dulce et decorum est national 5 critical essay

Dulce et Decorum Est Summary & Analysis by Wilfred Owen

• Line-by-Line Explanation & Analysis
• Poetic Devices
• Vocabulary & References
• Form, Meter, & Rhyme Scheme
• Line-by-Line Explanations

"Dulce et Decorum Est" is a poem by the English poet Wilfred Owen. Like most of Owen's work, it was written between August 1917 and September 1918, while he was fighting in World War 1. Owen is known for his wrenching descriptions of suffering in war. In "Dulce et Decorum Est," he illustrates the brutal everyday struggle of a company of soldiers, focuses on the story of one soldier's agonizing death, and discusses the trauma that this event left behind. He uses a quotation from the Roman poet Horace to highlight the difference between the glorious image of war (spread by those not actually fighting in it) and war's horrifying reality.

• Read the full text of “Dulce et Decorum Est”

The Full Text of “Dulce et Decorum Est”

1 Bent double, like old beggars under sacks,

2 Knock-kneed, coughing like hags, we cursed through sludge,

3 Till on the haunting flares we turned our backs,

4 And towards our distant rest began to trudge.

5 Men marched asleep. Many had lost their boots,

6 But limped on, blood-shod. All went lame; all blind;

7 Drunk with fatigue; deaf even to the hoots

8 Of gas-shells dropping softly behind.

9 Gas! GAS! Quick, boys!—An ecstasy of fumbling

10 Fitting the clumsy helmets just in time,

11 But someone still was yelling out and stumbling

12 And flound’ring like a man in fire or lime.—

13 Dim through the misty panes and thick green light,

14 As under a green sea, I saw him drowning.

15 In all my dreams before my helpless sight,

16 He plunges at me, guttering, choking, drowning.

17 If in some smothering dreams, you too could pace

18 Behind the wagon that we flung him in,

19 And watch the white eyes writhing in his face,

20 His hanging face, like a devil’s sick of sin;

21 If you could hear, at every jolt, the blood

22 Come gargling from the froth-corrupted lungs,

23 Obscene as cancer, bitter as the cud

24 Of vile, incurable sores on innocent tongues,—

25 My friend, you would not tell with such high zest

26 To children ardent for some desperate glory,

27 The old Lie: Dulce et decorum est

28 Pro patria mori .

“Dulce et Decorum Est” Summary

“dulce et decorum est” themes.

The Horror and Trauma of War

• See where this theme is active in the poem.

The Enduring Myth that War is Glorious

Line-by-line explanation & analysis of “dulce et decorum est”.

Bent double, like old beggars under sacks, Knock-kneed, coughing like hags, we cursed through sludge, Till on the haunting flares we turned our backs, And towards our distant rest began to trudge.

Men marched asleep. Many had lost their boots, But limped on, blood-shod. All went lame; all blind; Drunk with fatigue; deaf even to the hoots Of gas-shells dropping softly behind.

Gas! GAS! Quick, boys!—An ecstasy of fumbling Fitting the clumsy helmets just in time,

Lines 11-14

But someone still was yelling out and stumbling And flound’ring like a man in fire or lime.— Dim through the misty panes and thick green light, As under a green sea, I saw him drowning.

Lines 15-16

In all my dreams before my helpless sight, He plunges at me, guttering, choking, drowning.

Lines 17-20

If in some smothering dreams, you too could pace Behind the wagon that we flung him in, And watch the white eyes writhing in his face, His hanging face, like a devil’s sick of sin;

Lines 21-24

If you could hear, at every jolt, the blood Come gargling from the froth-corrupted lungs, Obscene as cancer, bitter as the cud Of vile, incurable sores on innocent tongues,—

Lines 25-28

My friend, you would not tell with such high zest To children ardent for some desperate glory, The old Lie: Dulce et decorum est Pro patria mori .

“Dulce et Decorum Est” Symbols

The Dying Soldier

• See where this symbol appears in the poem.

“Dulce et Decorum Est” Poetic Devices & Figurative Language

• See where this poetic device appears in the poem.

“Dulce et Decorum Est” Vocabulary

Select any word below to get its definition in the context of the poem. The words are listed in the order in which they appear in the poem.

• Knock-kneed
• Haunting flares
• Flound'ring
• Froth-corrupted
• See where this vocabulary word appears in the poem.

Form, Meter, & Rhyme Scheme of “Dulce et Decorum Est”

Rhyme scheme, “dulce et decorum est” speaker, “dulce et decorum est” setting, literary and historical context of “dulce et decorum est”, more “dulce et decorum est” resources, external resources.

