observations reflective essay

Guide on How to Write a Reflection Paper with Free Tips and Example

observations reflective essay

A reflection paper is a very common type of paper among college students. Almost any subject you enroll in requires you to express your opinion on certain matters. In this article, we will explain how to write a reflection paper and provide examples and useful tips to make the essay writing process easier.

Reflection papers should have an academic tone yet be personal and subjective. In this paper, you should analyze and reflect upon how an experience, academic task, article, or lecture shaped your perception and thoughts on a subject.

Here is what you need to know about writing an effective critical reflection paper. Stick around until the end of our guide to get some useful writing tips from the writing team at EssayPro — a research paper writing service

What Is a Reflection Paper

A reflection paper is a type of paper that requires you to write your opinion on a topic, supporting it with your observations and personal experiences. As opposed to presenting your reader with the views of other academics and writers, in this essay, you get an opportunity to write your point of view—and the best part is that there is no wrong answer. It is YOUR opinion, and it is your job to express your thoughts in a manner that will be understandable and clear for all readers that will read your paper. The topic range is endless. Here are some examples: whether or not you think aliens exist, your favorite TV show, or your opinion on the outcome of WWII. You can write about pretty much anything.

There are three types of reflection paper; depending on which one you end up with, the tone you write with can be slightly different. The first type is the educational reflective paper. Here your job is to write feedback about a book, movie, or seminar you attended—in a manner that teaches the reader about it. The second is the professional paper. Usually, it is written by people who study or work in education or psychology. For example, it can be a reflection of someone’s behavior. And the last is the personal type, which explores your thoughts and feelings about an individual subject.

However, reflection paper writing will stop eventually with one very important final paper to write - your resume. This is where you will need to reflect on your entire life leading up to that moment. To learn how to list education on resume perfectly, follow the link on our dissertation writing services .

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Free Reflection Paper Example

Now that we went over all of the essentials about a reflection paper and how to approach it, we would like to show you some examples that will definitely help you with getting started on your paper.

Reflection Paper Format

Reflection papers typically do not follow any specific format. Since it is your opinion, professors usually let you handle them in any comfortable way. It is best to write your thoughts freely, without guideline constraints. If a personal reflection paper was assigned to you, the format of your paper might depend on the criteria set by your professor. College reflection papers (also known as reflection essays) can typically range from about 400-800 words in length.

Here’s how we can suggest you format your reflection paper:

common reflection paper format

How to Start a Reflection Paper

The first thing to do when beginning to work on a reflection essay is to read your article thoroughly while taking notes. Whether you are reflecting on, for example, an activity, book/newspaper, or academic essay, you want to highlight key ideas and concepts.

You can start writing your reflection paper by summarizing the main concept of your notes to see if your essay includes all the information needed for your readers. It is helpful to add charts, diagrams, and lists to deliver your ideas to the audience in a better fashion.

After you have finished reading your article, it’s time to brainstorm. We’ve got a simple brainstorming technique for writing reflection papers. Just answer some of the basic questions below:

  • How did the article affect you?
  • How does this article catch the reader’s attention (or does it all)?
  • Has the article changed your mind about something? If so, explain how.
  • Has the article left you with any questions?
  • Were there any unaddressed critical issues that didn’t appear in the article?
  • Does the article relate to anything from your past reading experiences?
  • Does the article agree with any of your past reading experiences?

Here are some reflection paper topic examples for you to keep in mind before preparing to write your own:

  • How my views on rap music have changed over time
  • My reflection and interpretation of Moby Dick by Herman Melville
  • Why my theory about the size of the universe has changed over time
  • How my observations for clinical psychological studies have developed in the last year

The result of your brainstorming should be a written outline of the contents of your future paper. Do not skip this step, as it will ensure that your essay will have a proper flow and appropriate organization.

Another good way to organize your ideas is to write them down in a 3-column chart or table.

how to write a reflection paper

Do you want your task look awesome?

If you would like your reflection paper to look professional, feel free to check out one of our articles on how to format MLA, APA or Chicago style

Writing a Reflection Paper Outline

Reflection paper should contain few key elements:

Introduction

Your introduction should specify what you’re reflecting upon. Make sure that your thesis informs your reader about your general position, or opinion, toward your subject.

  • State what you are analyzing: a passage, a lecture, an academic article, an experience, etc...)
  • Briefly summarize the work.
  • Write a thesis statement stating how your subject has affected you.

One way you can start your thesis is to write:

Example: “After reading/experiencing (your chosen topic), I gained the knowledge of…”

Body Paragraphs

The body paragraphs should examine your ideas and experiences in context to your topic. Make sure each new body paragraph starts with a topic sentence.

Your reflection may include quotes and passages if you are writing about a book or an academic paper. They give your reader a point of reference to fully understand your feedback. Feel free to describe what you saw, what you heard, and how you felt.

Example: “I saw many people participating in our weight experiment. The atmosphere felt nervous yet inspiring. I was amazed by the excitement of the event.”

As with any conclusion, you should summarize what you’ve learned from the experience. Next, tell the reader how your newfound knowledge has affected your understanding of the subject in general. Finally, describe the feeling and overall lesson you had from the reading or experience.

There are a few good ways to conclude a reflection paper:

  • Tie all the ideas from your body paragraphs together, and generalize the major insights you’ve experienced.
  • Restate your thesis and summarize the content of your paper.

We have a separate blog post dedicated to writing a great conclusion. Be sure to check it out for an in-depth look at how to make a good final impression on your reader.

Need a hand? Get help from our writers. Edit, proofread or buy essay .

How to Write a Reflection Paper: Step-by-Step Guide

Step 1: create a main theme.

After you choose your topic, write a short summary about what you have learned about your experience with that topic. Then, let readers know how you feel about your case — and be honest. Chances are that your readers will likely be able to relate to your opinion or at least the way you form your perspective, which will help them better understand your reflection.

For example: After watching a TEDx episode on Wim Hof, I was able to reevaluate my preconceived notions about the negative effects of cold exposure.

Step 2: Brainstorm Ideas and Experiences You’ve Had Related to Your Topic

You can write down specific quotes, predispositions you have, things that influenced you, or anything memorable. Be personal and explain, in simple words, how you felt.

For example: • A lot of people think that even a small amount of carbohydrates will make people gain weight • A specific moment when I struggled with an excess weight where I avoided carbohydrates entirely • The consequences of my actions that gave rise to my research • The evidence and studies of nutritional science that claim carbohydrates alone are to blame for making people obese • My new experience with having a healthy diet with a well-balanced intake of nutrients • The influence of other people’s perceptions on the harm of carbohydrates, and the role their influence has had on me • New ideas I’ve created as a result of my shift in perspective

Step 3: Analyze How and Why These Ideas and Experiences Have Affected Your Interpretation of Your Theme

Pick an idea or experience you had from the last step, and analyze it further. Then, write your reasoning for agreeing or disagreeing with it.

For example, Idea: I was raised to think that carbohydrates make people gain weight.

Analysis: Most people think that if they eat any carbohydrates, such as bread, cereal, and sugar, they will gain weight. I believe in this misconception to such a great extent that I avoided carbohydrates entirely. As a result, my blood glucose levels were very low. I needed to do a lot of research to overcome my beliefs finally. Afterward, I adopted the philosophy of “everything in moderation” as a key to a healthy lifestyle.

For example: Idea: I was brought up to think that carbohydrates make people gain weight. Analysis: Most people think that if they eat any carbohydrates, such as bread, cereal, and sugar, they will gain weight. I believe in this misconception to such a great extent that I avoided carbohydrates entirely. As a result, my blood glucose levels were very low. I needed to do a lot of my own research to finally overcome my beliefs. After, I adopted the philosophy of “everything in moderation” as a key for having a healthy lifestyle.

Step 4: Make Connections Between Your Observations, Experiences, and Opinions

Try to connect your ideas and insights to form a cohesive picture for your theme. You can also try to recognize and break down your assumptions, which you may challenge in the future.

There are some subjects for reflection papers that are most commonly written about. They include:

  • Book – Start by writing some information about the author’s biography and summarize the plot—without revealing the ending to keep your readers interested. Make sure to include the names of the characters, the main themes, and any issues mentioned in the book. Finally, express your thoughts and reflect on the book itself.
  • Course – Including the course name and description is a good place to start. Then, you can write about the course flow, explain why you took this course, and tell readers what you learned from it. Since it is a reflection paper, express your opinion, supporting it with examples from the course.
  • Project – The structure for a reflection paper about a project has identical guidelines to that of a course. One of the things you might want to add would be the pros and cons of the course. Also, mention some changes you might want to see, and evaluate how relevant the skills you acquired are to real life.
  • Interview – First, introduce the person and briefly mention the discussion. Touch on the main points, controversies, and your opinion of that person.

Writing Tips

Everyone has their style of writing a reflective essay – and that's the beauty of it; you have plenty of leeway with this type of paper – but there are still a few tips everyone should incorporate.

Before you start your piece, read some examples of other papers; they will likely help you better understand what they are and how to approach yours. When picking your subject, try to write about something unusual and memorable — it is more likely to capture your readers' attention. Never write the whole essay at once. Space out the time slots when you work on your reflection paper to at least a day apart. This will allow your brain to generate new thoughts and reflections.

  • Short and Sweet – Most reflection papers are between 250 and 750 words. Don't go off on tangents. Only include relevant information.
  • Clear and Concise – Make your paper as clear and concise as possible. Use a strong thesis statement so your essay can follow it with the same strength.
  • Maintain the Right Tone – Use a professional and academic tone—even though the writing is personal.
  • Cite Your Sources – Try to cite authoritative sources and experts to back up your personal opinions.
  • Proofreading – Not only should you proofread for spelling and grammatical errors, but you should proofread to focus on your organization as well. Answer the question presented in the introduction.

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Reflective writing is a process of identifying, questioning, and critically evaluating course-based learning opportunities, integrated with your own observations, experiences, impressions, beliefs, assumptions, or biases, and which describes how this process stimulated new or creative understanding about the content of the course.

A reflective paper describes and explains in an introspective, first person narrative, your reactions and feelings about either a specific element of the class [e.g., a required reading; a film shown in class] or more generally how you experienced learning throughout the course. Reflective writing assignments can be in the form of a single paper, essays, portfolios, journals, diaries, or blogs. In some cases, your professor may include a reflective writing assignment as a way to obtain student feedback that helps improve the course, either in the moment or for when the class is taught again.

