their new lives, inescapably; “The dead came with you,” Meyer reflects. Ida and Meyer must learn to navigate their future, even with the past dogging their footsteps.

There are other forms of loss in The Golden Age , however. All of the children in the convalescence hospital have lost their physical capability. They also lose their childhood. This is emphasised through the sharp contrasts London draws between Elsa’s highly athletic, physical childhood and her current state, of being barely capable of walking. Elsa and Frank, however, are losing their childhood in another sense: they are moving from childhood to adolescence. The Golden Age can in this sense be read as a coming-of-age novel. Elsa feels the distance growing between herself and her parents, who appear, with every visit, to be weaker and more diminished – as if they are “shrunken” from the grief they have suffered. By contrast, her physical development is an upward trajectory, growing from strength to strength. Similarly, Frank begins to feel a cloying sense of restriction as a result of his parents’ emotional dependence on his own recovery, and he vows with something approaching resentment to be “his own reason for living.” In this sense, the loss of childhood is essentially positive; at times distressing and confusing, but ultimately necessary for Frank’s and Elsa’s development.

A similar process is evident in the character of Olive Penny. She lost her husband, and was forced to move, with her young daughter, into her mother-in-law’s house. Her mother-in-law resented her, however, and on dying left them with no provisions. After seeing her daughter married off, Olive was left with virtually no family, no place. However, like the children she cares for, this loss actually provides her with an opportunity for personal development. Olive takes her lack of family obligations as a blessing and lives an unusually independent and fulfilling life for an Australian woman of the 1950s – she is employed in work she finds meaningful, is self-sufficient and, most scandalously, has an active and fulfilling sex life. In one sense, then, Olive Penny is an example of the end-product of the process that the children and the Golds are undergoing; someone who has lost one way of life but embraced and affirmed another.

Ferenc (Frank) Gold

Although the novel moves between a number of characters’ perspectives, The Golden Age is overwhelmingly a tale about its central characters, Frank. Born in Hungary and miraculously surviving both Nazi occupation and Soviet “liberation” (which was frequently equally murderous) as a young child, Frank adapted quickly to his new country, learning English fast and thriving at school, before polio saw him crippled and hospitalised. He is described by Elsa, the girl whom he falls in love with, as a “funny boy – sharp, watchful, purposeful, not like a boy at all really, or any boy she’d ever known.”

Frank is on the cusp of adulthood, a crisis in identity which is made all the more prominent by its association with physical growth and recovery as he gradually learns to walk again. He is characterised by a fierce sense of independence. He is disturbed by how much his parents depend emotionally on his recovery, and defiantly “refuse[s] to be their only light.” He determined to find his own “reason for living,” and that reason is poetry – an art revealed to him by Sullivan Backhouse. Frank’s sense of self, loneliness, and love of Elsa all become tied up with his ability to interpret the world through poetry. The Golden Age charts his development as a poet, his separation from Elsa, and his eventual emergence as a successful poet living in New York. He carries the memories of his time at the Golden Age, and particularly of the “beauty” which he found there, all his life.

Elsa Briggs

If Frank’s early childhood was defined by fear and trauma, Elsa’s by contrast was defined by “freedom,” of long bike rides, summer holidays and trips to the beach. Elsa, like Frank, is one of the older children at the Golden Age, and is introduced comforting a sick infant. Her thought process at this moment is the first indication that she, like Frank, is outgrowing her family and the sense of security they provide: “Without your mother, you had to think. It was like letting go of a hand, jumping off the high board, walking by yourself to school.” Frank identifies this steely resolution in her – he terms it her “pride” – and her son Jack describes her as notoriously strong-willed when he meets Frank at the end of the novel. There is a tension between Elsa’s parents, and this is reflected in her growing sense of detachment from them; she sees them “shrunken” by their grief for her, even as she recovers. She also bears a resentment for her sister, who failed to recognise Elsa’s polio onset.

Most of the description of Elsa in The Golden Age come from Frank, and is consequently more poetic than literal – he describes her mostly in terms of light, and as a “radiant warrior.” She is, however, definitely tall and blonde. With her active childhood and memories of summer spent at the beach, she, along with Olive Penny, represent a sort of quintessentially Australian vision of girl- and womanhood. Her fierce sense of independence is possibly reflected in what we learn of her later life. She becomes a doctor and marries, and Frank flees to New York. Although she seems to retain fond memories of Frank, she has firmly closed that chapter of her life and moved on, a fact evidenced by the fact that she does not answer his letters.

Meyer suffered deeply during the war, losing all his family but for two brothers, and barely surviving internment in a labour camp. Even after the war has finished, his father and sister are brutally killed by Russian soldiers who believe they had some connection to the Nazi regime. He arrives in Australia with little to no interest in the new country, which seems to him to be the “end of the world.” It his only through his connection with Olive Penny, and then his acquirement of a job as a deliveryman, that he realises he can indeed learn to love Australia.

It is obvious, reading from Meyer’s perspective, where his son Frank gets his penchant for poetry. Meyer, like his son, frequently thinks in poetic phrases. He describes the Australians of the 50s as a “lost tribe” in awe of its British heritage, and frequently thinks in metaphors – personifying cities, or describing characters like Olive in terms of light. The character of Meyer is an intensely reflective one, frequently musing on the nature of memory and the relationship between past and present. His relationship with Ida is a complex one; it is full of tension and exhaustion for much of the novel, but there are signs that it may be reigniting towards the end, as both characters find their feet in their new country.

Ida Gold is a proud and, for much of the novel, distinctly resentful woman. She was a promising pianist on the make in Budapest before the war. As a Jew, she quickly became a target for the Nazi regime. She was tipped off mid-performance in a café and managed to escape; the next few years were essentially spent on the run, as her husband was taken from her and she was compelled to hide her son during the shelling of Budapest. It is because of Ida that Frank and Meyer – for she smuggles food parcels to him whilst he is captive – are able to survive. It costs her every ounce of strength, but her remarkable courage and determination eventually sees them all through. In Australia, she feels she is robbed yet again – she loses her family but manages to get to Australia with her husband and son, settle down, even have her son win a prestigious scholarship, and then have him struck down by polio. She stops playing the piano – or, as Meyer describes it, becomes “a bird who refused to sing.” For all her remarkable ability to save her husband and son from the war, she cannot protect Frank against the ravages of polio.

Ida’s relationship with Frank is strained, yet understanding. He prefers his father’s company to his mother’s, and finds her archness and evident disdain for Australia trying. However, when he is sick with loss after his separation from Elsa it is Ida who instinctively sees what must be done to heal her son, and reunites the children. It is largely through her music that she eventually finds a niche in Australia, the country in which she and Meyer eventually spend all their lives. Whilst Meyer “came to love” Australia, Ida’s attitude is left ambiguous.

Sister Olive Penny

Olive Penny is an unconventional woman for her time and place. Her husband was killed in the war, and her adult daughter has her own life. Olive is thus independent, with few binding connections to other people. She is the nurse in charge of the Golden Age, and in her late thirties/early forties. She finds nursing suits her – she develops an instinctive “professionalism” for it. She is “adored’ by all the children except, interestingly, for Frank. She is unconventional in professional independence but also in her sexual freedom – a freedom “like a man’s.”

Olive Penny finds herself sharing a mutual attraction with Meyer Gold. He sees a “light” inside her, and along with Elsa she embodies the traditional image of Australian health and naturalness, fit and rosy. Although Frank is less in thrall to her than the other children are, she is able to perceive that the feelings between him and Elsa are very real, and she warns Meyer that it would be very damaging to the health of both children to keep them forcibly separated. This is a good indication of her generosity of spirit, in that it is Frank and Elsa’s illicit escapade which, in part, sees her lose her job at the Golden Age.

Sullivan Backhouse

Sullivan is an eighteen-year-old Frank encounters at the IBD. Sullivan is encased in an iron lung, and eventually succumbs to the polio which has already robbed him of his youth. After a successful secondary education, he intended to study English at university and potentially become a poet. His role in the text is to introduce Frank to poetry, and in particular provide a few important maxims for understanding the novel, one of which is that “coming to terms with death is a necessary element in any great poem.” He also serves to temper the sweeter elements of the novel. Rather than relying on clichés about determination being the only factor necessary for survival, Sullivan’s death allows London to concede that life is fundamentally unfair, and that sometimes people die for no good or just reason at all.

• He felt like a pirate landing on an island of little maimed animals. (2) Frank’s evocative description the Golden Age captures his sense of isolation, geographically but particularly in terms of age, compared to his “little maimed” companions. It is a mindset echoed by his father, Meyer, who envisages Australia as a lost tribe on an island.

• …they looked smaller to her, aged by the terror they had suffered, old, shrunken, ill-at-ease. (11) Elsa’s perspective on her parents is a reflection of her growing maturity. The line dichotomises hers and her parents’ experience of polio; for Elsa it is one characterised by growing strength and self-discovery, whist for her parents the ordeal is characterised by horror, stress and the sense that their daughter is undergoing a formative experience away from them.

• Coming to terms with death is a necessary element in any great poem, Sullivan once said. (19) Through poetry Frank must come to terms with the death of Sullivan, and Frank and Elsa must come to terms with their loss of innocence and separation from each other.

• I refuse to be their only light. (27) Frank initially wants to be his own light, and his own “reason for living,” rather than his parents’. However, the text shows that while this feeling is important to growing up, it is ultimately naïve, and that people do need others to live for, as Frank himself learns through his relationship with Elsa, who becomes the “light which swirled around him.”

• Deep in her sad, tight heart, she searched for that little fighting core of survival, of self-love, which she’s always had, and must not now lose. (40-41) The siege mentality built around the “little fighting core of survival” in Ida is essential to surviving war-torn Hungary. In Australia however it takes Ida much of the novel to leave that mentality, which translates into pride, disdain, and a gnawing sense of isolation.

• He felt it as the weak spot, the broken part, the gap that had let the polio in . (51) Frank feels the horror of the war as a lingering “gap” or open wound which allows harm to reach him. This sense of incompleteness is found in several moments in the novel, between Frank and Elsa, for example, and Meyer and Olive Penny. It symbolises the fact that people need other people in order to be whole.

• She’d had to get used to, and now she loved, this freedom of choice. Like a man’s. (67) Olive Penny’s love of a “man’s” freedom positions her as a symbol of a changing Australia in which women will, gradually, achieve greater freedom.

• People kept away from the families of polio victims . (82) Elsa identifies the alienation at the heart of The Golden Age . For Frank and the Golds, the isolating effects of polio are a reflection of their own cultural alienation.

• Budapest was the glamorous love of his life who had betrayed him . Perth was a flat-faced, wide-hipped country girl whom he’d been forced to take as a wife. (86) Meyer, like his son, interprets the world through symbol and metaphor. His understanding of cities as lovers informs his later appreciation of Perth derived from his flirtation with Olive Penny.

• For him this was a city with no past . (89). Meyer identifies the lack of familiar people in Perth as a stark contrast between that city and Budapest, illustrating the importance of human relationships in creaeting a sense of home or belonging.

• There was a call between them, clear as a bird’s . (97) The instant connection felt between Olive and Meyer follows his description of Perth suddenly developing a sense of mystery, depth and complexity, starkly illustrating the relationship between people and place in Meyer’s mind.

• Frank knew Elsa’s pride and determination, but her family knew only pity . (112) Frank’s distaste at Elsa’s family’s inability to see further than her disease reflects his own growing sense of personal identity, brought about in no small part by the ordeal of polio. In The Golden Age , it is a lesson that all characters must learn – that suffering is not the be all and end all but rather an opportunity for growth and rebirth.

• The children who celebrated Christmas at the Golden Age seemed much happier than those who returned at bedtime, exhausted, silent, distant and alone . (116) Frank views his time at the Golden Age not as a separation or isolation from the real world but as an opportunity to nurture and develop his own internal world. While the children exposed to the outside world come back “exhausted” and “alone,” those who choose to find happiness in difficult circumstances are much “happier.”

• She was his homing point, the place he returned to . (119) Frank’s view of Elsa as “the place he returned to” is evidenced at the end of the novel also, when as an old man he still finds himself returning to Elsa and the Golden Age as poetic subjects.

• This funny boy – sharp, watchful, personal, not like a boy really, or any boy she’d ever known. (136) Frank is described by Elsa as unique, and set apart from the other boys she’d known, reflecting his complex history and intellectual brilliance which marks him as a poet.

• There was a light inside her. (141) Like his son, Meyer associates connection and warmth with light. Just as Frank finds his thoughts gathering around the “light” of Elsa, so too does Meyer find a sense of purpose and belonging through his connection to Olive.

• A tiny lost tribe on the coast of a huge island, faithfully waiting for a ship from the motherland. (149) Meyer identifies a certain lack of maturity in Australia, seeing it not as a fully-fledged nation-state but rather as a “tiny lost tribe” on a “huge island.” The country, like the characters of The Golden Age , must find a new identity.

• What had been temporary had become settled. What seemed like the end of the world had become the centre. (152) Meyer finds himself connecting to the city of Perth. What this requires is an entire reorientation of his mind, in which his past in Europe becomes the periphery to his new “centre,” Australia.

• This was her audience. The emigres, the petit bourgeois, the nouveau riche . (168) Perhaps the closes Ida gets to the intense feeling of connection to Australia which Meyer develops is after her performance, when her initial disdain for the people congratulating her for her performance changes into an acceptance that “She must do her very best” for them.

• Poetry was his way into the world . Poetry had to save him . (197) Frank’s intense isolation after his separation from Elsa can only be alleviated by poetry, “his way into the world.” Elsa from this point in his life can only exist to him through memory and poetry.

• Elsa was not a girl exactly . More like a spirit, a sort of radiant warrior . (202) As soon as Frank cannot physically be with Elsa, he sees her more and more as a poetic being, a divine figure of the imagination who will guide his poetry. In this sense their separation was inevitable because Frank never really saw her as an ordinary, flawed human.

• It flashed through his mind that whatever this force was, it would never release him, it would take all of him . He would always be alone. (231) Frank sees that the poetic nature of his relationship with Elsa means that upon separation he will not be able to have the same connection with anyone else without destroying the purity of his artistic vision.

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English & EAL

The Golden Age by Joan London

October 4, 2020

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Go ahead and tilt your mobile the right way (portrait). the kool kids don't use landscape..., 2. historical context.

3. Main Characters

4. Minor Characters

5. Dissecting an A+ Essay using 'The Golden Age'

6. Creative Essay Topic Brainstorm

7. Essay Topics

The Golden Age is usually studied in the Australian curriculum under Area of Study 1 - Text Response. For a detailed guide on Text Response, check out our VCE Text Response Study Guide.

Even though this hasn’t been one of the more popular choices on the VCE text list, Joan London’s The Golden Age is a personal favourite of mine for a number of reasons. This is a novel about the experiences of children recovering from polio inside a convalescent home in Perth. With a sympathetic and warm approach, London tells the tragic yet brave stories of these children, as well as the stories of their parents and carers.

The novel essentially revolves around Frank Gold, a Hungarian Jew and a war refugee, and London blends his mature voice with the innocence of a coming-of-age narrative, all set against the backdrop of World War II.

As you’re reading the book, watch out for her literary or poetic language, and keep track of the story’s overall mood. These will be important considerations for text study, particularly if you are to write a creative response on this text for your SAC. With this in mind, I’ve included writing exercises throughout this blog post for you to practise writing creatively on this text.

If you are writing analytically on this text, either for your SAC or for your exam, you may still complete the exercises—each one should still be insightful for your writing in some way. Also, feel free to check the video below; it breaks down an analytical prompt for this text.

• Historical Context

This novel is set in Perth during the early 1940s, which gives rise to a couple of interesting historical elements all intersecting in the book.

Crucially, the events of the novel take place for the most part while World War II is raging in Europe. This is important for understanding the backstory of the Gold family: they are Hungarian Jews who have escaped their war-torn home of Budapest to seek safety in Australia. In particular, we know that at some stage, Meyer had been taken away to a labour camp, and that Frank had had to hide himself in an attic.

Their Hungarian heritage, however, is something that distances them from other Australians, and they never really get a good chance to settle in, always feeling like they just weren’t on the same wavelength as the locals. In many ways, the story of the Golds is underpinned by tragedy—not only are they war refugees, but young Frank then contracts poliomyelitis (known to us just as polio), which forces the family to reassess all the plans they had for him to settle into an ordinary, Australian life.

However, Frank was far from the only victim of polio at the time—the entire nation was rocked by a wave of polio , with major outbreaks during the 1930s-40s. This was quite a nerve-wracking, and causing great fear for our country and its active, outdoors-y culture. The prospects of death, paralysis and permanent disability were understandably terrifying. About 70,000 people were affected, and almost half of them eventually died as a result. Almost every Australian at the time knew or knew of someone who had polio.

Task: You are Ida, composing a letter to Julia Marai after Frank’s diagnosis. Convey succinctly (in 250 words or less) what you think and how you feel. ‍

Key themes & implications.

I like to think that a lot of the themes in this book exist in diametric or opposing pairs. For instance, London gives Frank a voice that is wise beyond his years, yet uses it to tell a tender story of first love. She also plays on the paradox that while some characters have become isolated due to the unfortunate events that have befallen them, these very events end up becoming the thing that unite them.

Essentially, London plays with a lot of these thematic tensions, showing us that life isn’t really ever black and white, but there are whole lot of grey areas in every day life.

Central to the novel are ideas of innocence or childhood . These ideas are really explored in the friendship between Frank and Elsa, who are both on the cusp of adolescence. While they are set up as young lovers in the eyes of readers, we know that they are far too young to truly have romantic feelings for each other. In actual fact, their interactions are permeated by a sense of innocence.

However, these interactions are also punctuated by a sense of maturity , a desire for more. This is evident to the extent where nurses are getting hesitant about leaving them alone with each other (even though their parents still trust them entirely). In actual fact, these parents serve as an important point of contrast. Some manage to recapture the magic of youth even as adults—consider Ida reigniting her love for the piano, or Meyer jumping on opportunities to start anew. In this sense, innocence and maturity are a pair of themes that are interestingly not always found where one might expect.

Another key thematic element of the novel is tragedy or adversity , which are relevant to a far wider gamut of characters. Considering the story’s geographical and historical setting, it seems evident that these ideas will play a major role in the story. A particularly poignant example lies in Sullivan, who contracts polio right on the cusp of adulthood, and readers can’t help but feel a sense of loss for what might have been.

However, on the other end of this spectrum is the strength required to cope with their suffering. While Sullivan had his indefatigable sense of humour, other characters have developed different mechanisms to stay strong in the face of adversity. In some cases, you might say that they’ve transcended or risen above their tragedies, and become stronger for it.

Finally, London also tackles the idea of isolation , which can be seen as a consequence of tragedy—characters become isolated because they lose their ability to relate to others, and others feel unable to relate to them. Symbolically, the Golden Age hospital is surrounded by four roads and therefore cut off from the world, almost as if quarantined. However, the solidarity and unity of patients inside becomes a great source of strength—I’ll leave it to you to think about what London was trying to say with this!

Task: Selecting one of the above themes, write a poem from the POV of an imaginary spectator in the novel, outlining how you perceive/experience these themes in other characters. Use all five senses(how you see it, hear it, smell it, taste it, and touch/feel it)

Major characters.

I haven’t written too extensively about characters for a range of reasons: on one hand, it’s important for you to form your own interpretations about what they’re like and why they do the things they do, but on the other hand, I wanted to leave you with some key points to consider and/or some essential points about their characters to incorporate into your writing. This will allow you to hopefully feel like you’re capturing them accurately when writing your creatives, but without feeling restricted by an extensive set of traits that you have to invoke.

• the central character, he is cerebral, intelligent and mature (which we can tell from his narrative voice, or how he ‘sounds’)
• he is, however, still very young, wide-eyed, inquisitive in spite of the tragedies which have befallen him (consider how he sees his relationship with Elsa)
• also significant is the motif of his poetry; not only does it highlight his maturity, but it also acts as a way for him to voice or articulate his feelings and experiences in the hospital—you could try incorporating some poetry in your writing (either original poems or quoted from the novel)

Elsa Briggs

• another central character who becomes quite attached to Frank (they are the two eldest children in the Golden Age)
• she is warm, caring and selfless, demonstrating an emotional maturity beyond her years (because of having to bear the metaphorical albatross of polio)
• a lot of what we know about Elsa comes from Frank’s perspective (though we do get some insight from her own, and some from her mother’s)—how does this shape the way we see her? Consider London’s use of imagery, portraying her as an angelic figure.

Ida & Meyer

• Frank’s parents, Hungarian Jews, and war refugees who come to Australia to cleanse them of their pasts and to have a fresh start; some of this is purely by circumstance, but there are parts of their past that they willingly and actively eschew e.g. Ida’s piano
• note that Hungary is a landlocked country in the midst of European hustle and bustle with easy access to other nations/cultures/peoples, but Australia is an island on the other side of the world—consider how this affects their sense of isolation
• on the other hand, they do form new connections with people here and in their own individual ways; Ida by reclaiming her pianist talents and Meyer by taking up a new job

Task: You are Elsa, Ida, or Meyer and you’ve just discovered Frank’s poem book. What are your thoughts and feelings towards his writing? Consider the context of your chosen character’s own experiences

Minor characters.

I’m sure you’ve heard it by now, but any piece of text-based writing (creative or analytical) can be strengthened by diversifying the range of characters that you write about. Even though you’ve already differentiated yourself from most VCE students by even doing this text at all (very few people choose it, so props to you!), some inclusion of more minor characters might help to distinguish yourself further. I’ve picked some that I think are interesting to talk about, but feel free to experiment with others as well!

• a young man who contracts a severe strand of polio right on the cusp of adulthood, thereby exemplifying the theme of tragedy—however, his sense of humour remains active in spite of his immobility, so perhaps he not only exemplifies this theme but subverts it as well
• London poses the complex question of whether or not he’s actually unhappy or defeated as a result of polio; there’s no clear answer, since there’s many ways to interpret his humour (is it a sign of strength or is it a front for inner turmoils expressed through poetry?)
• in addition to his humour and poetry, his relationship with his family could also be an interesting point of discussion to address some of these questions
• a young girl in the hospital who is quite close to Elsa (almost in a sisterly way)—how have they developed this relationship, and how does this relate to the theme of unity/companionship/human connection?
• notably, she wanted to rehabilitate herself after polio took away her ability to feed the brumbies in her desert town—think about how this might represent strength as well

Julia Marai & Hedwiga

• Ida’s former piano teacher and her flatmate/partner who live at the top of an apartment block in Budapest; they shelter Frank in their attic under no obligation whatsoever, but purely out of the kindness and selflessness of their hearts
• again, there’s this subversion of what it means to be isolated: on one hand, their apartment is so cut off from the rest of the world below, and they lead a largely self-sufficient life together, but on the other hand, the fact that they’re together means that they’re not entirely isolated consider the power of human connection in this context as well

Task: Pick a minor character from this list and a character from the above list of major characters, and write about them meeting each other for the first time. Pick two that do not already interact closely within the novel e.g. Elsa meeting Sullivan

I hope this gives you some ideas or starting points about writing creatively on this text!

Download the PDF version of The Golden Age study guide   here .

Dissecting an A+ Essay using 'The Golden Age'

Picture this: you’re sitting down at your desk, fumbling your fingers, inspecting the new stationary that you convinced yourself you needed for year 12, resisting the urge to check your phone. Your text response SAC is in two weeks. You’re freaking out because you want, no, need an A+. You decide to write a practice essay for your English teacher. Practice makes perfect, right? You stay up for hours, pouring your heart and soul into this essay. The result? B+. Where did I go wrong?

That’s where I come in! Writing an A+ essay can be really tough without examples and specific advice. Before reading on, make sure you've read our Ultimate Guide to VCE Text Response so you are up to scratch.

I will be explaining some basic dos and don’ts of writing an essay on The Golden Age , providing a model essay as an example.

The following prompt will be referenced throughout the post;

‘The Golden Age’ shows that everyone needs love and recognition. Discuss.

Planning: the silent killer of A+ essays

I’m sure your teachers have emphasised the importance of planning. In case they haven’t, allow me to reiterate that great planning is compulsory for a great essay . However, flimsy arguments aren’t going to get you an A+. The examiners are looking for complex arguments , providing a variety of perspectives of the themes at hand. From the above prompt, the key word is, ‘discuss’. This means that you should be discussing the prompt, not blindly agreeing with it . Make sure you don’t write anything that wouldn’t sit right with London. ‍

Don’t plan out basic arguments that are one-dimensional. This may give you a pass in English, but won’t distinguish you as a top-scoring student.

For example:

• Paragraph 1: The children at TGA need love and recognition.
• Paragraph 2: Ida and Meyer need love and recognition
• Paragraph 3: Sister Penny needs love and recognition.

The above paragraphs merely agree with the statement, but don’t delve into the many aspects of the novel that could contribute to a sophisticated essay.

Do create complex arguments, or paragraphs with a twist! If you can justify your argument and it makes sense, include it in your essay. There are many ways that you could answer this question, but my plan looks like this:

• Paragraph 1: Frank Gold yearns for mature, adult love, not recognition from onlookers or outsiders
• Paragraph 2: Ida Gold does not seek recognition from Australia, but love and validation from herself
• Paragraph 3: Albert requires love from a specific kind of relationship – family, and Sullivan may view love from his father as pity which he rebukes

See the difference?