Biography of Wilfred Owen — A detailed biographical sketch of Wilfred Owen's life, including analysis of his work.

An Overview of Chemical Warfare — A concise historical account of the development of chemical weapons, with detailed descriptions of the poison gases used in WWI.

Listen to "Dulce et Decorum Est" — A recording of "Dulce et Decorum Est," provided by the Poetry Foundation.

Representing the Great War — The Norton Anthology's overview of literary representation of World War I, with accompanying texts. This includes two of Jessie Pope's patriotic poems, as well as poems by Siegfried Sassoon and others and various contemporary illustrations. It also suggests many additional resources for exploration.

Horace, Ode 3.2 — One translation of the Horace ode that the lines "Dulce et Decorum Est" originally appear in. 

Digital Archive of Owen's Life and Work — An archive of scanned documents from Owen's life and work, including his letters, as well as several handwritten drafts of "Dulce et Decorum Est" and other poems.

The White Feather — A brief personal essay about the treatment of conscientious objectors in WWI-era Britain.

LitCharts on Other Poems by Wilfred Owen

Anthem for Doomed Youth

Mental Cases

Spring Offensive

Strange Meeting

The Next War

Everything you need for every book you read.

Dulce et Decorum Est 101: Summary, Analysis, & Questions and Answers

“Dulce et Decorum Est” by Wilfred Owen concentrates on the shocking details of events soldiers came through in World War I. Owen recalls the war realities by showing readers the soldiers’ urgency when faced with death.

If you’re stuck with writing a paper on the poem, you’re in the right place! Below, you will find the Dulce et Decorum Est analysis, summary, answers to the most common questions. And don’t forget to check our free essay examples .

Let’s start!

• Literary Devices
• Language: Meter, Rhythm, Rhyme Scheme, Tone
• Essay Ideas
• Questions and Answers

Dulce Et Decorum Est: Summary

The author paints a group of marching soldiers in a muddy landscape. The soldiers are tired and sick. They are coughing like older adults, and their knees are shaking. Besides, they are far from the fighting spirit. Some of them walk like they seem to be sleeping. Some even lost their boots, and their feet are bleeding.

At the same time, they carry heavy packs while going away from light flares, used by the German army to spot an enemy by lighting up the territory. Their destination is a distant camp.

Soldiers are worn out physically and mentally. Their perception is clouded as if they were drunk. They can hardly recognize an impending threat.

Suddenly, one from the group warns about a gas attack so that soldiers can put on their protecting helmets. Everyone manages to do it on time, except for one soldier. The author saw his suffering and agony.

The soldier death reminded Owen of someone caught in fire or lime, used to blind the enemy in ancient times. He compares this terrible scene with drowning in the ocean, not underwater, but in the air full of poisonous gas.

Then, the reader is brought into the author’s post-war reality. Even years later, Owen did not escape the picture of yelling and dying in front of his eyes comrade-in-arms.

After sharing his grievous experience, the author turns to the readers and states a straightforward thing. It lies in the fact that if they took his boots and walked a mile, they would never have said to their children the war is glorious.

The author recalls marching behind a wagon with a dying wrecked-face soldier, who reminds of someone passing away from cancer or other diseases. Such memories dispel an “old lie” that dying for one’s country is sweet and fitting.

Dulce Et Decorum Est: Literary Analysis

We approach the literary analysis of the Dulce Et Decorum Est. You will understand the poem’s themes, the literary devices the author used, and the poem’s language.

Let’s go!

Dulce Et Decorum Est: Theme

The author illustrates the relationship between reality and heroic ideals. He does it via two central themes: patriotism and its false glory and horrors of war .

The poem’s title and final lines, “Dulce et Decorum Est,” are from Horace’s Ode 3.2 . The bar is a Latin equivalent for “It is sweet and fitting to die for one’s country.” It echoes powerfully in the hearts of the young, showing only the heroic and romantic side of patriotic death and other sacrifices “for good.”

In reality, it’s far from that. The author argues such a way of war glorification, calling it an “old Lie.” Each horror depicted from the “on-site” shatters the enduring myth that the war is glorious.

Line by line, the poem shows how terrible and horrifying the war experience is. One thing is clear: if the reader could see and feel all the author’s horror, they would not talk so zealously about patriotism and the delights of war.

All the above is bolstered by the third theme: the traumatic war’s impact on humans . In this context, possible terrible emotional or physical pains will not get better with time. The lasting effects of war trauma barely level out all the arrogance and glory of war.

