essays books for college

100 Must-Read Essay Collections

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Rebecca Hussey

Rebecca holds a PhD in English and is a professor at Norwalk Community College in Connecticut. She teaches courses in composition, literature, and the arts. When she’s not reading or grading papers, she’s hanging out with her husband and son and/or riding her bike and/or buying books. She can't get enough of reading and writing about books, so she writes the bookish newsletter "Reading Indie," focusing on small press books and translations. Newsletter: Reading Indie Twitter: @ofbooksandbikes

View All posts by Rebecca Hussey

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Well, essays don’t have to be like the kind of thing you wrote in school. Essays can be anything, really. They can be personal, confessional, argumentative, informative, funny, sad, shocking, sexy, and all of the above. The best essayists can make any subject interesting. If I love an essayist, I’ll read whatever they write. I’ll follow their minds anywhere. Because that’s really what I want out of an essay — the sense that I’m spending time with an interesting mind. I want a companionable, challenging, smart, surprising voice in my head.

So below is my list, not of essay collections I think everybody “must read,” even if that’s what my title says, but collections I hope you will consider checking out if you want to.

Jo Ann Beard

If you have a favorite essay collection I’ve missed here, let me know in the comments!

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essays books for college

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10 Books for Essay Writing You Need To Know About

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Do you have an essay writing task? Are you looking for an example of essay writing which is the absolute best? We understand how essay writing can feel very daunting at first. It can take time to research, understand the material, plan what you want to write and have the creativity and confidence to produce the work. There are some great books for essay writing to help you out!

At Summer Boarding Courses, we recommend you take the time to work through the format for essay writing step-by-step. Many of our courses, including our Creative Writing Course at  Oxford College , can help you with this.

We advise you to keep practicing. Listen to feedback from your friends and teachers. Most of all, do not give up! Soon enough you will be able to deliver excellent work.

To help you become a better writer, it’s essential to have the best instruction too. Whilst you’re waiting for our Summer Boarding Courses to start in Oxford, why not read up on our favourite books on essay writing?

Here are our Top 10 Books for Essay Writing that will have you creating unique and captivating essays for your school assignments!

four-students-reading-in-library.

Academic Writing: A Handbook for International Students  – Stephen Bailey

If you’re one of our ESL international students wanting help for essay writing at University, this is a great book to start with! We recommend reading this before you attend University in the UK as there are many an example of how to write an excellent piece inside. Many exercises are included that you can try, which is perfect for self-study in your own time.

College Essay Essentials: A Step-by-Step Guide to Writing a Successful College Admissions Essay  – Ethan Sawyer

Are you applying to a College or University? Do you need to write a personal statement ( check out our personal statement guide here )?

Writing your application to enter the school you’re dreaming of may be making you feel very anxious, but college counsellor Ethan Sawyer has written a fantastic guide to help you through it. He will help you bring your personal experiences to life and show you that this application is not too scary after all.

We particularly love his advice in answering these two very important questions:

Have you experienced significant challenges in your life?

Do you know what you want to be or do in the future?

College Essay Essentials has lots of essay writing tips, tricks, exercises and real-life examples to reassure you. Good luck! You can do it!

Oxford A-Z of Grammar and Punctuation  – John Seely

If you want to produce good essay writing, you need your English Grammar to be clear and correct. At Summer Boarding Courses, we understand that English Grammar can sometimes be very confusing and unintuitive.

For a clear, simple and easy-to-understand pocket grammar book, John Seely’s Oxford A-Z of Grammar and Punctuation is extremely helpful.

Whether you are writing a professional piece, a school paper or a fun personal letter to a friend, this book will give you straightforward advice – and it’s small enough to easily fit in your rucksack!

Study with us in the UK!

Take your English writing to the next level.

How to Write an Essay in Five Easy Steps  – Inklyo

Do you need a short and easy introduction to essay writing? We recommend you start with this. It is 58 pages long, not a difficult read and covers all the basics that you need to know. The authors take you through your essay writing step-by-step and help you minimise your anxiety, even if it is the night before your project is due!

We love their recommendation about how to make your instructor happy:

‘Demonstrate that you have understood the course material and write intelligently about your subject’.

A Professor’s Guide to Writing Essays: The No-Nonsense Plan for Better Writing  – Dr. Jacob Neumann

Dr. Neumann is straight-talking. He believes that the plan for any type of essay is the same but how you approach essay writing is critical. The only thing that changes for each essay is the length and complexity of the project.

This book covers every aspect of academic writing for College, University and Secondary (High School) students. We love how simple, honest and clear his instructions are and believe you will complete your writing task much more confidently with his advice.

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100 Ways to Improve Your Writing  – Gary Provost

This book may have been written in 1985, but it still a fantastic resource for the best essay writing! It does not matter if you are a student or an established successful writer. This easy-to-use guidebook will inspire you to write even better than before.

100 Ways to Improve Your Writing includes many writing examples and plenty of straightforward writing tips. It’s also easy to dip in and out of. Read through it all in one go or pick a chapter or two when you are feeling inspired!

GCSE English Writing Skills Study Guide  – CGP Books

For our younger learners aged 14 to 16, this is an excellent guide for students to refine their writing skills in essays, non-fiction, creative writing and more. There are clear, helpful exercises throughout the book for students to complete and understand the best English topics for essay writing.

The content is also written for students studying GCSE English: if you are taking this exam, you’ll have a much better chance of passing!

How to Write Better Essays (Palgrave Study Skills)  – Bryan Greetham

We all want to be confident when we are writing our essays. This step-by-step guide will help you analyse concepts, consider different arguments about a subject, and argue your ideas well. The chapters are easy to read and digest and will show you how to research ideas, take notes, write productively in exams and be engaging in your writing.

The Art of the Personal Essay: An Anthology from the Classical Era to the Present  – Phillip Lopate

It is by reading other writers, that we develop our own ideas and unique style. Discover how your own writing can progress and grow through gaining an insight into other writers’ minds and lives.

The Art of the Personal Essay is an excellent collection of essays, from old to new, that are highly entertaining, creative and reflective. Make sure to have this text on your bookshelf or in your bag, so that you can take it out whenever you are seeking inspiration for your next essay. Enjoy!

The Oxford Book of Essays  – John Gross

For the ultimate essay writing book, this is the collection of work that you need to read. There are 140 essays in here by 120 writers. You will find every kind of style; from poetry and fantasy to serious arguments. Some pieces are old, others are incredibly modern. Read through the essays at your own leisure, so that your ideas about how to write gently expand alongside your imagination and creativity.

Do you feel ready to write with our recommended books for essay writing?

Essay writing is an essential skill for English students but just getting started can be difficult! You will need to think about what type of essay you are being asked to write. You will have to plan your outline in essay writing – considering the introduction, the main body of the essay, an excellent conclusion and references.

Having excellent research skills, avoiding plagiarism, and making your essay stand out from the rest of the students in your class are key things you need to know.

We hope our recommendations have inspired you and lead you to writing excellent essays in the future. Good luck and get started. We look forward to seeing you at Summer Boarding Courses in Summer, where you can receive the best writing tips from our teachers in the UK!

Academic Writing Success

5 Essential College Writing Books for Ambitious Students

by Suzanne Davis | Aug 19, 2021 | College and Graduate School

Buying books for college is expensive.

Like me, you may have spent an hour scouring the university bookstore, looking for the best-priced used textbooks to save some money. Then maybe you hunt online for more bargain textbooks. Even if you find “gently-used books,”  those dollars add up.  So it’s tough to decide what college writing books to invest in on top of your required texts. When I put together this list of must-have books, I wanted to make this list short. 

I also aimed to pick valuable college writing books that will help you beyond one class, one semester, or even one year of your university program.  The five books that follow are ones I used as a student and again as an instructor. I use them today with my tutoring students which is why they are piled on my bookcase my desk so I can grab them quickly.  

Note: This blog post has affiliate links for each of the images of book covers. 

Now,  let’s dive into these 5 excellent writing books!

5 Essential College Writing Books

5 Favorite College Writing Books

The Top College Writing Books on my Bookcase

#1 The Elements of Style by William Strunk Jr. and E.B. White

The Elements of Style provides sound advice on how to make writing clear, concise, and strong.  The focus isn’t so much on grammar as using the language and developing a writing style. The chapters cover punctuation and parts of speech, guidelines for composition, form, and writing style.

The book has a unique history.  William Strunk Jr., a Cornell University English Professor, wrote the first edition. Strunk Jr. used it for courses where one student, Elwyn Brooks White (E.B. White), read and studied it.  Years later, Macmillian Publishing asked the author E.B. White to revise and edit the book for publication.  At this time, E.B. White wrote the fifth chapter, “An Approach to Style.”  He also edited other parts of the book.  

There are other versions of The Elements of Style with other authors instead of E.B. White, but I prefer the Strunk Jr. and White editions.  Most people prefer this edition, too, since it’s the number #1 Best-Selling Grammar Reference book on Amazon.

The Elements of Style has some biases and rules that differ from other writing and grammar books. Note:  The rule about using commas in a series differs depending on what type of English you write (American English, British English, etc.) and the writing style in your genre or field.  The debate about comma rules has gone on for decades.  Here is the viewpoint of Strunk Jr.

Strunk Jr. states a writer should place a comma after every item in a series except the last item before a conjunction ( and, nor, or , ).

  • Example: The ice cream came in chocolate, vanilla, strawberry and coffee flavors .  Many writers follow this rule. 

Other writers (like me) use what is called the Oxford Comma .  An Oxford Comma is where you put a comma after every item in a list.

  • Example: The ice cream came in chocolate, vanilla, strawberry, and coffee flavors.

The comma controversy is one example, but there are other writing style issues writers debate too. However, even if you disagree with some of the authors’ views and advice, you should read the book and absorb the knowledge.  After all, E.B. White wrote the children’s classic Charlotte’s Web.  

Here is the link to purchase  Strunk and White’s The Elements of Style   on Amazon.

The Elements of Style by Strunk and White Amazon Affiliate Image

#2 Woe Is I: The Grammarphobe’s Guide to Better English in Plain English by Patricia T.O’Conner

I first read Woe is I when I was tutoring an academic writing course at Skidmore College.  I was always looking for a grammar book that was easy to understand and entertaining–this book is it.  O’Connor writes about grammar as one who deals with professional writing, which as a former New York Times Book Review editor, she did. 

This book will ease your fears of grammar.  It’s helpful as a reference because it covers punctuation, parts of speech, and aspects of writing style like clichés.  You’ll also find a handy list of contractions you can print and a list of contractions you should never use in writing like: Could’ve, How’d, That’d , etc. 

Note : When purchasing a grammar book of any kind, make sure you purchase the latest edition of it.  Grammar is a living, breathing thing that changes.  If you purchase Woe is I: Ther Grammarphobe’s Guide to Better English in Plain English, buy the (2019) fourth edition. 

Woe Is I Link Amazon Affiliate Link

Also, keep in mind this book applies to American English; other versions of English (Australian, British, Canadian) have slightly different rules.

5 Must-Have College Writing Books for High-Achieving Students

#3 Your Subject Area’s Style and Reference Guide

Yes, websites like the Purdue Online Writing Lab (OWL) cover many elements of APA, Chicago Style, and MLA.  And there are citation programs like Chegg’s citation machine where you can add source information, and those programs give you the correct citation and reference format.  

But, those resources and tools do not include everything you need to know about your field’s reference style.

You’ll find that information about writing style (special rules for hyphens, when to use italics, translating a title from one language to another) is hard to find online. 

If you have your field’s reference and style handbook, you can answer those questions in a few minutes and have a clear explanation about those rules.

You’ll also learn about writing style and formatting in a reference book.  The most common reference style in English 101 classes is MLA. The English, languages, literature, history, and other humanities use MLA reference style.

However, many fields like business, technology, and the sciences use The American Psychological Association (APA) Reference Style.

