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Shakespeare: Modern Essays in Criticism Revised Edition

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• ISBN-10 0195006887
• ISBN-13 978-0195006889
• Edition Revised
• Publisher Oxford University Press
• Publication date December 31, 1967
• Language English
• Dimensions 9 x 6 x 1.25 inches
• Print length 496 pages
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• Publisher ‏ : ‎ Oxford University Press; Revised edition (December 31, 1967)
• Language ‏ : ‎ English
• Paperback ‏ : ‎ 496 pages
• ISBN-10 ‏ : ‎ 0195006887
• ISBN-13 ‏ : ‎ 978-0195006889
• Item Weight ‏ : ‎ 15.2 ounces
• Dimensions ‏ : ‎ 9 x 6 x 1.25 inches
• #1,049 in Shakespeare Literary Criticism
• #1,101 in Drama Literary Criticism
• #6,342 in Literature

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Shakespeare: Modern Essays in Criticism

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Shakespeare Studies & Criticism

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Welcome to the home of Shakespeare Studies & Criticism on Oxford Academic. We hope you will enjoy this celebration of Shakespeare, and that this page will act as a springboard to new discoveries on your research journey.

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Latest posts on x, shakespeare on the oupblog.

Sir Stanley Wells and the First Folio

It’s often been difficult to dispel this reverence and distinguish an actual author behind it.

For enabling many readers to accomplish that, we have to thank Sir Stanley Wells, general editor of The Oxford Shakespeare and Emeritus Professor of Shakespeare Studies at Birmingham University. His diligent and common-sense scholarship has done much to de-mystify Shakespeare and reposition the plays as working documents.

OUP Archivist Martin Maw examines one scholar’s immense contribution to Shakespeare Studies.

“A tiger’s heart wrapped in a player’s hide”: Shakespeare under attack

Robert Stagg 

Around three years into his career as a dramatist, Shakespeare’s blank verse, came under attack.  

In 1592, playwright Robert Greene described William Shakespeare’s blank verse—his unrhymed iambic pentameter—as "bombastic".

Robert Stagg explores this criticism and how Shakespeare came to fend it off over the course of his career.

Why “the all-male stage” wasn’t

Pamela Allen Brown 

Why is “the all-male stage” inadequate as shorthand for the early modern stage?

Pamela Allen Brown explores gender roles on stage, and the arrival and impact of the 'innamorata accesa' (woman inflamed with passion), the trademark of the foreign diva.

How did Shakespeare become a London playwright?

Lena Cowen Orlin

Shakespeare’s first biographer, Nicholas Rowe, wrote in 1709 that the author married “while he was yet very young.” He then fell in with a bad crowd that “made a frequent practice of deer-stealing” from Warwickshire magnate Sir Thomas Lucy.

Lena Cowen Orlin traces the key events that took the playwright from Stratford to London.

Written in the stars: Prince Hal’s almanac

Marissa Nicosia

Saturn and Venus this year in conjunction! What says th’almanac to that?

Marissa Nicosia explores the role of the almanac as a measure of time in Shakespeare’s Henry IV , and the parallels between a past and present-day fascination with astrology.

Shakespeare and the sciences of emotion

Benedict S. Robinson

What role should literature have in the interdisciplinary study of emotion? The dominant answer today seems to be “not much.”

Using Shakespeare's Hamlet , Thomas Wright’s Passions of the Mind and Aristotle's Rhetoric ’ as points of departure, Benedict S. Robinson takes a wide view of emotion and "passion" to think about how passion also shaped the rise of new empirical sciences of the mind between 1600 and 1800.

Adapting Shakespeare: shattering stereotypes of Asian women onstage and onscreen

Alexa Alice Joubin

“I should like to see Miss Wong playing Shakespeare. Why not a Chinese Ophelia?”

Alexa Alice Joubin explores the perceptions and portrayal of Ophelia by Asian actors, arguing that gender roles in Shakespeare’s plays take on new meanings when they are embodied by Asian women.

Cut out characters and cracky plots: Jacob’s Room as Shakespeare play

Emily Kopley

But there is another reason, a reason outside of the novel, that Jacob is unknowable. He is the hero of a Shakespeare play.

Emily Kopley analyses Virginia Woolf's Jacob's Room as a Shakespeare play, using letters between her and her brother Thoby, as an insight into the novel.

Early Modern Literary Geographies

Influenced by the work of cultural and human geographers, literary scholars have started to attend to the ways in which early modern people constructed their senses of the world out of interactions among places, spaces, and embodied practices. Early Modern Literary Geographies features innovative and agenda-setting research monographs that partake of this spatial turn.

Series Editors: Julie Sanders and Garrett Sullivan

Oxford Shakespeare Topics

Oxford Shakespeare Topics provide students and teachers with short books on important aspects of Shakespeare criticism and scholarship. Each book is written by an authority in its field, and combines accessible style with original discussion of its subject.