How to Write a Reflection Paper . Academic Skills, Trent University; Writing a Reflection Paper . Writing Center, Lewis University; Critical Reflection . Writing and Communication Centre, University of Waterloo; Tsingos-Lucas et al. "Using Reflective Writing as a Predictor of Academic Success in Different Assessment Formats." American Journal of Pharmaceutical Education 81 (2017): Article 8.

Benefits of Reflective Writing Assignments

As the term implies, a reflective paper involves looking inward at oneself in contemplating and bringing meaning to the relationship between course content and the acquisition of new knowledge . Educational research [Bolton, 2010; Ryan, 2011; Tsingos-Lucas et al., 2017] demonstrates that assigning reflective writing tasks enhances learning because it challenges students to confront their own assumptions, biases, and belief systems around what is being taught in class and, in so doing, stimulate student’s decisions, actions, attitudes, and understanding about themselves as learners and in relation to having mastery over their learning. Reflection assignments are also an opportunity to write in a first person narrative about elements of the course, such as the required readings, separate from the exegetic and analytical prose of academic research papers.

Reflection writing often serves multiple purposes simultaneously. In no particular order, here are some of reasons why professors assign reflection papers:

  • Enhances learning from previous knowledge and experience in order to improve future decision-making and reasoning in practice . Reflective writing in the applied social sciences enhances decision-making skills and academic performance in ways that can inform professional practice. The act of reflective writing creates self-awareness and understanding of others. This is particularly important in clinical and service-oriented professional settings.
  • Allows students to make sense of classroom content and overall learning experiences in relation to oneself, others, and the conditions that shaped the content and classroom experiences . Reflective writing places you within the course content in ways that can deepen your understanding of the material. Because reflective thinking can help reveal hidden biases, it can help you critically interrogate moments when you do not like or agree with discussions, readings, or other aspects of the course.
  • Increases awareness of one’s cognitive abilities and the evidence for these attributes . Reflective writing can break down personal doubts about yourself as a learner and highlight specific abilities that may have been hidden or suppressed due to prior assumptions about the strength of your academic abilities [e.g., reading comprehension; problem-solving skills]. Reflective writing, therefore, can have a positive affective [i.e., emotional] impact on your sense of self-worth.
  • Applying theoretical knowledge and frameworks to real experiences . Reflective writing can help build a bridge of relevancy between theoretical knowledge and the real world. In so doing, this form of writing can lead to a better understanding of underlying theories and their analytical properties applied to professional practice.
  • Reveals shortcomings that the reader will identify . Evidence suggests that reflective writing can uncover your own shortcomings as a learner, thereby, creating opportunities to anticipate the responses of your professor may have about the quality of your coursework. This can be particularly productive if the reflective paper is written before final submission of an assignment.
  • Helps students identify their tacit [a.k.a., implicit] knowledge and possible gaps in that knowledge . Tacit knowledge refers to ways of knowing rooted in lived experience, insight, and intuition rather than formal, codified, categorical, or explicit knowledge. In so doing, reflective writing can stimulate students to question their beliefs about a research problem or an element of the course content beyond positivist modes of understanding and representation.
  • Encourages students to actively monitor their learning processes over a period of time . On-going reflective writing in journals or blogs, for example, can help you maintain or adapt learning strategies in other contexts. The regular, purposeful act of reflection can facilitate continuous deep thinking about the course content as it evolves and changes throughout the term. This, in turn, can increase your overall confidence as a learner.
  • Relates a student’s personal experience to a wider perspective . Reflection papers can help you see the big picture associated with the content of a course by forcing you to think about the connections between scholarly content and your lived experiences outside of school. It can provide a macro-level understanding of one’s own experiences in relation to the specifics of what is being taught.
  • If reflective writing is shared, students can exchange stories about their learning experiences, thereby, creating an opportunity to reevaluate their original assumptions or perspectives . In most cases, reflective writing is only viewed by your professor in order to ensure candid feedback from students. However, occasionally, reflective writing is shared and openly discussed in class. During these discussions, new or different perspectives and alternative approaches to solving problems can be generated that would otherwise be hidden. Sharing student's reflections can also reveal collective patterns of thought and emotions about a particular element of the course.

Bolton, Gillie. Reflective Practice: Writing and Professional Development . London: Sage, 2010; Chang, Bo. "Reflection in Learning." Online Learning 23 (2019), 95-110; Cavilla, Derek. "The Effects of Student Reflection on Academic Performance and Motivation." Sage Open 7 (July-September 2017): 1–13; Culbert, Patrick. “Better Teaching? You Can Write On It “ Liberal Education (February 2022); McCabe, Gavin and Tobias Thejll-Madsen. The Reflection Toolkit . University of Edinburgh; The Purpose of Reflection . Introductory Composition at Purdue University; Practice-based and Reflective Learning . Study Advice Study Guides, University of Reading; Ryan, Mary. "Improving Reflective Writing in Higher Education: A Social Semiotic Perspective." Teaching in Higher Education 16 (2011): 99-111; Tsingos-Lucas et al. "Using Reflective Writing as a Predictor of Academic Success in Different Assessment Formats." American Journal of Pharmaceutical Education 81 (2017): Article 8; What Benefits Might Reflective Writing Have for My Students? Writing Across the Curriculum Clearinghouse; Rykkje, Linda. "The Tacit Care Knowledge in Reflective Writing: A Practical Wisdom." International Practice Development Journal 7 (September 2017): Article 5; Using Reflective Writing to Deepen Student Learning . Center for Writing, University of Minnesota.

How to Approach Writing a Reflection Paper

Thinking About Reflective Thinking

Educational theorists have developed numerous models of reflective thinking that your professor may use to frame a reflective writing assignment. These models can help you systematically interpret your learning experiences, thereby ensuring that you ask the right questions and have a clear understanding of what should be covered. A model can also represent the overall structure of a reflective paper. Each model establishes a different approach to reflection and will require you to think about your writing differently. If you are unclear how to fit your writing within a particular reflective model, seek clarification from your professor. There are generally two types of reflective writing assignments, each approached in slightly different ways.

1.  Reflective Thinking about Course Readings

This type of reflective writing focuses on thoughtfully thinking about the course readings that underpin how most students acquire new knowledge and understanding about the subject of a course. Reflecting on course readings is often assigned in freshmen-level, interdisciplinary courses where the required readings examine topics viewed from multiple perspectives and, as such, provide different ways of analyzing a topic, issue, event, or phenomenon. The purpose of reflective thinking about course readings in the social and behavioral sciences is to elicit your opinions, beliefs, and feelings about the research and its significance. This type of writing can provide an opportunity to break down key assumptions you may have and, in so doing, reveal potential biases in how you interpret the scholarship.

If you are assigned to reflect on course readings, consider the following methods of analysis as prompts that can help you get started :

  • Examine carefully the main introductory elements of the reading, including the purpose of the study, the theoretical framework being used to test assumptions, and the research questions being addressed. Think about what ideas stood out to you. Why did they? Were these ideas new to you or familiar in some way based on your own lived experiences or prior knowledge?
  • Develop your ideas around the readings by asking yourself, what do I know about this topic? Where does my existing knowledge about this topic come from? What are the observations or experiences in my life that influence my understanding of the topic? Do I agree or disagree with the main arguments, recommended course of actions, or conclusions made by the author(s)? Why do I feel this way and what is the basis of these feelings?
  • Make connections between the text and your own beliefs, opinions, or feelings by considering questions like, how do the readings reinforce my existing ideas or assumptions? How the readings challenge these ideas or assumptions? How does this text help me to better understand this topic or research in ways that motivate me to learn more about this area of study?

2.  Reflective Thinking about Course Experiences

This type of reflective writing asks you to critically reflect on locating yourself at the conceptual intersection of theory and practice. The purpose of experiential reflection is to evaluate theories or disciplinary-based analytical models based on your introspective assessment of the relationship between hypothetical thinking and practical reality; it offers a way to consider how your own knowledge and skills fit within professional practice. This type of writing also provides an opportunity to evaluate your decisions and actions, as well as how you managed your subsequent successes and failures, within a specific theoretical framework. As a result, abstract concepts can crystallize and become more relevant to you when considered within your own experiences. This can help you formulate plans for self-improvement as you learn.

If you are assigned to reflect on your experiences, consider the following questions as prompts to help you get started :

  • Contextualize your reflection in relation to the overarching purpose of the course by asking yourself, what did you hope to learn from this course? What were the learning objectives for the course and how did I fit within each of them? How did these goals relate to the main themes or concepts of the course?
  • Analyze how you experienced the course by asking yourself, what did I learn from this experience? What did I learn about myself? About working in this area of research and study? About how the course relates to my place in society? What assumptions about the course were supported or refuted?
  • Think introspectively about the ways you experienced learning during the course by asking yourself, did your learning experiences align with the goals or concepts of the course? Why or why do you not feel this way? What was successful and why do you believe this? What would you do differently and why is this important? How will you prepare for a future experience in this area of study?

NOTE: If you are assigned to write a journal or other type of on-going reflection exercise, a helpful approach is to reflect on your reflections by re-reading what you have already written. In other words, review your previous entries as a way to contextualize your feelings, opinions, or beliefs regarding your overall learning experiences. Over time, this can also help reveal hidden patterns or themes related to how you processed your learning experiences. Consider concluding your reflective journal with a summary of how you felt about your learning experiences at critical junctures throughout the course, then use these to write about how you grew as a student learner and how the act of reflecting helped you gain new understanding about the subject of the course and its content.

ANOTHER NOTE: Regardless of whether you write a reflection paper or a journal, do not focus your writing on the past. The act of reflection is intended to think introspectively about previous learning experiences. However, reflective thinking should document the ways in which you progressed in obtaining new insights and understandings about your growth as a learner that can be carried forward in subsequent coursework or in future professional practice. Your writing should reflect a furtherance of increasing personal autonomy and confidence gained from understanding more about yourself as a learner.

Structure and Writing Style

There are no strict academic rules for writing a reflective paper. Reflective writing may be assigned in any class taught in the social and behavioral sciences and, therefore, requirements for the assignment can vary depending on disciplinary-based models of inquiry and learning. The organization of content can also depend on what your professor wants you to write about or based on the type of reflective model used to frame the writing assignment. Despite these possible variations, below is a basic approach to organizing and writing a good reflective paper, followed by a list of problems to avoid.