Dulce Et Decorum Est: Literary Devices

Now, we will stop on Dulce Et Decorum Est literary devices. To express the main idea, the author used several poetic techniques, including:

Let’s explore Dulce Et Decorum’s literary devices and look at a few examples of their application.

The author successfully uses many similes to make the terror visible. Thanks to them, it is easier for readers to perceive the pain, horrific images, and agony.

One of the examples is in the very beginning: “ like old beggars under sacks ” — soldiers are shown not as brave mighty heroes, but as the homeless and weak tramps who beg for a living.

Here is the list of other same-purpose phrases: “ coughing like hags ,” “ like a devil’s sick of sin ,” “ obscene as cancer ,” “ like a man in fire or lime ,” “ as under a green sea ,” and “ bitter as the cud .”

Dulce et Decorum Es is so literal that it has only a single metaphor . It is used in the poem to make vivid imagery of the soldiers’ physical state. The metaphors are the compelling phrases, namely, “ drunk with fatigue ” and “ deaf even to the hoots .”

We have already touched a bit upon the symbolic elements in the poem’s imagery. Symbolism pictures the WWI experience like a nightmare rather than a real-life event.

The first symbolic element author introduces a green sea in which one of the soldiers “dies” after a gas attack, as he could not put on a mask on time. It can be explained by what Owen saw then: a gas fog through the mask glass.

Using this symbol in pair with the verb “drowning” transmits the painful and cruel way the soldier died. Besides, it builds the link between drowning in the ocean and gas suffocation. It is easier for readers to imagine the terrible feeling of lacking enough oxygen underwater.

The irony shows up in the poem’s very beginning. First, the reader sees the title Dulce et Decorum Est, meaning the poem will show how great it is to fight for the homeland. The first line is opposite to something glorious and sweet.

Reading more into the poem opens up terrifying things about war gradually. The author uses irony to express the violence, making the phrase in the title an illusion.

Along with irony and other poetic techniques, the author uses oxymorons . Two contradictory words used together make an oxymoron.

In phrase “ To children ardent for some desperate glory ,” the initially negative “ desperate ” word is combined with the joyous “ glory .” Another oxymoron is “ An ecstasy of fumbling ,” where the opposing state of extreme happiness combines with an awkward way of doing something.

With oxymorons, Owen produces a dramatic effect. The poem forces the reader to stop and think about the whole complexity of war and man’s place in it.

Dulce Et Decorum Est Language: Meter, Rhythm, Rhyme Scheme, Tone

The language of the poem Dulce Et Decorum Est is composed of several poetic devices, including meter, rhythm, rhyme scheme, and tone. Let’s describe each of them:

• Meter. The poem is composed of five-syllable pairs. Each pair’s first syllable is unstressed, and the second is stressed. The Dulce Et Decorum Est meter pattern is iambic pentameter.
• Rhythm. Combined with other techniques, the poem’s somber rhythm expresses imagery. The words themselves are rumbling. They collide to paint a horrific picture of the field where soldiers march. What is more, it is evocative of the rhythm of the heart.
• Rhyme scheme. Although the poem’s meter is rather complex, the rhyme pattern is simple. The rhyme scheme in Dulce Et Decorum Est is ABABCDCD. The author manages with simple words and no more than double rhyme sounds repetition.
• Tone. The poem’s tone is bitter, angry, and critical. The trauma and self-recrimination heat the speaker’s voice. That’s why he so accurately conveys all the fears and horrors he endured. Along with the angry tone, the ironically used “my friend” addressing those supporting an “old lie” impacts them more intensely.

Now, we move on to the poem’s setting.

Dulce Et Decorum Est: Setting

Owen does not give the exact setting location, but it is clear from the context that the action takes place in 1917 winter in France.

What is this context?

The poem is written during Wilfred Owen’s actual WWI experience . Here when he wrote letters with stories of the dying soldier.

Besides, there are elements in the poem, which serve as a clue to understanding the setting.

The most evident is green chlorine gas, deployed by the German army since 1915, and “clumsy helmets” or gas masks, used as gas attacks responsive measure.

Gas shells and flares are also WWI-specific elements. Soldiers never used them before.

The setting breaks into the past and present in terms of the author. After two stanzas, we shift to his indeterminate present in the past. It shows us that his horrors did not leave him even in the postwar peacetime.