The introduction: how to start your essay off with a BANG!

Personally, I always struggled with starting an introduction. The examiners will be reading and marking thousands of essays, so if possible, starting your introduction with something other than Joan London’s ‘The Golden Age’… is a great way to make you stand out from the crowd. Having a strong start is essential to pave the way for a clear and concise essay. You could start with a quote/scene from the text! This is not essential, but it’s a great way to mix things up. This is my start:

Perhaps nothing exemplifies the power of love and recognition more than the bond between Albert Sutton and his older sister, Lizzie, in Joan London’s ‘The Golden Age’. Many of London’s characters exhibit suffering that requires compassion and support to heal and grow, to distinguish present from past. However, London explores the perspectives of such characters from different aspects of trauma, and emphasise that love and recognition do not always work to heal and mature. Frank Gold, the novel’s resident “sneaky” boy who adjusts to newfound life in the Golden Age Convalescent Home seeks love as an adult, rather than eliciting sympathy as a supposed victim. Here love and recognition are unsuccessful in amending Frank’s troubles when given from the perspective of an outsider, a judgemental onlooker. In a similar sense, Ida Gold seeks recognition not from Australia, who she views as a ‘backwater’, but validation in herself after having been ousted from her Hungarian identity. London, however, makes sure to emphasise the impact that Sullivan has on Frank Gold’s life. Sullivan, a boy only a few years older than Frank, seems content with his future, with his fate, despite his sacrifice of rugby and conventional life.  There is a lacking sense of urgency for love and recognition in Sullivan’s life, rather, it appears that Sullivan accepts his fate, regardless of his father’s sympathy or support. Thus, London explores a myriad of ways in which love and recognition may or may not heal wounds inflicted upon individuals.

Remember, there are many other ways you could start your essay.

The body paragraphs: To TEEL or not to TEEL?

I’m sure you’ve heard of TEEL countless times since year 7. Topic sentence, evidence, explanation, link. The truth is that these elements are all very important in a body paragraph. However, following a rigid structure will render your essay bland and repetitive. It is also extremely important to note that you should be using evidence from multiple points in the text , and you should be making sure that your paragraphs are directly answering the question . Write what feels natural to you, and most importantly, don’t abuse a thesaurus . If you can’t read your essay without rummaging for a dictionary every second sentence, you should rewrite it.  If vocabulary isn’t your strong point (it definitely isn’t mine!), focus on clean sentence structure and solid arguments. There’s nothing worse than you using a fancy word incorrectly.

Don’t overuse your thesaurus in an attempt to sound sophisticated, and don’t use the same structure for every sentence. For example:

Prematurely in the paperback London makes an allusion to Norm White, the denizen horticulturalist of The Golden Age Convalescent Home…

That was an exaggerated example generated by searching for synonyms. As you can see, it sounds silly, and some of the words don’t even make sense. I mean, “denizen horticulturalist”…really?

Do mix up your paragraph structure! If vocabulary is your weak point, focus on clean language.

Here’s mine:

Early in the novel, London makes reference to Norm White, the resident groundskeeper of The Golden Age Convalescent Home. Norm White hands Frank Gold a cigarette, “as if to say a man has the right to smoke in peace”. Here, there is a complete disregard for rule and convention, an idea that London emphasises throughout the text. This feature provides a counter-cultural experience for Frank, pushing him to realise that he is a strong human being rather than a mere victim. This is a clear contrast to the “babyishness” of the home, and is used as evidence of true humanity in an era where society judged upon the unconventional. Frank yearns for a traditional Australian life after his trauma in Hungary; “his own memory…lodged like an attic in the front part of his brain”. Hedwiga and Julia Marai’s caring of him pushed him towards fear and reluctance to trust, yet also pressured him to seek acceptance in a world that ostracises him for his Jewish heritage and polio diagnosis. This here is why Frank desires a mature, adult connection – love that regards him as an equal human being. Frank seeks Elsa’s love and company as she too loathes being reduced to a victim, an object of pity. Frank thereafter uses humour to joke of his wounds; “we Jews have to be on the lookout”. Elsa sees “a look in his eyes that she recognised”, thus their bond enables both characters to heal. London alludes that Frank requires love and recognition not from the perspective of a sorrowful onlooker, rather he longs to be recognised as a mature adult.

To learn more about using the right vocabulary, read 'Why using big words in VCE essays can make you look dumber'.

The conclusion: closing the deal

I firmly believe in short and sharp conclusions. Your body paragraphs should be thoroughly explaining your paragraphs, so don’t include any new information here. A few sentences is enough. Once again, write what feels natural, and what flows well.

Don’t drag out your conclusion. Short and concise is the key to finishing well.

Do write a sharp finish! Sentence starters such as, “Ultimately…” or “Thus, London…” are great.

Although trauma is often treated with love and compassion, London details different perspectives on this idea. Whilst Frank Gold requires a specific kind of recognition, Ida and Meyer seek validation in themselves and their relationship, whilst Sullivan is at ease with his fate and does not yearn sympathy from his father.

‍ To learn more about A+ essays, you should also have a read of 10 easy English points you're missing out on .

I'll finish off by giving you an exercise: brainstorm and write up a plan for the essay topic shown in the video below. I'd recommend you do this before watching Lisa's brainstorm and plan. That way, you can see which of your ideas overlapped, but also potentially see which ideas you may have missed out on. Good luck!

The Golden Age Essay Topic Brainstorm

[Video Transcript]

The takeaway message for this video will be to utilise minor characters here and there to deepen your argument. London has really developed all her characters to feel three-dimensional and real, so it’s important not to just write about Frank and Elsa when there are so many others worth touching on.

Let's head straight into background information:

Joan London’sThe Golden Age is a novel about children recovering from polio in a convalescent home in Perth. She tells the stories of these various children, their families, and their caretakers, focusing on FrankGold and Elsa Briggs, the young protagonists who are just starting to develop romantic feelings for each other. Though they, and many of the other children, have faced much hardship and misfortune, London tells a story of hope and human connection in times of misery.

On that note, today’s essay topic is:

The Golden Age  is primarily a tragic tale of isolation. Discuss.

Let’s break this prompt down and define some keywords. The keywords we’ll be looking at first are isolation and tragic. We’ll be defining them quite briefly, but be sure to think about these in terms of how they relate to the novel. In particular, see if any scenes, passages or characters jump to mind.

Isolation is a state of being alone or away from others and can be associated with a sense of powerlessness or insignificance. Tragic can simply just mean sad, depressing and loaded with sorrow or ‘pathos’, but there are also literary implications to this word: you might’ve done a tragic Shakespeare play and learned this before, but in general, a tragic story centres on a hero who encounters misfortune, and treats their demise in a serious or solemn way. Note that a good essay will discuss both these terms, and will address not only isolation but also the question of whether or not it is treated tragically.

The other important word is ‘primarily’. This word in the prompt suggests that The Golden Age is  for the most part  about these ideas - for you, that means you should ask yourself how central you think they are, and make a call on whether they are the  most  central.

Well, it’s definitely true that elements of isolation and separation do exist in The Golden Age, but these themes are not primarily tragic ideas in the novel -London explores the way in which hope can shine through in times of hardship. In fact, the novel overall has a message of kinship and hope, and this would be the primary thematic focus, as well as the main treatment of otherwise tragic ideas. So how might this look in paragraphs?

Paragraph 1: Let’s concede that the novel does evoke sadness through its frequently sombre tone and treatment of isolation

We see this through characters such as Ida and Meyer, who have been cut off from the world in their escape from their war-torn home, and forced to transition from their landlocked Hungary to an island on the other side of the globe. Their struggle to adjust is evoked through symbols - for instance, black cockatoos, which represent a “homely, comforting” omen to locals, sound “melancholy [and] harsh” to Ida. In particular, London’s solemn characterisation of Ida as constantly “frowning”, and as having a “bitter little mouth that usually gripped a cigarette ”works to emphasise her ennui or her dissatisfaction with being cut off from the world. Their homesickness is evoked through this constant longing for home, though sometimes much more literally: Meyer feels that “never again on this earth…would, he feel at home as he once had.”

Similarly, the story of Sullivan Backhouse, confined in an “iron lung” and physically isolated from outside contact, is also primarily tragic. London develops this character and gives him a backstory - he has “just turned eighteen” and had been the “prefect [and] captain of the rowing team.” This gives readers an idea of the life he might have had if not for the tragedy of his condition. Even in spite of his “good-humoured nature”, his poetry belies the pessimism within - his book, morbidly entitled “on my last day on earth”, closes with the line “in the end, we are all orphans.” We can thus see how lonely he must have felt when he tragically passed away.

In this paragraph, we’ve considered three different characters, whereas a lot of people writing on this text might just do a character per paragraph, so this is a good way to really show the examiners that you’ve considered the full extent of what the book offers. Let’s continue this as we move onto…

Paragraph 2: We disagree, however, since the novel includes various other moods and thematic material - in particular, London explores notions of resolve and hope in times of hardship 

Now, the first character that comes to mind would have to be Elsa - London uses particularly powerful imagery, such as her “translucent”, “golden wave” of hair or even her “profile, outlined in light”, to portray her as angelic or elysian. For the children, Elsa evidently represents hope - even in her state of isolation, her “graceful and dignified” demeanour and her quiet acceptance that polio “was part of her” is courageous and worthy of admiration.

Moving onto a minor character who was perhaps inspired by Elsa - the young Ann Lee, who was quite close to Elsa, also has a story which is more inspiring than tragic. When polio first crippled her, she found herself unable to give water to the brumbies in her desert town. As a result, she perseveres, “step after painstaking step” so as to be able to return home and “give a drink to thirsty creatures.” Her compassion and determination to work against her isolation become the focus of her tale.

Paragraph 3: In fact, the  novel ’s focus is on hope rather than tragedy

A range of other characters demonstrate the power of love and human connection in the face of adversity, and London seems to be focusing on these ideas instead. Plus, it’s not just the children who are brave in the face of tragedy, but ordinary people prove themselves to have the potential for strength and courage. Take Julia Marai and Hedwiga, who hide Frank in their attic during the Nazi invasion of Hungary. Even though their apartment is “on the top” of the block, and isolated in its height, suspended from the world, they become “provider[s]” for Frank. London writes that in difficult times, “kindness and unselfishness were as unexpected, as exhilarating, as genius,” and it’s easy to see how these qualities form a counterpoint to the tragedies that permeate the novel, allowing hope to shine through. 

And that’s the end of the essay! Being able to explore minor characters like we did here is a really good way to show examiners that you have a deeper understanding of a text, that you’ve considered it beyond just the main characters on the surface. The Golden Age is a really great one for this because London has done so much with her cast.

Essay topics

1. “Being close made them stronger.” In The Golden Age , adversities are tempered by camaraderie. Do you agree?

2. Despite the grim context, The Golden Age highlights and celebrates the potential of life. Discuss.

3. Memories of past successes and failures have significant lingering effects on characters in The Golden Age . Is this an accurate assessment?

4. “[I would be] a fox, following a Palomino.” How do animals such as these contribute symbolically to The Golden Age ?

5. It is largely loneliness which defines the struggles of the children in The Golden Age . Discuss.

6. In what ways is The Golden Age a novel of displacement?

7. Fear of the unknown is something which permeates The Golden Age . Is this true?

8. What is the role of family in Joan London’s The Golden Age ?

9. Isolation in The Golden Age exists in many oppressive forms. Discuss.

10. Throughout The Golden Age , London draws attention to beauty rather than to suffering. Discuss.

11. In spite of their youth, it is the children of The Golden Age who understand best what it means to be an individual in the world. Do you agree?

12. How do characters from The Golden Age learn, grow and mature as the novel takes its course?

13. Due to the range of different onset stories, each of the children and their families in The Golden Age face a different struggle with their identity. Discuss.

14. “Home. She hadn’t called Hungary that for years.” In spite of all their struggle, the Golds never truly feel any sense of belonging in Australia. To what extent do you agree?

15. Explore the factors which drive Joan London’s characters to persevere.

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Whether you consider yourself a Frankenstein expert, or someone who is a bit taken back by the density of the novel and Shelley’s writing, do not fret! Below I will outline 3 tips which, will hopefully give you a clearer perspective on how to approach writing on Frankenstein! Let’s get started!

1. ALWAYS TRY TO TALK ABOUT SHELLEY’S CONCERNS

Since the book was set during the Age of Enlightenment and the Romantic era, Shelley essentially used Frankenstein as a vessel to criticise and warn readers against many of the values upheld during her era. It’s therefore crucial that you address this!

The late 18th century and the first decades of the 19th century were exciting times for science and exploration. Shelley’s two main protagonists, Walton and Frankenstein, both passionately sough to discover what had previously been hidden. Walton wanted to be the first to find a passage through the Arctic Circle; Frankenstein wanted to be the first to create manmade life, to uncover the mysteries of Nature.  Both men claimed to be desirous of benefitting humankind but both wanted glory more. This obsession to win accolades for their discoveries will destroy Victor, and turn Walton for a while into a hard taskmaster over his crew.

Juxtaposed against these two characters is Henry Clerval. Clerval, too, has an inquiring mind but he also cares about humanity, family and friends. He represents the balanced human being who is sociable, compassionate, intelligent and loyal to his friends. Victor’s ability to reanimate the dead, to bring to life his gigantic Creature using the newly discovered electricity, makes him a genius but also a monster. In his inexperience he botches the work producing a hideous and terrifying creature with, ironically, initially all the virtues of the ideal man of he world. Repulsed by his amateurish handiwork, Victor abandons his creation, setting in place the vengeance that will unfold later.

Try to ground any response to Shelley’s text in the enormous enthusiasm for new discoveries and new geographic phenomena that attracted lavish praise for those who went where others feared to tread. It was this praise that drove Walton and Frankenstein to exceed reasonable expectations becoming reckless and careless of the consequences of their actions.

2. ALWAYS TRY TO DRAWS LINKS AND CONTRAST DIFFERENT CHARACTERS AND THEMES!

Walton, Frankenstein and the Creature are interconnected in so many ways – whether it be their isolation, ambition, desire for companionship, desire for vengeance or the Romantic values they share. I’ve also noted that it is also really easy to connect themes in Frankenstein as the tragic story-arc of the novel is built upon many different causes. What I mean by this is that there is a clearly define relationship between isolation, ambition and vengeance (and ultimately tragedy) in the sense that isolation is what led to the brewing of unchecked ambition which essentially causes the resultant tragedy.

Take Frankenstein for example: having left his loving family and friends, who provided him with love and companionship for Ingolstadt, there was no one to hold him back from his natural tendencies towards unchecked ambitions, leading him to creating the monster who out of spite towards society kills all of Frankenstein’s loved ones, leading them towards the desire for mutual destruction. Being able to see these links and draw them together will not only add depth to your writing but it also arms you with the ability to be able to deal with a wider array of prompts.

3. ALWAYS TRY TO LOOK FOR MORE NUANCED EXAMPLES AND DISCUSSIONS!

While Walton, Frankenstein and the Creature can be discussed incredibly thoroughly (and by all means go ahead and do it), but it is also very important to consider the novel as a whole and talk about, if not more thoroughly, on the minor characters. While characters such as the De Laceys, villagers and the rustic in the forest can be used to highlight the injustices brought upon the creature and people’s natural instincts of self preservation and prejudice, innocent characters such as Elizabeth and Justine can be used to emphasise the injustice of society and the consequences of unchecked ambition and isolation.

Henry Clerval (like previously mentioned) can be contrasted against Walton and his best friend Frankenstein to show that as long as we have a balanced lifestyle and companionship, ambition will not lead us to ruin. Characters such as the Turkish merchant can also have parallels drawn with Frankenstein in telling how our selfish desire and actions, born out of inconsideration for their consequences, can backfire with great intensity. Lastly the character of Safie (someone I used a lot in my discussions) can be compared and contrasted with the Creature to show the different treatment they receive despite both being “outsiders” to the De Laceys due to their starkly different appearances.

Mentioning these characters and utilising these contrasts can be monumental in showing your understanding of the novel and by extension, your English analytical ability.

[Video Transcription]

‍ Hey guys, I'm Lisa, welcome back to Lisa's Study Guides. Today, we're going to be talking about Frankenstein and breaking down an essay topic for it. So in the past, I've done plenty of videos looking at different types of essay topics and breaking them down by looking at keywords and then going into the body paragraphs and looking at those ideas. This time round, the takeaway message that I want you to leave with is understanding what types of evidence you should be using inside your body paragraphs. Specifically, I wanted to talk about literary devices or metalanguage. Mary Shelley, the author of Frankenstein uses so many literary devices that it's impossible to ignore. If you are somebody who is studying this text or other texts that you use and are heavily embedded with literary techniques, then it's really important that you don't just use dialogue as part of your quotes, but actually reading between the lines. I'll teach you on how it's not just about finding dialogue, which you include as quotes inside your body paragraphs, but reading between the lines, so looking at literary devices like metaphors, symbols, imagery, so let's get started. Mary Shelley's Frankenstein constitutes escaping critique of the prioritization of scientific advancement over human welfare and relationship. Dr. Frankenstein is fascinated with science and discovery, he is consumed with the idea of a new and more noble race by stitching up dead body parts from a cemetery. He feverishly works away at his experiment until one day the creature is born. Frankenstein is horrified at the living thing he has made and completely rejects the creature, leaving it without a parental figure. The creature is left alone to look after himself. He educates himself and on repeated occasions tries to approach people in society, however, is rejected every time because of his monstrous appearance. As a result, the creature becomes enraged at humanity and Frankenstein's unfair treatment towards him and consequently exacts revenge on Frankenstein and his family. The essay topic we'll be looking at today is, Our sympathies in this novel ultimately lie with the creature. Discuss. So in previous videos, we've looked at keywords, how to identify them and how to define them. Since it's pretty straightforward for this essay topic, I thought I would skip that part and then go into the more nitty gritty with the body paragraphs. But, if you are unfamiliar with these steps, then I'll link them in the card above and also in the description below so you can have a look at how I went ahead and did the keyword section in my planning, now back to the prompt. Unequivocally within Frankenstein, Shelley portrays sympathy as spread throughout the text through depicting the creature as innately human through his desire for relationship and the challenges he faces at the hands of the prejudice enlightenment society he's born into, Shelley elicits sympathy for his situation. However, through the notable absence of the female gender throughout the text, Shelley portrays those silent within society as most deserving of sympathy. So, with this in mind, here are the potential paragraphs in response to this prompt. Paragraph one, Shelley's depiction of the creature as innately human motivates support for his challenges at the hands of a prejudice society. The action of the creature to open his dull yellow eye, symbolic of his nature as a human being alongside a green wrinkled on his cheeks, with one hand stretched out, indicates his simple desire for paternal connection. Through constructing the creature's actions as innately human Shelley acts proleptically of the inequitable experiences the creature will experience throughout the structural architecture of the text. And through doing so, depicts his character as worthy of support. Similarly, through the metaphor of fire, Shelley explores the duality of progress and innovation of which the creature desires. The fire, one that gives light as well as heat, yet also causes a cry of pain, indicates the hardships of the creature in his isolation, whereby, his forced to withdraw from his desire for education. Upon viewing himself in a pool, the creature becomes "fully convinced that I was in reality [a] monster" with the consequent sensations of despondency and mortification granting the reader the opportunity to sympathize with the creature in order to indicate the intensely negative social prejudices that are inflicted upon the creature. So you can see that we've looked at symbols of the creature's nature and the metaphor of fire to support our topic sentence. Using literary techniques is what's going to make the difference between you and another student who might be saying the same thing. Why? Because when you look at literary devices, it means that you're reading just beyond the lines, just beyond what's in front of you. You're now introducing your own interpretation, so you're looking at fire and thinking about what that means in connection to the text, and why Mary Shelley would use the term of a fire and revolve her discussion around that. So let's see how we keep doing this in the next body paragraph. Paragraph two, Shelley indicates the significance of relationships as a key element of human nature that the creature is denied, motivating affinity from readers. In replacement of human relationships, the creature rather seeks comfort within the natural world. The metaphorical huge cloak that the creature takes refuge within indicates this, illustrative of an ecosystem, the forest allows the creator to surround himself with life. The subsequent attempts to "imitate the pleasant songs of the birds" reveals the desperate urge of the creature for companionship as he is abandoned by the paternal relationship represented by Victor Frankenstein, which forms a core of human relationships. Again, here we've discussed the metaphorical huge cloak and its connection with the forest, I strongly encourage you to have the goal of discussing at least one literary device per body paragraph. And no, there is no such thing as talking about too many literary devices because it's really just about whether or not your argument is concise and whether or not you're backing that up with evidence. Paragraph three. However, it is Shelley's depiction of the submissive female sex within Frankenstein that becomes most deserving of sympathy. Each female character is characterized as passive, disposable, and they're serving a utilitarian function, namely as a channel of action for the male characters within the text. Notably, the complete lack of absence of Margaret Saville, functioning only as an audience for Walton's letters exemplifies this. Margaret's role within the text is simply to enable Walton to relay the story of Frankenstein and as such were the most necessary character of the texts whilst the most distant. This ironic dichotomy enables Shelley to exemplify the difficult role of the female within society, arising sympathy from the readership. Here, even the purposeful emission of a character is discussed as a language technique. So, this type of literary device definitely tops the cake because you're literally looking at what's not even there. That's definitely reading between the lines. Frankenstein is a very complex novel, and sometimes that's what makes it a difficult text to study. But, it lends itself to many unique interpretations and it's heavily dressed with heaps of literary devices or metalanguage, however you want to call it. So, that's what makes it an absolutely fantastic text for high school students to study. If you wanted to find out more on how to nail a Frankenstein essay, then I'll link you to my blog just down below, because there are definitely more tips there to help you excel in this particular text. Thank you so much for watching, and especially even if you're not studying this text, I hope you've been able to take something away from this video. And I'm confident that you have because talking about literary devices is definitely a topic that isn't necessarily the fore front of discussion in classrooms, and it's something that a lot of people struggle with. So, I hope you are able to walk away with a new goal in sight in order to improve your English essays. So, I will see you guys next time, thank you so much for joining me, see you guys soon. Bye!

Updated on 25/12/2020

Being one of the few texts that was added to the text list this year, Euripides’ play Women of Troy is definitely a daunting task for English and EAL students to tackle due to the lack of resources and essay prompts available. In fact, the only materials that can be found on the internet are those analysing the older translation of the play (titled The Trojan Women ). That is why we are here to help you as much as we can by offering you a mini-guide for Women of Tro y, in the hope that you can get a head start with this play.

Women of Troy is usually studied in the Australian curriculum under Area of Study 1 - Text Response. For a detailed guide on Text Response, check out our Ultimate Guide to VCE Text Response .

• Literary Devices
• LSG-Curated Essay Topics

A+ Essay Topic Breakdown

• Extra Resources

Women of Troy is a tragedy which takes place in the immediate aftermath of the Trojan war, critiquing the atrocities committed by the Greeks to both people of Melos and Troy. By constructing a play in which women are able to dominate the stage and exude their genuine despair in response to their impending enslavement, Euripides shifts the perspectives from epic tales of Greek and Trojan male heroes to the conversely affected women who suffered at the hands of the heroes, while simultaneously providing both the contemporary and modern audience with a unique insight into the true cost of war. This is especially significant because the society was pervaded by patriarchal values, where women were subordinated to their male counterparts. Euripides’ proto-feminist works were not well received by his peers at the time of writing as women’s personal thoughts and pain were not commonly discussed in the Hellenic repertoire.

The Trojan war occurred as a result of the conflict between Greece and Troy and was said to last for over 10 years. According to a tale, during a festival on the Olympus, Athena, Aphrodite and Hera were fighting over a golden apple. They chose a random mortal, which was Paris who would then be the Prince of Troy, to decide who the most beautiful goddess of the three was. As a reward for picking her, Aphrodite promised Paris that he would be married to the most beautiful woman in the world, which was Helen – wife of Menelaus, the Spartan prince. Aphrodite had her son Eros (a cupid) enchant Helen and Paris so that they would fall endlessly in love with each other. Helen then escaped from Menelaus’ palace to be with Paris, starting the war between Greece and Troy. Menelaus was enraged and he convinced his brother Agamemnon to lead an expedition to retrieve Helen. The Greek army was commanded to attack the Trojans. The siege lasted for more than 10 years until the Greeks came up with a strategy to abduct Helen from the palace. The Greek soldiers build a giant wooden horse and hid in there to get in the citadel of Troy, attacking them in the middle of the night and winning the war. After the war, the Greek heroes slowly made their way home, however, the journey home was not easy. Odysseus took 10 years to make the arduous journey home to Ithaca because Poseidon agreed to punish the Greeks for the atrocities committed before and after their victory.

Love and Lust

Euripides’ works often warn the audience of the detrimental effects brought on by excessive passion, asserting that it is best to moderate emotions and exhibit sophrosyne (the power of self-control over one’s emotions) . He often criticises the goddess of love, Aphrodite, for enchanting mortals and leading them into a life governed by love and lust. In this play, he purports that it is inherently Aphrodite’s fault that the Trojans are fighting against the Greeks, as it is Aphrodite who makes Paris and Helen endlessly fall in love with each other.