Pre-flection

In most cases, it's helpful to begin by thinking about your learning experiences and outline what you want to focus on before you begin to write the paper. This can help you organize your thoughts around what was most important to you and what experiences [good or bad] had the most impact on your learning. As described by the University of Waterloo Writing and Communication Centre, preparing to write a reflective paper involves a process of self-analysis that can help organize your thoughts around significant moments of in-class knowledge discovery.

  • Using a thesis statement as a guide, note what experiences or course content stood out to you , then place these within the context of your observations, reactions, feelings, and opinions. This will help you develop a rough outline of key moments during the course that reflect your growth as a learner. To identify these moments, pose these questions to yourself: What happened? What was my reaction? What were my expectations and how were they different from what transpired? What did I learn?
  • Critically think about your learning experiences and the course content . This will help you develop a deeper, more nuanced understanding about why these moments were significant or relevant to you. Use the ideas you formulated during the first stage of reflecting to help you think through these moments from both an academic and personal perspective. From an academic perspective, contemplate how the experience enhanced your understanding of a concept, theory, or skill. Ask yourself, did the experience confirm my previous understanding or challenge it in some way. As a result, did this highlight strengths or gaps in your current knowledge? From a personal perspective, think introspectively about why these experiences mattered, if previous expectations or assumptions were confirmed or refuted, and if this surprised, confused, or unnerved you in some way.
  • Analyze how these experiences and your reactions to them will shape your future thinking and behavior . Reflection implies looking back, but the most important act of reflective writing is considering how beliefs, assumptions, opinions, and feelings were transformed in ways that better prepare you as a learner in the future. Note how this reflective analysis can lead to actions you will take as a result of your experiences, what you will do differently, and how you will apply what you learned in other courses or in professional practice.

Basic Structure and Writing Style

Reflective Background and Context

The first part of your reflection paper should briefly provide background and context in relation to the content or experiences that stood out to you. Highlight the settings, summarize the key readings, or narrate the experiences in relation to the course objectives. Provide background that sets the stage for your reflection. You do not need to go into great detail, but you should provide enough information for the reader to understand what sources of learning you are writing about [e.g., course readings, field experience, guest lecture, class discussions] and why they were important. This section should end with an explanatory thesis statement that expresses the central ideas of your paper and what you want the readers to know, believe, or understand after they finish reading your paper.

Reflective Interpretation

Drawing from your reflective analysis, this is where you can be personal, critical, and creative in expressing how you felt about the course content and learning experiences and how they influenced or altered your feelings, beliefs, assumptions, or biases about the subject of the course. This section is also where you explore the meaning of these experiences in the context of the course and how you gained an awareness of the connections between these moments and your own prior knowledge.

Guided by your thesis statement, a helpful approach is to interpret your learning throughout the course with a series of specific examples drawn from the course content and your learning experiences. These examples should be arranged in sequential order that illustrate your growth as a learner. Reflecting on each example can be done by: 1)  introducing a theme or moment that was meaningful to you, 2) describing your previous position about the learning moment and what you thought about it, 3) explaining how your perspective was challenged and/or changed and why, and 4) introspectively stating your current or new feelings, opinions, or beliefs about that experience in class.

It is important to include specific examples drawn from the course and placed within the context of your assumptions, thoughts, opinions, and feelings. A reflective narrative without specific examples does not provide an effective way for the reader to understand the relationship between the course content and how you grew as a learner.

Reflective Conclusions

The conclusion of your reflective paper should provide a summary of your thoughts, feelings, or opinions regarding what you learned about yourself as a result of taking the course. Here are several ways you can frame your conclusions based on the examples you interpreted and reflected on what they meant to you. Each example would need to be tied to the basic theme [thesis statement] of your reflective background section.

  • Your reflective conclusions can be described in relation to any expectations you had before taking the class [e.g., “I expected the readings to not be relevant to my own experiences growing up in a rural community, but the research actually helped me see that the challenges of developing my identity as a child of immigrants was not that unusual...”].
  • Your reflective conclusions can explain how what you learned about yourself will change your actions in the future [e.g., “During a discussion in class about the challenges of helping homeless people, I realized that many of these people hate living on the street but lack the ability to see a way out. This made me realize that I wanted to take more classes in psychology...”].
  • Your reflective conclusions can describe major insights you experienced a critical junctures during the course and how these moments enhanced how you see yourself as a student learner [e.g., "The guest speaker from the Head Start program made me realize why I wanted to pursue a career in elementary education..."].
  • Your reflective conclusions can reconfigure or reframe how you will approach professional practice and your understanding of your future career aspirations [e.g.,, "The course changed my perceptions about seeking a career in business finance because it made me realize I want to be more engaged in customer service..."]
  • Your reflective conclusions can explore any learning you derived from the act of reflecting itself [e.g., “Reflecting on the course readings that described how minority students perceive campus activities helped me identify my own biases about the benefits of those activities in acclimating to campus life...”].

NOTE: The length of a reflective paper in the social sciences is usually less than a traditional research paper. However, don’t assume that writing a reflective paper is easier than writing a research paper. A well-conceived critical reflection paper often requires as much time and effort as a research paper because you must purposeful engage in thinking about your learning in ways that you may not be comfortable with or used to. This is particular true while preparing to write because reflective papers are not as structured as a traditional research paper and, therefore, you have to think deliberately about how you want to organize the paper and what elements of the course you want to reflect upon.

ANOTHER NOTE: Do not limit yourself to using only text in reflecting on your learning. If you believe it would be helpful, consider using creative modes of thought or expression such as, illustrations, photographs, or material objects that reflects an experience related to the subject of the course that was important to you [e.g., like a ticket stub to a renowned speaker on campus]. Whatever non-textual element you include, be sure to describe the object's relevance to your personal relationship to the course content.

Problems to Avoid

A reflective paper is not a “mind dump” . Reflective papers document your personal and emotional experiences and, therefore, they do not conform to rigid structures, or schema, to organize information. However, the paper should not be a disjointed, stream-of-consciousness narrative. Reflective papers are still academic pieces of writing that require organized thought, that use academic language and tone , and that apply intellectually-driven critical thinking to the course content and your learning experiences and their significance.

A reflective paper is not a research paper . If you are asked to reflect on a course reading, the reflection will obviously include some description of the research. However, the goal of reflective writing is not to present extraneous ideas to the reader or to "educate" them about the course. The goal is to share a story about your relationship with the learning objectives of the course. Therefore, unlike research papers, you are expected to write from a first person point of view which includes an introspective examination of your own opinions, feelings, and personal assumptions.

A reflection paper is not a book review . Descriptions of the course readings using your own words is not a reflective paper. Reflective writing should focus on how you understood the implications of and were challenged by the course in relation to your own lived experiences or personal assumptions, combined with explanations of how you grew as a student learner based on this internal dialogue. Remember that you are the central object of the paper, not the research materials.

A reflective paper is not an all-inclusive meditation. Do not try to cover everything. The scope of your paper should be well-defined and limited to your specific opinions, feelings, and beliefs about what you determine to be the most significant content of the course and in relation to the learning that took place. Reflections should be detailed enough to covey what you think is important, but your thoughts should be expressed concisely and coherently [as is true for any academic writing assignment].

Critical Reflection . Writing and Communication Centre, University of Waterloo; Critical Reflection: Journals, Opinions, & Reactions . University Writing Center, Texas A&M University; Connor-Greene, Patricia A. “Making Connections: Evaluating the Effectiveness of Journal Writing in Enhancing Student Learning.” Teaching of Psychology 27 (2000): 44-46; Good vs. Bad Reflection Papers , Franklin University; Dyment, Janet E. and Timothy S. O’Connell. "The Quality of Reflection in Student Journals: A Review of Limiting and Enabling Factors." Innovative Higher Education 35 (2010): 233-244: How to Write a Reflection Paper . Academic Skills, Trent University; Amelia TaraJane House. Reflection Paper . Cordia Harrington Center for Excellence, University of Arkansas; Ramlal, Alana, and Désirée S. Augustin. “Engaging Students in Reflective Writing: An Action Research Project.” Educational Action Research 28 (2020): 518-533; Writing a Reflection Paper . Writing Center, Lewis University; McGuire, Lisa, Kathy Lay, and Jon Peters. “Pedagogy of Reflective Writing in Professional Education.” Journal of the Scholarship of Teaching and Learning (2009): 93-107; Critical Reflection . Writing and Communication Centre, University of Waterloo; How Do I Write Reflectively? Academic Skills Toolkit, University of New South Wales Sydney; Reflective Writing . Skills@Library. University of Leeds; Walling, Anne, Johanna Shapiro, and Terry Ast. “What Makes a Good Reflective Paper?” Family Medicine 45 (2013): 7-12; Williams, Kate, Mary Woolliams, and Jane Spiro. Reflective Writing . 2nd edition. London: Red Globe Press, 2020; Yeh, Hui-Chin, Shih-hsien Yang, Jo Shan Fu, and Yen-Chen Shih. “Developing College Students’ Critical Thinking through Reflective Writing.” Higher Education Research and Development (2022): 1-16.

Writing Tip

Focus on Reflecting, Not on Describing

Minimal time and effort should be spent describing the course content you are asked to reflect upon. The purpose of a reflection assignment is to introspectively contemplate your reactions to and feeling about an element of the course. D eflecting the focus away from your own feelings by concentrating on describing the course content can happen particularly if "talking about yourself" [i.e., reflecting] makes you uncomfortable or it is intimidating. However, the intent of reflective writing is to overcome these inhibitions so as to maximize the benefits of introspectively assessing your learning experiences. Keep in mind that, if it is relevant, your feelings of discomfort could be a part of how you critically reflect on any challenges you had during the course [e.g., you realize this discomfort inhibited your willingness to ask questions during class, it fed into your propensity to procrastinate, or it made it difficult participating in groups].

Writing a Reflection Paper . Writing Center, Lewis University; Reflection Paper . Cordia Harrington Center for Excellence, University of Arkansas.

Another Writing Tip

Helpful Videos about Reflective Writing

These two short videos succinctly describe how to approach a reflective writing assignment. They are produced by the Academic Skills department at the University of Melbourne and the Skills Team of the University of Hull, respectively.

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Observation-reflection essay

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Critical Reflection

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Writing Critical Reflection

Reflective writing is a common genre in classrooms across disciplines. Reflections often take the form of narrative essays that summarize an experience or express changes in thinking over time. Initially, reflective writing may seem pretty straightforward; but since reflective writing summarizes personal experience, reflections can easily lose their structure and resemble stream-of-consciousness journals capturing disjointed musings focused on only the self or the past.   