Here’s a list of the most common reference style guides you can find on Amazon:

  • T he MLA Handbook Ninth Edition by the Modern Language Association of America. 
  • The Publication Manual for the American Psychological Association (APA) Seventh Edition by the American Psychological Association
  • The Chicago Manual of Style Seventeenth Edition

#4 They Say, I Say: The Moves That Matter in Academic Writing by Gerald Graff and Kathy Birkenstein

essays books for college

You’ll learn different ways to quote, summarize,  disagree with another scholar, and connect ideas.  It is excellent for people new to academic language and writing and will help you write words and phrases in almost every aspect of writing.  

There are lists of verbs for different ways of summarizing and quoting to help you decide how to introduce another person’s point of view. They have verbs for:

  • Making a claim
  • Expressing Agreement
  • Questioning of Disagreeing
  • Making Recommendations (Graff and Birkenstein 40-41).

The problem some people have with the book is that it includes templates for different skills. The writer in me agrees that this book can cause “template writing.”   Yet, for my students who were unsure what phrases to use in Academic English, these templates helped them.  However, the templates don’t foster original writing.  It’s ideal for some students who need to learn more academic language.  

essays books for college

If you are familiar with the academic language, you may want to skim the chapters and avoid the templates.   

# 5 Writing Down The Bones: Freeing the Writer Within by Natalie Goldberg

No, an academic writing book.  Yes, Natalie Goldberg focuses on the process of writing and activities to help readers become “writers.”  It’s not about grammar, references, or academic language. 

So, why did it make my list of college writing books?

Goldberg’s book is a classic writing book from a time when people used typewriters instead of computers. But as it was then and still is now, Writing Down The Bones is like a mini writing class from a fantastic (and cool) teacher.  You’ll learn how to make your writing concrete, clear and striking.  The chapters cover the habits and practice of writing, writing topics, and how to add detail to your writing.

One of the best things I learned from this book was freewriting.  Freewriting is where you write whatever is on your mind for a set amount of time without censoring it, changing it, or correcting it.  I do this with all my students because those who freewrite 3-5 times per week become better writers (and academic writers) faster than those who don’t or won’t do it. 

essays books for college

Read and use Writing Down the Bones to develop your writing skills—just gloss over the references about smoking.  Learn more about Natalie Goldberg and this book at https://nataliegoldberg.com/books/writing-down-the-bones/.

  If you want to learn about one of the best writing activities in Writin g Down The Bones check out my blog post, “Three Fabulous Freewriting Techniques for the Uninspired Writer.”  https://www.academicwritingsuccess.com/3-fabulous-freewriting-techniques/

Which College Writing Books Should You Get?

I understand how expensive textbooks are. Your textbooks can cost around $200 dollars a semester. So can you forego these writing books?   The truth is sloppy and shoddy writing costs you.  It costs you good grades.  Invest in learning how to write well through classes, books, resources, and tools. 

Each of these college writing books helps you become a better writer.  But, if you cannot afford all 5, start with the first 3 books: The Elements of Style, Woe is I: The Grammarphobe’s Guide to Better English in Plain English,  and your major’s reference style handbook.   

Add Writing Down the Bones: Freeing the Writer Within after that, and if you struggle with academic language, definitely buy  They Say, I Say: The Moves that Matter in Academic Writing.  Don’t just rely on websites to answer your writing questions, use books! They are the most credible references you can have at your fingertips. 

Which college writing books will you read? Please comment and share your favorite ones!

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  • College essay

How to Write a College Essay | A Complete Guide & Examples

The college essay can make or break your application. It’s your chance to provide personal context, communicate your values and qualities, and set yourself apart from other students.

A standout essay has a few key ingredients:

  • A unique, personal topic
  • A compelling, well-structured narrative
  • A clear, creative writing style
  • Evidence of self-reflection and insight

To achieve this, it’s crucial to give yourself enough time for brainstorming, writing, revision, and feedback.

In this comprehensive guide, we walk you through every step in the process of writing a college admissions essay.

Table of contents

Why do you need a standout essay, start organizing early, choose a unique topic, outline your essay, start with a memorable introduction, write like an artist, craft a strong conclusion, revise and receive feedback, frequently asked questions.

While most of your application lists your academic achievements, your college admissions essay is your opportunity to share who you are and why you’d be a good addition to the university.

Your college admissions essay accounts for about 25% of your application’s total weight一and may account for even more with some colleges making the SAT and ACT tests optional. The college admissions essay may be the deciding factor in your application, especially for competitive schools where most applicants have exceptional grades, test scores, and extracurriculars.

What do colleges look for in an essay?

Admissions officers want to understand your background, personality, and values to get a fuller picture of you beyond your test scores and grades. Here’s what colleges look for in an essay :

  • Demonstrated values and qualities
  • Vulnerability and authenticity
  • Self-reflection and insight
  • Creative, clear, and concise writing skills

Prevent plagiarism. Run a free check.

It’s a good idea to start organizing your college application timeline in the summer of your junior year to make your application process easier. This will give you ample time for essay brainstorming, writing, revision, and feedback.

While timelines will vary for each student, aim to spend at least 1–3 weeks brainstorming and writing your first draft and at least 2–4 weeks revising across multiple drafts. Remember to leave enough time for breaks in between each writing and editing stage.

Create an essay tracker sheet

If you’re applying to multiple schools, you will have to juggle writing several essays for each one. We recommend using an essay tracker spreadsheet to help you visualize and organize the following:

  • Deadlines and number of essays needed
  • Prompt overlap, allowing you to write one essay for similar prompts

You can build your own essay tracker using our free Google Sheets template.

College essay tracker template

Ideally, you should start brainstorming college essay topics the summer before your senior year. Keep in mind that it’s easier to write a standout essay with a unique topic.

If you want to write about a common essay topic, such as a sports injury or volunteer work overseas, think carefully about how you can make it unique and personal. You’ll need to demonstrate deep insight and write your story in an original way to differentiate it from similar essays.

What makes a good topic?

  • Meaningful and personal to you
  • Uncommon or has an unusual angle
  • Reveals something different from the rest of your application

Brainstorming questions

You should do a comprehensive brainstorm before choosing your topic. Here are a few questions to get started:

  • What are your top five values? What lived experiences demonstrate these values?
  • What adjectives would your friends and family use to describe you?
  • What challenges or failures have you faced and overcome? What lessons did you learn from them?
  • What makes you different from your classmates?
  • What are some objects that represent your identity, your community, your relationships, your passions, or your goals?
  • Whom do you admire most? Why?
  • What three people have significantly impacted your life? How did they influence you?

How to identify your topic

Here are two strategies for identifying a topic that demonstrates your values:

  • Start with your qualities : First, identify positive qualities about yourself; then, brainstorm stories that demonstrate these qualities.
  • Start with a story : Brainstorm a list of memorable life moments; then, identify a value shown in each story.

After choosing your topic, organize your ideas in an essay outline , which will help keep you focused while writing. Unlike a five-paragraph academic essay, there’s no set structure for a college admissions essay. You can take a more creative approach, using storytelling techniques to shape your essay.

Two common approaches are to structure your essay as a series of vignettes or as a single narrative.

Vignettes structure

The vignette, or montage, structure weaves together several stories united by a common theme. Each story should demonstrate one of your values or qualities and conclude with an insight or future outlook.

This structure gives the admissions officer glimpses into your personality, background, and identity, and shows how your qualities appear in different areas of your life.

Topic: Museum with a “five senses” exhibit of my experiences

  • Introduction: Tour guide introduces my museum and my “Making Sense of My Heritage” exhibit
  • Story: Racial discrimination with my eyes
  • Lesson: Using my writing to document truth
  • Story: Broadway musical interests
  • Lesson: Finding my voice
  • Story: Smells from family dinner table
  • Lesson: Appreciating home and family
  • Story: Washing dishes
  • Lesson: Finding moments of peace in busy schedule
  • Story: Biking with Ava
  • Lesson: Finding pleasure in job well done
  • Conclusion: Tour guide concludes tour, invites guest to come back for “fall College Collection,” featuring my search for identity and learning.

Single story structure

The single story, or narrative, structure uses a chronological narrative to show a student’s character development over time. Some narrative essays detail moments in a relatively brief event, while others narrate a longer journey spanning months or years.

Single story essays are effective if you have overcome a significant challenge or want to demonstrate personal development.

Topic: Sports injury helps me learn to be a better student and person

  • Situation: Football injury
  • Challenge: Friends distant, teachers don’t know how to help, football is gone for me
  • Turning point: Starting to like learning in Ms. Brady’s history class; meeting Christina and her friends
  • My reactions: Reading poetry; finding shared interest in poetry with Christina; spending more time studying and with people different from me
  • Insight: They taught me compassion and opened my eyes to a different lifestyle; even though I still can’t play football, I’m starting a new game

Brainstorm creative insights or story arcs

Regardless of your essay’s structure, try to craft a surprising story arc or original insights, especially if you’re writing about a common topic.

Never exaggerate or fabricate facts about yourself to seem interesting. However, try finding connections in your life that deviate from cliché storylines and lessons.

Admissions officers read thousands of essays each year, and they typically spend only a few minutes reading each one. To get your message across, your introduction , or hook, needs to grab the reader’s attention and compel them to read more..

Avoid starting your introduction with a famous quote, cliché, or reference to the essay itself (“While I sat down to write this essay…”).

While you can sometimes use dialogue or a meaningful quotation from a close family member or friend, make sure it encapsulates your essay’s overall theme.

Find an original, creative way of starting your essay using the following two methods.

Option 1: Start with an intriguing hook

Begin your essay with an unexpected statement to pique the reader’s curiosity and compel them to carefully read your essay. A mysterious introduction disarms the reader’s expectations and introduces questions that can only be answered by reading more.

Option 2: Start with vivid imagery

Illustrate a clear, detailed image to immediately transport your reader into your memory. You can start in the middle of an important scene or describe an object that conveys your essay’s theme.

A college application essay allows you to be creative in your style and tone. As you draft your essay, try to use interesting language to enliven your story and stand out .

Show, don’t tell

“Tell” in writing means to simply state a fact: “I am a basketball player.” “ Show ” in writing means to use details, examples, and vivid imagery to help the reader easily visualize your memory: “My heart races as I set up to shoot一two seconds, one second一and score a three-pointer!”

First, reflect on every detail of a specific image or scene to recall the most memorable aspects.

  • What are the most prominent images?
  • Are there any particular sounds, smells, or tastes associated with this memory?
  • What emotion or physical feeling did you have at that time?

Be vulnerable to create an emotional response

You don’t have to share a huge secret or traumatic story, but you should dig deep to express your honest feelings, thoughts, and experiences to evoke an emotional response. Showing vulnerability demonstrates humility and maturity. However, don’t exaggerate to gain sympathy.

Use appropriate style and tone

Make sure your essay has the right style and tone by following these guidelines:

  • Use a conversational yet respectful tone: less formal than academic writing, but more formal than texting your friends.
  • Prioritize using “I” statements to highlight your perspective.
  • Write within your vocabulary range to maintain an authentic voice.
  • Write concisely, and use the active voice to keep a fast pace.
  • Follow grammar rules (unless you have valid stylistic reasons for breaking them).

You should end your college essay with a deep insight or creative ending to leave the reader with a strong final impression. Your college admissions essay should avoid the following:

  • Summarizing what you already wrote
  • Stating your hope of being accepted to the school
  • Mentioning character traits that should have been illustrated in the essay, such as “I’m a hard worker”

Here are two strategies to craft a strong conclusion.

Option 1: Full circle, sandwich structure

The full circle, or sandwich, structure concludes the essay with an image, idea, or story mentioned in the introduction. This strategy gives the reader a strong sense of closure.

In the example below, the essay concludes by returning to the “museum” metaphor that the writer opened with.

Option 2: Revealing your insight

You can use the conclusion to show the insight you gained as a result of the experiences you’ve described. Revealing your main message at the end creates suspense and keeps the takeaway at the forefront of your reader’s mind.

Revise your essay before submitting it to check its content, style, and grammar. Get feedback from no more than two or three people.