Potential Textual Evidence:

In Women of Troy , Euripides presents a particularly acerbic critique on Menelaus’ 'uncontrollable lust' in 'sen[ding] a hunting party to track down Helen' as he juxtaposes the cost of the Trojan war being and the prize that they receive.

• 'tens of thousands dead'  
• 'giving up the pleasure of his family and children'
• 'these Greeks [beginning] to die'

→ All that in exchange for one woman - Helen

His chastisement is further bolstered by Cassandra’s rhetorical question asking 'they kept on dying, for what reason'. This manoeuvres the audience into acknowledging the pointlessness of the Trojan war as it is not worth risking so many lives over Helen or any minor military conflict. In doing so, Euripides once again lambastes the actions of those vindictive and bloodthirsty Greeks.

Cost of War

The play primarily focuses on the loss and pain of the Trojan civilians that survived the war, are sieged in the city after the war and are eventually either killed or enslaved after the fall of Troy. While the Trojan war is the setting of many famous classical works being examined by various different angles, not many focus on the consequences suffered by women. This enables Euripides to raise the question of whether or not such victory is worth fighting for while simultaneously inviting the audience to emulate the playwright’s disapprobation of such a violent and brutal resolution of conflict.

You can also use the evidence from the above to justify your arguments on the cost of war. They all aim to magnify the extent to which the Trojan people, as well as the Greeks, have to suffer as result of this pointless war.

We can also discuss how wars affect beliefs and their people’s faith. In the Hellenic society, gods have always been a significant part of their life as it is believed that mortals’ lives are always under the influence of divine intervention. This is evidenced through the ways in which Hellenic people build temples and make sacrifices to the gods, thanking the gods for allowing them to live prosperous lives and begging for their forgiveness whenever they wrong others. This is why it is significant when Hecuba referred to the gods as 'betrayers' in her lamentation, implying that there is a change in attitude in time of tragedy. Events such as this make people question their fate and belief, galvanising them to wonder 'what good [gods] were to [them].

Integrity and Sense of Duty

Some characters in Women of Troy are also fundamentally driven by their sense of duty and integrity, and act according to their moral code regardless of what the circumstances may be. Hecuba, for instance, sympathises with the Chorus of Troy and acts as a leader even when she loses her title and her home. She is held responsible for her actions but is still governed by her honesty and integrity as Helen makes her plea. Talthybius is also governed by both his sense of duty and integrity. Despite his understanding of Hecuba’s circumstances, he still follows his order and ensures that the Trojan women are allocated to their Greek households. However, he does not disregard her sense of morality and treats Hecuba with understanding and sensitivity.

Helen, on the other hand, does not demonstrate the same degree of moral uprightness. In time of tragedy, she chooses to lie and shift the blame to others to escape her execution. She prioritises her own benefits over everyone else’s and allows thousands of others to suffer from the impacts of her treachery in eloping with Paris.

The prologue of the play opens with a conversation between Poseidon and Athena, foreshadowing their divine retribution against the Greeks. Witnessing the immediate aftermath of the Trojan war, they curse the war which they ironically themselves initiated, thus condemning the horrific injustice of the conflict and the actions of its vengeful and blood thirsty so-called heroes. This is evidenced through the ways in which they punished Odysseus by creating obstacles on his journey home.

However, it can also be argued that the gods in Women of Troy themselves act as a symbol of injustice in a way. From the feminist view, the fall of Troy and the enslavement of Trojan women demonstrate the gods’ lack of care as they disregard the monstrosities that occur to women after the Greeks’ victory. The divine intervention which is promised in the beginning casts the following injustices cursed upon the women of Troy in a different light as it can be argued that the gods caused the war. While their retribution against the Greeks can be seen as a means to punish the heroes, it is evident that that they are more concerned about the sacrilege committed and the disrespect they receive after the Trojan war than the injustices suffered by women. This thereby humanises the gods and fortifies the notion that they also have personal flaws and are governed by their ego and hubris.

The idea that there are forces beyond human control is enhanced, and Poseidon and Athena’s pride proves that humans are just innocent bystanders at the mercy of the gods. It can be argued that the chain of unfortunate events are unpredictable as they are determined by gods, whose emotions and prejudices still control the way they act. On the other hand, the characters in the play do at times make choices that would lead to their downfall and tragic consequences. For instance, it is Menelaus who decided to go after the Trojans just because of one woman and he was not enchanted or under any influence of divine intervention.

Gender Roles

Euripides centres his play on Trojan women, enabling the discussion on the cause and effect of war. Given that females' points of view were not commonly expressed in plays or any forms of art works, Euripides’ decision to have his play focus on women allows the Athenian audience, comprised of mainly male Athenians, to observe a part of the military conflict that was not seen before.

The protagonist Hecuba, for example, is portrayed as the archetypal mother. While this image is presented during the aftermath of the Trojan war, Euripides also uses Hecuba as a representative of contemporary Hellenic women as this archetype is universal for all circumstances. It is evident that Euripides’ play mainly focuses on Hecuba’s grief, with her lamentation dominating the prologue. This implies that the protagonist, in this instance, also acts as a diatribe against the patriarchal society which allows women to suffer greatly as a result of war and military conflict. However, this play differs from other plays written by Euripides in that he also explores a woman’s burden and responsibility as a leader, allowing the audience to understand the difficulties of being a woman of power in time of crisis.

4. Characters

Mother of troy.

• In employing the simile comparing herself to 'a mother bird at her plundered nest', Hecuba reminds the audience of her endless love for the city of Troy, implying that the devastation of her own home also further deepens her pain. In this scene, Hecuba is portrayed as a female leader who rules with her passion and love.  
• The image her (Hecuba) as an empathetic Queen is also exemplified through the ways in which she 'weep[s] for [her] burning home'. As the term 'home' invokes connotations of warmth and affection, Hecuba’s endearment for the city she governs is established, accentuating the portrayal of Hecuba as a leader with a passion for her duties.
• This in turn propels the audience to be more inclined to feel commiseration for her when she is held responsible for her city’s destruction. As the representative of Troy’s leadership that enables such brutality to occur leading to the wars, Hecuba bears the guilt and responsibility for '[giving] birth to all the trouble by giving birth to Paris' and consequently, for the cataclysmic consequences that ramified from Paris’ involvement with Helen (although she is simply an innocent bystander) → Social accountability for war

Mother of Her Children

• From the outset of the play, the former queen of Troy is portrayed as a miserable mother suffering from the loss of her own children and 'howl[ing] for her children dead' (echoed by the Chorus, referred to as 'howl of agony'). By employing animalistic language in describing Hecuba’s act of mourning over Hector’s death, Euripides intensifies the magnitude of her emotional turmoil as it is likened to a loud and doleful cry usually uttered by animals → It is almost not humanly possible to endure so much pain.
• This notion is bolstered by the image of Hecuba drowning in 'her threnody of tears' as it engages the pathos of the audience, establishing her as a victim of war and emphasising the poignant story that is to be unveiled.
• The simile comparing herself to a woman 'dragged as a slave' in her lamentation further fortifies Hecuba’s portrayal as a victim of a play. Here, the juxtaposition between her former title 'by birth [as] Troy’s...Queen' and her current state magnifies the drastic change in life and the loss she suffered, compelling the audience to better sympathise with Hecuba. → Powers can be ephemeral in times of crisis.

Talthybius is sympathetic towards women, establishing himself as a complicated figure with a strong sense of integrity. This is epitomised through the ways in which he employs euphemistic language when announcing the dreadful news to Hecuba. He tries his best to be sensitive and mitigate the impacts of Hecuba’s daughter death to her, announcing that Polyxena 'is to serve Achilles at his tomb' and that 'her fate is settled', 'all her troubles are over'. He was being sensitive and subtle instead of abruptly delivering the news. While he represents an enemy state, he shows that men can also be compassionate, contradicting the Phallocentric belief that men should only be governed by cool logic.

Chorus of Trojan Women

It can be argued that Hecuba acts as the paradigm of the Trojan women as her pain (i.e. the deaths of her children, slavery, the devastation of her city), in a way, represents the suffering of the majority of Hellenic women in times of war, which enhances Euripides’ condemnation of a society where military conflicts can easily be facilitated. The Chorus of the play often echoes her deepest pain, establishing a sense of camaraderie between female characters of the play.

In this play, the Chorus acts as the voice of the 'wretched women of Troy', representing the views of the unspoken who are objectified and mistreated by their male counterparts. After Troy lost the war, women were seen as conquests and were traded as slaves, exposing the unfair ethos of a society that was seen as the cradle of civilisation. By allowing the Trojan women to express their indignation and enmity as a response to their impending slavery, Euripides is able to present a critique on the ways in which women were oppressed in Ancient Greece.

5. Literary Devices

• Simile (e.g. dragged as a slave)
• Euphemism (e.g. serve Achilles at his tomb – euphemism for death)
• Symbolism (e.g. Hector’s shield or Troy’s citadel)
• Animal imagery (e.g. howl of agony)
• Rhetorical question (e.g. for what reason)

Why are these important? Watch how we integrated literary devices as pieces of evidence in this essay topic breakdown:

[Modified Video Transcription]

TIP: See section ' 7. A+ Essay Topic Breakdown' (below) for an explanation of our ABC approach so that you understand how we've actually tackled this essay prompt.

Staged in a patriarchal society, Women of Troy was set during the immediate aftermath of the Trojan war – a war between the Greeks and the Trojans. Hecuba is the former queen of Troy, who suffered so much loss as the mother of her children as well as the mother of Troy. She lost her son Hector and her husband in the Trojan war, her daughter Polyxena also died and Cassandra was raped. After the Greeks won, women were allocated to Greek households and forced into slavery, including the queen of Troy.  She was also the mother of Paris, the prince of Troy. It was purported that Paris and Helen were responsible for initiating the war as Helen was governed by her lust for Paris and left Menelaus, the Spartan prince, for this young prince of Troy. Consequently, Menelaus was enraged by this elopement and declared that he wanted Helen dead as a punishment for her disloyalty. Helen defended herself and lied that it was against her will, crying that she was kidnapped and blamed Hecuba for the fall of Troy and for the conflict between the two sides. However, Menelaus did not believe what Helen had to say and decided to bring her back to her home on a separate ship.

The play ended with the Greek ships leaving Troy, which was then on fire. The Trojan were singing a sad song together as they left to prepare for their new lives as slaves living in Greek households.

The play’s main focus is on the suffering of women, as exemplified by the way Euripides chose to portray Hecuba’s loss and Cassandra’s helplessness.

So, our essay prompt for today is

'How does Euripides use the structure of the play to explore the role of women and their suffering in time of war? '

This is indeed one of the more challenging prompts that VCAA wouldn’t probably give, the reason being that it is a language/structure-based prompt. It requires you to have a much more profound knowledge of the text, and it is not always easy to spot language features, especially in a poetic sounding play like Women of Troy . There is just so much going on in the text! While it is not super likely that you will get this prompt for the exam, I have seen a lot of schools give language/structure-based prompts to students for SACs as it gives them an opportunity to challenge themselves and look for textual evidence that will distinguish them from their peers. These types of evidence are definitely worth looking for because they can also be used as evidence to back up your arguments for theme-based or character-based prompts (learn more about the different types of prompts in How To Write A Killer Text Response ).

Now let’s get started.

Step 1: Analyse

The first thing I always do is to look for keywords. The key words in this prompt are 'structure, 'role of women' and 'suffering'.

With the structure of the play, we can potentially talk about:

• Character-related evidence (e.g. strong female character base)
• Language-related features (metalanguage/literacy devices)
• Plot-related features (order of events) – irony, foreshadowing

Step 2: Brainstorm

In a male-dominated, patriarchal society, women are oftentimes oppressed and seen as inferior. Their roles in the society were limited, they were only seen as domestic housewives and mothers. It is important to look for evidence that either supports or contradicts this statement. Ask yourself:

• Is Euripides trying to support the statement and agree that women are simply creatures of emotions who should only stick with domestic duties?
• Or is he trying to criticise this belief by showing that women are so much more than just those being governed by their emotions?

Since this play primarily focuses on the cost of war and how women, as innocent bystanders, have to suffer as a result of the Trojan war, it should not be difficult finding evidence related to women’s suffering. It might include:

• Hecuba’s loss (she lost her home and children)
• Hecuba’s pain (being blamed for Troy’s ruin)
• Cassandra’s helplessness despite knowing her fate, surrendering and accepting her future
• Andromache’s 'bitter' fate having to give up her child
• The Chorus voicing their opinion – slavery

Once a prompt is carefully broken down, it is no longer that scary because all we have to do now is organise our thoughts and write our topic sentences.

Step 3: Create a Plan

P1: Euripides constructs a strong female character base to contradict the prevailing views of the period that women are inferior to their male counterparts.

It is significant that Euripides chose to have a strong female protagonist, as the character herself acts as a diatribe against the patriarchal society, contradicting any engrained beliefs that pervaded the society at the time. An example of evidence that can support this statement is the way in which Hecuba dominates the stage while giving her opening lamentation. The lengthy nature of the monologue itself enables Euripides to present his proto-feminist ideas and go against the Hellenic gendered prejudice.

We can also talk about Hecuba’s leadership and her interaction with the Chorus of Trojan women. She refers to them as 'my children' and employs the simile 'a mother at her plundered nest'. The way the Greek playwright constructs the relationship between characters is worth mentioning as Hecuba in this play is portrayed as a compassionate and empathetic leader, showing that women are also capable of leading others in a way that engenders a sense of camaraderie between them.

Another good thinking point is to talk about how Helen acts as a paradigm of a group of women who had to turn to deception and go against their integrity to survive in time of tragedy.

P2: Euripides’ selective use of language and literacy devices in portraying women’s pain and suffering further enables him to portray the ways in which women, as innocent bystanders, are oppressed in time of war.

An example of a metalanguage used in this play is the animal imagery the Chorus used to depict Hecuba’s pain. By referring to her pain as a 'howl of agony', they intensify the magnitude of Hecuba’s pain as the term 'howl' is usually used to describe a loud cry usually uttered by animals like wolves. This implies that Hecuba, who acts as representative of Hellenic women, has to suffer from an emotional turmoil that is far beyond bearable, which in turn further fortifies the audience’s sympathy for her, as well as the Trojan women.

Another piece of evidence that I would talk about is the simile 'dragged as a slave'. It was used to describe Hecuba, the former queen of Troy. By likening someone who used to be at a position of power to 'a slave', Euripides underscores the drastic change in circumstances that occurred as a result of the Trojan war, magnifying the tremendous amount of loss Hecuba experienced. Furthermore, the image of the protagonist’s devastated physical state enhances the dramatist’s condemnation of war as it allows him to elucidate the detrimental impacts such violence and dreadfulness impose on innocent bystanders.

There is, of course, plenty of other evidence out there such as the way in which Cassandra is portrayed as a 'poor mad child', her helplessness in surrendering to her 'wretched' fate with Agamemnon who wanted her for himself. We can also talk about the inclusive language positing, 'our misery', 'our home', used by the Chorus in echoing Hecuba’s pain, etc.

The use of symbolism can also be discussed. For instance, the citadel in the city of Troy in the epilogue acts as a metonym for Hecuba’s resistance before entering slavery. The image of it crumbling exemplifies women’s helplessness and enhances the notion that they are still in positions of explicit subjugation.

P3: While Euripides primarily focuses on portraying women’s pain and suffering, he does not completely vilify men or victimise women, maintaining an unbiased view so as to underscore the importance of integrity through his characterisation of both male and female character.

The last body paragraph of our essays is often the one used to challenge the prompt, showing the assessors our wealth of ideas and depth of knowledge. Basically, what we are saying is 'while our playwright is obviously pro-women, he definitely does not condone everything women do and criticise everything men do'.  In this way, we have the opportunity to explore the ways characters are constructed and the ways they are used in the play to convey its meaning.

If I were to write an essay on this, I would talk about Talthybius and Helen, mainly because they are both complex characters that the audience cannot fully love or hate.

Talthybius is surprisingly sympathetic towards women, establishing himself as a complicated figure. This is epitomised by the ways in which he employs euphemistic language when announcing the dreadful news to Hecuba. He tries his best to be sensitive and mitigate the impacts of Hecuba’s daughter's death to her, announcing that Polyxena 'is to serve Achilles at his tomb', that 'her fate is settled' and 'all her troubles are over'. He was being sensitive and subtle instead of abruptly delivering the news. While he represents an enemy state, he shows that men can also be compassionate, contradicting the Phallocentric belief that men should only be governed by cool logic.

Similar to Talthybius, Helen is also a complicated figure as she is both a victim of fate and a selfish character. It is possible for the audience to sympathise with her as she is merely a victim of fortune in that she was bewitched by Aphrodite and governed by her love for Paris, the prince of Troy. However, the ways in which she shifts the blame to Hecuba and makes her pleas preclude the audience from completely sympathising with her they, in a way, render her as a self-absorbed and repugnant character. This notion is further fortified by the fact that she cared so little for the 'tens of thousands' lives taken on her behalf as the phrase quantifies and magnifies the cataclysmic consequences of her lust for Paris.

6. LSG-Curated Women of Troy Essay Topics

• Euripides’ play Women of Troy mainly focuses on the true cost of war. To what extent do you agree with the statement?
• Women of Troy demonstrates that there is no real winner in war. Discuss.
• In the Trojan wars, the Trojans suffered great losses while the Greeks did not suffer. Do you agree?
• How does Euripides use language to portray the loss and suffering of Hellenic women in Women of Troy ?
• Characters in Women of Troy are all driven and motivated by their sense of duty and obligation. To what extent do you agree with the statement?
• Hecuba’s greatest pain stems from the deaths of her children. Discuss the statement.
• While Helen’s selfishness should be condemned, the audience can still condone her actions due to the circumstances she is in. To what extent do you agree with the statement?
• Women of Troy is a tragedy, rather than a war-play. Do you agree?
• Euripides argues that fate and fortunes are not preordained, and tragedies do not incriminate. To what extent do you agree with the statement?
• It is impossible to sympathise with Helen because she is the most mischievous character of the play. Do you agree?
• Women of Troy explores the ways in which a character’s true self might emerge in times of tragedy. Discuss.
• In Women of Troy , The Chorus’ only role is to act as the representative of Hellenic women. Do you agree?
• In the end, the gods are not responsible for the tragedies caused by the Trojan war as it happened as a result of poor choices. Do you agree?
• Hecuba is the victim of fate. Discuss.
• Love is a dangerous passion that can lead to tragic consequences. Does Women of Troy support this statement?
• Hecuba is a tragic hero. Discuss.
• How is the structure of Women of Troy used to convey its meaning?
• It is possible for the audience to sympathise with Helen because of her love for Paris. Do you agree?
• There is no villain in Women of Troy because everyone in the play suffers. Do you agree with the statement?
• Discuss the role of dishonesty in Euripides’ Women of Troy .

If you'd like to see A+ essays based off some of the essay topics above (written by Mark Yin - our LSG content guru and 50 English study score achiever), complete with annotations on HOW and WHY the essays achieved A+ so that you can emulate this same success, then you'll definitely want to check out our A Killer Text Guide: Women of Troy ebook. In it, we also cover themes, characters, views and values, metalanguage and have 5 sample A+ essays completely annotated so that you can smash your next SAC or exam!

7. A+ Essay Topic Breakdown

Whenever you get a new essay topic, you can use LSG’s THINK and EXECUTE strategy , a technique to help you write better VCE essays. This essay topic breakdown will focus on the THINK part of the strategy. If you’re unfamiliar with this strategy, then check it out in How To Write A Killer Text Response .

Within the THINK strategy, we have 3 steps, or ABC. These ABC components are:

Step 1: A nalyse

Step 2: B rainstorm

Step 3: C reate a Plan

Quote-Based Prompt:

'Who can forget these sufferings? Time will bring no relief.' There is no villain in Women of Troy because everyone in the play suffers. Do you agree with the statement?

The following comes essay topic breakdown comes from our A Killer Text Guide: Women of Troy ebook:

The quote mentions long-lasting sufferings , and the prompt seems to ask who suffers, and who is responsible. If you’ve been reading this guide in order, a lot of similar ideas from the last four essays might jump out here - I think that’s okay, because ideally you do get to a point where you can ‘recycle’ some of your quotes and ideas between essays (and the examiner won’t have to read all your practice essays anyway!).

While I’ll be doing a little bit of recycling here, I want the main take-away point from this essay to be around framing. Even if you’re using similar ideas that you’ve already seen, the trick is to explain and frame your analysis in a way that answers every prompt specifically. This is best done through how you thread your arguments together, and how you make those links. We’ll get into this as we plan.

For now, let’s recap these ideas of suffering and responsibility. Hecuba and the Trojan women suffer, and they argue Helen is responsible - but Helen also suffers, and she argues that the gods are responsible. The gods, as we know, are insulated from suffering because of their divine and superhuman status. So, are they the villains?

This is a similar progression of ideas that we have seen before, but I want to ground them in this cycle of suffering-responsibility.

P1: The eponymous women of Troy certainly suffer, and in many of their eyes, Helen is a villain.

P2: However, Helen does not see herself that way - and she is not incorrect. She too seems to suffer, and she sees the gods as the main villains who are responsible.

P3: Euripides may see the gods as careless and negligent beings, but he doesn’t necessarily depict them as cruel; rather, the excessively passionate war itself is depicted as the true enemy, and villains are those who revel in its cruelty.

As you might notice, parts of this plan are recognisable: we’ve started a few of these essays with a first paragraph about the Trojan women’s suffering, developed that in paragraph two by contrasting with Helen, and ending our analysis with the gods. But when reusing some of those ideas, it’s important to make sure they answer the specific question by modifying and adding new ideas as needed - this way, you don’t rewrite essays for new prompts and risk losing relevance, but you do reuse ideas and tailor them to new prompts every time.

The contention for this one will be: the Trojan War undoubtedly has its winners and losers, and few of these characters agree on who the responsible villains are, with some blaming Helen (P1) while she herself blames the gods (P2). However, the gods only form a part of the picture - rather, Euripides depicts war itself as the villain, lambasting those who take pride in inflicting cruelty in the midst of war (P3).

If you'd like to see an A+ essay on the essay topic above check out our A Killer Text Guide: Women of Troy ebook.

8. Extra Resources

The Ultimate Guide to VCE Text Response

How To Write A Killer Text Response (ebook)

How To Embed Quotes in Your Essay Like a Boss

How To Turn Text Response Essays From Average to A+

5 Tips for a Mic-Drop Worthy Essay Conclusion

‍ With contributions from Mark Yin - 50 study score achiever, and author of our A Killer Text Guide: Women of Troy ebook.

All the Light We Cannot See is usually studied in the Australian curriculum under Area of Study 1 - Text Response. For a detailed guide on Text Response, check out our Ultimate Guide to VCE Text Response .

Breaking Down an All the Light We Cannot See Essay Prompt

We've explored themes and symbols and provided a summary of the text over on our All the Light We Cannot See by Anthony Doerr blog post. If you need a quick refresher or you’re new to studying this text, I highly recommend checking it out!

Here, we’ll be breaking down an All the Light We Cannot See essay topic using LSG’s THINK and EXECUTE strategy , a technique to help you write better VCE essays. If you’re unfamiliar with this strategy, you can learn about it in our How To Write A Killer Text Response study guide.

Without further ado, let’s get into it!

‍ ‘In All the Light We Cannot See there is a fine line between civilised and uncivilised behaviour.’ Discuss.

Taking a look at this prompt, the first thing to note is that it is theme-based. Specifically asking about the line that separates civilised and uncivilised behaviour within the novel, this prompt focuses directly on the theme of human behaviours and how you ultimately interpret the fine line (i.e. seamless, difficult, changing, manipulative) between such ideas. Fundamentally, you have to discuss how this theoretical line drawn between the contrasting behaviours is explored within the novel in various ways throughout Doerr’s examination of humanity. 

The question tag of Discuss is the most flexible type of prompt/topic you will receive, providing you with a broad and open-ended route to pretty much discuss any ideas that you believe fit within the prompt’s theme of uncivilised and civilised behaviour. Although this may seem hard to know where to start, this is where Step 2: Brainstorm , comes into play. You can read through LSG’s Question Tags You Need To Know section (in How To Write A Killer Text Response ) to further familiarise yourself with various ways to tackle different prompt tags.

If you’re not sure what it is meant by ‘theme-based prompt,’ take a look at The 5 Types of Essay Prompts. 

A fundamental aspect of writing a solid Text Response essay is being able to use a diverse range of synonyms for the keywords outlined in the prompt. Our keywords are in bold. When you are brainstorming, if any words pop into your head, definitely list them so you can use them later. You may want to have a highlighter handy when unpacking prompts so you can do just this!!

‍ ‘In All the Light We Cannot See there is a fine line between civilised and uncivilised behaviour .’ Discuss.