Critical reflection still requires a writer to consider the self and the past but adopts an argumentative structure supported by readings, theories, discussions, demonstrated changes in material conditions, and resources like post-collaboration assessments, testimonial evidence, or other data recorded during the collaboration . Common arguments in critical reflections present evidence to demonstrate learning, contextualize an experience, and evaluate impact. While critical reflections still require authors to reflect inwardly, critical reflection go es beyond the self and examine s any relevant contexts that informed the experience. Then, writers should determine how effectively their project addressed these contexts. In other words, critical reflection considers the “impact” of their project: How did it impact the writer? How did it impact others? Why is the project meaningful on a local, historical, global, and/or societal level? H ow can that impact be assessed?  

In short: reflection and critical reflection both identify the facts of an experience and consider how it impacts the self. Critical reflection goes beyond this to conceive of the project’s impact at numerous levels and establish an argument for the project’s efficacy. In addition, critical reflection encourages self-assessment—we critically reflect to change our actions, strategies, and approaches and potentially consider these alternative methods.  

Collecting Your Data: Double-Entry Journaling

Double-entry journaling is a helpful strategy for you to document data, observations, and analysis throughout the entire course of a community-based project. It is a useful practice for projects involving primary research, secondary research, or a combination of both. In its most basic form, a double-entry journal is a form of notetaking where a writer can keep track of any useful sources, notes on those sources, observations, thoughts, and feelings—all in one place.  

For community-based projects, this might involve:  

  • Recording your observations during or after a community partner meeting in one column of the journal.  
  • Recording any of your thoughts or reactions about those observations in a second column.   
  • Writing any connections you make between your observations, thoughts, and relevant readings from class in a third column.  

This allows you to document both your data and your analysis of that data throughout the life of the project. This activity can act as a blueprint for your critical reflection by providing you with a thorough account of how your thinking developed throughout the life of a project.   

The format of a double-entry journal is meant to be flexible, tailored to both your unique notetaking practice and your specific project. It can be used to analyze readings from class, observations from research, or even quantitative data relevant to your project.  

Just the Facts, Please: What, So What, Now What

Getting started is often the hardest part in writing. To get your critical reflection started, you can identify the What , So What , and Now What? of your project. The table below presents questions that can guide your inquiry . If you’re currently drafting, we have a freewriting activity below to help you develop content.  

Freewrite your answers to these questions; that is, respond to these questions without worrying about grammar, sentence structure, or even the quality of your ideas. At this stage, your primary concern is getting something on the page. Once you’re ready to begin drafting your critical reflection, you can return to these ideas and refine them.  

Below are some additional prompts you can use to begin your freewriting. These reflection stems can organize the ideas that you developed while freewriting and place them in a more formal context.  

  • I observed that...  
  • My understanding of the problem changed when...  
  • I became aware of (x) when....  
  • I struggled to...  
  • The project's biggest weakness was…  
  • The project's greatest strength was…   I learned the most when...  
  • I couldn't understand...  
  • I looked for assistance from...  
  • I accounted for (x) by...  
  • I connected (concept/theory) to...  
  • (Specific skill gained) will be useful in a professional setting through…  

Analyzing Your Experience: A Reflective Spectrum

Y our critical reflection is a space to make an argument about the impact of your project . This means your primary objective is to determine what kind of impact your project had on you and the world around you. Impact can be defined as the material changes, either positive or negative, that result from an intervention , program , or initiative . Impact can be considered at three different reflective levels: inward, outward, and exploratory.

Image portraying types of reflection (inward, outward, exploratory)

Inward reflection requires the writer to examine how the project affected the self. Outward reflection explores the impact the project had on others. Additionally, you can conceptualize your project’s impact in relation to a specific organization or society overall, depending on the project’s scope. Finally, exploratory reflection asks writers to consider how impact is measured and assessed in the context of their project to ultimately determine: What does impact look like for the work that I’m doing? How do I evaluate this? How do we store, archive, or catalog this work for institutional memory? And what are the next steps?  

This process is cyclical in nature; in other words, it’s unlikely you will start with inward reflection, move to outward reflection, and finish with exploratory reflection. As you conceptualize impact and consider it at each level, you will find areas of overlap between each reflective level.   

Finally, if you’re having trouble conceptualizing impact or determining how your project impacted you and the world around you, ask yourself:   

  • What metrics did I use to assess the "impact" of this project? Qualitative? Quantitative? Mixed-methods? How do those metrics illustrate meaningful impact?  
  • How did the intended purpose of this project affect the types of impact that were feasible, possible, or recognized?  
  • At what scope (personal, individual, organizational, local, societal) did my outcomes have the most "impact"?  

These questions can guide additional freewriting about your project. Once you’ve finished freewriting responses to these questions, spend some time away from the document and return to it later. Then, analyze your freewriting for useful pieces of information that could be incorporated into a draft.  

Drafting Your Critical Reflection

Now that you have determined the “What, So What, Now What” of your project and explored its impact at different reflective levels, you are ready to begin drafting your critical reflection.  

If you’re stuck or find yourself struggling to structure your critical reflection, the OWL’s “ Writing Process ” [embe ded link ] resource may offer additional places to start. That said, another drafting strategy is centering the argument you intend to make.  

Your critical reflection is an argument for the impact your project has made at multiple levels; as such, much of your critical reflections will include pieces of evidence to support this argument. To begin identifying these pieces of evidence, return to your “reflection stem” responses . Your evidence might include :  

  • H ow a particular reading or theory informed the actions during your partnership ;  
  • How the skills, experiences, or actions taken during this partnerhsip will transfer to new contexts and situations;  
  • Findings from y our evaluation of the project;  
  • Demonstrated changes in thoughts, beliefs, and values, both internally and externally;  
  • And, of course, specific ways your project impacted you, other individuals, your local community, or any other community relevant to the scope of your work.  

As you compile this evidence, you will ulti mately be compiling ways to support an argument about your project’s efficacy and impact .  

Sharing Your Critical Reflection

Reflective writing and critical reflections are academic genres that offer value to the discourse of any field. Oftentimes, these reflective texts are composed for the classroom, but there are other venues for your critical reflections, too.  

For example, Purdue University is home to the Purdue Journal of Service-Learning and International Engagement ( PJSL ) which publishes student reflective texts and reflections with research components. Although PJSL only accepts submissions from Purdue students, other journals like this one may exist at your campus. Other venues like the Journal of Higher Education Outreach and Impact publish reflective essays from scholars across institutions, and journals in your chosen discipline may also have interest in reflective writing.  

Document explaining the theories, concepts, literature, strategies that informed the creation of this content page.  

Table of Contents

Collaboration, information literacy, writing process, reflection essay.

  • CC BY-NC-ND 4.0 by Kristen Gay

At first glance, academic and reflection can sound like contradictory concepts. Writing an academic reflection essay often involves striking a balance between a traditional, academic paper and a reflective essay. In order to find this balance, consider the terms that encompass the title of the assignment

The term “academic” suggests that the writer will be expected to observe conventions for academic writing, such as using a professional tone and crafting a thesis statement. On the other hand, the term “reflection” implies that the writer should critically reflect on their work, project, or writing process, depending on the assignment, and draw conclusions based on these observations.

In general, an academic reflection essay is a combination of these two ideas: writers should observe conventions for academic writing while critically reflecting on their experience or project. Note that the term “critically” suggests that the writing should not merely tell the reader what happened, what you did, or what you learned. Critical reflection takes the writing one step further and entails making an evaluative claim about the experience or project under discussion. Beyond telling readers what happened, critical reflection tends to discuss why it matters and how it contributed to the effectiveness of the project.

Striking the proper balance between critical reflection and academic essay is always determined by the demands of the particular writing situation, so writers should first consider their purpose for writing, their audience, and the project guidelines. While the subject matter of academic reflections is not always “academic,” the writer will usually still be expected to adapt their arguments and points to academic conventions for thesis statements, evidence, organization, style, and formatting.

Several strategies for crafting an academic reflection essay are outlined below based on three important areas: focus, evidence, and organization.

A thesis statement for an academic reflection essay is often an evaluative claim about your experiences with a process or assignment. Several strategies to consider for a thesis statement in an academic reflection essay include:

  • Being Critical: It is important to ensure that the evaluative claim does not simply state the obvious, such as that you completed the assignment, or that you did or did not like it. Instead, make a critical claim about whether or not the project was effective in fulfilling its purpose, or whether the project raised new questions for you to consider and somehow changed your perspective on your topic.
  • Placement: For some academic reflection essays, the thesis may not come in the introduction but at the end of the paper, once the writer has fully explained their experiences with the project. Think about where the placement of your thesis will be most effective based on your ideas and how your claim relates to them.

Consider the following example of a thesis statement in an academic reflection essay:

By changing my medium from a picture to a pop song, my message that domestic violence disproportionately affects women was more effectively communicated to an audience of my classmates because they found the message to be more memorable when it was accompanied by music.

This thesis makes a critical evaluative claim (that the change of medium was effective) about the project, and is thus a strong thesis for an academic reflection paper.

Evidence for academic reflection essays may include outside sources, but writers are also asked to support their claims by including observations from their own experience. Writers might effectively support their claims by considering the following strategies:

  • Incorporating examples: What examples might help support the claims that you make? How might you expand on your points using these examples, and how might you develop this evidence in relation to your thesis?
  • Personal anecdotes or observations: How might you choose relevant personal anecdotes/observations to illustrate your points and support your thesis?
  • Logical explanations: How might you explain the logic behind a specific point you are making in order to make it more credible to readers?

Consider the following example for incorporating evidence in an academic reflection essay:

Claim: Changing the medium for my project from a picture to a pop song appealed to my audience of fellow classmates.

Evidence: When I performed my pop song remediation for my classmates, they paid attention to me and said that the message, once transformed into song lyrics, was very catchy and memorable. By the end of the presentation, some of them were even singing along.

In this example, the claim (that the change of medium was effective in appealing to the new audience of fellow classmates) is supported because the writer reveals their observation of the audience’s reaction. (For more about using examples and anecdotes as examples, see “Nontraditional Types of Evidence.”)

Organization

For academic reflection essays, the organizational structure may differ from traditional academic or narrative essays because you are reflecting on your own experiences or observations. Consider the following organizational structures for academic reflection essays:

  • Chronological Progression: The progression of points will reflect the order of events/insights as they occurred temporally in the project.

