pakistani culture essay pdf

Pakistan Culture

Here In this global world, people can be easily identified by their culture. People dresses, Behaves and live according to their culture. The culture is followed by our forebears and still it will be followed by our future generations. There are many cultures to talk, but this dissertation concentrates on the culture of Pakistan and America.

Since both are different cultured the Pakistan culture follows many traditional ways than American culture. In Pakistan people like to live with join family in the reason that they adopted to that culture. They live in the same home until it becomes old and it is named dominated society. Women were not allowed to study and men go to work.

In the Olden days they assumed that women were not allowed to study if so women will not respect them and social order will be changed. But in the modern world women also started to study and experience the life outside the home. Pakistani people strictly follow religious culture than American.

Order custom essay Pakistan Culture with free plagiarism report

The Pakistani people are called as Muslims. Pakistani culture gives regulations to men also than any other cultures in the world. People of Pakistani showcase their identity as Muslims through that women wear veil and Burga and men wear pajamas and grow bears.Many modifications are taking place in Pakistani culture because women get more freedom than earlier and many women writers are coming up like Malala.

Pakistanis grandly celebrate Ramzan festival. American culture is enjoying more liberation and survives joyfully. They like to live nuclear life and do not mingle with family members. From teenage itself, they live their own life, take care of themselves and take own decisions. In Pakistan only Muslims lives, but in America many religious people live and follow their own religion without any hesitation. The American people are Christians and live a rich life with limited moral values, but Pakistan has strong moral values.

Cite this Page

Pakistan Culture. (2018, Apr 25). Retrieved from https://phdessay.com/pakistan-culture/

Run a free check or have your essay done for you

More related essays

The social evils are one of the most brutal and biggest curses to any nation which plays the vital role in the destruction of the society in any state or.

Youth For me youth is the other name of energy. Any society in the world is highly recognized and identified by its youth. To have change is a society you ought.

Pakistan day is observed on 23rd march every year. It is an important day in the history of Pakistan. The Muslims of India demanded a separate homeland for themselves through.

Farming is Pakistan's largest economic activity. In FY 1993, agriculture, and small-scale forestry and fishing, contributed 25 percent of GDP and employed 48 percent of the labor force. Agricultural products,.

In order to achieve full employment and raise its entire population above the poverty line by the year 2006-07, Pakistan needs to create additional employment for 100 million persons and.

The Kalabagh Dam was one of the proposed undertakings in Pakistan when it comes to hydroelectric power workss in the state. The proposed Kalabagh Dam was supposed to be built.

Climate alteration is a phenomenon that arises due to emanations of nursery gases from fuel burning, deforestation, urbanisation and industrialisation, ensuing fluctuations in solar energy, temperature and precipitation. ( Upreti,.

While comparing the value of milk with other cash crops, it was mentioned that milk had a value about 60% higher as compared to both wheat and cotton together. The.

We use cookies to give you the best experience possible. By continuing we’ll assume you’re on board with our cookie policy

Save time and let our verified experts help you.

Academia.edu no longer supports Internet Explorer.

To browse Academia.edu and the wider internet faster and more securely, please take a few seconds to  upgrade your browser .

Enter the email address you signed up with and we'll email you a reset link.

• We're Hiring!
• Help Center

Pakistan-A Panorama of culture & Traditions

this an attempt to look through a lens of a modernist traditionalist who is trying to combine preservation of cultural heritage through awareness. it also offers glimpses of diversity and unity availing in the great country of Pakistan. it is pictorial landscape of Pakistan

Related Papers

Muhammad Waqar

Zulfiqar Ali Kalhoro

Modern Art in Pakistan. History, Tradition, Place

Simone Wille

Modern Art in Pakistan examines interaction of space, tradition, and history to analyse artistic production in Paksitan from the 1950s to recent times. It traces the evolution of modernism in Pakistan and frames it in a global context in the aftermath of Partition.

Iftikhar Dadi

In Indian Highway, ed. Kathleen Madden (London: Serpentine Gallery, 2008), 201–203. Exhibition catalog essay.

Muhammad Zahir , Hobaib Muhammad

The present paper briefly introduces the archaeology and history of West and East Pakistan as it was then known and understood. It perfectly set the stage for Prof. Dani's future endeavours and thinking in the field of archaeology that he religiously followed in his early and later careers. Additionally, as the partition of India was quite new at the time of writing of this article, the article is brimming with the views and emotions of Prof. Dani on the eve of Independence of Muslim Pakistan. Furthermore, the article introduces the reader to almost all the chronological and historical phenomena and its related issues. Thus, describing the history of Pakistan, Prof. Dani was still adamant to believe the then prevalent understandings that the Indus Civilization had its origins in the Mesopotamian and Egyptian civilizations; however, he pointed to extensive trading relationships with the civilizations of Sumer and Egypt. In this article he sets the stage of his academic beloved subject of Aryans that he followed throughout his career. The article portrays his believe in the destruction of Indus Civilization at the hands of the Aryans and their superior lifestyles, and the horse-riding invaders and the harbingers of change in South Asia. These ideas resonate in his later works, especially on the Gandhara Grave Culture of Pakistan (Dani 1968, 1978, 1998; Dani and Durrani 1964; Zahir 2012, 2016). The articles briefly note the historical developments in West Pakistan, including the invasion of Alexander the Great, the Mauriyan and Kushan empires and ends with coming of Islam and the rise of Mughal India. The part of the article that describe the archaeology and history of the East Pakistan (present Bangladesh) delves more into the origin of people rather than cultures and, in a typical culture-history approach of the time that Prof. Dani continued almost all his academic life (Zahir 2016), considered people and archaeological material cultures as interchangeable.