• How people have grown up determines the civil and uncivilised behaviours shown by individuals of different backgrounds and childhoods - Bastian is symbolised as the eagle that circles the youth camp, which is an uncivilised /unwanted form of hawk-like behaviour . This compares to Fredrick's love of birds as a young boy which makes him a softer character. - Bernd had ‘no friends’ as a child - showing his isolated past - which could be described as the reason he leaves his father and goes off to join the Hilter Youth ‘just like the other boys.’ (find this analysis in the chapter ‘The Death of Walter Bernd’)
• There is a fine line that Doerr draws between the stereotypes of women and their ability to remain civilised despite being suppressed by uncivil livelihoods and experiences. - Jutta is characterised as a strong and independent woman instead of the traditional ‘pretty girl in a propaganda poster’. Society expects most women to stand on that side of human behaviour and representation however she defies this.
• The strength of women to cross/overcome the line of uncivilised behaviour is significant within the sexual abuse and misconduct driven by soldiers. Can remain true to oneself despite the horrific behaviours a woman faces. - The role of women on the homefront (i.e. Fredrick’s Mother) highlights the stark contrast between men fighting and thinking about the ‘men they killed’ and mothers who put on a ‘fake smile to appear brave’ (the line between barbaric behaviours of many soldiers and caring/loving behaviours of those on the homefront) - women and their sacrifices is an important topic here
• It is one’s ability to adapt to change that draws the line between civil and uncivilised behaviours . - Marie Laure’s ability to look past being a ‘blind girl’, and move on from this hardship. She adapts to the ‘changing times’ around her despite others who are suppressed in such an environment (e.g. Etienne and his ‘dread’).
• The game of flying couch is a symbol of escaping the uncivilised world around them (metaphorical line of the human imagination). - Werner is predominantly overwhelmed by the world around him, which reflects his inability to no longer ask questions as he did as a young boy. Instead, he succumbs to the uncivilised world of death and destruction as he is unable to change. 
• Symbolic use of Werner’s ‘soft covered notebook’ in epilogue - symbolises his loss of perspective and wonder of the world,
• Ultimately it is this line that makes the human existence so unique

After having brainstormed all the ideas that came to mind, I’ll be approaching the essay prompt with the following contention. 

In a world where society is grounded by behaviours both civil and uncivil, there is a clear distinction between humanity's response and representation of these behaviours.

Coming up with a clear contention allows you to put together a cohesive and strong essay that answers all aspects of the prompt question. 

Now, onto developing our topic sentences for each paragraph!

P1: Embedded within Doerr’s nonlinear narrative*, the environment in which individuals have grown up consequently influences their behaviours later in life.

*A nonlinear narrative is a storytelling technique Doerr uses to portray events out of chronological order. 

P2: Encompassing the social paradigms that pervade a woman’s existence, the strength and civilisation of females allow them to traverse a line of unjust behaviours that suppress them.

P3: In essence, it is the human response to change that divides individuals from ultimately displaying civil or uncivil acts in the world.

The art of recognising the ephemera of the human existence is painted by Anthony Doerr’s All the Light We Cannot See as a fine line between behaviours of civilisation and extreme brutality (1) . In the inordinate scheme of history, Doerr fosters the dichotomy between those who remain socially aware and others who are marred by desolation as a reflection on one's past. Further subverting the traditional depiction of women in a ‘war story’, the strength of women is established as a key turning point for individuals to escape barbaric behaviours and cross the line to civilisation. Fundamentally, however, it is the overall response to change that crafts human behaviours that Doerr underpins within society (2) .

Annotations ‍ ‍ (1) it is important to include synonym variation in your opening sentence to ensure that it does not look like you have just copied the prompt and placed it on your page. This idea should be carried out throughout your essay - vary your words and try not to repeat anything, this will ensure you are clear and concise!

(2) In order to improve the flow of your writing, the final topic sentence of your introduction can be a concluding statement on why/how the topic is OVERALL expressed within the novel. When you formulate your contention, it is not enough just to state it, you must also provide reasoning as to why you are writing from this point of view or how you came to this conclusion. For example, my final topic sentence here is a concluding sentence about how I believe a fine line between uncivilised and civil behaviour has an influence throughout the entire novel and Doerr’s intention, one’s response to change. As you read on, you’ll also see that this sentence relates to my final paragraph, thus linking together ideas throughout my essay.

Embedded within Doerr’s nonlinear narrative, the environment in which individuals have grown up consequently influences their behaviours later in life. The initial illustration of the ‘smokestacks hume’ and the ‘black and dangerous’ imagery (3) of the war paints a clear picture of the destruction and trauma that individuals have lived amongst, thus why people were ‘desperate to leave’. Empathising with an ‘old woman who cuddles her toddler’ on the streets, Doerr laments how young individuals who end up ‘surg[ing] towards one cause,’ which this toddler may similarly grow up to do in the Hitler Youth, directly reflects the ‘intense malice’ of their childhood. This idea that one’s past affects the future behaviours of a generation is further captured within the chapter ‘The Death of Walter Bernd’ (4) , which outlines how Bernd’s upbringing with ‘no friends’ promotes him to ‘just leave’, in order to experience something new, despite knowing this something new would bring unjust decisions into his life. Becoming ‘just like the other boys’, Doerr suggests that the line between civil and uncivil behaviours is so thin (5) that a mere need to escape one’s past is enough to create feelings of negativity and at worst death. Encapsulating the darkness that prevails over such individuals, the symbolism of Bastian’s ‘sharp eyes’ (6) poetically describes the eagle that circles the youth camp where Doerr seeks to paint a metaphorical cruel depiction of Bastian as a harmful hawk. Underpinning the fine line between human behaviour, Fredrick’s ‘love of birds’ is ‘so beautiful[ly]’ representative of his respectful nature and approach to life while Bastian’s immersion in ‘the self interest of the world’ ultimately explains how his fallacious behaviour towards others is embodied by his environment within the war. Overall, the behaviours displayed by humanity are a reflection of past experiences and how they shape the individual.

Annotations (3) Imagery is a key aspect of All the Light We Cannot See and goes hand in hand with the vast symbolism Doerr uses within his novel. When including imagery, it is great to include a few related quotes; however, you must then ensure you analyse and delve into how this technique (imagery) demonstrates the idea you are writing about. In this case, the imagery of the chimneys and foggy/dirty air illustrates the desolate environment individuals lived in during the war.

(4) This chapter is something not many students analyse or touch on so if you’re looking to add some spice to your writing I would definitely take a look and see what you can extract from some of those more unique and nuanced chapters!

(5) Referencing the ‘fine line’ continually throughout your essay ensures that you are staying on track and not talking about topics away from the prompt. 

(6) Symbolism is very important in All the Light We Cannot See . The use of the quote ‘sharp eyes’, really shows that you have considered not only how Doerr simply explores the behaviour of each character but also the physical interpretations of how individuals may demonstrate a certain persona within the novel. This focus on character description on top of dialogue adds extra layers to your writing. 

Encompassing the social paradigms that pervade a woman’s existence, the strength and civilisation of females allow them to traverse a line of unjust behaviours that suppress them. Instead of characterising Jutta as a ‘pretty girl in a propaganda poster’, whom the soldier will ‘fight and die for’, Doerr proffers the unconventional humanisation of women on the home front to pay tribute to the power of staying true to oneself (7) . Despite facing the barbaric reality of ‘sex crazed torturers’, Doerr illuminates Jutta’s capacity to ‘look them in the eye’ rather than shy away from them as a meditation on her own morals of (8) ‘what is right’. The tragic nature (9) of such abuse is specifically chronicled by Doerr to concatenate (10) the continual brave behaviours Jutta portrays even when succumbing to the line that attempts to draw women away from strength and independence. Further referencing her desire to ‘lock away memories’ of the past in her life after the war, the novel posits the importance of women during a period of inordinate history as a powerful force that remained civil even in times of ‘absolute blackness’. From the perspective of Fredrick’s mother, Doerr seeks to display how her ‘fake smile to appear brave’ outlines how many mothers and women had to remain strong for their children, such as Fredrick with brain damage, even though they were so close to falling into a world of sorrow and isolation. A clear segregation between soldiers who thought about ‘the men they killed’ and women who were made to ‘feel complicit in an unspeakable crime’ (11) they did not commit overall affirms the sacrifices women made during the war and without such sacrifices and strength the thin line between behavioural acts would be broken.

Annotations (7) Here I have included an analysis of Doerr’s message - what he is trying to say or show within his novel. Ultimately an author has a message they seek to share with the world. Providing your own interpretation of certain messages the author may be attempting to send to his readers adds real depth to your writing, showing that you are not only considering the novel itself but the purpose of the author and how this novel came to explore the fundamental ideas of the essay prompt.

(8) This quote directly relates to the keyword: civilised behaviour. Finding quotes that are also specific to your prompt is crucial to producing an essay that flows and has meaning. 

(9) The use of adjectives within the essay paints the picture of whether an act is civil or uncivil which is ultimately what we are attempting to discuss from the prompt. Here the phrase ‘tragic nature’, underpins the essence of unjust behaviours shown by the soldiers.

(10) Concatenate - link/connect ideas together

(11) Comparing aspects within the novel is a great way to show your understanding and how the same theme or idea can be shown in many different ways. 

In essence, it is the human response to change that divides individuals from ultimately displaying civil or uncivil acts in the world. Established by Marie Laure’s characterisation as a ‘blind girl’ who can ‘project anything onto the black screen of her imagination’, Doerr illuminates her ability to adapt to the ‘changing times’ around her. She is seen to be ‘carried away by reveries’ rather than a plethora of voices who ‘forgo all comforts’ and ‘eat and breathe nation’. Through the chapter and make-believe game ‘flying couch’ (12) , Marie’s nature to ‘surrender firearms’ with Etienne in their imagination is a symbolic adoption to escape the world around them, hence the uncivilised society they are learning to live in. Doerr’s congruent imagery of Etienne’s changing voice of ‘dread’ to ‘velvety’ as he becomes intertwined within ‘Marie’s bravery’ underpins the ability for individuals to seamlessly cross the line from a lack of cultured behaviour to a world of hope and prosperity. Contrasting this, however, Werner, an individual who was initially curious about ‘how the world works’, is so ‘overwhelmed by how quickly things are changing around [him]’ that his ‘interest in peace’ is stripped away and no longer exists due to his inability to change with a changing world. Doerr, therefore, laments the transmogrification of his character as a reflection of his uncivil thoughts and ideals as a soldier, ultimately resulting in his loss of ability to ask questions. This idea places emphasis on Volkheimer receiving Werner’s ‘soft covered notebook’ in the epilogue (13) where the translation of the book’s title ‘Fragen’ - to ‘ask’ in English - is symbolic of the moment Werner decided to ‘work, join, confess, die’ he immediately lost the open mind and curiosity he once had. Ultimately, the dichotomy between these two lives and their opposing character transformations resembles the line between remaining calm or acting out of haste when subject to change.

Annotations (12) Analysing not only the game but the whole meaning behind chapters and why Doerr has given them certain names is an interesting avenue to take. Here ‘flying couch’ not only underpins the imagination of Marie Laure but also symbolises freedom and bravery within just the name itself.

(13) The analysis and evidence used from the epilogue is a crucial part of this paragraph and is significant to Doerr’s novel. Unpacking All the Light We Cannot See , there is a lot of evidence and juicy ideas you can draw from the beginning and end of the novel. Here I have almost analysed the meaning of Werner’s ‘soft covered notebook’ to the bone; however, this adds a lot of depth to your writing as I’m sure your ultimate goal is to make your essays as unique as possible?!

As a project of humanism, Doerr seeks to portray a fine segregation in people's behaviours as the microcosm (14) of what makes the human existence so unique. Following the journeys of individuals who even ‘see a century turn’’ the novel displays how one’s past has an immense influence on how their future values, actions and behaviours grow and develop. Further subverting the stereotypical representation of women living in a war, Doerr establishes an acknowledgment of their roles and strength in the face of cruel situations. Ostensibly, it is the human capacity to adapt to change that marks the difference between what is just and unjust in a society that weighs both on a very unstable scale. 

Annotations ‍ ‍ (14)   Microcosm - a community, place or situation regarded as encapsulating in miniature the characteristics of something much larger.

If you find this essay breakdown helpful, then you might want to check out our All the Light We Cannot See Prompts blog post. You can have a go at those essay prompts and feel free to refer back to this essay breakdown whenever you need. Good luck!

3. Sample Essay Topics

4. A+ Essay Topic Breakdown

Things Fall Apart is usually studied in the Australian curriculum under Area of Study 1 - Text Response. For a detailed guide on Text Response, check out our Ultimate Guide to VCE Text Response .

Things Fall Apart is set in a fictional group of Igbo villages called Umuofia, around the beginning of the twentieth century. The first half of the novel is dedicated to an almost anthropological depiction of Igbo village life and culture through following the life of the protagonist Okonkwo . Okonkwo is the greatest wrestler and warrior alive in the nine villages and beyond. He has dedicated his life to achieving status and proving his strength to avoid becoming like his father Unoka – a lazy, improvident, but gentle man. Weakness is Okonkwo’s greatest fear. After men in another village kill a woman from Umuofia, a boy named Ikemefuna is given to Umuofia as compensation and lives in Okonkwo’s compound until the Gods decide his fate. Ikemefuna quickly becomes part of Okonkwo’s family; he is like a brother to Okonkwo’s son Nwoye and is secretly loved by Okonkwo as well. Over the next three years, the novel follows Okonkwo’s family through harvest seasons, religious festivals, cultural rituals, and domestic disputes. Okonkwo is shown to be more aggressive than other Igbo men and is continually criticized and rebuked by the village for his violence and temper . When the Oracle of the Hills and Caves decides that Ikemefuna must be killed, Okonkwo is warned by a respected elder to have no hand in the boy’s death because Ikemefuna calls him ‘father’. However, afraid of being thought weak, when Ikemefuna runs to Okonkwo in hope of protection, Okonkwo delivers the fatal blow. Ikemefuna’s brutal death deeply distresses Nwoye who becomes afraid of his father. 

At the end of Part One, Okonkwo accidentally kills a clansman at a funeral after his faulty gun explodes and is exiled to his motherland, Mbanta. During his exile, British missionaries arrive in Mbanta and establish a church. Nwoye, disillusioned with his own culture and Gods after Ikemefuna’s death, is attracted to Christianity and is an early convert . This is a heartbreaking disappointment to Okonkwo. When Okonkwo and his family return from exile after seven years they find that the missionaries and colonial governors have established Umuofia as the center of their new colonial government . Clashes of culture and morality occur, and as the British make the Igbo more dependent on them through introducing trade and formal education, the Igbo way of life is continually undermined . When a Christian convert unmasks an egwugwu during a tribal ritual, a sin amounting to the death of an ancestral spirit, the egwugwu burn down the village church. The men who destroyed the church are arrested and humiliated by the District Commissioner, and Okonkwo beheads a court messenger at a village council in rebellion. When none of his clansmen rise with him against the British, Okonkwo realizes his culture and way of life is lost and commits suicide in despair. Suicide is a crime against the Earth Goddess, Ani , so Okonkwo is left to rot above ground in the Evil Forest, like his father Unoka – a shameful fate he spent his life desperate to avoid. The final paragraph, written from the perspective of the District Commissioner, reduces Okonkwo’s life to a single sentence about his death in his planned book The Pacification of the Primitive Tribes of The Lower Niger . Achebe has filled an entire novel with evidence of the complexity and sophistication of Okonkwo’s individual and social life and the District Commissioner’s casual dismissal and belittling of him causes us to flinch with horror and dismay. This is a metaphor for the reduction of Igbo culture in the eyes of its colonizers.  

The title gives away the plot of the novel and anticipates the collapse of Okonkwo and his society. Things Fall Apart is about the connection between the tragic downfall of Okonkwo , who fate and temperamental weakness combine to destroy, and the destruction of his culture and society as the Igbo way of life is assailed by forces they do not understand and are unprepared to face . 

A Full and Fair Representation of Ibo Traditional Life

The first part of the novel presents the traditional world of the Ibo with specificity and vibrancy . The imbedded descriptions of the patterns of interaction, daily routines and seasonal rituals of Ibo life creates an overwhelming impression of community and shared culture. We see the established system of values which regulates collective life and how closely related this is to natural cycles and environments. The Ibo’s moral values are contained in sayings and stories, rituals and festivals. Achebe depicts a comprehensive and sustaining social, spiritual, economic, agricultural, and legal order. (Chapters to consider: 1, 2, 3, 5, 6, 10, 12, 19)

While Ibo society is marked by the internal coherence of its organization and the poetry of its rituals, this coherence is partially formed by the repression of the individual and the inflexibility of social norms. Achebe shows the violence, dehumanization, and discrimination vulnerable groups experience in Umuofia due to the rigid adherence to tradition and superstition. This includes the customary abandonment of newborn twins, the sacrificial murder of Ikemefuna in the name of justice, and the discriminatory caste structure that denies inclusion to the osu (Chapters 7, 18).

Obierika’s questioning of the stern logic of some customs suggests that many laws are enacted from a sense of duty and inevitability rather than from a firm conviction in their justice or efficacy (Chapter 13). The cultural demand for conformity places a huge moral and psychological burden on individuals who must reckon with the sometimes heartless will of the gods . This internal tension is epitomized in the character of Okonkwo, discussed below.  

Clash of Cultures

When the Ibo are confronted with rival institutions a mirror is held up to their society. Fall Apart honestly considers and reflects on Ibo practices, customs, values, and beliefs. The novel is a frank articulation of the nature of the African past and its relevance to the present and future . Achebe wants to illuminate Ibo culture to dispense with lingering colonial prejudices, but he is not sentimental or nostalgic for the past. Instead he is shifting through it to identify the valuable aspects of Ibo culture to bring into the future and help define Nigeria’s post-independence identity .

Achebe recognises that the colonial encounter which led, swiftly and seemingly inevitably, to the disintegration of Ibo culture revealed its profound weaknesses. Achebe suggests that with the arrival and contrast against another culture, a cultural reckoning was inevitable for the Ibo. However, cultural reckoning and revaluation is not the same thing as destruction and erasure . The British colonialists were a hostile force seeking cultural domination. By pointing out some of the weaknesses of the Ibo tradition, Achebe in no way excuses or justifies colonial domination or diminishes the pain and tragedy of the cultural erasure that occurred.

Colonial Domination

The anti-colonial position and purpose of the novel is powerfully clear. Achebe depicts the process of colonial initial establishment and the resultant cultural suspension of Ibo society. The British colonizers believed in their inherent cultural superiority and arrived in Umuofia with the intention to “bring civilization” (p.151) to Africa. They wanted to achieve full control by supplanting Ibo religion and culture with their own.

The British arrived quietly and non-confrontationally with their religion and the clans allow them to stay, misinterpreting their silence as peaceability . An Ibo proverb warns that there is danger in silence and nothing to fear from someone who reveals their motivations (Chapter 15). Obierika recognizes how the white man’s strategy disguised their intentions and gave them the freedom to grow and fortify. He explains the political consequences for the clan, now divided by the new religion, they can no longer act as one (Chapter 20). Without strength in unity, the Ibo are vulnerable to further encroachment of British control in their other institutions .

As only a small number of Ibo initially converted to Christianity, the church was only able to establish itself firmly in the villages because of the Ibo’s religious tolerance (Chapter 2, 22). Mr Brown learns about Ibo religion and his willful blindness to its complexity shows how the colonizers justified their colonial rule and imposition through labelling their subjects ‘primitive’ . Mr Brown understands that Christianity held no appeal for people well integrated in Ibo society, concluding that “a frontal attack on it would not succeed” (p.132) and thus introduces education as a new method of cultural displacement and erasure . Additionally, trade also increased the Ibo’s dependence on the introduced economy (Chapter 21).

From the very first introduction of the colonizers we understand that violence and fear were tools of oppression and dominance , forcing the Ibo to submit and keeping them unresisting (Chapter 15, 20, 23). Not only do the British impose foreign rule on the Ibo and judge them by standards they do not recognize, the District Commissioner’s personal brand of ‘justice’ is corrupt and hypocritical. When the elders are arbitrarily and falsely imprisoned, he tells them that what they have done “must not happen in the dominion of our queen” (p.141), combining personal corruption with a state apparatus of paternalism, hegemony, and occupation (Chapter 20, 23).

Dogmatic zealot, Reverend Smith, encourages fanaticism in his converts, motivating them to insult and humiliate the clan (Chapter 22). Under Reverend Smith’s wrathful guidance, the colonial agenda becomes transparently aggressive . The grief and pathos of the Ibo’s situation and collective trauma is displayed evocatively in the final episodes as Achebe depicts this painful moment of acute crisis (Chapter 22, 23, 24, 25).

A recurring thematic question in Things Fall Apart is to what degree the collapse of the Ibo and the downfall of Okonkwo are due to their own internal weaknesses or the whims of a pernicious fate . 

The Ibo understand fate to be in a dynamic and somewhat ambiguous relationship with personal agency . This is evident in their proverb “when a man says yes his chi says yes also” (p.20) which acknowledges and privileges the role of an individual’s choices in shaping their destiny (Chapter 4). The saying “as a man danced so the drums were beaten for him” (p.135) also relates this idea – fate is a response to one’s behaviour. Okonkwo is warned that killing Ikemefuna, his surrogate son, is the “kind of action for which the goddess wipes out whole families” (p.49).This demonstrates the clan’s belief that the goddess’s (or fate’s) punishments are not arbitrary but the result of individual action (Chapter 8).

Although there is an element of chance in Okonkwo’s gun accidentally exploding and killing someone, his exile carries the suggestion of just comeuppance in its echo of the guns failure to shoot when purposely aimed at Ekwefi (Chapter 5, 13). Likewise, although the arrival of the Christians was unexpected and chanced, Nwoye’s rejection of his father is traceable directly to Okonkwo’s choice to kill Ikemefuna (Chapter 7). The desertion of people injured by Ibo traditions is a blow to the clan that feels equally earned (Chapters 16, 17, 18).  

After his exile, Okonkwo believes his chi has turned against him (Chapter 14). He renunciates the wisdom of his elders by denying the active role he had in directing the course of events. His refusal to reflect on the connection between his actions and punishment reflect his fatal flaws: hubris and willful lack of self-knowledge. By refusing to self-analyze and self-correct, Okonkwo loses the opportunity of redemption. Comparably, the Ibo, despite believing in a relationship between action and fate, do not reflect on the cause of their kinsmen’s desertion to Christianity. Achebe provides numerous examples of the clan’s dogma and brutal traditions denying people such as Ikemefuna or twins control over their lives (Chapter 2, 7). It was the shortcomings of the Ibo social and religious order that made members susceptible to the attraction of a competing value system with a more articulated concept of individuality. The Ibo’s cultural lack of self-apprehension meant they could not adjust their traditions to save themselves .

However, just as Achebe shows how individuals in the clan are at the mercy of rigid overarching authority, he shows how the fateful forces of history constrain human agency . The British’s hostile intention to erase and supplant the Ibo way of life is a punishment greater than the Ibo deserve and a force stronger than they can rise to. In his description of the grief and trauma of colonial imposition, Achebe demonstrates his compassion and sorrow for the Ibo as they faced the sweeping and unforgiving forces of change in their moment of historical crisis . 

Sample Essay Topics

1. "Things Fall Apart demonstrates how the values and customs of a society help us to deal with the familiar but not with change." Discuss.

2. "Traditional ideas of honour dominate Okonkwo's life and finally they destroy him." Discuss.

3. "Nwoye knew that it was right to be masculine and to be violent, but somehow he still preferred the stories his mother used to tell." How does Achebe explore masculinity in Things Fall Apart ?

Now it's your turn! Give these essay topics a go. For more sample essay topics, head over to our Things Fall Apart Study Guide to practice writing essays using the analysis you've learnt in this blog!

Let's look at an essay prompt in this video below:

In Things Fall Apart , women suffer the most and are victimised by men. Discuss.

Whenever you are breaking a prompt down. Ask yourself...

• What are the key words/ ideas that you need to address?
• Which theme is the prompt referring to?
• Do you agree with prompt? Or do you disagree with it?

The keywords of this prompt would be women, suffer,, victimised and men. The prompt requires us to address the role of women in the text and the ways in which they suffer in a society that is pervaded by patriarchal values. It also asks us, ‘Who is to blame?’ Are men solely responsible for the maltreatment or are there other causes to their suffering? The word ‘most’ in this prompt is actually there to give us a bit of room for discussion. Yes, women do suffer, but do they suffer the most? Or do men suffer as well?

Now that we’ve thought about the prompt, we can move on to the second step of the THINK part of the THINK and EXECUTE technique. To find out more about this unique strategy, I’d recommend downloading a free sample of our How to Write a Killer Text Response eBook!

Now, before we write our ideas in beautiful topic sentences, it’s often easier to simplify everything first. One way to do this is to work out whether the paragraph agrees or disagrees with the prompt at hand. We could follow this structure…

‍ Yes, the prompt is true because X Yes, another reason it is true is X While it is true, it is limited by X

By elucidating the ways in which women are seen as inferior to their male counterparts, the writer establishes his critique on a society that victimises and oppresses women. From the outset of the book, Okonkwo is characterised as a violent man who ‘rules his household with a heavy hand’, placing his wives in perpetual fear. The frequent beating and violence fortifies the portrayal of him as a man who is governed by his hatred of ‘gentility and idleness’, further showing the terror that his wives are forced to be living in.