Sample Chronological Organization for a Remediation Reflection:

Paragraph 1: Beginning of the project

Paragraph 2: Progression of the remediation process

Paragraph 3: Progression of the remediation process

Paragraph 4: Progression of the remediation process

Paragraph 5: Progression of the remediation process

Paragraph 6: Conclusion—Was the project effective. How and why? How did the process end?

  • By Main Idea/Theme: The progression of points will centralize on main ideas or themes of the project.

Sample Organization By Main Idea/Theme for a Remediation Reflection:

Paragraph 1: Introduction

Paragraph 2: Discuss the message being translated

Paragraph 3: Discuss the change of medium

Paragraph 4: Discuss the change of audience

Paragraph 5: Was the change effective? Explain.

Paragraph 6: Conclusion

Remember that while these strategies are intended to help you approach an academic reflection paper with confidence, they are not meant to be prescriptive. Academic reflection essays are often unique to the writer because they ask the writer to consider their observations or reactions to an experience or project. You have distinctive ideas and observations to discuss, so it is likely that your paper will reflect this distinctiveness. With this in mind, consider how to most effectively compose your paper based on your specific project guidelines, instructor suggestions, and your experiences with the project.

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10 Observation Essay Examples: Writers’ Narrative for Student Inspiration

10 Observation Essay Examples: Writers' Narrative for Student Inspiration

In this collection of observation essay examples, you will find narratives that capture the writer’s unique experiences as an observer. Each essay tells a story where the writer takes on the role of a participant, allowing readers to understand the theme and overall impression of the observed event. These essays not only help students understand the methods and techniques of observation, but also serve as a source of inspiration for their own writing.

In the front row of a clinical classroom, 51 students are taking part in a gross motor development activity. The teacher, Chloe, plays an important role as a professional observer, allowing students to participate in the activity while she takes notes. As I observe the children, I can’t help but feel a sense of excitement and anticipation. The smells of the classroom, the sounds of children playing, and the overall atmosphere grab my attention.

As a writer, it is important to have accurate references and control over the essay’s structure. Here, the writer demonstrates their ability to understand and control the narrative, allowing readers to step into the observer’s shoes and experience the event firsthand. By reading these examples, students can gain a better understanding of how to write an observation essay that follows a clear and organized structure.

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Importance of observational skills.

Observational skills are an essential tool in the development of one’s understanding of the world around us. By training yourself to observe and take note of the details that often go unnoticed, you can gain valuable insights and perspectives about various subjects and situations. Each observation you make allows you to engage with the world on a deeper level and expand your knowledge and understanding.

Observational skills are not limited to any particular academic subject or area of interest. They can be applied in any context, whether you are observing a social interaction, a natural phenomenon, or a piece of art. By honing your observational skills, you can enrich your experiences and gain a greater appreciation for the world and its diversity.

Being well-versed in observational skills enables you to pick up on details that may elude others. It allows you to notice the intricacies and subtleties that make each person, object, or situation unique. By actively participating in the act of observing, you can uncover hidden meanings, motivations, and patterns that shed light on the bigger picture.

Observation is not just about what is being observed; it also involves self-reflection and introspection. By observing others and the world around you, you can gain valuable insights into your own thoughts, beliefs, and behaviors. This self-reflection can help you identify areas for personal growth and development.

Observational skills can also be seen as a form of rehearsal for real-life situations. By observing how others behave and react in different scenarios, you can learn from their experiences and apply those lessons to your own life. This can help you navigate challenging situations with greater confidence and poise.

In an academic setting, observational skills are essential for providing well-written and reflective essays. By observing a subject or an event firsthand, you can compose a detailed and accurate account of what you have observed. This ensures that your written work is based on real-life experiences and not solely on secondhand information.

Observational skills also play a crucial role in various professions and careers. For example, doctors rely on their ability to observe patients’ symptoms and behaviors to make accurate diagnoses. Architects and designers observe spaces and environments to create functional and aesthetically pleasing structures. Teachers observe their students’ behaviors and interactions to provide tailored instruction and support.

Observational skills can be developed and enhanced through practice. By following some guidelines and incorporating specific strategies into your routine, you can improve your ability to observe and analyze the world around you. These may include being present in the moment, asking questions , taking notes, and actively engaging with your surroundings.

Benefits of Observation Essays for Students

First and foremost, observation essays provide students with a practical way to learn and understand various subjects. Whether it is observing events in a classroom or the clinical setting, students can gain valuable insights into real-life experiences that go beyond what they learn from reading textbooks or documents. By witnessing events firsthand, students can develop a deeper understanding of the subject matter.

Furthermore, observation essays encourage critical thinking and analysis. Students are required to carefully observe and analyze the events or subjects they are observing. This helps them develop their analytical skills and think critically about the information they are gathering. Instructors often look for these skills in their students, and observation essays are an ideal way to hone them.

Another benefit of observation essays is that they allow students to broaden their horizons and gain a new perspective. By being an active observer, students can explore new themes or topics and expand their knowledge beyond what is typically taught in the classroom. This alternative education provides students with a well-rounded understanding of the subject matter.

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Types of Observation Methods

When it comes to conducting an observation, there are several methods that can be used. Each method has its own unique advantages and limitations, allowing researchers to choose the most suitable approach based on their specific goals. Here are some common types of observation methods:

1. Participant Observation: This method involves the observer actively taking part in the event or activity being studied. By immersing themselves in the experience, the observer can gain a deeper understanding of the subject matter and the context in which it occurs.

2. Non-participant Observation: In contrast to participant observation, this method involves the observer remaining separate from the event or activity. By maintaining a more objective perspective, the observer can focus on capturing accurate and unbiased information.

3. Structured Observation: In this method, the observer follows a predetermined set of rules and guidelines to ensure consistency and comparability across observations. This approach is often used in academic research to study specific behaviors or interactions.

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4. Unstructured Observation: Unlike structured observation, this method allows for more flexibility and spontaneity. The observer is free to note whatever they find interesting or relevant, without being constrained by a predefined framework.

5. Direct Observation: This method involves the observer directly witnessing and recording the events as they unfold. By being physically present, the observer can capture details and nuances that may be missed in other forms of observation.

6. Indirect Observation: In contrast to direct observation, this method involves the observer gathering information through indirect means, such as reviewing documents or analyzing video recordings. This approach can be useful in situations where direct observation is not feasible or ethical.

7. Naturalistic Observation: This method focuses on observing subjects in their natural environment, without any interference or manipulation from the observer. By allowing events to occur naturally, researchers can gain insights into real-life behaviors and dynamics.

8. Controlled Observation: This method involves creating a controlled environment where specific events or behaviors can be observed under strict conditions. By reducing external factors, researchers can isolate and study the variables of interest more effectively.

9. Event Sampling: This method involves focusing on specific events or incidents within a larger context. By selecting key moments to observe, researchers can gather detailed information about these events and their significance.

10. Time Sampling: In this method, the observer selects specific time intervals for observation, rather than focusing on specific events. By observing at regular intervals, researchers can gain a comprehensive understanding of the target subject’s routines and patterns of behavior.

These are just some of the many observation methods available to researchers. The choice of method will depend on factors such as the research question, the subjects being observed, and the desired level of control and accuracy. By understanding the different types of observation methods, writers can devise narratives that effectively capture the essence and dynamics of the events and subjects they are analyzing.

Examples of Observation Essays: Studying Nature

Observation essays provide an exclusive opportunity for writers to explore and study various aspects of the surrounding world. Whether it’s a classroom event, a nature observation, or a rehearsal for a school play, observation essays play a central role in understanding and documenting different areas of development and experience.

When writing an observation essay, it is essential to take note of the observations, making sure to be accurate in documenting what was said, as well as the overall impression and excitement of the event. By being a participant observer, the writer can provide a narrative that allows readers to fully understand the presence of the writer and what they are observing.

In the case of studying nature, observation essays can be a useful tool for well-versed writers to share their knowledge and observations with others. It is important to have a clear statement of purpose in the essay, highlighting the main areas of focus and the specific observations made. This helps the reader to understand the overall theme and purpose of the essay.

Below is a template that can be used as a guide in writing a nature observation essay:

  • Observations: Share the specific observations made during the nature study, detailing the different aspects of the environment, wildlife, or plant life.
  • Reflection: Reflect on the observations and discuss the significance of what was observed. What do these observations tell you about nature and its interconnectedness?

By following this template and providing detailed and accurate observations, writers can create engaging nature observation essays that not only inform but also inspire readers to appreciate and study the natural world. So, whatever the nature observation may be – from studying the behavior of animals to exploring different plant species – observation essays are an effective way to share knowledge and make a significant impact in the field of nature study.

Examples of Observation Essays: Analyzing Human Behavior

When writing an observation essay, it is essential to follow a strict outline to ensure that your thoughts and observations are organized in a logical manner. Here is an example outline that you can consider:

2. Observation event: Describe the specific event or activity you are observing. Be as detailed as possible, including information about the location, time of day, and the individuals involved.

3. Observation process: Discuss your role as an observer and the methods and tools you used for observation. Also, explain any biases or preconceived notions you may have had before observing.

4. Detailed observations: In this section, provide a detailed account of the observations you made during the event. Include information about the participants’ behaviors, facial expressions, body language, and any other relevant details that contribute to your understanding of human behavior.

5. Analysis and interpretation: It is crucial to analyze and interpret the observations you’ve made. Try to identify any patterns or trends in behavior, and consider the underlying reasons for these behaviors.

6. Overall impression: Summarize your overall impression of the observed event or activity. Reflect on what you have learned and how it has impacted your understanding of human behavior.

Observation essays can cover a wide range of topics, from observing a classroom of students to observing the behavior of individuals in a public setting. The key is to choose a topic that interests you and allows for meaningful observations.

For example, Chloe Halloran, a student at XYZ School, wrote a powerful observation essay about her experience observing a clinical rehearsal. In her essay, she focused on the different areas of human behavior she observed, such as motor skills, communication, and teamwork. Chloe’s detailed observations helped her gain a deeper understanding of the complexities of working in a clinical setting.

Overall, observation essays are an excellent tool for students to develop their analytical and writing skills. By closely observing and analyzing human behavior, students can gain valuable insights into the world around them and enhance their ability to communicate their observations effectively.

What is the purpose of an observation essay?

The purpose of an observation essay is to provide a detailed and descriptive account of a particular event, person, or place based on the writer’s personal observations.