It’s normal to go through several rounds of revision, but take breaks between each editing stage.

Also check out our college essay examples to see what does and doesn’t work in an essay and the kinds of changes you can make to improve yours.

Respect the word count

Most schools specify a word count for each essay , and you should stay within 10% of the upper limit.

Remain under the specified word count limit to show you can write concisely and follow directions. However, don’t write too little, which may imply that you are unwilling or unable to write a thoughtful and developed essay.

Check your content, style, and grammar

  • First, check big-picture issues of message, flow, and clarity.
  • Then, check for style and tone issues.
  • Finally, focus on eliminating grammar and punctuation errors.

Get feedback

Get feedback from 2–3 people who know you well, have good writing skills, and are familiar with college essays.

  • Teachers and guidance counselors can help you check your content, language, and tone.
  • Friends and family can check for authenticity.
  • An essay coach or editor has specialized knowledge of college admissions essays and can give objective expert feedback.

The checklist below helps you make sure your essay ticks all the boxes.

College admissions essay checklist

I’ve organized my essay prompts and created an essay writing schedule.

I’ve done a comprehensive brainstorm for essay topics.

I’ve selected a topic that’s meaningful to me and reveals something different from the rest of my application.

I’ve created an outline to guide my structure.

I’ve crafted an introduction containing vivid imagery or an intriguing hook that grabs the reader’s attention.

I’ve written my essay in a way that shows instead of telling.

I’ve shown positive traits and values in my essay.

I’ve demonstrated self-reflection and insight in my essay.

I’ve used appropriate style and tone .

I’ve concluded with an insight or a creative ending.

I’ve revised my essay , checking my overall message, flow, clarity, and grammar.

I’ve respected the word count , remaining within 10% of the upper word limit.

Congratulations!

It looks like your essay ticks all the boxes. A second pair of eyes can help you take it to the next level – Scribbr's essay coaches can help.

Colleges want to be able to differentiate students who seem similar on paper. In the college application essay , they’re looking for a way to understand each applicant’s unique personality and experiences.

Your college essay accounts for about 25% of your application’s weight. It may be the deciding factor in whether you’re accepted, especially for competitive schools where most applicants have exceptional grades, test scores, and extracurricular track records.

A standout college essay has several key ingredients:

  • A unique, personally meaningful topic
  • A memorable introduction with vivid imagery or an intriguing hook
  • Specific stories and language that show instead of telling
  • Vulnerability that’s authentic but not aimed at soliciting sympathy
  • Clear writing in an appropriate style and tone
  • A conclusion that offers deep insight or a creative ending

While timelines will differ depending on the student, plan on spending at least 1–3 weeks brainstorming and writing the first draft of your college admissions essay , and at least 2–4 weeks revising across multiple drafts. Don’t forget to save enough time for breaks between each writing and editing stage.

You should already begin thinking about your essay the summer before your senior year so that you have plenty of time to try out different topics and get feedback on what works.

Most college application portals specify a word count range for your essay, and you should stay within 10% of the upper limit to write a developed and thoughtful essay.

You should aim to stay under the specified word count limit to show you can follow directions and write concisely. However, don’t write too little, as it may seem like you are unwilling or unable to write a detailed and insightful narrative about yourself.

If no word count is specified, we advise keeping your essay between 400 and 600 words.

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  • How Long Should a College Essay Be? | Word Count Tips
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  • How to End a College Admissions Essay | 4 Winning Strategies
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  • How to Write a Diversity Essay | Tips & Examples
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Best books on writing college essays? Answered

I'm working on my essays and though I am looking at essay samples, I still feel a little lost. Any good books on writing essays?

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50 Successful Ivy League Application Essays by Gen and Kelly Tanabe is incredibly good in telling you what to do. Although it is just 50 more samples, they give structured feedback on why they are good and even why they are bad. Hack the College Essay by John Dewis is equally good because although it is short, it helps you brainstorm ideas while also giving you examples on how to write college essays.

If you want general writing improvement, I highly recommend The Elements of Style by William Strunk Jr. Whatever edition works but even though it is entirely about grammar and how to remove fluff, it is not boring as he incorporates jokes and sometimes passive aggressive remarks that makes it entertaining. Also read autobiographies like Lab Girl by Hope Jahren. They help you learn how to use imagery and can even teach you some useful vocabulary.

Hi there! I don't know of any books in particular, but our ultimate guide to college essays may be helpful: https://blog.collegevine.com/how-to-write-your-college-essay-the-ultimate-step-by-step-guide/.

It's a compilation of blog posts on the entire process of writing essays, including why they're important, the different types of essays, how to format and structure your essay, and successful examples.

Hope this helps!

I strongly recommend "50 Successful Harvard Application Essays.". It is a great one for breaking down and analyzing the college application essays with a good variety of successful Harvard accepted applications.

Writing college essays can be a daunting task. It's important to know what the expectations are and what resources are available to help you create a successful essay. To that end, there are a number of great books available to help you learn the craft of writing superior college essays. I have read a lot of essay books, but sometimes I ask for help here norfolkhomelearning.com These books contain essential advice, tips, and strategies to help you craft an essay that will stand out from the crow

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College Essays

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 Sure, you might know the theory behind what a college essay is supposed to sound and look like . But just like reading a description of the Golden Gate Bridge pales in comparison to seeing it in person, there’s no replacement for seeing actual college essays written by students just like you. Well, almost like you – they’ve since gotten into college.

But where do you find good sources for reading sample college essays? How can you make sure that these resources will actually strengthen and improve your writing? And what is the best way to use the college essay examples that you do find? In this article, I’ll go over the best books and websites for finding essays, I’ll point out a few to avoid, and I’ll explain how to make the most out of other people’s essays while avoiding common pitfalls.

Why Look At College Essay Examples?

There are some very good reasons for wanting to check out how other people have handled the college admissions essay.

First, because you'll be able to get a better sense of what colleges are looking for, you will necessarily broaden your own topic brainstorming past your first, easiest, and most c lichéd i deas . It's one thing to hear that a completely mundane topic is way better than one focusing on your greatest sports moment. But once you see other students writing about a family meal, or an obsession with a particular board game, or a love of cultivating cacti, you'll be convinced to find your essay in the small moments of your life.

Second, you'll see how your life and writing compares to that of your peers . The great diversity of voices, topics, tones, points of view will show you just how many things you could possibly write about, and how to keep the essay connected to your personality and your voice.

Finally, if you really do have a good story to tell about something that gets written about a lot, like divorce, pet death, a community service trip, or winning the big game, you can get ideas for how to approach a potentially lackluster essay topic in a novel and striking way .

What Makes A Good Sample College Essay Resource?

First, the basics. A source is only as good as its content, so make sure you're reading  college essays that worked, from people who actually got into the schools they applied to . Also, it's best to focus on new essays (not older than 10-15 years), so you are reading what has worked in the most recent past, rather than seeing outdated ideas and historical perspectives.

Next, what you really want is diversity in voice and perspective . Make sure the essays featured come from many different kinds of students: either from applicants to both top and lower-tier schools; or from students with different ethnic, economic, and racial backgrounds; or from writers using both formal and more experimental essay techniques.

Finally, the best sources of admission essays will feature explanatory material . This will give each essay some kind of context: commentary on what makes the essay good, explanations of the drafting process, or, at least, biographical information about students. Without commentary or context, it’s hard to know what you’re supposed to learn from the essays you read.

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Where to Find Great College Essay Examples

Here are my recommendations for excellent resources, as well as some warnings about resources that I think you should avoid. 

  

College Essays Collected in Books

I've taken a look at many of the books that collect college essays, so here are my recommendations. I've divided them into three categories:

  • Excellent  – meaning  having really diverse essays or very helpful commentary on each essay, or both
  • Worthwhile  – meaning either a helpful collection of essays without a lot of context or commentary, or some great advice but a narrow selection of essays geared toward one particular type of school
  • Don't Bother   – not useful either as a source of college essays or as a source of essay-writing advice and explanations

Also, please note that although I’ve listed the Amazon prices for all the books, you should definitely check your school and public library for copies before buying them. And even if your library doesn't have a copy, ask them to request one either from another library in the same system or even from the Library of Congress through interlibrary loan .

Excellent Books

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Heavenly Essays: 50 Narrative College Application Essays That Worked  

Written by Janine W. Robinson, who blogs about college essays at EssayHell , this book features great sample essays. But it's Robinson's precise and clear explanations of how to use a narrative style in your essay to tell a story about your life that make the book really outstanding. Through long and detailed commentary on each essay, Robinson shows why narrative is exactly the kind of structure that works best for personal essays. You can check out sample sections from the book on her blog. The book retails for $10 new on Amazon.

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On Writing the College Application Essay, 25th Anniversary Edition: The Key to Acceptance at the College of Your Choice

Harry Bauld used to be an admissions officer at Brown, so he certainly knows what he is talking about when he writes about  how and why to avoid clichés and explains how to find and keep your specific voice . Bauld demonstrates his points with sample essays, showing how they go from first to final draft. The book is easy to read, uses humor to make points, and his advice will carry over into your college writing as well. It is $12.50 new on Amazon, but there are much cheaper used copies available there as well.

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The Berkeley Book of College Essays: Personal Statements for California Universities and Other Select Schools

This compilation features college admissions essays written by seniors from Berkeley High School (which is not affiliated with UC Berkeley). Because the city of Berkeley is economically, racially, and ethnically very diverse, these essays are about many different interests, perspectives, and experiences, and are written in many different styles and tones . Although there is no commentary for the essays, this collection is a great way to get a sense of the broad array of essay possibilities.

Also, because many of the students from Berkeley High apply to UC schools, this collection separates out UC application essay packages. (If you are interested in UC, also check out our own guide to writing excellent UC essays !) This book is currently $15 on Amazon. 

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50 Successful Harvard Application Essays: What Worked for Them Can Help You Get into the College of Your Choice

Edited by the staff of the Harvard Crimson, this is a great collection of essays from a not particularly diverse group of students. It is very useful to see how the very top students approach the college essay, as long as their best effort neither intimidates nor stymies you. The contextual material is excellent, with helpful explanations of what makes each essay work well. This book retails for $12 new on Amazon, with much cheaper used copies also available.

Worthwhile Books

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College Essays That Made a Difference, 6th Edition

This Princeton Review guide is mostly distinguished by its introductory material, which has detailed interviews with many different colleges at many different tiers about what role essays play in college applications, what kind of mistakes are okay, and what to write and not to write about. The sample essays themselves come without commentary, but each features a very short bio of the student, including test scores, GPA, a list of colleges where the person applied, and a list of colleges where the person got in. Right now, it's $11.50 new on Amazon, but there are cheaper used copies as well.

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50 Successful Ivy League Application Essays

This collection of of college essays that worked, edited by Gen and Kelly Tanabe, has somewhat spare, but insightful, commentary explaining what each essay does well and what it could have done better . It also includes an interview with an admissions officer explaining how essays are used in admissions decisions and some comments from students about the writing process. The link above is to a downloadable PDF file.

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50 Successful Stanford Application Essays: Get into Stanford and Other Top Colleges  

If you like the Tanabes' approach (they are the authors of the previous book), then you will find this one useful as well. The narrow diversity of essay content and the style of commentary (thoughtful, but not particularly detailed or expansive) is very similar. It's priced at $13.25 new on Amazon with some used options as well.

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Fiske Real College Essays That Work  

The "Fiske" of the title is Edward Fiske, who used to be the Education editor of the NY Times, and who therefore has some experience with what colleges want from their applicants. The book itself features an introduction with some helpful essay-writing tips, a diverse selection of essays built around narrative, but unfortunately has very little commentary to go with each essay . It retails for $12.50 new on Amazon, with cheaper used options available.

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2015 Elite College Application Essays

Although there's almost no commentary or discussion of what makes these essays work, this book is a reasonably good collection of essays from students who are now enrolled at Ivy and other top-tier schools. What's particularly appealing about this college essay compilation is how very new these essays are: all are from students who became freshmen in 2015 . The book is $14 new on Amazon.