"Do what you are told woman. When did you become one of the ndichie (meaning elders) of Umuofia?"

He also sees his wife’s mere act of questioning as disrespect, as evidenced through the ways in which he implies that she is overstepping her role.

“There were many women, but they looked on from the fringe like outsiders"

This simile also shows how women are often marginalised and treated as outcasts, underlining the overarching yearning for social justice throughout the text. This pitiful image of women looking ‘on from the fringe’ also helps Achebe relay his criticism of gender double standards and the unfairness that Igbo women are forced to live with. Achebe’s sympathy for women’s suffering and condemnation of men’s mistreatment towards are also evident through his depiction of a society that normalises misogyny.

‘His mother and sisters worked hard enough, but they grew women’s crops… Yam, the king of crops, was a man’s crops’

The personification of the crops, in particular, the men’s crops, the ‘yam’, being the ‘king of crops’ establishes this gender hierarchy in yet another way. More specifically, the position of men in the social hierarchy is highlighted and the negative connotation attached to the ‘women’s crops’ undermine their hard work, rendering it in significant. While women are the main victims of Igbo gendered prejudice, Achebe does not disregard the undue burden that societal expectations impose on men.

‘He was afraid of being thought weak.’

Achebe explores the burdens of unrealistic expectations that are placed on both men and women. This quote exemplifies societal expectations on men to be strong, powerful and fearless leaders who never show emotions. Achebe’s sympathies regarding these expectations show us that this is an important critique in Things Fall Apart that we can analyse.

If you find this helpful, then you might want to check out our Things Fall Apart: A Killer Text Guide where we cover 5 A+ sample essays (written by a 50 study scorer!) with EVERY essay annotated and broken down on HOW and WHY these essays achieved A+ so you reach your English goals! Let's get started.

With contributions from Lindsey Dang.

Introduction

Not gonna lie, this novel is a bit of a tricky one to introduce. World War II, arguably one of the darkest events of human history, has been the basis of so much writing across so many genres; authors, academics, novelists have all devoted themselves to understanding the tragedies, and make sense of how we managed to do this to one another. Many reflect on the experiences of children and families whose lives were torn apart by the war.

In some ways, Doerr is another author who has attempted this. His novel alludes to the merciless anonymity of death in war, juxtaposes individualism with collective national mindlessness, and seeks out innocence amidst the brutality of war.

What makes this novel difficult to introduce is the way in which Doerr has done this; through the eyes of two children on opposite sides of the war, he explores how both of them struggle with identity, morality and hope, each in their own way. Their storylines converge in the bombing of Saint-Malo, demonstrating that war can be indiscriminate in its victims—that is, it does not care if its victims are children or adults, innocent or guilty, French or German. However, their interaction also speaks to the humanity that lies in all of us, no matter how deeply buried.

A very quick history lesson

Fast Five Facts about World War II:

• Lasting 1939-1945, the war was fought between the Axis powers (Germany, Japan and Italy) and the Allies (basically everyone else, but mainly England, France, and later the US). Whilst it was Germany who started the war, the intervention of the US at the end of five long years of fighting ultimately helped the Allies win.
• Various forms of technology were first used, or found new uses, during the war. Aircraft carriers and various planes (fighters, bombers etc.) became more important than ever, while Hitler’s use of tanks allowed him to take over much of Europe very quickly.
• Other forms of new technology included one of the world’s first electronic computers that was used to codebreak (stop reading now and watch The Imitation Game if you haven’t already! Totally counts as studying, right?), as well as radio and radar, used to communicate and also to detect enemies in the field.
• World War II is also referred to as the Holocaust, the name given to Hitler’s attempted genocide of the Jewish people. 6 million Jews died in the war, and as many as 15 million others died in total.
• Germany’s initial conquest of Europe was swift and brutal. Within a month, Poland had already surrendered and within a year, so had France. However, there were also resistance groups all over these countries which sought to undermine the Nazi regime in a number of ways, both big and small.

My best attempt to give a general plot overview of this very long book

Disclaimer: this is a very, very broad overview of the novel and it is absolutely not a substitute for actually reading it (please actually read it).

Chronologically, we start in 1934, five years before the war. Marie-Laure is a French girl who lives with her father Daniel Leblanc, working at the Museum of Natural History in Paris. As she starts to go blind, Daniel teaches her Braille, and makes her wooden models of their neighbourhood to help her navigate. Six years later, the Nazis invade France, and they flee the capital to find Daniel’s uncle Etienne, who lives in the seaside town of Saint-Malo; Daniel was also tasked with safeguarding a precious gem, the Sea of Flames, from the Nazis.

In Saint-Malo, Daniel also builds Marie-Laure a model of the town, hiding the gem inside. Meanwhile, she befriends Etienne, who suffers from agoraphobia as a result of the trauma from the First World War. He is charming and very knowledgeable about science, having made a series of scientific radio broadcasts with his brother Henri (who died in WWI). She also befriends his cook, Madame Manec, who participates in the resistance movement right up until she falls ill and dies.

Her father is also arrested (and would ultimately die in prison), and the loss of their loved ones prompts both Etienne and Marie-Laure to begin fighting back. Marie-Laure is also given a key to a grotto by the seaside which is full of molluscs, her favourite kind of animal.

On the other side of the war, Werner is, in 1934, an 8 year-old German boy growing up in an orphanage with his sister Jutta in the small mining town of Zollverein. They discover a radio, which allows them to listen to a broadcast from miles away (it was Henri and Etienne’s), and Werner learns French to try and understand it. One day, he repairs the radio of a Nazi official, who recruits him to the Hitler Youth on account of his ingenuity (and his very blonde hair and very blue eyes, considered to be desirable traits by the regime). Jutta grows increasingly distant from Werner during this time, as she questions the morality of the Nazis.

Werner is trained to be a soldier along with a cohort of other boys, and additionally learns to use radio to locate enemy soldiers. He befriends Frederick, an innocent kid who was only there because his parents were rich—Frederick would eventually fall victim to the brutality of the instructors, and Werner tries to quit out of solidarity. Unfortunately, he is sent into the army to apply his training to actual warfare. He fights with Frank Volkheimer, a slightly ambiguous character who a tough and cruel soldier, but also displays a capacity to be kind and gentle (including a fondness for classical music). The war eventually takes them to Saint-Malo.

Also around 1943 or so, a Nazi sergeant, Reinhold von Rumpel, begins to track down the Sea of Flames. He would have been successful ultimately had it not been for Werner, who stops him in order to save Marie Laure.

As America begins to turn the war around, Werner is arrested and dies after stepping on a German landmine; Marie-Laure and Etienne move back to Paris. Marie-Laure eventually becomes a scientist specialising in the study of molluscs and has an extensive family of her own by 2014. Phew.

What kind of questions does Doerr raise through this plot? To some degree, the single central question of the novel is one of humanity, and this manifests in a few different ways.

Firstly, to what extent are we in control of our own choices? Do we truly have free will to behave morally ? The Nazi regime throws a spanner in the works here, as it makes incredibly inhumane demands on its people. Perhaps they fear punishment and have no choice—Werner, for instance, does go along with everything. At the same time, his own sister manages to demonstrate critical thinking and moral reasoning well beyond her years, and it makes you wonder if there was potential for Werner to be better in this regard. There’s also the question of whether or not he redeemed himself in the end.

That being said, Werner is far from the only character who struggles with this—consider the perfumer, Claude Levitte, who becomes a Nazi informer, or even ordinary French citizens who simply accept the German takeover. Do they actually have free will to resist, or is it even moral for them to do so?

Hannah Arendt famously coined the phrase “the banality of evil,” referring to how broader movements of inhumanity (such as the Holocaust) can be compartmentalised until individual actions feel perfectly banal, commonplace and ordinary. This is what allowed people to do evil things without actually feeling or even being inherently evil—they were just taking orders, after all. Consider the role of free will in this context.

This brings us to the broader ‘theme’ of war in general: in particular, what kinds of acts are  suddenly justifiable in war? Etienne and Madame Manec, for instance, even disagree on the morality of resistance, which can frequently involve murder. Etienne’s pacifist stance is a result of the scale of deaths in the previous world war. At the same time, the climactic event of the novel is an allied bombing of Saint-Malo, a French town, just because it had become a German outpost. Risking lives both French and German, this also highlights the ‘necessity’ of some inhumane actions in times of war.

On a more optimistic note, a human quality that Doerr explores is our natural curiosity towards science . This is abundant in the childhoods of both protagonists, as Werner demonstrates dexterity with the radio at a very young age, and Marie-Laure a keen interest in marine biology. In particular, her blindness pushes her into avenues of science which she can experience without literal sight, such as the tactile sensations of mollusc shells. The title may hint at this—for all the light she cannot see, she seeks enlightenment through knowledge, which in turn gives her hope, optimism and purpose.

At the same time, the human desire to better understand the world can also be used inhumanely—Werner used radio to learn through Etienne and Henri’s broadcasts, but he would later in life also use it to help his compatriots murder enemy soldiers. This alludes to the banality of evil again; by focusing on his very technical role and his unique understanding of the science behind radios, he is able to blind himself to the bigger picture of the evils he is abetting. Science is something that is so innately human, yet can also be used inhumanely as well.

For these reasons, I’d suggest humanity is at the heart of the novel. There is a certain cruel randomness to death in war, but just because so many did perish doesn’t mean that there aren’t human stories worth searching for in the destruction. This is the lens that Doerr brings to the WWII narrative.

Some symbols

To some degree, a lot of these symbols relate to humanity, which I’ve argued is the crux of the novel. I’ll keep this brief so as to not be too repetitive.

One major symbol is the radio , with its potential for good as well as for evil. On one hand, it is undoubtedly used for evil purposes, but it also acts as a source of hope, purpose, conviction and connection in the worst of times. It is what ultimately drives Werner to save Marie-Laure.

Along the same vein, whelks are also a major symbol, particularly for Marie-Laure. While an object of her fascination, they also represent strength for her, as they remain fixed onto rocks and withstand the beaks of birds who try to attack them. In fact, she takes “the Whelk” as a code-name for herself while aiding the resistance movement. It’s also noteworthy that, given the atrocities of war, maybe animals are the only innocent beings left. As Saint-Malo is destroyed and the Sea of Flames discarded, it is the seaside ecosystem that manages to live on, undisturbed. In this sense, the diamond can be seen as a manifestation of human greed, harmless once removed from human society.

Finally, it’s also worth considering the wooden models that Daniel builds for Marie-Laure. They represent his immense love for her, and more broadly the importance of family, but the models also attempt to shrink entire cities into a predictable, easily navigable system. As we’ve seen, this is what causes people to lose sight of the forest for the trees—to hone in on details and lose track of the bigger picture around them. The models are an oversimplification of life, and an illusion of certainty, in a time when life was complicated and not at all certain for anyone.

Identity, morality and hope—these things pretty much shape what it means to be human. Throughout All the Light We Cannot See though, characters sometimes struggle with all three of them at the same time.

And yet they always manage to find something within themselves, some source of strength, some sense of right and wrong, some humanity in trying times. Doerr explores this capacity amply in this novel, and in this sense his novel is not just another story about WWII—it’s a story about the things that connect us, always.

Essay prompt breakdown

Transcription

Through the prompt that we’ll be looking at today, the main message I wanted to highlight was to always try and look for layers of meaning. This could mean really being across all of the symbols, motifs and poetic elements of a text, and it’s especially important for a novel as literary as this one.

You might not have been particularly happy to find out you’re going to have to study All The Light We Cannot See— it is probably the longest text on the entire text list—but it’s also a really beautiful, well-written book that deservedly took out the Pulitzer Prize for fiction in 2015.

In this novel, Anthony Doerr tells the World War 2 story through a unique lens, or rather a unique combination of lenses, as he sets a 16-year-old French girl and a 17-year-old German boy on an unlikely path of convergence. Through the dangers and difficulties that they face, Doerr’s novel is one of growth and self-assuredness in a time when this seemed virtually impossible.

The essay topic we’ll be looking at today is:

All The Light We Cannot See is a literal title for the novel, in that it exposes the darkness, evil and cruelty of which humans are demonstrably capable. Is this an accurate interpretation?

As usual, let’s define some keywords.

I want to leave ‘darkness’ for a little later, but let’s start with ‘evil and cruelty.’ By themselves, they generally just mean immorality or inhumanity, but also keep in mind how they come across in characters’ actions, since those will be the focus of our analysis. The word ‘demonstrably’ highlights this, since it means that any ‘evil’ you discuss needs to be demonstrated or proven.

With ‘darkness’, that’s a bit more of a tricky term because it can mean any number of things. Here, it might be taken to mean bad intentions, corruption or anything like that, because it fits with ‘evil and cruelty’. However, this is where the ‘interpretation’ aspect of the prompt comes in—an interpretation being a way of explaining meaning, how do you explain the meaning of ‘darkness’ in relation to the title? Darkness in this sense could be any number of things.

Now, how should we plan for this topic? Let’s first consider if there’s any room to challenge, since the prompt seems to only focus on the more negative, pessimistic side of the book. I’d argue that with darkness, there is also some light in the form of kindness, charity and hope.  

This all sounds pretty profound, but I’m just trying to link it back to the book’s title! I mean, that’s what the topic is asking about, right?

Let’s break this down into paragraphs.

For our first paragraph, a good starting point might be analysing the literal forms of darkness in the novel, and seeing what other interpretations we can get from those. A character that comes to mind is Marie-Laure, the French girl who cannot see any ‘light’ due to her blindness. The title could be seen as an allusion to her character and by extension, the hopelessness that blindness might cause in the midst of a war. We could compare Marie-Laure’s situation with that of Werner, who faces the industrialization of his childhood town, watching it become more and more enveloped in ‘darkness’ and as such, hopelessness.

For our next paragraph, we might drill down to deeper levels of interpreting darkness, because it’s often used as a metaphor for inhumanity. It isn’t difficult to find inhumanity in the novel. There’s plenty of it peppered throughout Werner’s storyline, particularly at Schulpforta, where the Hitler Youth were ‘trained’, (to put it lightly). He and his peers are routinely drilled to “drive the weakness from the corps” in humiliating exercises led by cruel instructors. They are also sometimes driven to cruelty towards one another, and Frederick, Werner’s bunkmate, is relentlessly bullied for his perceived weakness.

So by now, it’s clear that the novel demonstrates the human capacity for experiencing ‘darkness’ as well as inflicting it upon others. But, across these two layers of meaning, could there perhaps be some room to challenge these interpretations? This is something we should look at for our final paragraph.

Here, I would probably argue that just as Doerr explores various forms of darkness, there is also enough ‘light’ which allows some characters to overcome or escape from the darkness. These manifestations of light also require you to think about the different symbolic layers of the novel. On one level for example, looking at light literally, there’s the message on Werner’s radio that teaches us that, even though the brain is sealed in darkness, “the world it constructs…is full of light.” A deeper level of meaning to this may refer to the sense of scientific wonder and discovery which sometimes brings light to Werner, and also Frederick, his bunkmate at Schulpforta, when their lives there are at their most dark.

Consider how, just as darkness has levels of interpretation and symbolism in this book, so does light and hope and joy, rather than just evil and cruelty.

And that’s it! Always delving deeper for meaning helps you to really make use of the symbols, imagery and motifs in a text, and I hope this novel in particular illustrates that idea.

• Introduction to William Wordsworth and Romanticism
• Key Features of Romantic Poetry
• Poetic Analysis Examples

1. Introduction to William Wordsworth and Romanticism

William Wordsworth was a British poet and primary co-founder of the Romantic literary movement. He strongly believed that the poetry of the nineteenth century was much too fast-paced and too mindless to be able to evoke a meaningful message to the reader. Contending that ‘all good poetry is the spontaneous overflow of powerful feeling,’ he wished to pioneer Romanticism to create a genre of poetry that reminded the reader of the very essence of humanity.

As such, Wordsworth and fellow poet Samuel Taylor Coleridge founded a new style of poetry through their co-written 1798 Lyrical Ballads , a collection of poetry which attempted to unite the human condition with the tranquility of nature. 

As a resident of England’s picturesque Lake District, Wordsworth enjoyed becoming one with nature by wandering through the neighbouring hills, moors and lakeside views, while mentally composing poems inspired by its glorious elements. 

William Wordsworth: Poems Selected by Seamus Heaney is usually studied in the Australian curriculum under Area of Study 1 - Text Response. For a detailed guide on Text Response, check out our Ultimate Guide to VCE Text Response .

2. Key Features of Romantic Poetry

The Romantic movement of poetry was founded during the Industrial Revolution, a period in which people were growing farther from the serene comfort of nature and closer towards modern mechanisation and mass manufacturing. As such, a primary characteristic of Romantic poetry is nature, as poets attempted to remind humanity of its meditative respite, and the comfort it could provide in the backdrop of the pollution that accompanied the growing industrialisation of England. 

Wordsworth was a pantheist and believed that God was within every aspect of the natural world. In addition to this, he categorised himself as an ardent ‘worshipper of nature’. Thus, much of his poetry explores nature in a sacred and religious sense, presenting goodness and naturalness as synonymous - aptly displaying his belief of nature as a living, divine entity that could only to be ignored at humankind’s peril. 

Emotionalism 

Romantic poetry subdues reason, intellect and the scientific truth in order to place more focus on the ‘truth of the imagination’. As a result of the harsh rigidity and rationality of the Enlightenment era, all human sentiments, from melancholiness to hopefulness, were celebrated by Romantics as important instruments in poetry to remind the common people of sentimentality in a modern and intransigent era. 

As Romantics believed that these feelings allowed one to look deeper into one’s self, the theme of powerful emotions constructs the very essence of Romantic poetic poetry. As a result of this, rather than placing much importance on sense or sensibility, much of Wordsworth’s poems scrutinise his own effusion of feelings and the universal truths that these help him discover, speaking as the characteristic Romantic poet occupying a sentimental place of alienation.

Rebellion and Individualism

The Industrial Revolution oversaw the creation of distinct class differences between the extremely wealthy class of businessmen, and financially struggling workers and entrepreneurs. Poets, like all other artists, were forced to become increasingly independent and needed to rely on their unique vision and style in order to succeed in their gradually declining line of work. The Romantics subsequently began to view themselves as heroes who challenged and overcame the social challenges that arose; as champions of independence and self-awareness. As such, Romantic poetry often features characters or symbols of valiant heroism, as the poet acts as a visionary figure in his work, like a prophet telling of poetic self-awareness. 

The Sublime

In accordance with their celebration of human emotions, Romantics also became fascinated with the literary conception of ‘the sublime’, a mental state that Classical authors such as Longinus defined as ‘physical, moral, intellectual, metaphysical, aesthetic, spiritual, or artistic greatness’ that is of such magnificence that it cannot be measured. 

The Romantics explored these extraordinary experiences in their poetry, describing the power of such sublime experiences on one’s senses, mind and imagination. Wordsworth expressed in his essay that a sublime experience is what occurs when one’s mind attempts to attain ‘something towards which it can make approaches but which it is incapable of attaining’. For example, his biographical poem, The Prelude recounts his ascent of Mount Snowdon and the sublime emotions he experiences as a result of its powerful atmosphere. 

Many have viewed Wordsworth’s view of the sublime as the Romantic standard, as his poetry focuses equally on both the alluring and devastating aspects of such sublime experiences. His work focuses on the intertwined pleasure and terror that is generated as a result of such experiences, and how either end of the spectrum is ultimately beautiful and inspiring.

Context is really important when engaging with a text in VCE English, so be sure to read Context and Authorial Intention in VCE English .

3. Poetic Analysis Examples 

Example passage 1.

Books! 'tis a dull and endless strife: Come, hear the woodland linnet, How sweet his music! on my life, There's more of wisdom in it.

And hark! how blithe the throstle sings! He, too, is no mean preacher: Come forth into the light of things, Let Nature be your teacher.

This passage, taken from Wordsworth’s Tables Turned; An Evening Scene on the Same Subject , is a primary example of a poem displaying the Romantics’ propensity and reverence for the natural landscape.  

Thematic Analysis

The speaker of the poem contrasts the ‘endless strife’ of book-learning to the spontaneous and liberal method of learning through interacting with nature. The description of the ‘woodland [linnet’s]’ song as ‘sweet’ music evokes an image of heavenly bliss associated with the charms hidden within nature. That ‘there’s more of wisdom in’ such nature works in tandem with this, as the speaker asserts that the natural landscape is able to teach a lesson of a magnificence incomparable to the monotony of the ‘dull’ studying thorough book-learning. 

The speaker’s evocation of ‘blithe’ emotions through sound is continued in the second stanza, in which ‘the throstle’ delivers another divine ‘song’ in an attempt to entice the reader. The speaker furthers his advocation for natural learning through a condemnation of route learning, as he attacks teachers of such as ‘mean preachers’. The directly following use of a pun emphasises this contrast, as the ‘light of things’ symbolises both the enlightenment that will accompany nature’s teaching, as well as the literal ‘light’ of nature underneath the sun. 

The final line of the passage summarises the speaker’s persuasion aptly, as the phrase, ‘let nature be your teacher’, rings similar to a passage which can be found in the Bible; the speaker thus implies that the natural world is the all-superior entity and source of knowledge that one should take lessons from. 

Stylistic Analysis

The rhyme and the rhythmic beat of the poem give it a sound comparable to a nursery-rhyme. This works in tandem with the Romantic viewpoint that great poetic language should be simple, accessible and conversational; as understandable to the common people as a nursery rhyme is to a child. This similarity also works in accordance with the authorial message of the poem, that nature should be a universal ‘teacher’, as nursery rhymes are often employed as enjoyable sing-songs that educate children on a moral level. As such, Wordsworth here strengthens his viewpoint through his poetic words; that nature should be a mentor to all. 

Example Passage 2

‍ For thou art with me here upon the banks  Of this fair river; thou my dearest Friend,  My dear, dear Friend; and in thy voice I catch  The language of my former heart, and read  My former pleasures in the shooting lights  Of thy wild eyes. Oh! yet a little while  May I behold in thee what I was once,  My dear, dear Sister! and this prayer I make,  Knowing that Nature never did betray  The heart that loved her; 'tis her privilege,  Through all the years of this our life, to lead  From joy to joy… Therefore let the moon  Shine on thee in thy solitary walk;  And let the misty mountain-winds be free  To blow against thee: and, in after years,  When these wild ecstasies shall be matured  Into a sober pleasure; when thy mind  Shall be a mansion for all lovely forms,  Thy memory be as a dwelling-place  For all sweet sounds and harmonies; oh! then,  If solitude, or fear, or pain, or grief,  Should be thy portion, with what healing thoughts  Of tender joy wilt thou remember me,  And these my exhortations! Nor, perchance—  If I should be where I no more can hear  Thy voice, nor catch from thy wild eyes these gleams  Of past existence—wilt thou then forget  That on the banks of this delightful stream  We stood together; and that I, so long  A worshipper of Nature, hither came  Unwearied in that service: rather say  With warmer love—oh! with far deeper zeal  Of holier love. Nor wilt thou then forget,  That after many wanderings, many years  Of absence, these steep woods and lofty cliffs,  And this green pastoral landscape, were to me  More dear, both for themselves and for thy sake!

This passage is taken from the final section from Lines Composed a Few Miles above Tintern Abbey , a critical work in Wordsworth’s poetic career. Tracing the growth of his mind in different periods of time, the poem is a condensed, spiritual autobiography of Wordsworth himself as it views his younger self from the perspective of his older self, weighing the sense of ‘loss’ suffered against the belief that the years have brought him ‘abundant recompense’. 

After recalling his experiences with nature over his formative and adult years, the speaker now addresses his younger sister Dorothy, as he gives her heartfelt advice about what he has learnt. Here, Dorothy becomes a ghost of his former self, as he hears ‘the language of his former heart’ when she speaks and perceives his ‘former pleasure’ in the ‘soothing lights of [her] wild eyes’. 

The speaker depicts his loyalty to nature and its reflective loyalty to him, by the expression that ‘nature never did betray [his] heart’ that loves Dorothy, and this is the reason they have been living from ‘joy to joy’, lending nature a role of salvation. 

The speaker then directly addresses the moon as a kind of separate entity, in order to ask it to bless his sister by shining on her ‘solitary walk’, so that when she is an adult her mind may become a ‘mansion for all lovely forms’. This is an ode to the harshness of the society at the time, in which the privileged businessmen and factory owners possessed a monopoly over British wealth, and accompanying prejudices clouded social judgement. As such, the speaker expresses his desires for his beloved sister to be exempt from such hardship that he was once subjected to, so that she can enjoy ‘sweet sounds and memories’ without experiencing the vexations of an unrelenting human society. 

The conclusion of the poem is cyclic, as it takes the speaker back to the ‘green pastoral landscape’ of the beginning of his meditations. This symbolises the omnipresent timelessness of nature. As the speaker muses upon his ‘past existence’, he wishes to convey his own reverence for nature to his beloved sister, as he expresses that she will not forget the ‘steep woods and lofty cliffs’ upon which he first understood and respected nature. 