Can you give me an example of an observation essay?

Sure! One example of an observation essay could be a writer’s narrative about their experience visiting a local farmer’s market, describing the sights, sounds, and smells of the market, as well as the interactions between vendors and customers.

What is a clinical observation reflection essay?

A clinical observation reflection essay is an essay where a student reflects on their experience observing a medical or clinical setting, such as a hospital or clinic. It allows the student to analyze and reflect on what they have observed and learned during their time in the clinical setting.

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Alex Koliada, PhD, is a well-known doctor. He is famous for studying aging, genetics, and other medical conditions. He works at the Institute of Food Biotechnology and Genomics. His scientific research has been published in the most reputable international magazines. Alex holds a BA in English and Comparative Literature from the University of Southern California , and a TEFL certification from The Boston Language Institute.

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10+ Observation Essay Examples [ Writers, Narrative, Student ]

Observation Essay Examples

To properly observe something, you need to make use of all your five senses. Paying attention to all the details and being level-headed is a must. That said, a lot of effort goes into the act of observing something. The data gathered in your observation, whatever it may be, is necessary. Therefore you should write an observation essay and share your findings with the readers. 

10+ Observation Essay Examples

1. writers observation essay.

writers observation essay

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2. Essay on Observation Theme

essay on observation theme

Size: 70 KB

3. Alternative Observation Essay

alternative observation essay

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4. Observation Essay Template

observation essay template

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5. Participant Observation Essay

participant observation essay

6. Narrative Teaching Observation Essay

narrative teaching observation essay

Size: 107 KB

7. Rehearsal Observation Essay

rehearsal observation essay

Size: 80 KB

8. Earth Observation Student Essay

earth observation student essay

Size: 103 KB

9. Clinical Observation Reflection Essay

clinical observation reflection essay

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10. Basic Observation Essay

basic observation essay

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11. Classroom Observation Essay

classroom observation essay

What Is an Observation Essay?

An observation essay is a piece of academic essay that incorporates the observer’s perspective over a situation, event, behavior, phenomenon, and even a person. In this document, the writer should state everything he or she directly noticed on the subject. In addition, they can also use first-person narration in this paper.

How to Write a Well-Versed Observation Essay

Whether you are a student writing an essay of your observation for a school assignment or educational research , or maybe a professional conducting a business analysis , you should compose it critically. The findings you present in your observation essay could be necessary to your field or industry. To keep it professional and informative, incorporate appropriate elements and organize it properly. 

1. Follow Guidelines

If there are guidelines provided, ensure to read them beforehand. The list usually includes instructions regarding the format, the length, essential questions, the structure, and the deadline. To avoid forgetting the items to remember, you can secure a checklist beforehand. These details will act as your guide and will set the limits for your essay writing . 

2. Devise an Outline

Considering that you already finished observing, take out your notes, and start constructing your outline. Consider basing its structure on the guidelines. You should decide what information goes on in a particular paragraph and organize it to be comprehensive to the general readers. You can save your energy by researching sample blank outline templates online instead of starting from scratch.

3. Compose Your Thesis Statement

Write your thesis statement in your introduction. After writing your hook and engaging your readers, it is now time to state what the essay will discuss. What did you observe? What are the general idea and nature of your essay? Your thesis statement will act as the central idea of your descriptive writing. Its length must only be one sentence. 

4. Close With a Detailed Conclusion

After presenting the main ideas and supporting your claims, you should provide a conclusion statement that would sum it all up. In the last paragraph, you should restate the thesis statement and explain how all of these ideas are relevant to each other. Your conclusion should link back to the idea in your introduction.

How do you observe something properly?

The practice of observing is necessary for writing field reports of studies, especially in science and psychology. When you do an observation of something, it is advisable to research the subject you are studying. Also, you need to focus on your visual and hearing senses and your thought process. Avoid or get rid of factors that can distract you.

What are the different methods of observing?

The various methods of observing are categorized based on the level of involvement of the observer with the subject. If an observer is not noticed or personally seen by the participants, then he or she is employing the complete observer method. On the other hand, if the subjects recognize and interact with the observer, the implemented method is observer as participant.

How should you note your observations?

The first step in taking field notes of your observation is, write down the necessary details of the subject. Also, you should include the time and place. In writing your findings, you should stay objective and factual. Also, don’t forget to write a description of the setting and the materials involved.

The readers of your observation essay are not present at the time you did your observation. An observation essay is effective if its content is enough to supply information that would make the readers feel as if they are personally present at that time. Secure an observation essay, and earn an award certificate from your school or your work. 

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Learning Stories: Observation, Reflection, and Narrative in Early Childhood Education

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Editors' Note

Refer to the links below for examples of two Learning Stories:

  • Learning Story: Waiting for Dad on this Side of the Border
  • Learning Story: Under the Same Sun

When I think of children, the image that comes to mind is that of competent human beings: resourceful, creative, and able to collaborate with peers and adults. Young children are today’s citizens of the world, with their own ideas, theories, inquiries, strong preferences, and stories. As citizens, they have needs, but also rights—one of which is to be seen as contributors to their own education. Their interests, questions, and thoughts should influence what they do and learn at school.

I am an early childhood educator. I am also an immigrant and an American citizen by naturalization. I began teaching and learning from young children in San Francisco, California, when I began volunteering in a multilingual early childhood program. Because I lacked the knowledge of child development and curriculum planning required to do this work most effectively, I enrolled in classes at City College and took as many child development classes as I could. I am currently a doctoral student in the Educational Leadership Program at San Francisco State University, where I have been a lecturer for the past five years. I teach undergraduate courses on children’s language development in multilingual early childhood education settings, classroom observation and children’s evaluation, and more recently, a graduate course on narrative inquiry in ECE and elementary school.

I am also a preschool teacher: I have taught preschool for 18 years—the past 10 at Las Americas Early Education School in San Francisco’s Mission District. As an early childhood educator committed to equity of voice, I believe that educational activities with preschool children should be based on daily observations of children at play both in the classroom and outdoors. These observations should include teachers’ reflections and, as much as possible, families’ opinions and perspectives on their children’s learning, curiosity, talents, agency, hopes, and dreams. As a preschool teacher in a multi-language setting, I am required to conduct classroom observations to assess children’s learning. This has led me to the following questions:

  • How can early childhood educators support and make visible children’s emergent cultural and linguistic identities?
  • How can teachers embed story and narrative to document children’s growth and strengthen families’ participation in their children’s education?

This article examines the use of an observational approach in the form of Learning Stories, a narrative-based formative assessment created by New Zealand early childhood education leaders. By encouraging teachers to recognize children as competent explorers and learners at any given moment, Learning Stories provide a way to document children’s strengths and improve instruction based on the interests, talents, and expertise of children and their families (Carr & Lee 2012, 2019).

The Role of Documentation

A teacher observes children cooperating with a puzzle.

My concept of documentation has evolved over the years and will likely continue evolving as I gain new insights about its relevance in the early childhood classroom. My views have been influenced by the Reggio Emilio approach (Edwards, Gandini, & Forman 1998, 2012); the inquiry work carried out at the former Prospect School (Himley & Carini 2000; Carini 2001) in North Bennington, Vermont; and New Zealand’s Learning Stories (Carr & Lee 2012, 2019). Each of these approaches emphasizes teachers observing, writing, reflecting, and documenting classroom life as a way to better understand and teach children.

The Reggio Emilia early childhood schools of Northern Italy (Edwards, Gandini, & Forman 1998, 2012; Turner & Wilson 2010) use the term “documentation” to refer to the process of observing and recording children’s learning experiences through different media (Helm & Katz 2001). Their curricular framework is an approach “based on adults listening rather than speaking, where doubts and amazement are welcome factors along with scientific inquiry and the deductive method of the detective” (Rinaldi 1998, 115). Systematic and meaningful observations of children’s learning are routine classroom practices that guide the curriculum.

Likewise, in the Prospect School’s approach to schooling, general theories of education take second place to teacher reflection. Teachers reflect on their teaching practices through a collaborative analysis known as “descriptive review,” or the deep analysis of one particular child, one piece of work, one classroom, or one issue that stimulates new kinds of thinking about children, curriculum, and larger educational challenges (Himley & Carini 2000; Carini 2001). While in operation, Prospect teachers documented children’s daily activities through richly detailed observations and descriptions that became narrative accounts over time. They focused on children’s interests and strengths to understand the intricacy of their thinking and to see children and their learning contexts in all of their complexities.

In New Zealand, educators use the Learning Stories approach to assess children’s progress. This narrative tool is a record of a child’s life in the classroom and school community based on teachers’ observations of the child at play and work. It tells a story written  to  the child that is meant to be shared  with  the family. Learning Stories serve as a meaningful pedagogical tool to assess children’s strengths and help educators reflect on their roles in the complex processes of teaching and learning (Carr & Lee 2012, 2019). As formative assessments, they offer the possibility of reimagining all children as competent, inquisitive learners and all educators as critical thinkers and creative writers, genuinely invested in their children’s work.

Documentation in Marginalized Communities

Learning Stories break away from the more traditional methods of teaching, learning, and assessment that often view children and families from a deficit perspective, highlighting what they cannot do. By contrast, Learning Stories offer an opportunity to reimagine children as curious, knowledgeable, playful learners and teachers as critical thinkers, creative writers, and advocates of play. Learning Stories are based on individual or family narratives, and they recognize the value of Indigenous knowledge. For native, Indigenous, and marginalized communities, the telling of stories or historical memoirs may be conceived as something deeply personal and even part of a “sacred whole” (Benham 2007). When we engage in writing and reading classroom stories—knowing how they are told, to whom, and why—we uncover who we are as communities and, perhaps, develop a deeper appreciation and understanding of other people’s stories.

My preschool is part of the San Francisco Unified School District’s Early Education Department. Our school reflects the ethnic, economic, cultural, and linguistic mosaic of the school’s immediate neighborhood, which consists primarily of first- and second-generation immigrant families from Mexico, Central America, and Asia. When children enter our program, only about 10 percent feel comfortable speaking English. The others prefer to speak their home languages, meaning Spanish, Cantonese, and Mandarin are the most common languages in our school.

Most of my students receive subsidized services, and their families primarily work in the hospitality, child care, or construction industries, or are in training for new employment. The school has three preschool-age classrooms: one Spanish-English dual language classroom with 24 children; one Cantonese-English dual language classroom with 24 children; and one classroom of children with special needs, which has 12 children. Each of our preschool classrooms is composed of one lead teacher and two assistant teachers, and each classroom has been assigned a district instructional coach.