Don't Bother

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100 Successful College Application Essays

I'd recommend not spending your time on any of the editions of this collection. The essays are decades old in some cases, the topics are clichéd and boring, and there is little to no commentary to make any of them useful. 

College Essays Published Online

I'll split my recommendations here into "worthwhile" and "don't bother" categories. There aren't any truly great collections of sample college essays online.

Individual College Websites . There are many essays published online by the various colleges where these students now go. This means these essays are guaranteed to be real, authentic, and to have worked on someone's application . Some of the essays even come with brief commentary by admissions officers about what makes them great. (The link will take you to our list of over 130 essays from more than 15 different colleges.)

Teen Ink Magazine . Teen Ink publishes all sorts of writing by teens, including college admission essays, which are split off into their own section on the site. The essays necessary feature a wide range of experiences and perspectives, so this is a great place to get a broad sense of what other students are writing about. The essays don't have any context except comment sections that run the gamut from generic “this is good” comments to some insight. Readers also get a chance to vote on which essays are featured as #1, #2, etc., which may be misleading because readers of Teen Ink aren't admissions officers.

Don't Bother 

Watch out for paid websites like AdmitSee, CollegeMapper, and Acceptional, which claim to give you access to college essays for a monthly or fixed fee. Because of the paywall, there's no way to verify the quality of the essays these sites have. Also, there are enough books that you could borrow from your library that you don’t need to pay monthly fees to these places. Finally, I would particularly stay away from AdmidSee, which uses Amazon reviews for other essay resources as a marketing platform.

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The Best Ways To Use College Admission Essay Samples

So now that you've rounded up a bunch of sample college essays, what should you do with them? Here are some tips for your next steps.

When Should You Read Essay Examples?

I'd advise waiting until after you've done some brainstorming of your own before you start immersing yourself in other people's work and ideas. (If you're not sure how to brainstorm, check out our guide to coming up with great college essay topics .)

This way, you can use other people’s essays to think about different possibilities for writing about your own topic. For example, looking at how other people tackled their life experience can show you:

  • how to focus on a different detail in your own story
  • how to change the insight you want to draw from your story
  • how to think about different ways to start and end your narrative

What Can Good College Essays Teach You?

There are both broad and specific learning opportunities to be found in reading other people's work.

Broadly speaking, seeing how other people are approaching the problem of writing a college essay can jog your own creative process. Likewise, reading a diversity of thoughts and voices will show you that even the most normal and boring seeming experiences be made into riveting essays.

More specifically, if you find essays from applicants to your target school, you can get some sense of the level of sophistication they expect to see from your writing. 

Finally, good context and commentary on the essays can show you how they are put together and what makes them work. You can then put this advice to use when rewriting your essay later.

Pitfalls To Avoid

Of course, being surrounded by other people's work, especially when some of that work is much better than what you think you can manage, has its share of temptations. So what do you need to guard against when looking at sample essays?

Plagiarism. This one is basic and obvious. Do not copy these sample essays! Admissions officers have seen them all, read them all, memorized them all – you will not get away with it.

Copying and mimicry. Think of this as a softer kind of plagiarism. Even if you really like someone else’s style, don’t borrow it. Even if someone’s life sounds more exciting than yours, don’t steal a piece of it for your own essay. Why? Because if you don’t sound like yourself, it will be visible to an experienced reader (and guess what, admissions officers are very experienced readers). Also, if you’re writing about experiences that aren't yours, your unfamiliarity will show through the lack of believable details.

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Resources for Essay Writing Advice

In researching this article, I came across books and websites that don't necessarily feature a lot of sample essays, but that give really excellent advice on writing your own college essay. I strongly recommend you spend some time checking them out.

Essay Hell blog . This great resource is written by Janine Anderson Robinson, an English teacher and a journalist, whose book Heavenly Essays I recommended above. The blog posts feature lots and lots of well-explained, detailed, easy to understand advice about how to write your essay, and are broken down into easy to understand, bite-sized nuggets of usefulness.

Slate 's Getting In podcast . The entire series is an interesting look at the college application process, with useful tips and explanations about all aspects what seniors are going through. Check out Episode 2: The Essay , in which a student gets feedback in real time on their essay from a former Princeton director of admissions and a panel of experts talk about essay dos and don’ts. The episode is 26 minutes long.

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The College Essay Trap: Rescue Your College Application Essay From the "Maybe" Pile

This is incredibly concise and excellent explanation of what not to do and what to avoid when writing your personal statement. It's short, sweet, to the point, and is praised to the skies by legendary Princeton admissions dean Fred Hargadon. Currently $12 new on Amazon.

The Bottom Line

  • Look at college essay examples to broaden your own topic brainstorming and get ideas for fixing lackluster topics.
  • Look for resources with diverse and recent essays, from many different kinds of students and with explanatory material that explains what makes each essay good.
  • Look at essay samples after you’ve generated some of your own ideas to think about different possibilities for writing about your own topic.
  • Seeing how other people are approaching the problem of writing a college essay can jog your creative process.
  • Avoid both actual plagiarism and “borrowing”: don’t use someone else’s style, voice, or life experiences as your own.

What’s Next?

If you’re starting to work on college essays, check out our article laying out every single kind of essay prompt out there and a step by step guide to writing a great college essay .

Are you working on the Common App essay? Read our  breakdown of the Common App prompts  and our guide to  picking the best prompt for you.

Or maybe you're interested in the University of California? Check out  our complete guide to the UC personal statements .

Working on other pieces of your college applications? We’ve got guides to  choosing the right college for you ,  writing about extracurriculars , and  requesting teacher recommendations .

Thinking about taking the SAT one last time, or prepping for your first run at it? Read  our ultimate guide to studying for the SAT  and make sure you're as prepared as possible.

Want to improve your SAT score by 160 points or your ACT score by 4 points? We've written a guide for each test about the top 5 strategies you must be using to have a shot at improving your score. Download it for free now:

Get eBook: 5 Tips for 160+ Points

Anna scored in the 99th percentile on her SATs in high school, and went on to major in English at Princeton and to get her doctorate in English Literature at Columbia. She is passionate about improving student access to higher education.

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The 10 Best Essay Collections of the Decade

Ever tried. ever failed. no matter..

Friends, it’s true: the end of the decade approaches. It’s been a difficult, anxiety-provoking, morally compromised decade, but at least it’s been populated by some damn fine literature. We’ll take our silver linings where we can.

So, as is our hallowed duty as a literary and culture website—though with full awareness of the potentially fruitless and endlessly contestable nature of the task—in the coming weeks, we’ll be taking a look at the best and most important (these being not always the same) books of the decade that was. We will do this, of course, by means of a variety of lists. We began with the best debut novels , the best short story collections , the best poetry collections , and the best memoirs of the decade , and we have now reached the fifth list in our series: the best essay collections published in English between 2010 and 2019.

The following books were chosen after much debate (and several rounds of voting) by the Literary Hub staff. Tears were spilled, feelings were hurt, books were re-read. And as you’ll shortly see, we had a hard time choosing just ten—so we’ve also included a list of dissenting opinions, and an even longer list of also-rans. As ever, free to add any of your own favorites that we’ve missed in the comments below.

The Top Ten

Oliver sacks, the mind’s eye (2010).

Toward the end of his life, maybe suspecting or sensing that it was coming to a close, Dr. Oliver Sacks tended to focus his efforts on sweeping intellectual projects like On the Move (a memoir), The River of Consciousness (a hybrid intellectual history), and Hallucinations (a book-length meditation on, what else, hallucinations). But in 2010, he gave us one more classic in the style that first made him famous, a form he revolutionized and brought into the contemporary literary canon: the medical case study as essay. In The Mind’s Eye , Sacks focuses on vision, expanding the notion to embrace not only how we see the world, but also how we map that world onto our brains when our eyes are closed and we’re communing with the deeper recesses of consciousness. Relaying histories of patients and public figures, as well as his own history of ocular cancer (the condition that would eventually spread and contribute to his death), Sacks uses vision as a lens through which to see all of what makes us human, what binds us together, and what keeps us painfully apart. The essays that make up this collection are quintessential Sacks: sensitive, searching, with an expertise that conveys scientific information and experimentation in terms we can not only comprehend, but which also expand how we see life carrying on around us. The case studies of “Stereo Sue,” of the concert pianist Lillian Kalir, and of Howard, the mystery novelist who can no longer read, are highlights of the collection, but each essay is a kind of gem, mined and polished by one of the great storytellers of our era.  –Dwyer Murphy, CrimeReads Managing Editor

John Jeremiah Sullivan, Pulphead (2011)

The American essay was having a moment at the beginning of the decade, and Pulphead was smack in the middle. Without any hard data, I can tell you that this collection of John Jeremiah Sullivan’s magazine features—published primarily in GQ , but also in The Paris Review , and Harper’s —was the only full book of essays most of my literary friends had read since Slouching Towards Bethlehem , and probably one of the only full books of essays they had even heard of.

Well, we all picked a good one. Every essay in Pulphead is brilliant and entertaining, and illuminates some small corner of the American experience—even if it’s just one house, with Sullivan and an aging writer inside (“Mr. Lytle” is in fact a standout in a collection with no filler; fittingly, it won a National Magazine Award and a Pushcart Prize). But what are they about? Oh, Axl Rose, Christian Rock festivals, living around the filming of One Tree Hill , the Tea Party movement, Michael Jackson, Bunny Wailer, the influence of animals, and by god, the Miz (of Real World/Road Rules Challenge fame).

But as Dan Kois has pointed out , what connects these essays, apart from their general tone and excellence, is “their author’s essential curiosity about the world, his eye for the perfect detail, and his great good humor in revealing both his subjects’ and his own foibles.” They are also extremely well written, drawing much from fictional techniques and sentence craft, their literary pleasures so acute and remarkable that James Wood began his review of the collection in The New Yorker with a quiz: “Are the following sentences the beginnings of essays or of short stories?” (It was not a hard quiz, considering the context.)

It’s hard not to feel, reading this collection, like someone reached into your brain, took out the half-baked stuff you talk about with your friends, researched it, lived it, and represented it to you smarter and better and more thoroughly than you ever could. So read it in awe if you must, but read it.  –Emily Temple, Senior Editor

Aleksandar Hemon, The Book of My Lives (2013)

Such is the sentence-level virtuosity of Aleksandar Hemon—the Bosnian-American writer, essayist, and critic—that throughout his career he has frequently been compared to the granddaddy of borrowed language prose stylists: Vladimir Nabokov. While it is, of course, objectively remarkable that anyone could write so beautifully in a language they learned in their twenties, what I admire most about Hemon’s work is the way in which he infuses every essay and story and novel with both a deep humanity and a controlled (but never subdued) fury. He can also be damn funny. Hemon grew up in Sarajevo and left in 1992 to study in Chicago, where he almost immediately found himself stranded, forced to watch from afar as his beloved home city was subjected to a relentless four-year bombardment, the longest siege of a capital in the history of modern warfare. This extraordinary memoir-in-essays is many things: it’s a love letter to both the family that raised him and the family he built in exile; it’s a rich, joyous, and complex portrait of a place the 90s made synonymous with war and devastation; and it’s an elegy for the wrenching loss of precious things. There’s an essay about coming of age in Sarajevo and another about why he can’t bring himself to leave Chicago. There are stories about relationships forged and maintained on the soccer pitch or over the chessboard, and stories about neighbors and mentors turned monstrous by ethnic prejudice. As a chorus they sing with insight, wry humor, and unimaginable sorrow. I am not exaggerating when I say that the collection’s devastating final piece, “The Aquarium”—which details his infant daughter’s brain tumor and the agonizing months which led up to her death—remains the most painful essay I have ever read.  –Dan Sheehan, Book Marks Editor

Robin Wall Kimmerer, Braiding Sweetgrass (2013)

Of every essay in my relentlessly earmarked copy of Braiding Sweetgrass , Dr. Robin Wall Kimmerer’s gorgeously rendered argument for why and how we should keep going, there’s one that especially hits home: her account of professor-turned-forester Franz Dolp. When Dolp, several decades ago, revisited the farm that he had once shared with his ex-wife, he found a scene of destruction: The farm’s new owners had razed the land where he had tried to build a life. “I sat among the stumps and the swirling red dust and I cried,” he wrote in his journal.