Dulce Et Decorum Est Essay Ideas

Now that you have explored the poem analysis, it’s time to write the Dulce et Decorum Est analysis essay. We gathered 15 essay topic ideas to make things simple. Please, pick any from the list:

• Dulce Et Decorum Est poem figurative language
• Dulce Et Decorum Est poem literary devices
• Irony in poem Dulce Et Decorum Est
• Symbolism in poem Dulce Et Decorum Est
• What is the theme of the poem Dulce Et Decorum Est?
• How does Wilfred Owen describe the horrors of war in the poem Dulce Et Decorum Est?
• The brutality of war in the poem Dulce Et Decorum Est
• How does Wilfred Owen convey the human costs of war in the poem Dulce Et Decorum Est?
• Illustration of First World War in the poem Dulce Et Decorum Est by Wilfred Owen
• Literary devices and themes in Dulce Et Decorum Est
• Dulce Et Decorum Est: is it charming to die for one’s country?
• Why was Dulce Et Decorum Est written: literary and historical context?
• What is the Dulce Et Decorum Est message?
• The portrayal of death in Dulce Et Decorum Est by Wilfred Owen
• Depiction of tragedies of war in the poem Dulce Et Decorum Est

If the topics are not enough and you still have any questions, we suggest you check out an example of a ready-made Dulce et Decorum Est and The Things they Carried: Compare & Contrast Essay .

To help you finally delve into the topic, we gathered the most frequently asked questions and comprehensive answers to them below.

Dulce Et Decorum Est: Questions and Answers

Below you will find comprehensive Dulce et Decorum Est questions and answers.

Who Wrote Dulce Et Decorum Est?

Dulce et Decorum Est was written by Wilfred Edward Salter Owen , an English soldier, and poet. He was born on 18 March 1893 near Oswestry in Shropshire. Among the First World War poets, he was almost the leading one.

At the time he lived, ideas and themes he erased in his poetry were in contrast to the perception of war by the public. As ideas of anti-militarism developed, his poems became increasingly recognized. Here are several examples: “ Anthem for Doomed Youth ,” “ Strange Meeting ,” “ Insensibility ,” and “ Spring Offensive .” All of them were published posthumously.

On 4 November, at the age of 25, Owen was killed while leading his men across the Sambre and Oise Canal.

When Was Dulce Et Decorum Est Written?

Like most of Wilfred Owen’s works, Dulce et Decorum Est was written between August 1917 and September 1918. At that time, Owen was fighting in the First World War. Most likely, it was written in 1917 when he was at the Craiglockhart War Hospital near Edinburgh.

What Does Dulce Et Decorum Est Mean?

Dulce et Decorum Est is a citation from the Roman poet Horace’s Ode 3.2. The literal meaning of it is “it’s sweet and fitting to die for one’s country.”

The author aims at deconstructing this myth. In the last stanza, he calls it an “old lie.”

Owen successfully showed the difference between the horrifying reality of war and its glorious image, usually spread by those not even fighting in it.

What Is Dulce Et Decorum Est About?

Originally written as a personal letter, Owen later decided to appeal to a broader audience of all war supporters. The poem is highly emotional, making it one of the most popular condemnations of the war.

Dulce et Decorum Est begins with an image of weary soldiers walking from the front lines through thick mud. Then, there is a gas attack, in which one of the soldiers dies.

What Happened in the Poem Dulce et Decorum Est?

The poem tells us the story of a group of soldiers, “ drunk with fatigue ,” forced to make their way “through the mud” to take shelter from the explosive shells that fall on their rear.

Then gas shells fell around them. The soldiers rushed to put on their gas masks. In a rush, one of them is caught gassed. The author sees him “screaming again and stumbling.” Then, he sees him yelling in agony as he is drowning in the green sea.

When the attack was over, they proceeded on their way, but their mate was in the wagon, with white eyes and coughing up blood.

Who Is the Speaker in the Poem Dulce et Decorum Est?

The poem, composed of 28 free iambic pentameters, lets us hear the voice of the poet himself . Owen appears here as a soldier with a deep incurable emotional trauma left after the war and its horrifying events.

Why Was Dulce Et Decorum Est Written?

Discussing war horrors in the abstract does not require much effort. Owen managed to depict those horrors in a specifically devastating way. What’s more, he shows in the poem that every aspect of war is terrible. Starting from a soldier’s daily life, continuing to the death in an attack, and postwar traumatized body and mind.

The author is very disappointed with the war. A reader can see it in the last few lines of the last stanza.

How Does Dulce et Decorum Est Make the Reader Feel?

The way the author uses language to put the audience inside the events helps them understand the terrible experience of awful aspects of war.

What Is the Message of Dulce et Decorum Est?

The central tension lies between the reality of the war and the government’s portrayal of war. They paint it as sweet and fitting to die for your homeland. The message that Owen conveys is the reality of the cruel and horrific war.