Our preschool’s academic framework is based on the project approach, which embraces children’s interests and the immediate environment for engaging in in-depth studies of specific topics from multiple perspectives (Helm & Katz 2016). Investigations are undertaken by a whole class, a small group of children within a class, or by an individual child. Each project focuses on finding answers to questions about a topic posed by the children, the teachers, or the teachers and children together. Classroom investigations may last from a few days to several months and are carefully documented by teachers and children. Photographs, recorded conversations, short videos, children’s artwork and dictations, classroom-made booklets, and teachers’ reflections and interpretations are all part of what eventually becomes a child’s Learning Story and our teachers’ rich observation, reflection, and assessment tools.

For instance, during a class investigation on families, my 5-year-old student Juanito shared why his family did not live together in San Francisco. He described in graphic detail how his grandfather had been shot to death several years before while crossing a river in El Salvador. He also shared how his dad and mom had come to San Francisco, leaving behind their two older daughters, his sisters. Juanito’s sense of family was marked by a sense of longing for a foreign country he had never visited and two siblings he had only seen in photographs.

Juanito used drawings to express his feelings. In them, he depicted El Salvador as both beautiful and dangerous: a place that offered warmth (because his two young adult sisters lived there) but also a place with gangs who made people live in fear. “El Salvador is very pretty and has a big soccer field where one can play  fútbol  [football soccer],” he told us, his teachers. “My sister is a soccer player, like me. And I know there are gangs that go around killing people. My Daddy told me, and I’ve seen it on the TV.”

In my reflective role as Juanito’s preschool teacher, I began to understand his behavior much better as I watched and talked to him and assembled his Learning Story. As a result, I greatly improved my communication with him and my relationship with his parents. Juanito’s mom and dad have been very open about their family history and the story behind their decision to leave El Salvador and come to the United States. Their search for that envisioned future has brought a lot of stress to a family living in two countries—especially for little Juanito, who is developing his own identity as an American citizen with strong emotional ties to El Salvador.

During another class investigation—this one on our children’s cultural heritage—we read  A Movie in my Pillow / Una Película en mi Almohada , by Salvadorean writer Jorge Argueta (2007). The children enjoyed this collection of poems in which the main character, young Jorgito, lives in the Mission District but has not forgotten his native El Salvador. Just like Jorgito, we discovered that many of the children in our classroom had “memories” from where their parents had emigrated. Argueta’s poems opened the door to children’s creativity and imagination, which teachers could document, reflect on, write about, and assess.

My student Zahid revealed his story-telling skills by sharing the story of his father’s attempt to cross the border between Mexico and the United States. (See “Waiting for Dad on this Side of the Border" and “Under the Same Sun,” below.) The resulting Learning Story provided a structure for documenting Zahid’s developmental progression over time and for collecting data on his language use, funds of knowledge, evolving creative talents, and curiosity for what takes place in his world—all of this in his attempt to make sense of events impacting his family and his community.

Developing a Learning Story

Children extend their curiosity as they play with manipulatives.

Educators can use Learning Stories to identify developmental milestones with links to specific assessment measures; however, the purpose is not to test a hypothesis or to evaluate. At the root of any Learning Story is a genuine interest in understanding children’s lived experiences and the meaning teachers, families, and children themselves make of those experiences to augment their learning. As Southcott (2015, 37) reminds us, “Teachers choose a significant classroom moment to enlarge in a Learning Story in order to explore children’s thinking more closely.”

Although no two Learning Stories will be alike, a few core principles underlie them all. The foundational components include the following (Carter 2010, 2017; Carr & Lee 2012, 2019):

  • an observation with accompanying photographs or short videos
  • an analysis of the observation
  • a plan to extend a child’s learning
  • the family’s perspective on their child’s learning experience
  • links to specific evaluation tools

Suggested Format of a Learning Story

The writing of Learning Stories encourages teachers to recognize children as competent explorers and learners in familiar settings at any given moment during the school day. The following format is a helpful guide for observing, documenting, and understanding children’s learning processes. It also may help teachers organize fleeting ideas into a coherent narrative to make sense of classroom observations or specific children’s experiences.

  • Title:  Any great story begins with a good title that captures the essence of the tale being told. Margie Carter (2010) suggests that the act of giving a title to a story be saved for the end, after the teacher has written, reflected on, and analyzed the significance of what has been observed, photographed and/or video recorded.
  • Observation:  The teacher begins the story with their own interest in what the child has taken the initiative to do, describing what the child does and says. When teachers talk and write the story in the first person, they give a “voice” to the storyteller or narrator within. In their multiple roles as observers, documenters, and writers, teachers bring a personal perspective that is essential to the story. They write directly to the child, describing the scene in detail and narrating what they noticed, observed, or heard. Accompanying photographs, screenshots, or still frames of a video clip of the child in action serve as evidence of the child’s resourcefulness, skills, dispositions, and talents.
  • What Does It Mean? (or What Learning Do I See Happening?):  These are questions teachers can use to reflect, interpret, and write about the significance of what they observed. This meaning-making is best done in dialogue with other teachers. Multiple perspectives can certainly be included here; indeed, objectivity is more likely to be reached when the Learning Story includes a variety of voices or perspectives (Carr & Lee 2012, 2019). Ask your coteachers or colleagues to collaborate to offer their pedagogical, professional, and personal opinions to the interpretation of the events.
  • Opportunities and Possibilities (or How Can We Support You in Your Learning?):  In this section, teachers describe what they can tentatively do in the immediate or distant future to scaffold and extend the child’s learning. How can they cocreate with children learning activities that stem from individual or collective interests? This section might also reveal teachers’ active processes in planning meaningful classroom activities while respecting children’s sense of agency.
  • Questions to the Family:  This is an invitation for a child’s family to offer their opinions on how they perceive their child as a competent learner. It is not uncommon for a child’s family to respond with messages addressed to the teacher. However, when teachers kindly request parents to reply directly to their child, they write beautiful messages to their children. Sometimes, the family might suggest ideas and activities to support their child’s learning both at home and school. They might even provide materials to enhance and extend the learning experience for all the children in the class.
  • Observed Milestones or Learning Dispositions:  Here, teachers can link the content of a child’s Learning Story to specific evaluative measures required by a program, school district, or state. They also can focus on the learning dispositions reflected in the story: a child’s curiosity, persistence, creativity, and empathy. The learning dispositions highlighted in a Learning Story reflect the emerging values of children and the values and beliefs of teachers, families, schools, and even the larger community.

Making Time for Documentation

A Learning Story recognizes a child’s everyday efforts as milestones in their continuous growth. It is a beautiful personal and pedagogical gift to a child and family based on what teachers observe, analyze, and interpret. Yes, documenting and making children’s learning visible through detailed observations, photographs, and reflections require time, intention, and incentives. But as Carini reminds us, children are more than a sum of unchanging traits, and it takes time and patience to paint a fuller picture of how they are evolving (Himley & Carini 2000).

When beginning the Learning Story process, remember that there is a storyteller in everyone. Creating a short Learning Story as a record of a child’s learning, playfulness, resourcefulness, experimentation, and drive can turn documentation into something enjoyable. Write just a few lines of what was observed, identify its possible meaning, then plan for a tentative activity to support the child’s interest. Add a photograph or series of photographs as illustrations, then share the Learning Story with a coteacher or other colleague to get feedback on composition, language, and narrative. Think of the Learning Story as another way of making a child and family feel special, and remember that families are always appreciative when teachers take note of their children’s accomplishments. Invite the family to add a few lines to the story by sharing what they have noticed their child doing at home related to the topic.

Waiting for Dad on this Side of the Border

What happened? What’s the story? Zahid, I admire your initiative to tell us the tale of the travels your dad has undertaken to reunite with you and your family in California. On a map you showed us Mexico City where you say your dad started his journey to the North. You spoke about the border ( la frontera ), and you asked us to help you find Nebraska and Texas on our map, because that’s where you say your dad was detained. We asked you, “What is the border?” and you answered: “It is a place where they arrest you because you are an immigrant. My dad was detained because he wanted to go to California to be with me.”

Zahid carefully crafts his picture of the border that separates him from his dad.

What is the significance of this story? Zahid, through this story where you narrate the failed attempt of your dad to get reunited with you and your family, you reveal an understanding that goes well beyond your 5.4 years. In the beginning you referred to the map as a planet, but perhaps that’s how you understand your world: a planet with lines that divide cities, states, and countries. A particular area that called your attention was the line between Mexico and the United States, which you retraced in blue ink to highlight the place where you say your dad crossed the border. It is indeed admirable to see you standing self-assured in front of the class ready to explain to your classmates your feelings and ideas so eloquently.

What activities could we plan to support you in exploring this topic that you are so interested in? Zahid, we could invite you to share with your classmates the tale of your dad’s travels and invite your friends to share the stories of their families too. We could take dictations of what it means for you to be waiting for Dad on this side of the border. We could support you to put into practice your interest in writing so that you could write a letter or message to your dad. Perhaps you would be interested in making a painting on a canvas representing your ideas and feelings with paint strokes and acrylic colors.

Zahid uses paint to represent the word frontera.

What’s the family’s perspective? Zahid is not very fond of writing, but he talks a lot and also understands quite a lot. He doesn’t like drawing but maybe with your support here at school he could find enjoyment in drawing or painting. —Mom

Under the Same Sun

What happened? What’s the story? Zahid, of the several options we proposed to you to continue exploring the topic of the journey of your dad from Mexico to the United States, you chose a canvas, skinny paint brushes, and acrylic colors to represent the word  frontera . Until now, you had hardly showed any interest in using painting tools, the process of writing, or making graphic representations of your ideas. Your preferred mode of expression was to communicate orally, and you have been doing it quite well! The fact you chose paintbrushes and acrylic paints reveals that every child should have the right to be an active participant when it comes to making decisions about their individual learning.

What is the significance of this story? Zahid, I’m very pleased to see your determination to make a graphic representation of the word frontera. After so many sessions singing the initial sounds corresponding to each letter of the alphabet in Spanish, I thought you would be inclined to sound out the word  frontera  phoneme by phoneme and spell it out to write it on paper, but that was not the case. Instead, you decided to undertake something more complex, and you chose a paint brush and acrylic colors to represent (write)  la frontera  the way you perceive it based on the experiences you have lived with your family and, especially, with your dad.