So many in my generation (and younger) feel this kind of helplessness–and considerable rage–at finding ourselves newly adult in a world where those in power seem determined to abandon or destroy everything that human bodies have always needed to survive: air, water, land. Asking any single book to speak to this helplessness feels unfair, somehow; yet, Braiding Sweetgrass does, by weaving descriptions of indigenous tradition with the environmental sciences in order to show what survival has looked like over the course of many millennia. Kimmerer’s essays describe her personal experience as a Potawotami woman, plant ecologist, and teacher alongside stories of the many ways that humans have lived in relationship to other species. Whether describing Dolp’s work–he left the stumps for a life of forest restoration on the Oregon coast–or the work of others in maple sugar harvesting, creating black ash baskets, or planting a Three Sisters garden of corn, beans, and squash, she brings hope. “In ripe ears and swelling fruit, they counsel us that all gifts are multiplied in relationship,” she writes of the Three Sisters, which all sustain one another as they grow. “This is how the world keeps going.”  –Corinne Segal, Senior Editor

Hilton Als, White Girls (2013)

In a world where we are so often reduced to one essential self, Hilton Als’ breathtaking book of critical essays, White Girls , which meditates on the ways he and other subjects read, project and absorb parts of white femininity, is a radically liberating book. It’s one of the only works of critical thinking that doesn’t ask the reader, its author or anyone he writes about to stoop before the doorframe of complete legibility before entering. Something he also permitted the subjects and readers of his first book, the glorious book-length essay, The Women , a series of riffs and psychological portraits of Dorothy Dean, Owen Dodson, and the author’s own mother, among others. One of the shifts of that book, uncommon at the time, was how it acknowledges the way we inhabit bodies made up of variously gendered influences. To read White Girls now is to experience the utter freedom of this gift and to marvel at Als’ tremendous versatility and intelligence.

He is easily the most diversely talented American critic alive. He can write into genres like pop music and film where being part of an audience is a fantasy happening in the dark. He’s also wired enough to know how the art world builds reputations on the nod of rich white patrons, a significant collision in a time when Jean-Michel Basquiat is America’s most expensive modern artist. Als’ swerving and always moving grip on performance means he’s especially good on describing the effect of art which is volatile and unstable and built on the mingling of made-up concepts and the hard fact of their effect on behavior, such as race. Writing on Flannery O’Connor for instance he alone puts a finger on her “uneasy and unavoidable union between black and white, the sacred and the profane, the shit and the stars.” From Eminem to Richard Pryor, André Leon Talley to Michael Jackson, Als enters the life and work of numerous artists here who turn the fascinations of race and with whiteness into fury and song and describes the complexity of their beauty like his life depended upon it. There are also brief memoirs here that will stop your heart. This is an essential work to understanding American culture.  –John Freeman, Executive Editor

Eula Biss, On Immunity (2014)

We move through the world as if we can protect ourselves from its myriad dangers, exercising what little agency we have in an effort to keep at bay those fears that gather at the edges of any given life: of loss, illness, disaster, death. It is these fears—amplified by the birth of her first child—that Eula Biss confronts in her essential 2014 essay collection, On Immunity . As any great essayist does, Biss moves outward in concentric circles from her own very private view of the world to reveal wider truths, discovering as she does a culture consumed by anxiety at the pervasive toxicity of contemporary life. As Biss interrogates this culture—of privilege, of whiteness—she interrogates herself, questioning the flimsy ways in which we arm ourselves with science or superstition against the impurities of daily existence.

Five years on from its publication, it is dismaying that On Immunity feels as urgent (and necessary) a defense of basic science as ever. Vaccination, we learn, is derived from vacca —for cow—after the 17th-century discovery that a small application of cowpox was often enough to inoculate against the scourge of smallpox, an etymological digression that belies modern conspiratorial fears of Big Pharma and its vaccination agenda. But Biss never scolds or belittles the fears of others, and in her generosity and openness pulls off a neat (and important) trick: insofar as we are of the very world we fear, she seems to be suggesting, we ourselves are impure, have always been so, permeable, vulnerable, yet so much stronger than we think.  –Jonny Diamond, Editor-in-Chief 

Rebecca Solnit, The Mother of All Questions (2016)

When Rebecca Solnit’s essay, “Men Explain Things to Me,” was published in 2008, it quickly became a cultural phenomenon unlike almost any other in recent memory, assigning language to a behavior that almost every woman has witnessed—mansplaining—and, in the course of identifying that behavior, spurring a movement, online and offline, to share the ways in which patriarchal arrogance has intersected all our lives. (It would also come to be the titular essay in her collection published in 2014.) The Mother of All Questions follows up on that work and takes it further in order to examine the nature of self-expression—who is afforded it and denied it, what institutions have been put in place to limit it, and what happens when it is employed by women. Solnit has a singular gift for describing and decoding the misogynistic dynamics that govern the world so universally that they can seem invisible and the gendered violence that is so common as to seem unremarkable; this naming is powerful, and it opens space for sharing the stories that shape our lives.

The Mother of All Questions, comprised of essays written between 2014 and 2016, in many ways armed us with some of the tools necessary to survive the gaslighting of the Trump years, in which many of us—and especially women—have continued to hear from those in power that the things we see and hear do not exist and never existed. Solnit also acknowledges that labels like “woman,” and other gendered labels, are identities that are fluid in reality; in reviewing the book for The New Yorker , Moira Donegan suggested that, “One useful working definition of a woman might be ‘someone who experiences misogyny.'” Whichever words we use, Solnit writes in the introduction to the book that “when words break through unspeakability, what was tolerated by a society sometimes becomes intolerable.” This storytelling work has always been vital; it continues to be vital, and in this book, it is brilliantly done.  –Corinne Segal, Senior Editor

Valeria Luiselli, Tell Me How It Ends (2017)

The newly minted MacArthur fellow Valeria Luiselli’s four-part (but really six-part) essay  Tell Me How It Ends: An Essay in Forty Questions  was inspired by her time spent volunteering at the federal immigration court in New York City, working as an interpreter for undocumented, unaccompanied migrant children who crossed the U.S.-Mexico border. Written concurrently with her novel  Lost Children Archive  (a fictional exploration of the same topic), Luiselli’s essay offers a fascinating conceit, the fashioning of an argument from the questions on the government intake form given to these children to process their arrivals. (Aside from the fact that this essay is a heartbreaking masterpiece, this is such a  good  conceit—transforming a cold, reproducible administrative document into highly personal literature.) Luiselli interweaves a grounded discussion of the questionnaire with a narrative of the road trip Luiselli takes with her husband and family, across America, while they (both Mexican citizens) wait for their own Green Card applications to be processed. It is on this trip when Luiselli reflects on the thousands of migrant children mysteriously traveling across the border by themselves. But the real point of the essay is to actually delve into the real stories of some of these children, which are agonizing, as well as to gravely, clearly expose what literally happens, procedural, when they do arrive—from forms to courts, as they’re swallowed by a bureaucratic vortex. Amid all of this, Luiselli also takes on more, exploring the larger contextual relationship between the United States of America and Mexico (as well as other countries in Central America, more broadly) as it has evolved to our current, adverse moment.  Tell Me How It Ends  is so small, but it is so passionate and vigorous: it desperately accomplishes in its less-than-100-pages-of-prose what centuries and miles and endless records of federal bureaucracy have never been able, and have never cared, to do: reverse the dehumanization of Latin American immigrants that occurs once they set foot in this country.  –Olivia Rutigliano, CrimeReads Editorial Fellow

Zadie Smith, Feel Free (2018)

In the essay “Meet Justin Bieber!” in Feel Free , Zadie Smith writes that her interest in Justin Bieber is not an interest in the interiority of the singer himself, but in “the idea of the love object”. This essay—in which Smith imagines a meeting between Bieber and the late philosopher Martin Buber (“Bieber and Buber are alternative spellings of the same German surname,” she explains in one of many winning footnotes. “Who am I to ignore these hints from the universe?”). Smith allows that this premise is a bit premise -y: “I know, I know.” Still, the resulting essay is a very funny, very smart, and un-tricky exploration of individuality and true “meeting,” with a dash of late capitalism thrown in for good measure. The melding of high and low culture is the bread and butter of pretty much every prestige publication on the internet these days (and certainly of the Twitter feeds of all “public intellectuals”), but the essays in Smith’s collection don’t feel familiar—perhaps because hers is, as we’ve long known, an uncommon skill. Though I believe Smith could probably write compellingly about anything, she chooses her subjects wisely. She writes with as much electricity about Brexit as the aforementioned Beliebers—and each essay is utterly engrossing. “She contains multitudes, but her point is we all do,” writes Hermione Hoby in her review of the collection in The New Republic . “At the same time, we are, in our endless difference, nobody but ourselves.”  –Jessie Gaynor, Social Media Editor

Tressie McMillan Cottom, Thick: And Other Essays (2019)

Tressie McMillan Cottom is an academic who has transcended the ivory tower to become the sort of public intellectual who can easily appear on radio or television talk shows to discuss race, gender, and capitalism. Her collection of essays reflects this duality, blending scholarly work with memoir to create a collection on the black female experience in postmodern America that’s “intersectional analysis with a side of pop culture.” The essays range from an analysis of sexual violence, to populist politics, to social media, but in centering her own experiences throughout, the collection becomes something unlike other pieces of criticism of contemporary culture. In explaining the title, she reflects on what an editor had said about her work: “I was too readable to be academic, too deep to be popular, too country black to be literary, and too naïve to show the rigor of my thinking in the complexity of my prose. I had wanted to create something meaningful that sounded not only like me, but like all of me. It was too thick.” One of the most powerful essays in the book is “Dying to be Competent” which begins with her unpacking the idiocy of LinkedIn (and the myth of meritocracy) and ends with a description of her miscarriage, the mishandling of black woman’s pain, and a condemnation of healthcare bureaucracy. A finalist for the 2019 National Book Award for Nonfiction, Thick confirms McMillan Cottom as one of our most fearless public intellectuals and one of the most vital.  –Emily Firetog, Deputy Editor

Dissenting Opinions

The following books were just barely nudged out of the top ten, but we (or at least one of us) couldn’t let them pass without comment.