The language utilised in this poem is lucid and natural, characteristic of Romantic poetry. The simplicity of the words chosen by Wordsworth effectively communicate the honesty of his own emotions towards nature. The elevated blank verse structure furthers this simplicity, as its familiar and easy tone is like that of a comfortable heartbeat or pulse that runs throughout one’s body in a serene state of mind. 

Ultimately, the unconstrained and liberating tone of the poem, in accordance with its free blank verse structure emphasises Wordsworth’s belief that nature is within our very selves. Just as the poem runs smoothly and continuously, akin to a human pulse, Wordsworth suggests that nature too runs within everyone as an incessant heartbeat, necessary in order to experience a ‘warmer’ and ‘holier’ love for this universe.

EXECUTE is the writing component that ticks off the English criteria so that your teacher is wowed by your essay and wished it was longer. So, what are these criteria points? Each school may express these points differently, however at the end of the day, teachers and examiners are all looking for the same thing:

An understanding of social, cultural or religious background in the text and how that shapes the themes, ideas, and characters. Without a clear understanding of the context of your text, you cannot fully comprehend the views and values of the author, nor the overall meaning of a text.

For example, Austen was hunched over her small writing desk in the village of Chawton during England’s Georgian era as she wrote Persuasion. You are more likely reading it in a cozy bed, listening to Taylor Swift and half considering what you’re going to watch on Netflix later. Remember, your current social and cultural context can have a great influence on how you read a text, so it’s always important to imagine the author’s own context – whether this be very similar, or very different from the context of their text. It’s as easy as a Google search!

✔️Views and values

An understanding of the author's message and purpose.

Writers use literature to criticise or endorse social conditions, expressing their own opinions and viewpoints of the world they live in. It is important to remember that each piece of literature is a deliberate construction. Every decision a writer makes reflects their views and values about their culture, morality, politics, gender, class, history or religion. This is implicit within the style and content of the text, rather than in overt statements. This means that the writer’s views and values are always open to interpretation, and possibly even controversial. This is what you (as an astute English student) must do – interpret the relationship between your text and the ideas it explores and examines, endorses or challenges in the writer’s society.

✔️Different interpretations by different readers

An understanding of how different readers and develop different interpretations, and how this changes an author's message.

Like our example using Austen vs. you as a modern reader above, the way you interpret an idea or view a character can change based on your unique views and values.

✔️Metalanguage

An understanding of how author's constructs their text through specific choices in words.

For example, the use of the word 'bright' vs. 'dull' to describe a landscape is intended to effect the way you perceive particular ideas or characters in a text.

A high-graded English essay will cover all of these points without fail. If you're unfamiliar with any of these, you are missing out on ways to differentiate yourself from other students. At the end of the day, there are only so many themes and characters to discuss, so you need to find unique angles to discuss these themes and characters. This will help your essay move from generic to original (yeah boy!).

If you're interested, How To Write a Killer Text Response ebook shows you the inner workings of my brain 💭- what I think when I see an essay topic, how I tackle it, and how I turn these thoughts into a high-scoring essay. The ebook includes:

‍ - 50-pages teaching you how to respond to ANY essay topic

- Examples from 15+ popular VCE English texts

- Know exactly what to  THINK  about so you can formulate the best possible essay response

- Plus a bonus 20-pages of high vs low scoring essays , fully annotated (what works and what doesn't) so you know exactly what you need to do

Click here to access the FULL version now!

For an overview of the EAL study design plus tips and tricks for reading comprehension, time management and more, check out The Ultimate Guide to EAL .

The listening tasks of the EAL exam are worth 20% of the total exam marks.  Since this section was introduced to the exam fairly recently, limited past exam questions are available for students to practice. In my blog post EAL Listening Practice and Resources , I provide you with some awesome listening resources that you should definitely check out! And more importantly, I teach you a step-by-step approach for how to use those listening resources to help you better prepare for EAL listening. If you haven’t already read that blog post, go and check it out before coming back to this one so that you understand the steps we’re following.

Here we’ll be working through another exam-style practice to help us improve on the EAL listening section. We will be adopting the same strategies introduced in EAL Listening Practice and Resources . For more advice on how to boost your skills in the listening section, check out Tips on EAL Listening .

Use this link to access the audio clip that we’ll be using in this listening practice: Hospital Parking Fees - Classroom - BTN (abc.net.au)

Download this worksheet so that you can work through this listening task on your own too!

1st Time Listening

Step 1:  read and annotate background information (below).

• Highlight the name of the speakers.
• Underline important information.

Step 2:  Read and Annotate the Questions 

Develop a system that works well for you personally. For example, I usually underline the keywords that give me information on ‘what’, ‘why’, ‘how’, ‘where’, ‘when’. I highlight the speakers in the example below. 

Step 3: Listen to the Audio (Without the Visual)

Hospital Parking Fees - Classroom - BTN (abc.net.au)

Step 4: Write Down Side Notes

2nd Time Listening  

Step 1: Fill in the blanks and try to be aware of words you don’t quite ‘get’.

This is where you have the opportunity to fill in the blanks for the challenging words that you did not pick up in the first round. For example: petition, democratic, campaign, rare. 

COMMON MISTAKE: check the spelling for ‘rare’, not ‘rear’

Step 2: Note down how the speakers convey their attitude, feeling, ideas, etc.

Let's take a look at this section of the audio clip:

GIDON: ‘ It gives me a really good feeling to know that I've made a change, that change has happened. I think what I would like to say to all the other people, especially kids who want to start change, is that it really does sometimes seem impossible that someone that doesn't have a vote and who doesn't have as much democratic power really as adults do, I think what this has shown is that it really is possible to do these things that we still can affect our country and that small people can make great change.’  

Here’s one way I analysed the delivery of the audio:

The cheerful and hopeful tone used to deliver the message that the change brings him ‘a really good feeling’ demonstrates Gidon’s approval of the change in parking fees. Furthermore, Gidon states this in a high pitch and fast pace, unveiling that he is pleased and satisfied about the reduction in hospital parking fees . 

Step 3: Interaction between speakers. 

This step does not apply to this particular audio clip since the audio/ video is a recount of the event rather than direct conversation between two or more speakers. 

3rd Time Listening  

The transcript is available HERE . 

Whilst reading through the transcript with the audio on, try and pick up any information that you missed in previous rounds of listening and also words that you might have spelt incorrectly. 

Sample Questions and Answers

Have a go at these VCAA-style questions that I wrote up, and then check out my sample answers to see how your own answers compare. You will probably notice that a lot of the information you gather from the ‘W’ words actually provides you with the answers to the majority of the questions here.

Sample Questions

Sample answers.

1.  Gidon’s petition is about lowering the fee for parking in hospitals and putting a limit on how much the hospital can charge.

2. Gidon has a rare blood condition which means he visits the hospital quite regularly. Since his diagnosis, Gidon’s family paid more than ten thousand dollars just to visit the hospital.

3.  When hospital parking fees are too expensive, patients will buy food and other necessities instead of going to the hospital. Thus, patients may not go to the hospital because parking is too expensive, these poor patients need to choose between paying parking fees and buying food. 

4. Regular hospital attendants will receive a 90% discount on what they are currently paying.

 5. Families, patients and carers for regular visitors of public hospitals.

COMMON MISTAKE: check the spelling for ‘carer’, not ‘career’ or ‘carrier’

6. Gidon is very happy and proud of the change in hospital fees. Gidon uses a cheerful and hopeful tone (1st mark) to deliver the message that the change brings him ‘a really good feeling’ and he feels ‘unbelievably proud’ that ‘small people can make great change’ (2nd mark). In addition, Gidon states this in a high pitch and fast pace, demonstrating that he is pleased and satisfied with the reduction in hospital parking fees (3rd mark).

--- I hope you found this guide handy! For further tips and tricks on tackling the EAL Listening Exam, check out How To ACE the EAL Listening Exam .

Sunset Boulevard is usually studied in the Australian curriculum under Area of Study 1 - Text Response. For a detailed guide on Text Response, check out our Ultimate Guide to VCE Text Response .

Sunset Boulevard is perhaps the most famous film about film . A darkly funny yet disturbing noir, it follows washed-up screenwriter Joe Gillis being pulled into the murky world of even-more-washed-up former silent film star Norma Desmond, disingenuously helping with her screenplay. Critical commentary on the film industry is obviously included here, but Billy Wilder’s 1950 film digs deeper to explore the blurred line between fantasy and reality, as well as power, authenticity and self-delusion. Crucially, these themes are often shown in the film’s construction , via the cinematic techniques implemented by Wilder in each scene. This blog will explore the most important examples of these cinematic techniques. Remember, VCE examiners are on the lookout for students who can offer a close reading of the text they are discussing, giving specific examples of how its creator has constructed it to support their arguments. Just look at the difference between an essay that says:

' Through the final shot of the film, Wilder shows Norma completely succumbing to her fantasy.’ 

Compared to one that argues:

‍ ‘Through his utilisation of an increasingly glossy and distorted filter in the ominous final shot, Wilder depicts Norma being completely overtaken by her romanticised fantasy of ‘Old Hollywood’.

So read below to learn how to use the most effective and crucial cinematic techniques within Sunset Boulevard.  ‍

Camera Techniques: Shot Types & Angles

Camera techniques are arguably the primary way that a director will intentionally direct the eye of the audience, directly framing how they view a film. The two most basic ways in which the camera is used for this are through the distance between the subject (what the scene is about) and the camera, or the ‘shot type’ and the ‘camera angle’ at which the subject is being filmed. Four key examples of these from Sunset Boulevard are explored below. 

Key Examples of Shot Types

Our first look at Norma Desmond is within the wide shot above, just as Joe Gillis has entered her dishevelled mansion early in the film. As a rule, the introductory shot of a character is always worth closely analysing, as the director typically establishes their characteristics and place within the film’s wider world. 

Shown above, this distant first look at Norma establishes her distance, both physical and mental, from the world around her. Removing herself from an industry that has long since moved on from her, she is severely out of touch with the reality of the world outside her home. Crucially, as this same shot is from Joe’s perspective, Wilder also foreshadows the more specific character ‘distance’ that will emerge between the two. Here, the audience sees the space Joe will similarly leave between himself and Norma, disingenuously humouring her poor-quality scripts and romantic advances and, therefore, always keeping her ‘at a distance’.

Another shot conveying crucial information about character relationships is shown when Joe officially ‘loses’ Betty towards the end of the film, refusing to give up his ‘long-term contract’ with Norma. Here, Wilder consciously frames the scene’s subject (Betty) at a distance with a medium shot. Supported by her refusal to make eye contact with Joe and her literal statement that she ‘can't look at [him]’ we again see physical distance between the camera and the subject translating to emotional distance between two characters. The impact of them no longer ‘seeing eye to eye’ is additionally heightened by the clear chemistry they previously demonstrated across the film. 

Key Examples of Camera Angles

Just like the introductory shot of a character is worth digging into, the opening shot of a film is also incredibly important to unpack. Sunset Boulevard’ s seemingly straightforward opening shot simply includes the film’s title, by showing the real-life Hollywood street. However, notice that we are not seeing a ‘Sunset Boulevard’ street sign (the more obvious choice), but instead a dirty and stained curbside. Further, Wilder shoots this curb from a high angle . Therefore, the film’s opening shot establishes maybe the most central aim of Wilder’s film; offering a critical look at the superficiality and flawed nature of Hollywood. As such, we are literally looking down on the film industry in the first moment of the film, represented by this dirty and unflattering visual symbol of Hollywood. This, therefore, is setting the stage for the satire and critical commentary that will follow. 

Wilder’s careful use of camera angles is further shown at the end of the film after Betty abandons Joe at the gate of Norma’s mansion. Crucially, this all happened due to the desperate exertion of power by Norma, who called Betty and revealed the details of her relationship with Joe. As such, Wilder shoots Norma at a low angle, as Joe looks up at her haughty gaze. The level of power that Norma has exerted over Joe may seem minimal within the moment, but when we consider what happens next, this shot becomes much more important. On the brink of descending completely into madness and taking Joe’s life, Wilder uses this shot to establish that Joe should be looking up in fear at Norma, and his dismissive and pitiful opinion of her will soon lead to his death.  

Mise-en-scène

Mise-en-scène is perhaps the most deceptively simple cinematic technique. It involves analysing what appears within a frame and where it has been placed by the director. This includes elements such as the actor’s costumes, the props and the design of the set. Often, mise-en-scène is used to reinforce something we are being told about a character already through the film’s dialogue and acting.  

Key Example of Mise-en-scène 1

We can see a key example of characterisation through mise-en-scène early in the film, where the audience’s introduction to Joe Gillis visually communicates his unconcerned and detached attitude, as well as his tendency to settle for something convenient despite its inauthenticity. His being dressed in a bathrobe with the blazing sun outside (and his debt collectors clearly up and doing their jobs) speaks to his slovenliness and uninvested approach to life. The set design within this scene further characterises Joe, with the script directly describing the ‘reproductions of characterless paintings’ that cover his walls. Here, the set arguably provides a visual metaphor for the profit-driven ‘Bases Loaded’ script he is writing at that very moment, later described by Betty as having come ‘from hunger.’ 

Key Example of Mise-en-scène 2

Equally, our introduction to the home of Norma Desmond helps establish the key elements of her character. The house is, as Joe describes, ‘crowded with Norma Desmonds’, in the form of countless framed photos of her from her silent film era. These self-portraits constantly looking out onto Norma symbolise the deluded fantasy world she has placed herself in. They both show how this world is based around her still being a youthful and famous actress, and that this delusion is maintained through Norma only communicating inwardly, refusing to face the reality of the outside world.

As ‘symbolises’ is a verb that is very commonly misused, it’s necessary here to provide a very simplified definition:

A symbol is something that contains levels of meaning not present at first glance or literal translation.  

In film, the most obvious symbols are often physical objects that reappear within the story, working to symbolise concepts that develop the text’s key themes. 

The Dead Chimp & The Organ

One of the more seemingly inexplicable parts of Wilder's film actually contains one of its most important symbols, with Norma’s pet monkey playing a key foreshadowing role from beyond the grave. The chimp, a pet owned and trained by Norma to amuse her, leaves a vacant role that Joe will gradually fill after having unknowingly interrupted its funeral. From this point in the film, Joe is manipulated, or ‘trained’, by Norma to entertain and provide companionship to her. Naturally, Joe also ends up dead within the bounds of Norma’s estate, with this symbol, therefore, foreshadowing the full trajectory of his character. All of this is directly alluded to through Joe’s description of the ‘mixed-up dream’ he has the night of the funeral, imagining ‘an organ [player]’ and the ‘chimp…dancing for pennies’ that he will soon become. 

This naturally brings us to the organ itself, which serves as a physical reminder of the unflattering parts of the new role Joe must play. Included after Joe wakes from his ‘mixed-up dream’, the shot above frames Max’s organ-playing hands as massive and overpowering, as the much-smaller Joe storms in demanding to know why his ‘clothes and things’ were moved to Norma’s house without his say-so. Crucially, Norma then reveals that she ordered this action and that Joe's apartment debts are ‘all taken care of’, hand-waving his attempt at grasping back some control and dignity by proposing it be ‘deduct[ed]...from [his] salary’. This scene reveals the symbolic role the organ plays within Sunset Boulevard, reminding Joe of the shameful and powerless role of the ‘pet monkey’ that he now fills, as well as what he will be ‘dancing’ for. 

Finally, we come to allusions, one of the techniques that Sunset Boulevard is most famous for. Allusions refer to anytime something from outside the world of the text is referenced, including other texts and real-world people, places, events, etc. Biblical and mythological allusions are commonly found in fiction, but references to something closer to our world can often bring a degree of realism to certain texts, working to strengthen their social commentary. 

Cinematic Allusions

Being a film about film, Sunset Boulevard naturally contains many allusions to other films. However, Wilder does not shy away from adding an extra level of realism to his references to the film industry. Central to this is the use of the real (and still functional) Paramount Pictures studio to which Joe attempts to sell his clichéd baseball script. Notably, this is the studio that actually released Sunset Boulevard , all of which adds a self-deprecating edge to the satire of the film industry these scenes contain. The scene where the cigar-chomping Paramount executive, Mr Sheldrake, cynically suggests that changing Joe’s film concept to a ‘girls' softball team’ might ‘put in a few numbers’, packs an extra punch due to the use of the real film studio, therefore, showing the effect of this allusion in strengthening the film’s satire. 

Allusions to specific films are additionally used for humorous purposes and character development. For instance, take Joe’s dry observation that the extravagance of the funeral for Norma’s pet means that he ‘must have been a very important chimp’, perhaps the ‘great-grandson of King Kong’. Here, Joe’s sardonic and witty character is revealed to the audience. Additionally, these kinds of references further place the film firmly in the world of real Hollywood , again working to strengthen the satire it offers of this industry. 

Literary Allusions

Similarly, allusions to the world of literature flesh out both the characters and the world of Sunset Boulevard . The most stand-out example of this is the allusion to Charles Dickens’ classic novel Great Expectations . Here, Joe muses that the ‘unhappy look’ of Norma’s house reminds him of ‘Miss Havisham’ from this text. This is a character, who, after being abandoned by her fiance, refuses to change her clothing and lives secluded in a ‘rotting wedding dress’. Havisham directly parallels Norma, being a tragic figure immovably stuck in the past, with Norma's excessive placement of young self-portraits being reminiscent of Havishman’s insistence on keeping her house’s clocks at the exact time she received her letter of marital rejection. Therefore, this comparison to the Dickens character, who engages in a more exaggerated version of Norma’s behaviour, seeks to highlight just how detached Norma is from reality through her attempts to live in the past, implying that what she is doing is just as deluded as refusing to remove a rotting wedding dress. Further, the eventual fate of Miss Havisham within Great Expectations, with her wedding dress catching fire and leaving her as an invalid, foreshadows Norma’s similar descent to invalidity through her madness.

Written by Milo Burgner

2. EAL Study Design

3. Listening Component Marking Criteria

4. Listening Component Tips

5. Reading Comprehension

6. Time Management

7. English Fluency and Proficiency

As you all know, English subjects are integral to VCE studies, since it is compulsory that at least all four units of an English subject be done in order for you to reach that ATAR goal at the end of the VCE tunnel. Given the richness in cultural backgrounds of VCE students cohort, EAL is designed to mend the linguistic gaps between local students and those from non-English speaking backgrounds. Students eligible to complete EAL are those who have no more than 7 years residency in a predominately English-speaking country AND no more than 7 years having English as their main language of instructions.

According to the study design published by VCAA, both English subjects:

‘"[contribute] to the development of literate individuals capable of critical and creative thinking, aesthetic appreciation and creativity…"

‍ It might sound complex, but this basically just means that these subjects enable us to enhance our understanding and usage of the English language, which serves to support our daily English communication. This purpose holds even greater significance to students from non-English speaking backgrounds, as those skills offered by English subjects are essential to their life in Australia. That’s said, EAL can be different from mainstream English in the sense that it also assists students whose mother tongue is not English in adapting to the predominately English-speaking community, via developing their language skills.

EAL Study Design

Both EAL and English assess students on multiple areas, including: Text Response , Creative writing, Argument Analysis, and Comparative . We highly recommend you have a read of the links above so you've got all your English/EAL areas covered!

One major difference is in Unit 3 , where EAL students are required to do a Listening task , whereas mainstream students study an additional text. For a detailed comparison on VCE EAL vs VCE English , read Cynthia's blog post here.

Shown below is the Unit 3 coursework from the VCAA EAL study design, taken from the VCAA website :

Now that we know the similarities and differences, let's focus primarily on the Listening Component of the EAL Exam for the rest of this blog.

Listening Component Marking Criteria

For the listening component of the exam/SAC the examiners (and your own teachers) will be marking your answers base on TWO main points:

• Your ability to understand and convey general and specific parts of the listening track
• Your ability to convey information accurately and appropriately

Some of you out there might be thinking “Listening is easy! I just need to write down the correct answer, it's a piece of cake.” Unfortunately, this isn’t the case for EAL listening or any VCE Language listening SAC or exam. The VCAA examiners will be looking for appropriateness of vocabulary and the accurate use of grammar, spelling and punctuation. They even look at how well you phrase your response!

For more information on the the exam, read Rachel's blog on how to Nail that VCE EAL Exam Listening Component. She offers her tips for the exam, including taking advantage of bringing bilingual dictionaries into the exam!

Listening Component Tips

Listening is also the easiest section for students to lose marks as many of them may carelessly misread the question and/or comprehensively fail to answer the question. Listening may also be challenging as it requires you to concentrate on multiple things at the same time, for example, the characters’ main contention, emotions, tone shift, and the context of the recording. However, as long as you do more practice, you will soon be able to master the listening skills! Here are the 4 steps that you will have to know if you want to do well in listening!

1. Read The Background Information Of The Text

Use your reading time (15 minutes) wisely and spend around 2-3 minutes in the listening section. The background information of the text is extremely important as it tells you the context of the recording which can also give you a basic idea of the characters involved in the text and the content they will be talking about.

2. Scan Through The Questions Carefully

Look for the keywords in the question, such as the 5W1H (Who, When, Where, What, Which, How), the character names, and the number of points that needs to be answered in each question.

Examples of the 5W1H Questions

• Who is he referring to when he says “You”?
• When did he open his first bookshop?
• Where did he go after his graduation?
• What message is he trying to convey in his speech?
• Which phrase did he use to express how dry it was in the desert?
• How does he express his anger?

3. Note Taking

You should be using the spaces provided in the exam answer booklet to jot down any key words and phrases that are related to the questions. Do not bother to fill in the answers on the answer line just yet, as you are very likely to get distracted, hence, it may increase the risk of missing the answer for the next question. Remember that your notes should be as concise and clear as possible so you will be able to write down the answers immediately once the recording stops.

4. Focus On The Questions That You’ve Missed

Bear in mind that you will have the chance to listen to the recording two times in total so please DO NOT stress if you miss out any answers or you are not sure about the answers after the first time. Highlight the questions that you have trouble with and focus on them when the recording is played the second time.

For more detail on each of these tips, and information on the types of questions you may be asked , read Pallas' blog on How to ACE the EAL Listening Exam .

For Listening practice, head to EAL Listening Practice and Resources (Part 1) and EAL Listening Practice (Part 2), and get tips on EAL Listening and note-taking during the Listening component of the VCE EAL exam/SAC.

Reading Comprehension (Language Analysis)

Section C, Question 1 requires students to write short answers, in note form or sentences, which altogether will make up of 50% of the marks in Section C. For a lot of student, getting good marks for Question 1 is much easier than getting good marks for Question 2, which requires you to write a full language analysis essay. This is why it is important that you are able to maximise your marks in this question because they are purported to be easier marks to get! Some of the questions will ask the students for factual information but more difficult questions will require to think about that is contained in the text and make an interpretation based on your understanding.

1. Question words

To know what sort of answer you are expected to give before looking for details from the article, you need to be familiar with question words.

• WHO - A particular person or group of people impacted by an incident or involved in a situation
• WHAT - This really depends. It might require you to give out information about something or to identify reasons for the writer’s opinions (which is good it might make it easier for you to find the writer’s arguments)
• WHEN - The timeframe within which an issue or event occurred (date, day, etc)
• WHERE - The location of an event
• WHY - The reasons for something
• HOW - How a problem can be resolved

2. Direction words

Unfortunately, not all questions in this section have “question words” and examiners usually give out questions that are broader using “direction words” or “task words”, making this section more challenging for students. EAL is not the only subject that requires students to know their direction words well so it is definitely worthwhile learning these words to improve your performance. These are the most common direction words used in Section C (see below!).

• Describe - Giving information about something or to identify the writer’s opinions
• Explain - This requires you to give out information in your own words and elaborate
• Identify - Students will be required to find what is asked from the article and write them down in the briefest form possible
• List - Usually in note forms – to answer this you need to identify what is asked and briefly noting them down
• Summarise - Retelling something in a succinct and concise ways in your own words, it should only be enough to highlight key ideas
• Support - Finding evidence from the text to justify a statement or opinions

3. Marks allocation

Another super helpful tip is to pay extra attention to the marks allocation of the questions. It usually gives you a fairly accurate indication of how much you should write. The general rule of thumb would be that the number of marks tell students how many sentences or points they should be making.

Identify the reasons why the writer loves travelling (2 marks)

Students should be writing down 2 reasons why the writer loves travelling ‍

The editor strongly opposes the use of plastic bag. Support this statement (3 marks) ‍

In this case, it is probably best to find 3 pieces of evidence from the article that justify the statement stated to make sure you do not lose any marks by not writing enough.

For sample questions and responses with annotations, read Lindsey's blog on EAL Reading Comprehension here.

Time Management

Time management during the exam is as important as studying and preparing. Here are some tips to help you manage your time during your exam so you can achieve maximum marks!

1. Look at the comprehension questions during reading time

2. look for key features instead of analysing and finding techniques straight away.

You can also use the reading time to find the contention, determine what type of article it was and the source, etc. The following acronym might help you! Try identifying all of the features below as it also helps you plan your introduction within reading time.

• C ontention ‍
• A udience ‍

For a detailed guide on writing Language Analysis Introductions, check out our advice here (for both English & EAL students) and here (specifically for EAL students). We recommend reading both blog posts!

3. Set out a detailed time management plan for your essay the night before the SAC or exams (or earlier if possible)

4. stick with one introduction’s structure/format.