Rahat Zubair Malik

Ameena Khalid

Academic Journal of Social Sciences (AJSS )

Rameez Ali A Mahesar

The position of intangible cultural heritage (ICH) in the face of the wealth of information and skills that are passed on from one generation to another. (ICH) is expressed through the progression, expressions, knowledge and skills they represent and the associated objects and cultural spaces that people differentiate as a component of their cultural heritage that they describe through the generations and are regularly rebuilt, ensures that humanity is the simplest form of identity and continuity. Intangible cultural heritage is vital for the existence and development of society. Pakistan is a country with a culture of Indus Valley civilization of over six thousand years. All provinces of the Islamic Republic of Pakistan have their own distinct cultures and traditions. This rich intangible culture is in an exceptionally very fragile state and must be lost due to various internal and external factors and will be preserved and promoted. This article presents some phenomena and intangi...

Comparative Studies of South Asia, Africa and the Middle East

Chris Moffat

This essay serves as both an introduction to the themed section and a provocation regarding a possible agenda for the anthropology of history in Pakistan. It considers the implications of Faisal Devji's argument that unity in Pakistan was originally pursued through a rejection of history, suggesting that attempts to identify an inheritance—to articulate the form and nature of a responsibility to the past—have proved intellectually and politically productive following the country's establishment in 1947 and its further rupture in 1971. It considers how Pakistan's unsettled relationship to the past is mediated through architecture—as professional practice, as physical object, but also as metaphor for thought. Arguing that public history projects in the country evince a "will to architecture"—the desire to erect a stable edifice in the face of a vertiginous historicity—it then explores heritage-making practices that manage to challenge or subvert this compulsion to foundation.

Sarena Abdullah , Kanwal Syed

The paper discusses modern art in Pakistan by arguing that the artistic discourse in Pakistan has always been in one way or the other influenced by various social and political factors either nationally or internationally. It discusses how the political regimes that preceded each other directed the artistic discourse in the country from which contemporary art works have evolved. This paper divides the Pakistan artistic development into four major phases. The first phase discusses the artists' struggle for identity after independence. The second period shows the censorship in art under General Zia's regime until 1988. The third phase constitutes the 1990s, which can be termed as the transitional period towards contemporary socio-political art and finally the fourth phase reflects the contemporary socio-politically charged imageries in art since 2001. The discussion on the fourth phase will also demonstrate how the role of "contemporary" as a globalised art movement concentrating on regionalism and the Third World, has facilitated the legitimisation of Pakistani artists internationally, who are engaging the political chaos in their country as their artistic concern. Keywords: Pakistani art, contemporary art, socio-political art

Loading Preview

Sorry, preview is currently unavailable. You can download the paper by clicking the button above.

RELATED PAPERS

Rafael Santana

Logopedics Phoniatrics Vocology

Ali Reza Majlesi

Αρετή Βασιλείου, Κωνσταντίνα Γεωργιάδη, Αντρέας Δημητριάδης, Κωνσταντίνα Ριτσάτου (επιμ.), «Ιστορία και ιστοριογραφία του νεοελληνικού θεάτρου», Πρακτικά επιστημονικού συνεδρίου προς τιμήν του Θόδωρου Χατζηπανταζή (Ρέθυμνο, 1-3 Ιουνίου 2018), Ρέθυμνο, Ινστιτούτο Μεσογειακών Σπουδών, 2020, σ. 241-264

Panayiota Konstantinakou

Adriano Goes

Xvi Eneq X Eduqui Issn 2179 5355

Luiz Guilherme Basílio de Novais

Jacek Majorowicz

The Journal of Logic Programming

Michele Bugliesi

Bulletin of the Australian Mathematical Society

Dr. Yvonne Konstanze Behnke

Journal of Food Science

Audrey A Spindler

Arquivos Brasileiros de Endocrinologia & Metabologia

Patrícia Teixeira

The European Physical Journal C

Hans Muller

Advanced Air Pollution

Sofia Sousa

Journal of Molecular and Cellular Cardiology

László Rudas

Charles Cuell

Aurora. Papeles del Seminario Maria Zambrano

Elena LAURENZI

Force, Content and the Unity of the Proposition

Eleni Manolakaki

Journal of the American Board of Family Medicine

James C Puffer

Journal of the American Association of Nurse Practitioners

Elizabeth Salt

Berlin workshop series ..

Boris Pleskovic

Annals of Medical and Health Sciences Research

Milind Kahile

Acta Biomaterialia

Laurent Gremillard

Yuri Di Liberto

cheickh sadibou fall

See More Documents Like This

RELATED TOPICS

•   We're Hiring!
•   Help Center
• Find new research papers in:
• Health Sciences
• Earth Sciences
• Cognitive Science
• Mathematics
• Computer Science
• Academia ©2024