General Editors: Stanley Wells, Peter Holland, and Lena Cowen Orlin

Oxford Wells Shakespeare Lectures

These Lectures are derived from the series of biennial lectures established in 2008 in honour of Professor Stanley Wells. The inaugural lectures were given by Professor David Scott Kastan and since then a series of highly respected scholars have presented and published in this series.

New Oxford Shakespeare

The New Oxford Shakespeare presents an entirely new consideration of all of Shakespeare's works, edited from first principles from the base-texts themselves, and drawing on the latest textual and theatrical scholarship.

The three interconnected print publications and the online edition have been created by an international, intergenerational team of scholars. The project's scope, depth, and vision provide the perfect platform for the future of Shakespeare studies.

Edited by: Gary Taylor, John Jowett, Terri Bourus, and Gabriel Egan

The Oxford Handbook of Shakespeare and Race

Edited by Patricia Akhimie

Premodern critical race studies, long intertwined with Shakespeare studies, has broadened our understanding of the definitions and discourse of race and racism to include not only phenotype, but also religious and political identity, regional, national, and linguistic difference, and systems of differentiation based upon culture and custom.

Replete with fresh readings of the plays and poems, The Oxford Handbook of Shakespeare and Race brings together some of the most important scholars thinking about the subject today.

The Oxford Handbook of Shakespeare and Music

Edited by Christopher R. Wilson and Mervyn Cooke

With global coverage and an extensive survey of genres embracing music for theatre, opera, ballet, musicals, the concert hall, and film, in addition to Shakespeare's ongoing afterlives in folk music, jazz, and popular music.

The Handbook showcases the latest international research into the captivating and vast subject of the many uses of music in relation to Shakespeare's plays and poems, extending from the Bard's own time to the present day.

The Oxford Handbook of Shakespeare and Dance

Edited by Lynsey McCulloch and Brandon Shaw

A concise reference on dance as both an integral feature of sixteenth- and seventeenth-century culture and as a means of translating Shakespearean text into movement - a process that raises questions of authorship and authority, cross-cultural communication, semantics, embodiment, and the relationship between word and image.

From narrative ballet adaptations to dance in musicals, physical theatre adaptations, and interpretations using non-Western dance forms this Handbook explores the relationship between William Shakespeare - his life, works, and afterlife - and dance.

The Oxford Handbook of Shakespeare and Embodiment

Edited by Valerie Traub

Extending the purview of feminist criticism, over 40 chapters offer an intersectional paradigm for considering representations of gender in the context of race, ethnicity, sexuality, disability, and religion.

Theoretically sophisticated and elegantly written this Handbook provides a comprehensive overview of current debates.

Shakespeare Quarterly | Submit your research  

Shakespeare Quarterly (SQ)  is a leading journal in Shakespeare studies, publishing highly original, rigorously researched essays, notes, and book reviews. Published for the Folger Shakespeare Library by Oxford University Press, SQ is peer-reviewed and extremely selective.

Read our Author Guidelines to find out how to submit your work

Shakespeare’s Reading

Sir Stanley Wells, CBE, describes the many different sources Shakespeare drew upon in his work. Highlighting comparison passages, Wells explores Shakespeare’s relationship with the different texts he read throughout his life.

Shakespeare and Women

Julie Crawford, Mark van Doren Professor of Humanities at Columbia University, discusses Shakespeare’s portrayal of the power balance between the sexes, women’s contribution to the Elizabethan stage, and Renaissance ideas about gender. She also considers key speeches by Desdemona and Emilia in Othello .

Shakespeare and Religion

Rev. Dr Paul Edmondson, Head of Research and Knowledge at the Shakespeare Birthplace Trust, explores the religious influences in Shakespeare’s work in the context of 16th century England - a time when the Church of England was given an established authority, Pope Pius V had excommunicated Queen Elizabeth I, and anti-Catholic laws were introduced.

Shakespeare and Sexuality

Sir Stanley Wells, CBE, analyses the references to sexuality in Shakespeare’s plays and poems. From his earlier comedies, such as The Two Gentleman of Verona or Much Ado About Nothing , where he is unafraid to play with this topic, to his middle and last texts where he demonstrates a deeper preoccupation with the destructive potential of sexual desire.

Shakespeare and Death

Laurie Maguire, Emeritus Professor, Magdalen College Oxford discusses the theme of death in Shakespeare's tragedies, histories, and comedies. She considers how Elizabethans encountered death on a daily basis, and how Shakespeare was clearly very familiar with the details of death, and murder.

Shakespeare and Music

Joseph M. Ortiz, Associate Professor of Liberal Arts at the University of Texas, El Paso, explains how music was experienced and understood in Shakespeare’s time, with reference to education, the emerging music publishing industry, conflicting religious views, audiences’ expectations, and music as an instrument of political power.

Shakespeare and Race

Ayanna Thompson considers the theme of race in Shakespeare’s plays, the extent to which he would have been aware of Africans, and how he introduced them into his plays. She discusses the current debate amongst black actors about whether or not to play the part of Othello .

Shakespeare and His Collaborators

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