Introductions for EAL Language Analysis, To Write or Not To Write? teaches you a great template approach you can use for your introductions.

5. Not be way too thorough with annotation

6. create your own glossary of words ‍, 7. practice.

To understand each of these time management tips in detail, read Lindsey's blog on EAL Time Management here.

English Fluency and Proficiency

As non-native speakers living and studying in Australia, we would want nothing more than to improve our English skills both for the comfort of living in an English-speaking country and our career prospects. Here are some tips to help you better their writing skills in EAL.

1. Knowing Your Sentence Structure

I cannot stress how important it really is to really know your sentence structure and grammar because, without a solid understanding of how it is supposed to be structured, grammatical errors can easily be made which will preclude you from articulating your ideas in the clearest manner possible.

Simplest form: Subject + Verb + Object

To see an example of structuring sentences together, read Lindsey's blog here.

2. Expand Your vocabulary

While it is sometimes helpful to memorise words from glossaries found on the Internet, it is not the most the effective way to thoroughly improve your vocabulary. In fact, learning words from a glossary or dictionary by heart can often lead to students misusing the words due to their misinterpretation of the new words.

The best way to upgrade your word bank for your essays is to slowly word up from what you already know. Start off with a simple paragraph and you will see your writing get better after every time you edit or rewrite your paragraphs. Therefore you should:

• Avoid generic verbs
• Know the word’s connotations
• Use strong adjectives

English grammar is often seen as one of the more challenging one due to it having so many tenses and irregular cases. However, if you know how to break it down, it is not that scary because there are actually only 13 tenses and future, past and present tenses. Plus, in our EAL exams, we rarely need to use any other tenses aside from the present tenses anyway.

4. Build Your Own 'Essay Formulas'

For each Area of Study, I have a revision document that contains the following:

• Introduction ‘formula’
• Sample paragraph
• Super extensive word bank (my own thesaurus)
• Practice essays and sample essays

To see an example of an 'essay formula' in action, read Lindsey's blog on The Keys to English Fluency and Proficiency here. ‍

The Importance of the Introduction

‍ Exam Tips From VCE EAL Examination Reports

Study Techniques: How To Approach a Text That You Hate

How Do I Do Well if I HATE the English Texts That I Am Studying?

I know that exact feeling; the feeling of giving up before it has even started. Some lucky students fall in love at first sight with their texts while some unfortunate students dread having to spend a whole year analysing their texts. If you resonate with the latter, you have probably already given up on English, or maybe you’re trying your best to stay optimistic. English is hard, but what makes it harder is when you know you hate the texts that you are studying, so how can I do well in English if I hate the texts that I have to study? Whether you hate reading and analysing texts or you just hate the specific text that you have to study, here is a guide on how to make studying and reading your texts more enjoyable!

Reading Texts

We’ve all said it before, “I’ll just read it later” or “I’ll read it right before school starts” and in the end, it all leads to the same conclusion of us never actually reading the text and by the time our SACs roll around, we ‘study’ by reading summaries of our texts and try memorising the most popular quotes. 

Do I Really Have To Read the Text?

The bad news is yes, it is highly recommended that you read your texts! (I know it can be tempting to just read chapter summaries but trust me, I have tried writing an essay without reading the text and it went very badly). However, the good news is using LSG’s ideal approach to your English texts , you may only need to read your texts a minimum of three times. In fact, if you make use of your first reading , you probably won’t have to personally read the text again! During this first reading, take your time, don’t try to binge read the entire text in a night as there is a high chance that you will not be following the plot and you’re just reading for the sake of finishing the text. There’s no need to start annotating the text during this first reading as you will most likely have a collective second reading in class where your teacher will go over the whole text in more detail by highlighting significant sections of your text. This first reading is simply for you to familiarise yourself with the text and what you will be handling during the year. However, if you still have trouble understanding your texts, LSG has a plethora of resources such as free text-specific blogs and affordable text guides that you can check out!

How Do I Find the Motivation To Read My Texts?

Some common reasons why we might procrastinate reading our texts are the sheer volume of pages we need to read; having a short attention span and; being a more visual learner. If this is the case, there are many ways to increase your motivation to read or watch your texts!

• If the text is a play (e.g. The Crucible by Arthur Miller ), watch the play while reading the script . Not only will this help you understand the stage directions in the script, but it can also help with understanding the plot if you are a more visual learner. 
• If the text has a film adaptation (e.g. In Cold Blood by Truman Capote or The Dressmaker by Rosalie Ham ), watch the film adaptation first! Knowing major plot twists and spoilers can make reading your text feel faster as you already know what is going to happen. Watching film adaptations can also help allow you to picture the plot easily and help immerse yourself into the setting and the world of the text (however, do take care when doing this as you are only analysing the text you have been allocated, not the adaptations! )
• If the text is a film (e.g. Rear Window by Alfred Hitchcock ), try to find a trailer of the film or find short clips from the film rather than watching the entire movie in one sitting; watching these cuts and suspenseful scenes may spark your curiosity which is likely to increase your interest towards wanting to watch the movie. Scheduling a movie night with friends and family is also a great way to make watching the film more fun. 
• If the text is a collection of poems (e.g. William Wordsworth Poems selected by Seamus Heaney by William Wordsworth ), listen to the poem while reading the poem. Not only will this help you to embody the poet’s mind, but it can also help you recognise the rhyming schemes and rhythm patterns that may not be noticeable at first glance.

Check out How To Recharge Your Motivation Over the School Holidays for more tips!!

How Do I Make Reading My Texts More Enjoyable?

• Create goals: Space it out, we do not want to get burnt out! Organise goals and do not attempt to read the book all within a night! For example, you could aim to read one chapter a day. Not only will this hold you accountable, but it will also make reading less daunting and overwhelming.
• Rewards: Who doesn’t love rewards? Reward yourself after reaching your reading goals, this could be as simple as taking a break after reading or reading a book that you like. 
• Audiobooks: When you don’t feel like physically reading, download audiobooks of your texts and listen to them while you’re commuting or while you’re doing your chores.
• Environment: Create the perfect reading atmosphere! This is quite subjective, however, if you’re struggling to find this niche, here is a step-by-step guide to ‘romanticise’ reading:
• Put your devices away! If you’re opting to read an ebook, you can also turn your notifications off. We do not want to be distracted and procrastinate!
• Find a comfortable place to sit with good lighting.
• If you’re in the mood for a sensory experience, light a scented candle or make your favourite beverage to sip along while you are reading. 
• If it helps, you can pretend that you’re reading at an aesthetic library, or your favourite café, or a serene park…the options are endless. 

Studying Texts

It can be even harder to find the motivation to study for the texts that you hate as you’re probably looking for ways to limit the amount of physical contact you make with the text or ways to save time and study less for English but still do well in the subject.

How Do I Save Time When Reviewing and Writing Notes on My Texts?

Tip 1: write notes based on themes, writing style & characters instead of chronologically .

Often, students will take notes chronologically based on each chapter, however, this is not helpful at all. In your SACs and exam, you will not be writing paragraphs based on each chapter, instead, you will likely be given one of the five types of essay prompts that require an in-depth understanding of the themes, writing style ( such as symbols and motifs ) and characters of the text. Therefore, I recommend writing down notes and quotes based on themes, specific writing techniques and characters.  

For example, before class, you could create a separate notes page on each prominent theme of the text. When your teacher highlights significant sections of the text, you could then write down these notes into the relative theme document. For comparative texts, you can also create a comparison table based on overlapping themes which will allow you to view the comparisons more easily. If you’re a visual learner, colour coding your notes according to different themes or characters can make it easier to find later on when reviewing your notes. If you do this from the start, you will spend less time re-reading the text and organising your notes which will hopefully reduce the amount of time you spend studying. 

Tip 2: Write Down Page Numbers Next to Quotes and Notes

No, you do not have to memorise page numbers for your final exam or SACs, however, writing down page numbers will help you save time when reviewing your notes as you can just flip over to the page rather than having to re-read the text to find the specific quote or notes. It may seem rather annoying having to write down the page numbers all the time, however, your future self will thank you!

How Can I Find the Motivation To Write on the Text That I Hate?

Tip 1: find out what you hate and like about the text.

We all experience writer’s block, especially when we have no passion for the text we are studying. However, assuming you have read the text, you would probably have unique opinions on the text. Firstly, find out what you hate about the text . 

• Do you hate a specific character in the text? Why do you hate this character?
• Do you hate the writing style? What is it about the writing style that you hate?
• Is there a specific theme you felt the text did not address properly?
• Was there a specific scene or part of the text that frustrated you?

Once you find out what you hate about the text, find an essay prompt related to the topic you hate and practice writing an essay about it! Use this as a chance to lowkey rant, discuss or debate about the topic. Not only will this help you develop your inner author voice, but it will also provide you with inspiration to write. On the other hand, you can also find out what you like about the text (hopefully, you don’t hate everything about the text) and practice writing on a topic related to this. For example, I hated studying The Crucible due to the portrayal of women in the text. However, when analysing the text, I realised that the portrayal of women in the text was simply a reflection of the conservative and insular society of Salem which became a theme that I liked discussing. 

Tip 2: Put the Text in Context

Keep in mind that the texts that you have been allocated all have a specific aim and purpose such as serving political commentary about a significant historical event, critiquing a specific characteristic of conservative communities or simply a discussion about human nature. Throughout the text, there will be many literary techniques, characters and events that will be used to bring these significant themes to life. Therefore, regardless of whether you like the plot of the text or not, the themes that you will be studying may be more of interest to you. If this is the case, researching the background and the world of the text may help you gain a deeper understanding of these themes which is likely to increase your motivation to write as you will be able to apply your knowledge about the text such as quotes, characters and events to these themes. 

Tip 3: Utilise Your Strengths

By focusing on your strengths, you are likely to increase your confidence and consequently, your motivation to write! Therefore, if you are an expert at analysing literary techniques, or if you have mastered writing about characters, use these strengths when you are writing. Not only will playing at your strengths make writing less difficult, it may also help overshadow your weaknesses. 

Overall, whether writing essays is your strong suit or not, LSG has many general essay writing tips (for example, check out this guide on essay planning ). I also recommend checking out some of the comprehensive LSG guides such as ​​ How To Write A Killer Text Response and How To Write A Killer Comparative which may give you a head start on writing your essays. 

Unfortunately, there aren’t many choices in English and it is quite likely that you will end up with a text that you dislike. However, it is still possible to do well in English while studying texts you hate! Hopefully, these tips can make reading and studying your texts much more enjoyable and consequently, make your English experience much more pleasant. Endure the pain now and you'll be finished before you know it!

Many lawyers today would cite this 60-year-old story as an inspiration—Harper Lee’s To Kill A Mockingbird is, at its core, the tale of one attorney’s quest against racial injustice in his Deep South home, and of his children coming of age in the shadow of their father.

The novel is narrated in two parts by his younger child, Scout, and along with her brother Jem and their friend Dill, she traces their upbringing as inspired by Atticus’ moral teachings of tolerance, courage and justice. The first part follows their childhood, and their interactions with characters such as Boo Radley, Walter Cunningham, Miss Caroline and Mrs Dubose, while the second part follows the Tom Robinson trial itself, testing the children on the moral lessons of their childhood and disillusioning them to the overwhelming racism of their community.

We’ll be going through the novel’s major themes, and also looking at it a bit more critically within the historical context of civil rights and racial justice struggles.

Before we dive into To Kill A Mockingbird, I'd highly recommend checking out LSG's Ultimate Guide to VCE Text Response .

Prejudice and Race in To Kill A Mockingbird

All throughout the novel resonate messages of tolerance over prejudice. However, before any question of race is introduced, the children must confront their prejudices about Boo Radley, a local recluse who was rumoured to have attacked his parents. While they (particularly Jem and Dill) lowkey harass Boo by playing around his yard, re-enacting dramaticised versions of his life, and sending notes into his house with a fishing pole, they undoubtedly get drawn into the rumours as well: he was “six-and-a-half feet tall”, he “dined on raw squirrels” and he had a head “like a skull”.

What is prejudice, after all? In this case, it doesn’t have to do with race necessarily—it’s more about how the children judge Boo, form a preconceived image of who he is, before they really know him.

And this happens to other white characters too—notably Walter Cunningham, a boy from a poor family who Aunt Alexandra straight up derides as “trash”. Even when invited to dinner by the Finches, he is dismissed by Scout as “just a Cunningham”, and this is where Calpurnia steps in as the moral voice, chastising her for acting “high and mighty” over this boy who she hardly knows.

The racial dimension of prejudice is impossible to ignore though—as Atticus says, “people have a way of carrying their resentments right into a jury box”. The word ‘resentment’ has special significance here in the context of the Great Depression (in which the novel was set—more on this in a later section) but the general idea is clear: Black Americans like Tom Robinson were guilty, and therefore doomed, the minute they stepped into a court because the white jury inevitably bore prejudices against them.

At the end of the day, the panacea Lee presents for prejudice is empathy, the idea that only by truly understanding someone, “climb[ing] into [their] skin and walk[ing] around in it”, can we overcome our own prejudices—something that the jury isn’t quite able to do by the end of the novel.

Justice in To Kill A Mockingbird

In the second part of the novel, these moral questions around prejudice and empathy find an arena in the courtroom, where Tom has been unfairly charged with rape and is being defended by Atticus. The court of law is supposed to be this colour-blind, impartial site of dispute resolution, where anybody “ought to get a square deal”, but the reality we see in the novel falls dramatically short; Tom is indeed ultimately found guilty despite the evidence to the contrary.

The intersection of these themes—race, prejudice and justice—forces us to confront the reality that our legal institutions may not be as colour-blind and impartial as we thought. As Atticus says in his closing statement, “a court is only as sound as its jury, and a jury is only as sound as the men who make it up.” However, what we see is that the people who make up a jury are not necessarily as sound as he/we would hope—Scout later recognises that the true trial occurs in the “secret courts of men's hearts”, and that racist biases were always going to get in the way of a fair verdict.

Heroism and Courage in To Kill A Mockingbird

All of that sounds pretty dire, so is the novel then purely pessimistic? We’re going to complicate this a little here, and then (spoiler) a little more in the “Past the Basics (II)” section, but let’s say for now that even though the outcome may be cause for pessimism, the novel is not so pessimistic on the whole. This is because of one central moral that stands out from all of Atticus’ other teachings, and that strings the entire story together, namely the idea that courage doesn’t have any one single shape or form, that anybody can be courageous.

In Part One, we find an unlikely hero in Mrs. Henry Lafayette Dubose, who the children describe as “plain hell”—when Jem takes out her flowers, Atticus makes him read to her as punishment. Only when she dies is it revealed that she was a morphine addict who had been trying to cut the habit in her last days, which Atticus sees as extremely brave: “[Real courage is] when you know you're licked before you begin but you begin anyway and you see it through no matter what.” For all we know, this could’ve been about himself…

Another example of Atticus switching up what it means to be heroic is in the way he puts down Tim Johnson. Don’t stress if you forgot who that is—Tim is the rabid dog. Jem is blown away by his father’s marksmanship, which he had never actually witnessed. Atticus transforms this into yet another lesson about courage: "I wanted you to see what real courage is, instead of getting the idea that courage is a man with a gun in his hand."

What we see here is Lee trying to broaden the reader’s imagination of what a hero could be, or what courage could look like, and all of this momentum eventually builds to the trial in Part Two. Even Tim Johnson’s name calls to mind parallels with Tom Robinson’s legal battle, in which Atticus heroically takes up the huge responsibility of protecting the innocent, and in spite of his best efforts, both times he fails.

Yet maybe both times he knew it would be inevitable—courage is “know[ing] you’re licked before you begin”, right?  

Fatherhood vs Adolescence in To Kill A Mockingbird

This knowledge seems to be one of those unfortunate things that comes with age and life experience. While Atticus already understands this, it doesn’t quite click for his children until the end of the novel. Jem is particularly shaken by the guilty verdict: “It ain’t right”, he cries.

The novel is sometimes referred to as a bildungsroman for this reason: at its core, it’s a coming-of-age story. Jem may have been really idealistic about law and justice and the court system, but this is the first time in his life that he has had to grapple with the reality that all these institutions might be flawed, and that his dad is a hero not because he always wins, but because he’s willing to get into the fight even when he knows he might lose. Even though these messages came through all across the novel, Jem’s personal investment in the Robinson trial brings it all together for him.

Thus, on the one hand, you have this disillusionment and loss on innocence, but on the other, you also have this shift in worldview that may well be valuable in the long run.

It’s also worth noting that Jem isn’t the only character who experiences this though—and also that heroism isn’t the only theme that is affected. Scout experiences similar disappointments, and they both grapple with other questions of conscience, tolerance and conformity throughout the novel.

Past the basics: Narrative Structure

I’ve hinted to this briefly throughout the themes, but the two-part structure of the novel plays a key role in delivering the key moral messages. While Part One isn’t necessarily the story you’d expect (given that it’s very long and almost completely not about the trial itself), many of the characters and their interactions with Jem, Scout and Dill are incredibly meaningful. (Walter Cunningham and Mrs. Dubose are covered above, but try to form some of these connections yourself).

Boo Radley is the key character who connects the two parts of the story. He spends much of the first part in hiding, occasionally leaving gifts for the kids in a tree (chapter 7), or giving them a blanket during a fire (chapter 8). However, he’s also victim to their prejudice and their gossip—they don’t see him as a person, but rather as an enigma whom they can harass and talk about at will. In the second part however, he emerges to save Jem from Bob Ewell and is actually a rather unassuming man. Here, Scout and Jem must reckon with the moral lessons they’ve been taught about prejudice, but also about innocence and courage. It’s through these interactions as well that they come closer to understanding Atticus, and his brave quest to defend the innocent. In many ways, the first part of the novel sets up and drives these ideas home.

Past the basics: Critical Racial Analysis

As foreshadowed, we’re going to complicate the heroism element of the novel here, and I’ll start with a quote from a New York Times review: “I don’t need to read about a young white girl understanding the perniciousness of racism to actually understand the perniciousness of racism. I have ample firsthand experience.”

So is there an issue when a story of Black injustice only elevates white people as heroes? Not to say that Atticus can’t be heroic, but what does it say that he’s the brave, stoic hero in a story about a Black man’s unjust suffering?

I think to best understand these complexities, it’s worth situating the story in its historical context.

• 1930s : Great Depression; when the novel is set . Economy had collapsed and masses were unemployed; with slavery abolished, Black people were competing with white people for labour, fuelling resentment. Harper Lee grew up in this time, so there are autobiographical elements to the novel.
• 1960s : Civil Rights Movement; when the novel is published . For the first time in history, Black heroes were capturing national white attention and shifting the needle drastically towards racial justice. It was in this watershed wave of activism and social change that people read this book for the first time, and it was received as a deeply authentic voice within this movement.
• 2010s : Present day; when the novel is currently being read . We’re closer towards achieving racial justice now, but we’re also in a world where more and more young people are cognisant of these issues. While the novel’s image on the surface (of white kids being blown away by the existence of racism) is fading in relevance, there are underlying messages that are still relevant: racism and prejudice is inevitable, and can occur across and within racial lines; courage and heroism can take many forms (consider how Black characters—such as Calpurnia—also act in heroic ways); and the experiences of young people, whether experiencing racism firsthand or witnessing its divisive impact, undoubtedly shape their values and morals as they enter the adult world.

If the same story was published today, it probably wouldn’t have the same impact, but think about what kinds of messages endure anyway, beneath the surface story.

Essay Prompt Breakdown

To Kill a Mockingbird argues that empathy is courageous. Discuss.

Which brings us to a topic that is a bit knottier than it might first seem. Although empathy is shown to be courageous, particularly in the context of its setting, part of the novel’s message is also that courage can be fluid. This means that you might agree for a paragraph or two, emphasising the importance of context, before expanding on this idea of courage in the third.

• Paragraph One : empathy can be a courageous trait in divisive times. Atticus says from early on that it’s important to “climb in [someone’s] skin and walk around in it” in order to better understand them. He initially says this about Walter Cunningham, but it’s a message that finds relevance all throughout—which occurs in parallel, of course, with his other lessons about courage, and how it can take different forms (as in Mrs. Dubose). Understood together, Lee suggests that empathy can in itself be a form of courage.
• Paragraph Two : we’ve blended two themes together in the previous paragraph, but let’s bring in some context here. Empathy only stands out as being particularly courageous because of the historical milieu, in which people were not only racist, but allowed racist resentments to surface in the economic struggle of the Depression. In fact, these “resentments [were carried] right into a jury box” where people failed to display the very courage that Atticus consistently espouses.
• Paragraph Three : that said, even if empathy is courageous, courage can take on many forms beyond just empathy. Consider Scout backing away from a fight with Cecil Jacobs (“I felt extremely noble”—and rightfully so) or the resilience of the First Purchase congregation in using their service to raise money “to help [Helen Robinson] out at home”. That these characters, Black and white, can hold their heads high and do the right thing in difficult times is also courageous.

In your opinion, what is the most central and relevant message from To Kill a Mockingbird ?

What is the role of innocence in To Kill a Mockingbird ?

Lee argues that legal institutions are fraught with human bias—is this true?

In To Kill a Mockingbird , who pays the price for racism, and what do they lose?

Challenge: In To Kill a Mockingbird , how are isolation and loneliness different, and what is Lee suggesting about society in this regard?

To Kill A Mockingbird Essay Prompt Breakdown Video

Video Transcription

Something that I want you to take away from this video is being able to develop a contention statement that is a complete, solid foundation for your essay. A lot of the time when I ask students what they’re trying to say in a specific section of their essay, they can’t really explain it, they’re just trying to put relevant evidence down. Ideally, it’s worth bearing in mind when you plan that you should be able to follow your logic back to the contention at any given point, even if you’re not that confident with the topic, and even if it wasn’t the topic you’re quite prepared for.

The topic we’ll be looking at is:

To Kill A Mockingbird is a story of courage. Discuss.

So ‘courage’ is the key word here, and the way we define it will shape our entire discussion. It generally means bravery and fearlessness, but what kinds of courage are explored in the novel? It could be anything from courage to do the ‘right’ thing, or courage to tell the truth, or courage to treat people with dignity even when you don’t know if they’ll treat you the same way.

Immediately, we can see that this is a theme-based prompt . To learn more about LSG's incredible Five Types Technique and how it can revolutionise how you approach VCE Text Response essays, have a read of this blog post .

For a prompt like this, you start building your contention based on these definitions, and this is handy if you’re better prepared for another theme. L et’s say you’re better prepped to write an essay on discrimination ...

You could contend that the novel is indeed about courage, as Atticus not only teaches it to his children but also applies it to his defence of Tom Robinson in the face of structural racism. However, courage is also linked more broadly to empathy, which is explored as a panacea for discrimination. A complete contention like this breaks up your points neatly, but also grounds everything you have to say in an essay that still addresses the question and the idea of courage.

For example, paragraph one would start by looking at the forms of courage he teaches to his children . Part One, the more moralistic and didactic section of the novel ends with the idea that “real courage” isn’t “a man with a gun” but rather “when you know you're licked before you begin anyway and you see it through no matter what.” The section is characterised by these lessons of “real courage”—while Atticus “One-Shot” Finch downplays his marksmanship, he focuses the children’s moral instruction on characters such as Mrs Dubose, who he admires as courageous for fighting her morphine addiction.

The next paragraph would look at Atticus’ actions and also the trial in a bit more detail, as he embodies this idea that real courage exists outside of physical daring . In the racist milieu of the Deep South at the time, juries rarely “decide in favour of a coloured man over a white man.” Yet, Atticus is determined to defend Tom even at the steep cost of his own personal honour or reputation. Not only does he teach his children about the importance of courage, but he goes on to exemplify those very lessons himself. Courage in this case reflects his commitment to the truth and to defending the innocent—“this boy’s not going till the truth is told.”

However, in the final paragraph we might take a bit of a turn. Atticus, in having the courage to see Tom as an equal, is probably reflecting another very important value in the novel—namely, empathy. Though he admires Mrs. Dubose for her “real courage”, the white camellia he gives to Jem represents the goodness he sees within her despite her discriminatory attitudes. Though Jem struggles to empathise with the “old devil”, Atticus posits that it takes a degree of courage to be the bigger person and see the best in others, rather than repeating cycles of discrimination and prejudice. The idea of empathy as a form of courage is also reflected in what he teaches them about Boo Radley. When Scout is terrified by the idea that he had given her a blanket without her realising, she “nearly threw up”—yet Atticus maintains the importance of empathising with people, “climb[ing] into another man’s shoes and walk[ing] around in it” rather than ostracising them. In other words, he sees empathy as a form of courage in being the first to break social stigmas and overcome the various forms of discrimination that separate us.

Now to touch base again with the take away message . We contended that the novel is about courage because Atticus teaches it to Scout and Jem while also representing it in the trial. We also contended that courage is linked to empathy, another key value that he imparts as it helps to overcome social barriers like discrimination. The aim was to build an essay on a contention that clearly props up the body of the essay itself, even when we were more confident with some other themes, and I think this plan does a pretty good job of covering that.

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The Islamic Golden Age Essay

Introduction, the islamic golden age: an overview, islamic contributions to knowledge, the decline of the golden age.