What possibilities emerge? Zahid, you could perhaps share with your classmates and your family your creative process. Throughout the entire process of sketching and painting you demonstrated remarkable patience since you had to wait at least 24 hours for the first layer of paint to dry before applying the next one. You chose the color brown to paint the wall that divides Mexico and the United States because that’s what you saw in the photos that popped out in the computer screen when we looked for images of the word “ frontera .” You insisted on painting a yellow sun on this side of the wall because according to you, that’s what your dad would see on his arrival to California, along with colorful, very tall buildings with multiple windows. I hope one day you and your dad can play together under the same sun.

What’s the family’s perspective? I think it is good for my son to have support from his teachers at school and that he can express what he feels or thinks. Although sometimes I wonder if it’s better to avoid the topic altogether. These months have been very difficult for everyone in the family but especially for him because he is the eldest. He says that he misses his dad even though he hasn’t seen him in a long time. And he says that he wants to go to Mexico when he’s older to be with Dad. —Mom

The Learning Stories framework honors multiple perspectives to create a more complete image of each learner. These include the voice of the teacher as narrator and documenter; the voice, actions, and behaviors of children as active participants in the learning process; and the voices of families who offer—either orally or in writing—their perspectives as the most important teachers in their children’s lives.

Teachers in different types of early childhood education settings can use this framework to observe, document, preserve, and share precious moments of learning and transformation in young children’s school journeys with specific examples of their questions, puzzles, discoveries, and growth (Knauf 2020; Nyland & Alfayez 2021). Through these child-centered stories, teachers engage minds, touch hearts, and enhance their pedagogical and intellectual work. They humanize the early childhood profession, paving the way toward innovative modes of observing, analyzing, and understanding the complexities of children’s learning and behaviors. Children’s active participation in classroom life and curriculum planning supports a sense of inclusiveness, agency, and belonging when they see themselves as the protagonists of their own stories in a school environment that celebrates their voices, experiences, and talents.

This article includes content from Escamilla’s chapter in the  Advancing Equity & Embracing Diversity in Early Childhood Education  book as well as content from an original manuscript by the author accepted for  Young Children.

Photographs: Getty; courtesy of author. Copyright © 2021 by the National Association for the Education of Young Children. See Permissions and Reprints online at  NAEYC.org/resources/permissions .

This article supports recommendations from NAEYC's advancing equity position statement Recommendations for Early Childhood Educators Create a Caring, Equitable Community of Engaged Learners Item 1: Uphold the unique value and dignity of each child and family. Observe, Document, and Assess Children’s Learning and Development Item 2: Use authentic assessments that seek to identify children’s strengths and provide a well-rounded picture of development.

Benham, M.K. 2007. “Mo’ōlelo: On Culturally Relevant Story Making from an Indigenous Perspective.” In Handbook of Narrative Inquiry: Mapping a Methodology , edited by D.J. Clandinin, 512–533. Thousand Oaks, CA: SAGE Publications. 

Carini, P.F. 2001. Starting Strong: A Different Look at Children, Schools, and Standards. New York: Teachers College Press.

Carr, M., & W. Lee. 2012. Learning Stories: Constructing Learner Identities in Early Education . London: SAGE Publications. 

Carr, M., & W. Lee. 2019. Learning Stories in Practice . London: SAGE Publications. 

Carter, M. 2010. “Using Learning Stories to Strengthen Teachers’ Relationships with Children.”  Exchange 32 (6): 40–44.

Carter, M. 2017. “Growing Ourselves as Leaders: A Conversation with Annie White.”  Exchange 39 (6): 46–51.

Edwards, C., L. Gandini, & G. Forman, eds. 1998. The Hundred Languages of Children: The Reggio Emilia Approach: Advanced Reflections , 2 nd ed. Greenwich, CT: Ablex.

Edwards, C., L. Gandini, & G. Forman, eds. 2012. The Hundred Languages of Children: The Reggio Emilia Experience in Transformation. 3 rd ed. Santa Barbara, CA: Praeger.

Escamilla, I.M., & D. Meier. 2018. “The Promise of Teacher Inquiry and Reflection: Early Childhood Teachers as Change Agents.”  Studying Teacher Education  14 (1): 3-21.

Helm, J.H., & L.G. Katz. 2016.  Young Investigators: The Project Approach in the Early Years . New York: Teachers College Press.

Himley, M., & P.F. Carini. 2000. From Another Angle: Children’s Strengths and School Standards: The Prospect Center’s Descriptive Review of the Child . New York: Teachers College Press.

Knauf, H. 2020. “Learning Stories, Pedagogical Work, and Early Childhood Education: A Perspective from German Preschools.” Education Inquiry  11 (2): 94-109.

Malaguzzi, L. 1998. “History, Ideas and Basic Philosophy: An Interview with Lella Gandini.” In The Hundred Languages of Children: The Reggio Emilia Approach Advanced Reflections , 2 nd ed., edited by C. Edwards, G.E. Forman, & L. Gandini, 49–97. Greenwich, CT: Ablex.

NAEYC. 2019. “Advancing Equity in Early Childhood Education.” Position statement. Washington, DC: NAEYC. www.naeyc.org/resources/position-statements/equity .

Nyland, B., & S. Alfayez. 2012. “Learning Stories–Crossing Borders: Introducing Qualitative Early Childhood Observation Techniques to Early Childhood Practitioners in Saudi Arabia.”  International Journal of Early Years Education  20 (4): 392–404.

Rinaldi, C. 1998. “Projected Curriculum Constructed Through Documentation—Progettazi-One: An Interview with Lella Gandini.” In The Hundred Languages of Children: The Reggio Emilia Approach: Advanced Reflections , 2 nd ed., edited by C.P. Edwards, L. Gandini, & G. Forman, 113-126. Greenwich, CT: Ablex.

Southcott, L.H. 2015. “Learning Stories: Connecting Parents, Celebrating Success, and Valuing Children’s Theories.” Voices of Practitioners 10 (1): 34-50. 

Turner, T. & D.G. Wilson. 2010. “Reflections on Documentation: A Discussion with Thought Leaders on Reggio Emilia.” Theory into Practice 49 (5): 5-13. 

Isauro Escamilla, EdD, is assistant professor in the Elementary Education Department of the Graduate College of Education at San Francisco State University, where he teaches Language Arts in K–5 Settings and Spanish Heritage Language and Pedagogy for Bilingual Teachers, among other courses.

Vol. 76, No. 2

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Lauren Oyler: ‘slightly defensive, periodically anxious’

No Judgement by Lauren Oyler review – modish observations from a rarefied world

Despite occasional displays of wit and insight, the buzzy US critic’s ironic essays can feel airless and small

L auren Oyler is an American writer, very tall and very smart (or so I read). In 2021, she published her first novel, Fake Accounts , a plotless story about a young woman not unlike herself who is, as they used to say, very online. But she’s best known, at least in the US, as a critic whose work has appeared in the New Yorker , and whose 5,000-word takedown for the London Review of Books of Trick Mirror , a collection of essays by another thirtysomething American writer, Jia Tolentino, reputedly went viral (I am unable to verify this, being not very online).

I always put these kinds of details in a review somewhere: if I didn’t, an editor would soon be in touch. But in this case, I’m getting them out the way early in order to give you, from the off, a sense of the rarefied niche into which we’re about briefly to wiggle. It is an airless place. If Jane Austen worked on two inches of ivory, Oyler’s territory is at once vast (the internet) and minute (her part of the internet). The very online – I would say the very, very online – may know all about her slightly defensive, periodically anxious and (at moments) hugely self-congratulatory style: an ironic, somewhat callow tone born of her addiction to what used to be known as Twitter. But for the rest of us, she brings in her wake (should we read her) the exhausting feeling of only half-knowing what – in truth, I mean who – she is on about.

Already I sound like I hated her new book, an essay collection called No Judgement . In fact, I didn’t, or not all of it. If I were the kind of person who kept a journal, I might have been moved to scribble down the odd, dubious aphorism from it (“the fictional ‘I’ is always truer than it purports to be, and the non-fictional less”); it brought me to order a novel Oyler says she likes ( Mating by Norman Rush), and I laughed out loud at the line: “In the US, we have only three stages of grief.” (This was provoked by the case of a woman who responded to betrayal by a friend first by feeling betrayed, then with embarrassment, and finally by becoming litigious.) But nor can I say that I liked it, exactly. While I understand its modishness perfectly well – its preoccupations could not be more Small Circulation Lit Mag, spring 2024, if they tried – it’s also rather cold and blank and small. There’s something emptied out about it, which is also how it makes you feel, in a bad way (I’m talking about hollowness, not catharsis). Where are the trees, you think. Where is the real world? It’s almost a surprise to look up from it and see not a screen, but a window.

There are six full essays. One is about vulnerability, that quality we’re suddenly all expected to encourage in ourselves (I refuse this particular form of self-optimisation and so, I think , does the author). Others are about Oyler’s not-quite-crippling-but-almost-so anxiety; the value (or not) of gossip; the rise of the star rating system, particularly as it pertains to books and those who write them; and life in Berlin, where she now lives. But the longest of them, and the one into which she seems to have put most effort, is called I Am the One Who Is Sitting Here, for Hours and Hours and Hours, and it is about so-called autofiction, something that she has, of course, written herself, and which seems to fascinate her to the point where she feels the need to be as definitive about it as it’s possible to be (which is to say, not hugely). This essay comes with bossy subheadings such as What It Is, What It Isn’t, What Does Lolita Have to Do With This? and Scene Inspired by a Popular Misreading of Another Essay by Roland Barthes.

Three years ago, the novelist Joyce Carol Oates lobbed one of her periodic stink bombs in the direction of X (then Twitter) by posting her light disappointment at the rise and rise of what she called these “wan little husks of autofiction with space between paragraphs to make the book seem longer” (cue lots of younger writers holding their noses). While Oyler quotes this in her essay, she doesn’t precisely rip it apart – and in her novel she sent up the “white spaces” beloved of Jenny Offill and co. But she also devotes 50 long pages to the subject of autofiction, a piece of writing that by necessity means she must chew – and chew – on other people’s wan little husks.

This doesn’t strike me as very nourishing: for her, the poor little squirrel, or for the reader. Or not this reader, at any rate. Again, that feeling: an emptying out. Middlemarch , metaphorically speaking, is now as distant as the brightly shining moon. Literature – novels, criticism, all of it – seems to be draining away before our very eyes, and it makes me feel very sad and depressed.

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