Elif Batuman, The Possessed (2010)

In The Possessed Elif Batuman indulges her love of Russian literature and the result is hilarious and remarkable. Each essay of the collection chronicles some adventure or other that she had while in graduate school for Comparative Literature and each is more unpredictable than the next. There’s the time a “well-known 20th-centuryist” gave a graduate student the finger; and the time when Batuman ended up living in Samarkand, Uzbekistan, for a summer; and the time that she convinced herself Tolstoy was murdered and spent the length of the Tolstoy Conference in Yasnaya Polyana considering clues and motives. Rich in historic detail about Russian authors and literature and thoughtfully constructed, each essay is an amalgam of critical analysis, cultural criticism, and serious contemplation of big ideas like that of identity, intellectual legacy, and authorship. With wit and a serpentine-like shape to her narratives, Batuman adopts a form reminiscent of a Socratic discourse, setting up questions at the beginning of her essays and then following digressions that more or less entreat the reader to synthesize the answer for herself. The digressions are always amusing and arguably the backbone of the collection, relaying absurd anecdotes with foreign scholars or awkward, surreal encounters with Eastern European strangers. Central also to the collection are Batuman’s intellectual asides where she entertains a theory—like the “problem of the person”: the inability to ever wholly capture one’s character—that ultimately layer the book’s themes. “You are certainly my most entertaining student,” a professor said to Batuman. But she is also curious and enthusiastic and reflective and so knowledgeable that she might even convince you (she has me!) that you too love Russian literature as much as she does. –Eleni Theodoropoulos, Editorial Fellow

Roxane Gay, Bad Feminist (2014)

Roxane Gay’s now-classic essay collection is a book that will make you laugh, think, cry, and then wonder, how can cultural criticism be this fun? My favorite essays in the book include Gay’s musings on competitive Scrabble, her stranded-in-academia dispatches, and her joyous film and television criticism, but given the breadth of topics Roxane Gay can discuss in an entertaining manner, there’s something for everyone in this one. This book is accessible because feminism itself should be accessible – Roxane Gay is as likely to draw inspiration from YA novels, or middle-brow shows about friendship, as she is to introduce concepts from the academic world, and if there’s anyone I trust to bridge the gap between high culture, low culture, and pop culture, it’s the Goddess of Twitter. I used to host a book club dedicated to radical reads, and this was one of the first picks for the club; a week after the book club met, I spied a few of the attendees meeting in the café of the bookstore, and found out that they had bonded so much over discussing  Bad Feminist  that they couldn’t wait for the next meeting of the book club to keep discussing politics and intersectionality, and that, in a nutshell, is the power of Roxane. –Molly Odintz, CrimeReads Associate Editor

Rivka Galchen, Little Labors (2016)

Generally, I find stories about the trials and tribulations of child-having to be of limited appeal—useful, maybe, insofar as they offer validation that other people have also endured the bizarre realities of living with a tiny human, but otherwise liable to drift into the musings of parents thrilled at the simple fact of their own fecundity, as if they were the first ones to figure the process out (or not). But Little Labors is not simply an essay collection about motherhood, perhaps because Galchen initially “didn’t want to write about” her new baby—mostly, she writes, “because I had never been interested in babies, or mothers; in fact, those subjects had seemed perfectly not interesting to me.” Like many new mothers, though, Galchen soon discovered her baby—which she refers to sometimes as “the puma”—to be a preoccupying thought, demanding to be written about. Galchen’s interest isn’t just in her own progeny, but in babies in literature (“Literature has more dogs than babies, and also more abortions”), The Pillow Book , the eleventh-century collection of musings by Sei Shōnagon, and writers who are mothers. There are sections that made me laugh out loud, like when Galchen continually finds herself in an elevator with a neighbor who never fails to remark on the puma’s size. There are also deeper, darker musings, like the realization that the baby means “that it’s not permissible to die. There are days when this does not feel good.” It is a slim collection that I happened to read at the perfect time, and it remains one of my favorites of the decade. –Emily Firetog, Deputy Editor

Charlie Fox, This Young Monster (2017)

On social media as in his writing, British art critic Charlie Fox rejects lucidity for allusion and doesn’t quite answer the Twitter textbox’s persistent question: “What’s happening?” These days, it’s hard to tell.  This Young Monster  (2017), Fox’s first book,was published a few months after Donald Trump’s election, and at one point Fox takes a swipe at a man he judges “direct from a nightmare and just a repulsive fucking goon.” Fox doesn’t linger on politics, though, since most of the monsters he looks at “embody otherness and make it into art, ripping any conventional idea of beauty to shreds and replacing it with something weird and troubling of their own invention.”

If clichés are loathed because they conform to what philosopher Georges Bataille called “the common measure,” then monsters are rebellious non-sequiturs, comedic or horrific derailments from a classical ideal. Perverts in the most literal sense, monsters have gone astray from some “proper” course. The book’s nine chapters, which are about a specific monster or type of monster, are full of callbacks to familiar and lesser-known media. Fox cites visual art, film, songs, and books with the screwy buoyancy of a savant. Take one of his essays, “Spook House,” framed as a stage play with two principal characters, Klaus (“an intoxicated young skinhead vampire”) and Hermione (“a teen sorceress with green skin and jet-black hair” who looks more like The Wicked Witch than her namesake). The chorus is a troupe of trick-or-treaters. Using the filmmaker Cameron Jamie as a starting point, the rest is free association on gothic decadence and Detroit and L.A. as cities of the dead. All the while, Klaus quotes from  Artforum ,  Dazed & Confused , and  Time Out. It’s a technical feat that makes fictionalized dialogue a conveyor belt for cultural criticism.

In Fox’s imagination, David Bowie and the Hydra coexist alongside Peter Pan, Dennis Hopper, and the maenads. Fox’s book reaches for the monster’s mask, not really to peel it off but to feel and smell the rubber schnoz, to know how it’s made before making sure it’s still snugly set. With a stylistic blend of arthouse suavity and B-movie chic,  This Young Monster considers how monsters in culture are made. Aren’t the scariest things made in post-production? Isn’t the creature just duplicity, like a looping choir or a dubbed scream? –Aaron Robertson, Assistant Editor

Elena Passarello, Animals Strike Curious Poses (2017)

Elena Passarello’s collection of essays Animals Strike Curious Poses picks out infamous animals and grants them the voice, narrative, and history they deserve. Not only is a collection like this relevant during the sixth extinction but it is an ambitious historical and anthropological undertaking, which Passarello has tackled with thorough research and a playful tone that rather than compromise her subject, complicates and humanizes it. Passarello’s intention is to investigate the role of animals across the span of human civilization and in doing so, to construct a timeline of humanity as told through people’s interactions with said animals. “Of all the images that make our world, animal images are particularly buried inside us,” Passarello writes in her first essay, to introduce us to the object of the book and also to the oldest of her chosen characters: Yuka, a 39,000-year-old mummified woolly mammoth discovered in the Siberian permafrost in 2010. It was an occasion so remarkable and so unfathomable given the span of human civilization that Passarello says of Yuka: “Since language is epically younger than both thought and experience, ‘woolly mammoth’ means, to a human brain, something more like time.” The essay ends with a character placing a hand on a cave drawing of a woolly mammoth, accompanied by a phrase which encapsulates the author’s vision for the book: “And he becomes the mammoth so he can envision the mammoth.” In Passarello’s hands the imagined boundaries between the animal, natural, and human world disintegrate and what emerges is a cohesive if baffling integrated history of life. With the accuracy and tenacity of a journalist and the spirit of a storyteller, Elena Passarello has assembled a modern bestiary worthy of contemplation and awe. –Eleni Theodoropoulos, Editorial Fellow

Esmé Weijun Wang, The Collected Schizophrenias (2019)

Esmé Weijun Wang’s collection of essays is a kaleidoscopic look at mental health and the lives affected by the schizophrenias. Each essay takes on a different aspect of the topic, but you’ll want to read them together for a holistic perspective. Esmé Weijun Wang generously begins The Collected Schizophrenias by acknowledging the stereotype, “Schizophrenia terrifies. It is the archetypal disorder of lunacy.” From there, she walks us through the technical language, breaks down the Diagnostic and Statistical Manual ( DSM-5 )’s clinical definition. And then she gets very personal, telling us about how she came to her own diagnosis and the way it’s touched her daily life (her relationships, her ideas about motherhood). Esmé Weijun Wang is uniquely situated to write about this topic. As a former lab researcher at Stanford, she turns a precise, analytical eye to her experience while simultaneously unfolding everything with great patience for her reader. Throughout, she brilliantly dissects the language around mental health. (On saying “a person living with bipolar disorder” instead of using “bipolar” as the sole subject: “…we are not our diseases. We are instead individuals with disorders and malfunctions. Our conditions lie over us like smallpox blankets; we are one thing and the illness is another.”) She pinpoints the ways she arms herself against anticipated reactions to the schizophrenias: high fashion, having attended an Ivy League institution. In a particularly piercing essay, she traces mental illness back through her family tree. She also places her story within more mainstream cultural contexts, calling on groundbreaking exposés about the dangerous of institutionalization and depictions of mental illness in television and film (like the infamous Slender Man case, in which two young girls stab their best friend because an invented Internet figure told them to). At once intimate and far-reaching, The Collected Schizophrenias is an informative and important (and let’s not forget artful) work. I’ve never read a collection quite so beautifully-written and laid-bare as this. –Katie Yee, Book Marks Assistant Editor

Ross Gay, The Book of Delights (2019)

When Ross Gay began writing what would become The Book of Delights, he envisioned it as a project of daily essays, each focused on a moment or point of delight in his day. This plan quickly disintegrated; on day four, he skipped his self-imposed assignment and decided to “in honor and love, delight in blowing it off.” (Clearly, “blowing it off” is a relative term here, as he still produced the book.) Ross Gay is a generous teacher of how to live, and this moment of reveling in self-compassion is one lesson among many in The Book of Delights , which wanders from moments of connection with strangers to a shade of “red I don’t think I actually have words for,” a text from a friend reading “I love you breadfruit,” and “the sun like a guiding hand on my back, saying everything is possible. Everything .”

Gay does not linger on any one subject for long, creating the sense that delight is a product not of extenuating circumstances, but of our attention; his attunement to the possibilities of a single day, and awareness of all the small moments that produce delight, are a model for life amid the warring factions of the attention economy. These small moments range from the physical–hugging a stranger, transplanting fig cuttings–to the spiritual and philosophical, giving the impression of sitting beside Gay in his garden as he thinks out loud in real time. It’s a privilege to listen. –Corinne Segal, Senior Editor

Honorable Mentions

A selection of other books that we seriously considered for both lists—just to be extra about it (and because decisions are hard).

Terry Castle, The Professor and Other Writings (2010) · Joyce Carol Oates, In Rough Country (2010) · Geoff Dyer, Otherwise Known as the Human Condition (2011) · Christopher Hitchens, Arguably (2011) ·  Roberto Bolaño, tr. Natasha Wimmer, Between Parentheses (2011) · Dubravka Ugresic, tr. David Williams, Karaoke Culture (2011) · Tom Bissell, Magic Hours (2012)  · Kevin Young, The Grey Album (2012) · William H. Gass, Life Sentences: Literary Judgments and Accounts (2012) · Mary Ruefle, Madness, Rack, and Honey (2012) · Herta Müller, tr. Geoffrey Mulligan, Cristina and Her Double (2013) · Leslie Jamison, The Empathy Exams (2014)  · Meghan Daum, The Unspeakable (2014)  · Daphne Merkin, The Fame Lunches (2014)  · Charles D’Ambrosio, Loitering (2015) · Wendy Walters, Multiply/Divide (2015) · Colm Tóibín, On Elizabeth Bishop (2015) ·  Renee Gladman, Calamities (2016)  · Jesmyn Ward, ed. The Fire This Time (2016)  · Lindy West, Shrill (2016)  · Mary Oliver, Upstream (2016)  · Emily Witt, Future Sex (2016)  · Olivia Laing, The Lonely City (2016)  · Mark Greif, Against Everything (2016)  · Durga Chew-Bose, Too Much and Not the Mood (2017)  · Sarah Gerard, Sunshine State (2017)  · Jim Harrison, A Really Big Lunch (2017)  · J.M. Coetzee, Late Essays: 2006-2017 (2017) · Melissa Febos, Abandon Me (2017)  · Louise Glück, American Originality (2017)  · Joan Didion, South and West (2017)  · Tom McCarthy, Typewriters, Bombs, Jellyfish (2017)  · Hanif Abdurraqib, They Can’t Kill Us Until they Kill Us (2017)  · Ta-Nehisi Coates, We Were Eight Years in Power (2017)  ·  Samantha Irby, We Are Never Meeting in Real Life (2017)  · Alexander Chee, How to Write an Autobiographical Novel (2018)  · Alice Bolin, Dead Girls (2018)  · Marilynne Robinson, What Are We Doing Here? (2018)  · Lorrie Moore, See What Can Be Done (2018)  · Maggie O’Farrell, I Am I Am I Am (2018)  · Ijeoma Oluo, So You Want to Talk About Race (2018)  · Rachel Cusk, Coventry (2019)  · Jia Tolentino, Trick Mirror (2019)  · Emily Bernard, Black is the Body (2019)  · Toni Morrison, The Source of Self-Regard (2019)  · Margaret Renkl, Late Migrations (2019)  ·  Rachel Munroe, Savage Appetites (2019)  · Robert A. Caro,  Working  (2019) · Arundhati Roy, My Seditious Heart (2019).