While modern-day Islam is not renowned for its role in the contemporary scientific field, medieval Islam is credited with making enormous contributions to scientific thinking and practice. This great contribution by Islam was made in the legendary “Islamic Golden Age”. This age was characterized by significant scientific endeavors in the Arabian world. Much of the progress made in science by the contemporary world can be attributed to innovations made by Muslims in the Golden Age. This Golden Age of Islamic science occurred from the 8th to the 13th centuries CE. As a whole, the Golden Age is a period typified by glorious scientific advancement in the Arab World. This paper will set out to highlight the role that Islam played in the advancement of science during the Golden Age. The paper will highlight some of the accomplishments made by famous Muslim scientists in order to underscore the contribution of Islam to science.

The Islamic Golden Age began with the ascendancy of the Abbasid Caliphate in the mid-eighth century. This Caliphate moved the capital of the Muslim world from Damascus to Baghdad and set out to build an empire that valued scholarly knowledge. The Golden Age was made possible by a number of important factors. Arguably, the most important factor was the unification of the previously disparate Arab tribes into one strong nation through religion. The great feat was accomplished by Prophet Mohammed who introduced the religion of Islam and prompted the formation of a united Arabic nation. This unification greatly strengthened the Arabic people and they were able to control and/or influenced large parts of the plan within a century after the death of the Prophet. The unification of the geographically extensive Muslim Empire made communication easy as the Arabic language was used in all provinces. Scholars could therefore travel and share ideas with each other.

The guidelines offered by Prophet Mohammed concerning knowledge also contributed to the development of the Golden Age. The Prophet challenged Muslims to search for knowledge and the Quran clearly articulated, “The scholar’s ink is more sacred than the blood of martyrs”. Muslim scholars, therefore, endeavored to increase their knowledge and innovation in the years after the death of the Prophet. Muslims made use of the knowledge of the great ancient civilizations to come up with their own achievements. By studying the past research of Romans, Greeks, Indians, and Persians, Islamic scholars were able to create a glorious future. The result of their work is what made the Golden Age significant.

The golden age was characterized by a gigantic endeavor to acquire and translate the ancient science knowledge from other civilizations and then an endeavor to make splendid original thinking and contributions. A number of specific fields obtained noteworthy advancement during this age of great progress.

Biomedical Sciences

An example was the significant flowering of knowledge in biomedical sciences in the Islamic world during the Golden Age. Muslim scholars went into great troubles to translate and analyze the works of prominent physicians such as Hippocrates, Rufus, and Galen. The scholars proceeded to synthesize the works of these great minds and elaborate on the knowledge gathered. This led to the development of a number of prominent Arab pioneers such as Yuhanna ibn Massuwayh who performed numerous dissections in an attempt to discover how the human body operated. Through his work, he was able to provide original material on the capillary system.

Likewise, Al-Razi is considered the “greatest physician of Islam and Medieval Ages”. Born in the city of Ray, Al-Razi demonstrated a deep thirst for knowledge and entered into the field of medicine in his later years. Al-Razi is the individual who identified smallpox and measles, writing an influential treatise on these two ailments. He wrote numerous works on medicine and treatment and was a pioneer in pediatrics and obstetrics. Al-Razi authored the al-Hawi, which is a “comprehensive book on medical works based on medical knowledge from the Greeks, Syrians, and early Arabs”. This book is widely regarded as the most extensive and comprehensive book ever written by a single medical scholar and it served as an authority in medicine for centuries. Al-Razi was also knowledgeable in other sciences including chemistry. Al-Razi was able to apply his knowledge of chemistry to his medical practice with great success. He was the first physician to make use of alcohol as a disinfectant when treating his patients. He also made use of opium as anesthesia as he performed surgery on his patients.

Another great Muslim pioneer was Az-Zahrawi who engaged in numerous experiments in human surgery. Falagas et al. (2006: 1582) reveal that because of the revolutionary nature of Az-Zahrawi’s work, he is known as the father of surgery. This great pioneer engaged in successful tracheotomy and lithotomy on numerous patients. He is also credited with introducing the use of cotton in medicine to dress wounds. Az-Zahrawi was also among the first physicians to properly identify breast cancer and offer suggestions on how it could be detected. Al-Zahrawi’s work was so impressive that it drove Western scholars to increase their interest in the medical knowledge of the Muslims. Al-Zahrawi’s book on surgery, which was a culmination of what was known in his time, became a standard in Europe. His work was unique since it was the first medical work to contain diagrams of surgical instruments. His work provided novel knowledge on issues such as fractures and paralysis due to spinal injuries. His book was the first to offer treatments for deformities of the mouth and dental arches.

The era also produced the great Muslim pioneer in medicine, Ibn Sina, who remains to be the most highly recognized Muslim scholars in the field of medicine. He had started practicing medicine by the age of eighteen and by the age of twenty-one, he had written an encyclopedia of medicine. The book “The Canon of Medicine” authored by Ibn Sina was radical in its time and even today, it is the most important book on medicine ever written. Some of the contributions made by this book include the differentiation of meningitis from other neurologic diseases, the identification and description of tuberculosis as a contagious disease, and the introduction of urethral drug installation. Ibn Sina also stressed on the importance of hygiene in promoting human health and encouraged a holistic approach to patient care.

The House of Wisdom

The Islamic Golden Era contributed to the development of knowledge with the establishment of the House of Wisdom in 1004CE. The House of Wisdom (Bayt-el-Hikma) was built with the help of a grant offered by the Abbasid Caliphate. This academic institution, which was established in Baghdad, served as a major global intellectual hub. It was a major library where all significant knowledge from all over the world was translated into Arabic and stored for use by both Muslim and non-Muslim scholars. In addition to translating almost all the scientific works of the classical Greeks into Arabic, Muslim scholars also added commentaries and made original contributions.

The House of Wisdom contributed to the advancement of research efforts by scholars and scientists in the Golden Age era. This House of Wisdom was a true science academy that provided a center where high-level mathematicians and scientists could work and consult. Research indicates that many great contributions to world knowledge came from this medieval Science Academy. The union of scientific tradition and an effective centralized government enabled sustained research to take place in the House of Wisdom. Scholars from other parts of the Muslim world were attracted to this academy and they visited it frequently making their own contributions to the library. They added their unique knowledge and research. The collaboration made possible by the Bayt-el-Hikma led to growth in scientific knowledge in the period. For example, African scientists were able to communicate with their colleagues over the vast stretches of Muslim influence, from Spain and Italy on the West across Africa and Asia, to China on the East. By using the Bayt-el-Hikma as the central location and Arabic as the common language of learning, knowledge was exchanged and great advances were fostered.

Also, Islam made a great contribution to the development of historical knowledge. Muslim scholars in the Golden Era were responsible for the preservation of knowledge from extinction. Through their scholarly efforts, they sought out knowledge of nearly all of the other hitherto major civilizations. These works were then translated into Arabic and disseminated as widely as possible. Information that would otherwise have been destroyed or lost forever was therefore preserved due to the Muslim scholars of the Golden Era.

While Islam was demonstrating a pre-eminence in every field of learning, Europe was lurking behind. The prominent encyclopedist of sciences, George Sarton, in a comparison of European with Muslim learning during the Golden Age wrote moving from European to Islamic learning was like “passing from the shade to the open sun and from a sleepy world into one tremendously active one”. This overwhelming superiority of the Islamic culture continued to prevail through the 10th century. The West was able to experience scientific growth by using knowledge from the Islamic culture.

The Muslims were able to make astonishing progress in the field of astronomy. Great advances were made in this field through the works of Ibn Yunus. This mathematician was one of the great astronomers of all time. Ibn Yunus prepared the “Hakimi Tables” which contained observations of eclipses and conjunctions of the planets. Ibn Yunus made use of superior equipment to test and improve the observations of earlier astronomers and their measurements of astronomical constants. He was able to accomplish significant feats such as solving the problems of spherical astronomy by use of orthogonal projections or the celestial sphere.

Nasir al-Din’s also made a significant contribution to astronomy. Due to his outstanding knowledge of the field, he was commissioned to build an observatory in Maraghah in Iran. This observatory was the most modern at its time and it had the most sophisticated scientific instruments and an expansive library. Nasir al-Din spent a considerable amount of time compiling a new set of planetary tables and he wrote a comprehensive book on astronomy. This book, the Zij-i Ilkhani, became a standard in the field of astronomy.

The contribution made by astronomers in the Golden Age contributed significantly to navigation. Muslim sailors were able to travel further into the expansive sea without getting lost. Travelers who ventured into distant lands could use the knowledge on the position of the constellations and the movements of the bright stars to establish the route to follow and to calculate the time.

Mathematics and Physics

The mathematics formulated in the Golden era was often used to solve practical problems. Even so, the Islamic mathematics tradition was not limited to this and some mathematicians established theorems and proofs. The Arabic thinkers surmised that theoretical mathematics was necessary to understand the world and practical mathematics were useful to solve everyday problems. Mathematics in the modern world has benefited much from the contributions of the Islamic culture. Scholars on mathematics point to the Islamic Golden Age as a time when many well-known Islamic mathematicians made monumental contributions to the field of mathematics. The significance of Islamic contributions to mathematics can be deduced from the fact that the prevalent mathematical terms such as ‘algebra’ and ‘algorithm’ have their roots in Arabic.

The Islamic Golden Age made a significant contribution to algebra through the works of a number of prominent Muslim mathematicians. Al-Khwarizmi is credited with having prepared the oldest astronomical table and produced works on arithmetic and algebra. However, his greatest accomplishment is in algebra. His text on the subject consisted of original research and it was the first of its kind. His treatises on algebra were of great importance and they served as the basis on which modern algebra is built. While al- Khwarizmi’s work did not use the algebraic symbols used today to solve equations, it was the original work on algebra and acted as a foundation from which the modern-day algebraic system is derived.

Abu Kamil went on to develop Al-Khowarizmi’s algebra at a higher level. He wrote a book on algebra and this book was the most advanced of its time. Sertima (1992: 368) reveals that Abu Kamil was able to work with complex irrational quantities and his work was used by prominent Western scholars such as Leonardo Fibonacci. Abu Kamil was able to develop a number of useful algebraic formulas that are still in use to date. His formulas were used to solve nonlinear solutions for indeterminate equations.

Great advances were made in measuring techniques during the Golden Age. One of the great Arabic scholars, al-Biruni did numerous studies on measurements of the earth and was able to measure the distance around the world with a light error. Al-Biruni observed the altitude of the North Star and proceeded to measure it from northern and southern vantage points. He then used trigonometry to come up with the figure for the earth’s circumference. While al-Biruni’s measurement of the circumference of the Earth was not entirely accurate, the result had a remarkably small error of 200 miles only.

Muslim scientists made a contribution in various areas of physics. The most renowned Islamic physicist was Ibn-Haytham who made groundbreaking revelations in optics engaging in an in-depth study on the nature of light in the human eye. Based on this study, he was able to demonstrate that humans are able to perceive objects since rays of light are reflected from the objects. This observation refuted the previously held theory of extra mission that suggested that human’s perceived objects since their eyes emitted energy. A further experiment by al-Haytham showed that images register on the retina and are then transmitted to the brain along optic nerves.

Architecture

The Islamic Golden Age led to a development in architecture as a number of innovations were made in the field. The social and religious needs compelled Muslim architects to develop their own creative stylistic features. During the Islamic Golden Age, most masonry structured were in arched, vaulted, or domed form, borrowing from the prominent Roman and Byzantine building traditions. A defining characteristic of Islamic architecture was that it made use of precise geometry. This style led to a distinct form that was unique to the Arabic world. Muslim builders aimed to achieve structures that would provide a conducive atmosphere in the hot and dry Middle East. The development of sophisticated window scoops became a key aspect of Islamic buildings. Muslim builders mastered the art of constructing these sophisticated window systems for climate control.

In addition to the aesthetic value of their creations, Muslim builders were concerned about the stability of their buildings. They, therefore, made use of designs that were less susceptible to earthquakes. They made use of the pointed arch and horseshoe arches in their structures. These features would become prominent in Western Gothic architecture.

The era after the Islamic Golden Age is referred to as the “age of decline”. It was marked by a significant slowdown in the scientific advances that the Islamic world has enjoyed for over a century. This period was characterized by a decline in the magnitude of scientific work and achievement in the Islamic world. This age started in the thirteenth and fourteenth centuries and by the fifteenth century, Islamic science had become a shadow of its previous self. This period made it possible for the Western world to catch up with Islamic progress and surpass it over the following centuries. Even so, the contributions made during the Islamic Golden Age continued to be used by the West and had spectacular results. The great knowledge and intellect obtained from the Islamic world had a major influence on the scientific practices of Europe in the subsequent centuries.

This paper set out to highlight the contributions made by Islam to the global scientific body, documenting how Muslim scholars made a considerable contribution to science using information from ancient civilizations, and enlarging their own knowledge to further various disciplines during the Islamic Golden Age. A number of Islamic works in mathematics, medicine, and astronomy became standard texts for scholars all over the world. Also, the paper has shown how Islamic scientific and scholarly works were developed in the Golden Age and gradually spread to Europe in the subsequent centuries. The great knowledge and intellect obtained from the Islamic world had a huge influence on Western science for centuries.

Abdalla, M. (2007). “Ibn KhaldĐn on the Fate of Islamic Science after the 11th Century.” Islam & Science , Vol. 5, No. 1. (Pp. 61-70). Web.

Basheer, A., Syed, A., & Siddiqui, A. (2005). Muslim Contributions to World Civilization. Paris: International Institute of Islamic Thought. Web.

Chavoushi, S. (2012). “Surgery for Gynecomastia in the Islamic Golden Age: Al-Tasrif of Al-Zahrawi (936–1013 AD).” International Scholarly Research Network, Vol. 2, No. 2. (Pp. 1-5). Web.

Essa, A., & Othman, A. (2010). Studies in Islamic Civilization: The Muslim Contribution to the Renaissance. Paris: IIT. Web.

Falagas, M., Zarkadoulia, E., & Samonis, G. (2006). “Arab science in the golden age (750-1258 C.E.) and today.” FASEB Journal, Vol. 20. No. 10. (Pp.1581-1586). Web.

Meri, J. (2004). Medieval Islamic civilization . NY: Routledge. Web.

Ofek, H. (2011). “Why the Arabic World Turned Away from Science.” The New Atlantis, Vol. 3. No. 1. (Pp.3-23). Web.

Sertima, I. (1992). The Golden Age of the Moor . Boston: Transaction publishers. Web.

Shafiq, A. & Al-Roubaie, A. (2011). Globalization of Knowledge: Islam and Its Contributions . Manchester: Trafford Publishing. Web.

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World history

Course: world history   >   unit 3.

• Golden age of Islam

The golden age of Islam

• Key concepts: golden age of Islam
• Focus on Baghdad: the golden age of Islam
• After the death of Muhammad, Arab leaders were called caliphs .
• Caliphs built and established Baghdad as the hub of the Abbasid Caliphate .
• Baghdad was centrally located between Europe and Asia and was an important area for trade and exchanges of ideas.
• Scholars living in Baghdad translated Greek texts and made scientific discoveries—which is why this era, from the seventh to thirteenth centuries CE, is named the Golden Age of Islam.

Abbasid Caliphate

The city of Baghdad formed two vast semi-circles on the right and left banks of the Tigris, twelve miles in diameter. The numerous suburbs, covered with parks, gardens, villas, and beautiful promenades, and plentifully supplied with rich bazaars, and finely built mosques and baths, stretched for a considerable distance on both sides of the river. In the days of its prosperity the population of Baghdad and its suburbs amounted to over two [million]! The palace of the Caliph stood in the midst of a vast park several hours in circumference, which beside a menagerie and aviary comprised an enclosure for wild animals reserved for the chase. The palace grounds were laid out with gardens and adorned with exquisite taste with plants, flowers, and trees, reservoirs and fountains, surrounded by sculpted figures. On this side of the river stood the palaces of the great nobles. Immense streets, none less than forty cubits wide, traversed the city from one end to the other, dividing it into blocks or quarters, each under the control of an overseer or supervisor, who looked after the cleanliness, sanitation and the comfort of the inhabitants.

Pursuit of knowledge

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The Golden Age

Joan london, ask litcharts ai: the answer to your questions.

As pre-adolescent children, Frank and his fellow patients at the Golden Age are materially and emotionally dependent on their parents. Although familial relationships are often fraught throughout the novel, London emphasizes the fierce, unconditional love and devotion that exist between children and their parents. However, all the children at the Golden Age are separated from their families and grappling with a disease their parents can’t fully understand and against which they are powerless. As a result, many of the children, especially Frank and Elsa , develop a premature emotional estrangement from their families. One of the novel’s great preoccupations is the tension that arises when children both long for and chafe against a traditionally childlike relationship with their parents. While this tension shows the ability of traumatic experiences like polio to undermine family structures, the book’s main characters, Frank and Elsa, eventually develop satisfying relationships with their parents, in which both parties feel and express love for each other while also maintaining a certain distance. The novel’s endorsement of these relationships argues that while it’s bittersweet for parents to relinquish intimacy with their children, doing so is necessary to accommodate the children’s growing maturity, especially when they are facing exceptional challenges at a young age.

London frequently and touchingly depicts the tender relationships between the young patients of the Golden Age and their worried parents. In her first appearance, Elsa comforts one of the babies, Rayma , instinctively understanding that she’s longing for her mother. Elsa notes that the children spend much of their days missing their parents, and that they can all “identify their mother’s footsteps.” This initial scene highlights the instinctual bond between parents and children.

One of the novel’s most compelling vignettes describes the arrival of Ann Lee’s father, who lives too far away to visit often. London lingers over the “look of complete satisfaction” on Ann Lee’s face when her father picks her up, and the way her father squints “in the pained way that a man did when he was trying not to cry” after seeing her walk. Similarly, Frank greatly respects his friend Sullivan Backhouse ’s father, a powerful and prosperous man who nevertheless “had eyes for no one” but his son on his frequent visits to the ward. When Frank encounters Mr. Backhouse after Sullivan’s sudden death, London describes the older man’s dignified grief in elegiac, almost heroic, terms.

Elsa and her mother, Margaret , also share an instinctive understanding and sympathy, which is especially notable given Margaret’s strained relationship with her insensitive husband, Jack . In the Isolation Ward , Elsa reminds herself that she has to survive because otherwise “her mother would also die.” Both Elsa and Margaret feel deeply nostalgic for the pre-polio days when they shared in housework and childcare, clearly viewing their relationship as the most important in the family, even stronger than Margaret’s with her husband. Brash and impatient, Ida Gold isn’t a demure and appealing mother like Margaret; her ceaseless advocacy on Frank’s behalf makes her disliked by some (the nurses refer to her as “Princess Ida”). However, London lionizes her steadfastness, making it clear that however unconventional or unsightly her devotion might be, it’s no less valuable.

However, separated from their families and fighting an often-incurable disease, the children realize both how responsible they are for their parents’ happiness and how fundamentally powerless their parents are to protect them. In order to cope with these frightening realizations, many of the children—especially Frank and Elsa—are often frustrated with their parents and desire greater independence. While all the children wait eagerly for their families to visit the ward, Sister Penny remarks that they’re usually agitated or unhappy after visiting with parents who are increasingly distant from their daily lives. In one episode, Margaret spontaneously hitchhikes all day to visit Elsa. When she arrives, both mother and daughter feel disconnected from each other, Margaret worrying that “her daughter would outgrow her” because of their separation and Elsa feeling that Margaret’s fretting “would only hold her back” from recovery. Whenever she sees Margaret, Elsa feels that “there was another mother waiting for her, blurred…with an angel’s perfect understanding.” In this poignant rumination, she expresses her growing independence from her actual mother and her wish to be protected and understood as a child, if only by an imaginary parent.

Frank similarly both looks forward to and dreads his mother’s visits; he says he’s always happy when she leaves. Watching the older Sullivan put on a brave face to comfort his own father, Frank notices his friend’s dutiful acceptance of the “huge responsibility” of comforting his father. Although younger than Sullivan, Frank is determined not to be his parents’ “only light,” and instead wants to be his “own reason for living.”

All the children are intensely aware that, unlike childhood challenges they faced before their disease, “their success and failure in overcoming polio was up to them.” Because of this consciousness, the children can’t feel happy within the traditional relationships their parents try to perpetuate, no matter how nostalgic they are for the less complicated days of their pre-polio childhood. While the children’s forced independence from their parents is sad and frightening, many of them, namely Frank and Elsa, resolve this tension by building new relationships that respect their maturity while allowing both parties to support each other emotionally.

While Margaret spends most of the novel wishing for a return to her close relationship with Elsa, she eventually embraces her daughter’s newfound independence and fights to preserve it. When her imperious sister-in-law, Nance , decrees that Elsa should plan to live at home and go to secretarial school, Margaret summons the courage to announce that Elsa can and will become a doctor, even though she knows such a career will propel her daughter away from home and from her mother, a provincial housewife. Meanwhile, faced with Frank’s depression after his expulsion from the Golden Age, Ida realizes that she alone cannot heal him, and astutely reunites him with Elsa. Ida acknowledges and accepts that the parent-child relationship is no longer entirely central to Frank’s life, and that he has other relationships that she doesn’t try—or desire—to fully understand.

Of course, not all families arrive at this healthy balance. Despite Ann Lee’s evident closeness with her father, Sister Penny is devastated when he takes her away from the hospital because she’ll never learn to walk properly at home; her parents choose to maintain their previous closeness to their child over facilitating her full recovery. On the other hand, Sister Penny is proud that her own daughter, Elizabeth Ann , is competent and independent, but she remarks ruefully that she feels more like “a friendly aunt” than a mother. When Elizabeth Ann marries into an aggressively conventional family, Sister Penny feels the sting of disownment.

The necessity of growing apart from one’s parents as one grows up, and the simultaneous desire to preserve an intimate familial bond, is a nearly universal dilemma. While most people experience this conflict during adolescence and adulthood, the novel explores this tension among children whose maturation has been accelerated by a terrible disease. London uses these extenuating circumstances to render this issue in especially poignant and striking terms; in doing so, she directs the reader to reconsider a fairly commonplace aspect of growing up.

Parenthood and Growing Up ThemeTracker

Parenthood and Growing Up Quotes in The Golden Age

When at last she’d left the Isolation Ward and her parents were allowed to sit by her bed, they looked smaller to her, aged by the terror they had suffered, old, shrunken, ill-at-ease. Something had happened to her which she didn’t yet understand. As if she’d gone away and come back distant from everybody.

Sometimes even now in the Golden Age, after her mother visited, Elsa had the funny feeling that there was another mother waiting for her, blurred, gentle, beautiful as an angel, with an angel’s perfect understanding.

He felt her reverence for music and literature was theatrical, deliberate, and set them even more apart from everyone else.

Why do I refuse it? he thought, wheeling off. His parents, he knew, regarded his lost legs as one more tragedy they had to bear. I refuse to be their only light. I want to be my own reason for living.

It was the beginning of himself. Up until then he hadn’t really felt sad or frightened, his mother had done that for him. As long as she was there, he didn’t have to fear. He was part of her, and like a mother cat she had attended to every part of him.

It seemed sadder somehow. He knew [the babies] cried because they were alone. But visitors reminded you of how much you had grown apart from them. It was almost a relief when they went home.

Margaret grieved that her daughter had to carry this burden. Elsa, each time she saw her, had become more adult. She had lost her childhood. If she didn’t see Elsa more often, didn’t pay her close attention, Margaret wouldn’t keep up with her. Her daughter would outgrow her.

Frank felt it as a relief. When his mother was at the piano she was distant from him. For once she took her eyes off him […] Somehow he knew that what she did was very good. In this role he had respect for her, and gratitude. It seemed to justify everything, their foreignness, their victimhood in the other country. It brought honor to them.

Over and over, it seemed, they were reminded that they were alone, that in the end, their success or failure in overcoming polio was up to them.

Ida stood still. It felt like the time when the tanks rolled in, and you thought, This can’t be happening. Everything becomes provisional. She walked straight out of the house to the phone box on the corner and rang Margaret Briggs.

Her parents never said a word about her expulsion from the Golden Age. Nothing could affect their shining gaze on Elsa. But they hadn’t tried to stick up for her, they hadn’t saved her. She saw them differently. They had no power. They cared what other people thought.

The Tang Dynasty – The Golden Age of Chinese Civilization

• Categories: China Tang Dynasty

About this sample

Words: 1416 |

Published: Apr 11, 2022

Words: 1416 | Pages: 3 | 8 min read

Bibliography

• Hantke, J. (2009, Spring). N. Harry Rothschild. Wu Zhao: China's Only Woman Emperor. World History Bulletin, 25(1), 35. Retrieved from http://link.galegroup.com/apps/doc/A250579439/GPS?u=nysl_me_nyc72_bh&sid=GPS&xid=7b1e5a18
• Jenson-Elliott, C. L. (2015). Ancient Chinese Dynasties. San Diego, CA: ReferencePoint Press.
• Mah, A. Y. (2011). China: Land of Dragons and Emperors. New York: Ember.
• Wu Zetian's road to power. (2000, Apr 10). China Daily Retrieved from https://search.proquest.com/docview/257775967?accountid=35119         

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