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10 Best Books on Essay Writing (You Should Read Today)

Author: Rafal Reyzer

You can improve your essay writing skills with practice, repetition, and perusing books on essay writing, which are full of useful examples.  

While simply living life, observing your surroundings, and diving into classic essays can naturally hone your writing skills, sometimes a trusty guidebook can give you that extra edge. Interested in mastering the craft of essay writing? Dive into some of the best essay-writing manuals out there. If you dream of becoming a professional essay writer , it’s essential to grasp the nuances of structure, tone, and format. Not all gifted writers can craft an exemplary essay, after all. Recognizing the significance of essays, especially in college admissions, can elevate your approach. If you’re gearing up to write a compelling college admission essay , I’d recommend perusing my guide on crafting an outstanding essay .

“I hate writing, I love having written.” – Dorothy Parker

Here are 10 Books That Will Help You With Essay Writing:

1. a professor’s guide to writing essays: the no-nonsense plan for better writing by dr. jacob neumann.

This is the highest-rated book on the subject available on the market right now. It’s written for students at any level of education. The author uses an unorthodox approach, claiming that breaking essays down into different formats is unnecessary. It doesn’t matter if it’s a persuasive or a narrative essay – the difference is not in how you write, but rather in how you build your case . Length: 118 pages Published: 2016

2. College Essay Essentials: A Step-by-Step Guide to Writing a Successful College Admissions Essay – by Ethan Sawyer

Every year, millions of high-schoolers scramble to achieve above-average GPAs and score well on the SAT , or in some cases, the ACT , or both. They also have to write a 650-word essay and find their way to their dream college. If you’re one of them, then make sure you read this concise book . Ethan Sawyer (The College Essay Guy), breaks the whole essay-writing process down into simple steps and shows you the way around the most common mistakes college applicants usually make. Length: 256 pages Published: 2016

3. The Only Grammar Book You’ll Ever Need: A One-Stop Source for Every Writing Assignment by Susan Thurman

The institution of a grammar school is defunct, but it doesn’t mean you can ignore the basic rules that govern your language. If you’re writing an essay or a college paper , you better keep your grammar tight. Otherwise, your grades will drop dramatically because professors abhor simple grammar mistakes. By reading this little book , you’ll make sure your writing is pristine. Length: 192 pages Published: 2003

4. Escape Essay Hell!: A Step-by-Step Guide to Writing Narrative College Application Essays by Janine W. Robinson

A well-written essay has immense power. Not only that, it is the prerequisite to getting admitted to colleges and universities, but you also have to tackle a few essay questions in most, if not all exams you will ever take for career or academic advancement. For instance, when taking the LSAT to qualify for law school , the MCAT to get into med school , the DAT to pursue a degree in dentistry, or even the GRE or GMAT as the first step in earning a master’s degree. That is why this book is highly recommended to anyone navigating through the sea of higher learning. In this amusing book, Janine Robinson focuses mostly on writing narrative essays . She’s been helping college-bound students to tell unique stories for over a decade and you’ll benefit from her expert advice. The book contains 10 easy steps that you can follow as a blueprint for writing the best “slice of life” story ever told. Length: 76 pages Published: 2013

5. The Art of the Personal Essay: An Anthology from the Classical Era to the Present by Phillip Lopate

This large volume is a necessary diversion from the subject of formal, highly constrained types of writing. It focuses only on the genre of the personal essay which is much more free-spirited, creative, and tongue-and-cheek-like. Phillip Lopate, himself an acclaimed essayist, gathers seventy of the best essays of this type and lets you draw timeless lessons from them. Length: 777 pages Published: 1995

6. The Best American Essays of the Century by Joyce Carol Oates

The art of the modern essay starts with Voltaire at the beginning of the eighteenth century. Since then, many a writer attempted to share their personal stories and philosophical musings in this free-flowing form. Americans are no different. In this anthology, Joyce Carol Oates shares some fantastic reads that you need to absorb if you want to become a highly skilled polemicist. Length: 624 pages Published: 2001

7. On Writing Well: The Classic Guide to Writing Nonfiction by William Zinsser

On Writing Well is a classic writing guide that will open your eyes to the art of producing clear-cut copy. Zinsser approached the subject of writing with a warm, cheerful attitude that seeps through the pages of his masterpiece. Whether you want to describe places, communicate with editors, self-edit your copy, or avoid verbosity, this book will have the right answer for you. Length: 336 pages Published: 2016 (reprint edition)

8. How To Write Any High School Essay: The Essential Guide by Jesse Liebman

The previous titles I mentioned were mostly for “grown-up” writers, but the list wouldn’t be complete without a book for ambitious high-school students. Its length is appropriate, making it possible even for the most ADHD among us to get through it. It contains expert advice, easy-to-implement essay outlines , and tips on finding the best topics and supporting them with strong arguments. Length: 124 pages Published: 2017

9. Essential Writing Skills for College and Beyond by C.M. Gill

On average, after finishing high school or college, Americans read only around twelve books per year. This is a pity because books contain a wealth of information. People at the top of the socio-economic ladder read between forty and sixty books per year – and you should too! But reading is just one skill that gets neglected after college. Writing is the other one. By reading the “Essential Writing Skills” you’ll be able to crush all of your college writing assignments and use them throughout your life to sharpen your prose. Length: 250 Published: 2014

10. The Hidden Machinery: Essays on Writing by Margot Livesey

If you want to write, you first need to read some of the best essays ever written . Developing your style results from conversing with great minds and then borrowing from them to create something new. All great artists are inspired by someone. In Hidden Machinery, Margot Livesey shares her essays on what makes good fiction and a strong narrative. It’s a must-read for all aspiring writers. Length: 224 Published: 2017 How did you like this article? Are you going to read any of the books listed above? Can you recommend any other book that I should add to this list?

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Hey there, welcome to my blog! I'm a full-time blogger, educator, digital marketer, freelance writer, editor, and content manager with 10+ years of experience. I started RafalReyzer.com to provide you with great tools and strategies you can use to become a proficient writer and achieve freedom through online creativity. My site is a one-stop shop for writers, digital marketers, and content enthusiasts who want to be independent, earn more money, and create beautiful things. Dive into my journey here , and don't miss out on my free PDF guide 80+ AI marketing tools .

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10 Best Essay Writing Books Every Student Needs to Read

The more you read, the more you will realize your ignorance and improve your writing and knowledge. Yes, reading books is the cheapest way of getting knowledge and improving lifestyles. When I was a student my teacher used to tell me to read books in order to gain satisfaction, exercise my brain, reduce stress, and improve my writing and communication skills. Especially for students besides reading school books, reading some other books, journals, magazines newspapers, will help them develop their minds and discover new things. When there isn’t any regret then why not read books? Check out the 10 best essay writing books below that will help you improve your writing and communication skills.

10 Best Essay Writing Books

Why students are asked to write essays?

Indeed, students are asked to write essays so that they can learn how to write the collection of their thoughts and construct a written report that has elements like an introduction, body, and conclusion.

It’s said that a good reader is a good writer too. The reason students struggle in doing their essay assignments is that they don’t read essay books or magazine newspapers. Despite knowing the steps and techniques of writing an essay , if you don’t have much information and experience in reading books you can’t write a good essay.

The following 10 best essay writing books consist of the best essay samples that will give you a good clue and information about the common titles you might be asked to write an essay about.

10 Best Essay Writing Books

Though there are hundreds of essay books written by famous authors, the following essay-writing books were chosen after reading and voting by our team members. As ever, please feel free to add your favorite essay writing books and platforms that we have missed or disagree with us by commenting in the comment section below.

1. A Professor’s Guide to Writing Essays

essays books for college

If you are a college student, this book is extremely helpful for your all classes. Most books that help you to write essays are full of vocabulary that makes it difficult to understand, however, this book explains to you every step as if you had a tutor in front of you explaining in simple steps. Excellent book I really recommend it.

Moreover, this book has examples of different sections of a high-quality essay. The author provides a topic and walks the reader through all of the steps of the writing process.

Writer: Jacob Neumann

2. How To Write Any High School Essay: The Essential Guide

essays books for college

Author: Jesse Liebman

Jesse Liebman was born, raised, and lives in New York City. He attended the Columbia Grammar School, then the Collegiate School, from which he graduated in 1999. He majored in Classics at Princeton (Summa Cum Laude, induction into the Phi Beta Kappa Society), was Salutatorian of the class of 2003, and was awarded the Samuel D. Atkins prize for the best Senior Thesis in the Classics Department.

3. How to Write Like a College Student

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Author: Martin Rojas

Martin Rojas has been a professor of English in Northern California for the past seven years. He earned his Master’s in English from California State University Stanislaus.

4. 240 Writing Topics: with Sample Essays

essays books for college

5. The Essential Guide to Writing History Essays

essays books for college

Author: Katherine Pickering Antonova is an Associate Professor of History at Queens College of the City University of New York and the author of An Ordinary Marriage: The World of a Gentry Family in Provincial Russia.

6. Great Writing 5: From Great Essays to Research

essays books for college

Author: Dr. Keith Folse

Dr. Keith Folse is a Professor of TESOL at the University of Central Florida. He is the author of 57 textbooks on a variety of subjects from grammar to vocabulary to composition, including five best-selling books in the Great Writing series by National Geographic Learning.

7. Mastering The 5-paragraph Essay (Best Practices in Action)

essays books for college

Author: Susan Van Zile

8. College Essay Essentials: A Step-by-Step Guide to Writing a Successful College Admissions Essay

essays books for college

Author: Ethan Sawyer

Ethan Sawyer is an essay expert and sought-after speaker. Each year he helps thousands of students and counselors through his online courses, workshops, articles, products, and books, and works privately with a small number of students.

9. On Writing Well: The Classic Guide to Writing Nonfiction

essays books for college

Author: William Zinsser

William Zinsser is a writer, editor, and teacher. He began his career on the New York Herald Tribune and has since written regularly for leading magazines. During the 1970s he was master of Branford College at Yale. His 17 books, ranging from baseball to music to American travel, include the influential Writing to Learn and Writing About Your Life. He teaches at the New School in New York.

10. Principles: Life and Work

essays books for college

In the second part of the book, the author gets into the stuff that’s incredibly important, but difficult to implement. In short, he provides a roadmap and tools (via algorithmic means) to accomplish anything you want in life. There’s a ton of substance, definition, & practicality on how to action your objectives. He has a five-step process to achieve what you want out of life, and it couldn’t be more understandable and reasonable.

Author: Jeremy Bobb

Ray Dalio is the founder and co-chairman of Bridgewater Associates, which, over the last forty years, has become the largest and best-performing hedge fund in the world. He is the author of #1 New York Times Bestseller and #1 Amazon Business Book of the Year.

If you are a college student, these books are extremely helpful for your all classes. Most books that help you to write essays are full of vocabulary that makes it difficult to understand, however, this book explains to you every step as if you had a tutor in front of you explaining in simple steps. Excellent book I really recommend it.

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September 27, 2012

Books for College Essays

essays books for college

Demonstrating a love for reading is important in the college admissions process. After all, if you don’t like to read, you don’t really have a thirst for learning. And a thirst for learning, to expand your knowledgeable, is so important in college admissions…and in life! If you happen to write about books that have influenced your thinking (or your life) in your college essays, try to avoid writing exclusively about “Twilight” and “The Hunger Games.” Do you know how many students submit essays with references to “Harry Potter,” “Twilight,” and “The Hunger Games?” Seriously. Enough is enough. And that doesn’t mean you should be referencing “50 Shades of Grey.” That would be a bad idea, too.

Try to show your intellectual side. It’s nice that you read all of the books in Suzanne Collins’ “The Hunger Games.” They’re great books! And Lionsgate is making some great movies based on the books. But this does not showcase your intellectual side. This does not make you unique. You’re now one of thousands writing about the very same characters, the very same book. Dare to be different. Dare to write about a book that has influenced you that few people have read. Dare to write about a book that is controversial for its line of thinking. Henry David Thoreau’s “Walden” was one such controversial book. This is a great book to write about. Even better is when you can write about a book that is not required reading at your school.

Do you read for pleasure? You should. If you do, what books have influenced you? What characters in these books stand out to you? Can you write about this in your college essays in a compelling way? If so, it can often be a great place to start. So take our advice. No “Hunger Games!” Oy vey.

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The Loss of Things I Took for Granted

Ten years into my college teaching career, students stopped being able to read effectively..

Recent years have seen successive waves of book bans in Republican-controlled states, aimed at pulling any text with “woke” themes from classrooms and library shelves. Though the results sometimes seem farcical, as with the banning of Art Spiegelman’s Maus due to its inclusion of “cuss words” and explicit rodent nudity, the book-banning agenda is no laughing matter. Motivated by bigotry, it has already done demonstrable harm and promises to do more. But at the same time, the appropriate response is, in principle, simple. Named individuals have advanced explicit policies with clear goals and outcomes, and we can replace those individuals with people who want to reverse those policies. That is already beginning to happen in many places, and I hope those successes will continue until every banned book is restored.

If and when that happens, however, we will not be able to declare victory quite yet. Defeating the open conspiracy to deprive students of physical access to books will do little to counteract the more diffuse confluence of forces that are depriving students of the skills needed to meaningfully engage with those books in the first place. As a college educator, I am confronted daily with the results of that conspiracy-without-conspirators. I have been teaching in small liberal arts colleges for over 15 years now, and in the past five years, it’s as though someone flipped a switch. For most of my career, I assigned around 30 pages of reading per class meeting as a baseline expectation—sometimes scaling up for purely expository readings or pulling back for more difficult texts. (No human being can read 30 pages of Hegel in one sitting, for example.) Now students are intimidated by anything over 10 pages and seem to walk away from readings of as little as 20 pages with no real understanding. Even smart and motivated students struggle to do more with written texts than extract decontextualized take-aways. Considerable class time is taken up simply establishing what happened in a story or the basic steps of an argument—skills I used to be able to take for granted.

Since this development very directly affects my ability to do my job as I understand it, I talk about it a lot. And when I talk about it with nonacademics, certain predictable responses inevitably arise, all questioning the reality of the trend I describe. Hasn’t every generation felt that the younger cohort is going to hell in a handbasket? Haven’t professors always complained that educators at earlier levels are not adequately equipping their students? And haven’t students from time immemorial skipped the readings?

The response of my fellow academics, however, reassures me that I’m not simply indulging in intergenerational grousing. Anecdotally, I have literally never met a professor who did not share my experience. Professors are also discussing the issue in academic trade publications , from a variety of perspectives. What we almost all seem to agree on is that we are facing new obstacles in structuring and delivering our courses, requiring us to ratchet down expectations in the face of a ratcheting down of preparation. Yes, there were always students who skipped the readings, but we are in new territory when even highly motivated honors students struggle to grasp the basic argument of a 20-page article. Yes, professors never feel satisfied that high school teachers have done enough, but not every generation of professors has had to deal with the fallout of No Child Left Behind and Common Core. Finally, yes, every generation thinks the younger generation is failing to make the grade— except for the current cohort of professors, who are by and large more invested in their students’ success and mental health and more responsive to student needs than any group of educators in human history. We are not complaining about our students. We are complaining about what has been taken from them.

If we ask what has caused this change, there are some obvious culprits. The first is the same thing that has taken away almost everyone’s ability to focus—the ubiquitous smartphone. Even as a career academic who studies the Quran in Arabic for fun, I have noticed my reading endurance flagging. I once found myself boasting at a faculty meeting that I had read through my entire hourlong train ride without looking at my phone. My colleagues agreed this was a major feat, one they had not achieved recently. Even if I rarely attain that high level of focus, though, I am able to “turn it on” when demanded, for instance to plow through a big novel during a holiday break. That’s because I was able to develop and practice those skills of extended concentration and attentive reading before the intervention of the smartphone. For children who were raised with smartphones, by contrast, that foundation is missing. It is probably no coincidence that the iPhone itself, originally released in 2007, is approaching college age, meaning that professors are increasingly dealing with students who would have become addicted to the dopamine hit of the omnipresent screen long before they were introduced to the more subtle pleasures of the page.

The second go-to explanation is the massive disruption of school closures during COVID-19. There is still some debate about the necessity of those measures, but what is not up for debate any longer is the very real learning loss that students suffered at every level. The impact will inevitably continue to be felt for the next decade or more, until the last cohort affected by the mass “pivot to online” finally graduates. I doubt that the pandemic closures were the decisive factor in themselves, however. Not only did the marked decline in reading resilience start before the pandemic, but the students I am seeing would have already been in high school during the school closures. Hence they would be better equipped to get something out of the online format and, more importantly, their basic reading competence would have already been established.

Less discussed than these broader cultural trends over which educators have little control are the major changes in reading pedagogy that have occurred in recent decades—some motivated by the ever-increasing demand to “teach to the test” and some by fads coming out of schools of education. In the latter category is the widely discussed decline in phonics education in favor of the “balanced literacy” approach advocated by education expert Lucy Calkins (who has more recently come to accept the need for more phonics instruction). I started to see the results of this ill-advised change several years ago, when students abruptly stopped attempting to sound out unfamiliar words and instead paused until they recognized the whole word as a unit. (In a recent class session, a smart, capable student was caught short by the word circumstances when reading a text out loud.) The result of this vibes-based literacy is that students never attain genuine fluency in reading. Even aside from the impact of smartphones, their experience of reading is constantly interrupted by their intentionally cultivated inability to process unfamiliar words.

For all the flaws of the balanced literacy method, it was presumably implemented by people who thought it would help. It is hard to see a similar motivation in the growing trend toward assigning students only the kind of short passages that can be included in a standardized test. Due in part to changes driven by the infamous Common Core standards , teachers now have to fight to assign their students longer readings, much less entire books, because those activities won’t feed directly into students getting higher test scores, which leads to schools getting more funding. The emphasis on standardized tests was always a distraction at best, but we have reached the point where it is actively cannibalizing students’ educational experience—an outcome no one intended or planned, and for which there is no possible justification.

We can’t go back in time and do the pandemic differently at this point, nor is there any realistic path to putting the smartphone genie back in the bottle. (Though I will note that we as a society do at least attempt to keep other addictive products out of the hands of children.) But I have to think that we can, at the very least, stop actively preventing young people from developing the ability to follow extended narratives and arguments in the classroom. Regardless of their profession or ultimate educational level, they will need those skills. The world is a complicated place. People—their histories and identities, their institutions and work processes, their fears and desires—are simply too complex to be captured in a worksheet with a paragraph and some reading comprehension questions. Large-scale prose writing is the best medium we have for capturing that complexity, and the education system should not be in the business of keeping students from learning how to engage effectively with it.

This is a matter not of snobbery, but of basic justice. I recognize that not everyone centers their lives on books as much as a humanities professor does. I think they’re missing out, but they’re adults and they can choose how to spend their time. What’s happening with the current generation is not that they are simply choosing TikTok over Jane Austen. They are being deprived of the ability to choose—for no real reason or benefit. We can and must stop perpetrating this crime on our young people.

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By Jim Plank / February 13 2024

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Iowa Hawkeyes guard Caitlin Clark is hoisted aloft by her teammates after breaking the NCAA women’s all-time scoring record on Thursday against the Michigan Wolverines at Carver-Hawkeye Arena.

Caitlin Clark: the supernova driving women’s basketball to new heights

Iowa’s electrifying basketball savant isn’t just re-writing the NCAA record books. She’s front and center of a boom time that is lifting the women’s game to uncharted commercial heights

C aitlin Clark, the University of Iowa basketball star, became the NCAA women’s career scoring leader on Thursday night in classic Caitlin Clark fashion: pulling up from parallel to the logo at center court and launching a three-pointer that went straight through the rim . She did it barely two minutes into the game, and fittingly, her basket made the scoreline Clark 8, Michigan 6 .

Eventually, Clark’s teammates scored a few baskets, too. Because Clark is a completist, she only kept scoring after that. She finished with a career-high 49 points, 46% of Iowa’s total, in a 106-89 home victory over Michigan. It was the most points any Iowa player has ever scored in a game, breaking a record Clark set earlier this season.

Clark’s 3,569 career points (and counting) are the new gold standard, putting her ahead of former Washington guard Kelsey Plum, who scored 3,527. (Pete Maravich’s five-decade-old men’s Division I record of 3,667 points is not that far off.) Women’s college basketball has had so many brilliant talents down the years that the 22-year-old Clark is not universally accepted as the greatest player ever, not that sports fans ever agree on such things anyway. There are cases to be made for Connecticut’s Breanna Stewart and Southern California’s Cheryl Miller, among others. But in terms of pure offensive electricity, neither women’s nor men’s college hoops has ever seen a player quite like Clark. She is a scoring threat from virtually anywhere on the hardwood, her ability to set up her teammates with outlandish passes is almost as strong as her scoring talent, and she has been stunningly consistent over her four seasons in Iowa City.

Caitlin Clark listens as the crowd cheers after breaking the NCAA women’s all-time scoring record on Thursday night.

A native of Des Moines, the state capital, Clark was a gift to the Hawkeyes when she committed to join the program in 2020. A year before her college career began, Iowa graduated the National Player of the Year in forward Megan Gustafson. Somehow, Clark has had an even more prolific career, winning the same honor last year and looking like a shoo-in to repeat this season. Clark was always a prolific scorer since averaging 27 points as a freshman in 2020-21, good enough to make the All-America team in her first year.

But it is the constant, gradual improvement in Clark’s game that has made her an all-time superstar over the past few seasons. This year she averages a career-best 33 points with her best shooting percentages yet.

Caitlin Clark breaks NCAA career scoring record with 35-foot three-pointer – video

Clark is the most famous college basketball player, men’s or women’s, by a wide margin. Not since Zion Williamson played at Duke in 2019-20 has the sport seen an athlete capture hearts and minds – or, more pertinently, social media feeds – like Clark has done. Williamson achieved his notoriety with highlight reels of incredible alley-oops and slam dunks, which he had been pulling off throughout his high school career. He was a national figure before he even got to college. Clark’s rise has been different; she was a top recruit herself, but her consistent theatrics over a four-year career have made her a household name.

No one player defines an entire sport, at least not since Tiger Woods rebuilt golf in his image. But Clark is front and center of a boom time for women’s college basketball. Every Iowa game is either a sellout or (in the case of away games) an occasion for a team to set its own women’s hoops attendance record. She has drawn enormous TV ratings, with audiences as large as 2m people tuning in for some Iowa games. (The most watched women’s games of this season have almost all been Clark’s). Nearly 10m viewers watched her in the national championship game of the NCAA tournament against LSU last year, a game LSU won. Clark will have another go at the title this year, with even more eyeballs watching.

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Clark is the avatar for a period of rapid growth in the women’s game. She is one of several female college athletes who has built an enormous social media following and racked up a portfolio of high-profile endorsements, including Gatorade, Nike,and Goldman Sachs. Increased interest in stars like Clark has helped drive the sport to new commercial heights, as demonstrated by the NCAA women’s basketball tournament anchoring a lucrative new television deal with ESPN. (Number-crunchers determined that the tournament was worth $65m a year to the network , roughly a tripling of its former value.)

Not long from now, Clark will become the No 1 pick in the WNBA draft. She will almost certainly play her professional games with the Indiana Fever, who won the rights to the top choice in December’s draft lottery and will hope to get just a fraction of the enormous business bounce Clark has provided to a college program that now packs its arena every night. The business of Caitlin Clark is scoring the basketball with freakish efficiency, something she’s done better than any other player in NCAA history. And the business of college basketball, in general, now revolves around how many people will watch her do it on any given night.

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