Why Is Dulce Et Decorum Est Important?

The poem lies genre of protest poetry because it shows the horror and reality of war, specifically the First World War. Dulce et Decorum Est sets this horror against how war is so often glorified.

• Wilfred Owen’s “Dulce et Decorum Est” — English Emory
• Horace, Ode 3.2 
• Biography of Wilfred Owen
• Wilfred Owen: Biography & War Poet
• Digital Archive of Owen’s Life and Work 
• Wilfred Owen’s Dulce et Decorum est: Summary & Analysis
• Dr. Santanu Das explores the manuscript for Wilfred Owen’s “Dulce et Decorum est” Video on the British Library’s World War I website
• Ian McMillan asks if “Dulce et Decorum est” has distorted our view of WWI Video on the BBC’s iWonder website
• Manuscript version of ‘Dulce et Decorum Est’ The Poetry Manuscripts of Wilfred Owen on the British Library’s website
• Listen to “Dulce et Decorum Est” 
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Dulce et Decorum Est Summary & Analysis

Dulce et decorum est: about the poem.

The poem Dulce et Decorum Est is a prominent anti-war poem written by Wilfred Owen about the events surrounding the First World War. Owen served as a Lieutenant in the War and felt the soldiers’ pain and the real truth behind war.

In the poem, he creates an hierarchical division of events. First, he discusses the general unwillingness of the soldiers who are actually facing the wrath of war to continue with the war. The soldiers are caught in a sudden gas attack, most probably the chlorine gas which forms a green sea. Owen then moves on to depict the trauma the narrator suffers while he watches his fellow soldier succumb to the deadly gas poisoning and can do nothing. Finally, he makes an outstanding commentary on how the perspectives of people talking about war and the soldiers who are witnessing it differ.

In the poem, Owen presents a graphic picturisation not of the the war but the casualty of war. Such characterisation makes the poem a distinct anti-war poem of all time. Further, in ‘Dulce et Decorum Est’ we find that it is not confined to being an anti-war poem. Rather, it moves a step ahead to invoke those people who make rallying  cry for youths to enlist to fight war in name of glory and national honour.

This brings out the irony between the idealism of war as heroic by men exhorting youth to join the war and realism of the war as devastating that a soldier of the war face. The use of irony marks Owen’s known form of expression.

He directed the first draft of this poem to Jessie Pope, a civilian propagandist and poetess who rooted on the youths to join war efforts. Then, he  later revised it to mention “a certain Poetess” and ultimately eliminated it in order to rope in a larger audience.

The title of the poem is satiric and a manifestation of the disgust and bitterness the narrator holds for the warmongers. The title appears in the last two lines of the poem. “Dulce et Decorum est Pro patria mori” (It is sweet and fitting to die for one’s country.) was a popular Latin phrase at that time. It was originally a part of the Roman Poet Horace’s Ode 3.2 . Owen ends the poem with these lines to accentuate the fact that participation in war may not at all be decorous. He was simply unable to justify the sufferings of war. The outbreaks of influenza, or living in trenches with rats for days didn’t seem justifiable. The loss of so many lives, soldiers living in worst conditions, blocking each other’s food supplies didn’t support a humane environment.

About the Poet: Wilfred Owen

Wilfred Edward Salter Owen, MC (Military Cross) was an English soldier and one of the leading war-poets of the First World War. He is best known for his works which stood contrary to the popular perception of war at the time and the patriotic verses of the writers like Rupert Brooke. Many of his best-known works came out  posthumously including “Dulce et Decorum Est”, “Insensibility”, “Anthem for Doomed Youth”, “Futility” and “Strange Meeting”.

His early writings show influence of Romantic poets like Keats and Shelley. But, his later ones show a distinct influence of his fellow soldier Siegfried Sassoon, especially his use of satire.

Owen was awarded the Military Cross for his courage and leadership in the Joncourt action.

Dulce et Decorum Est: Form and Structure

The poem is a combination of two sonnets. Though the spacing is regular between them, it gives a semblance of French ballad. The breaks in the sonnets are irregular and irregularity brings out a sense of irregularity and imperfectness of the world.

In the first sonnet, the poet describes his experiences of the war. In the second sonnet, he becomes analytic with a clear stand. He reflects back on what he experienced and attempts to correct the outlook of others.

The poem rhymes well following patterns like ABAB, CDCD etc. It may look like one written in Iambic Pentameter. But, the stresses are not definite in every line. May be this is another way of Owen to break off from the conventions and traditional ideals of the society and show the world its true face.

Dulce et Decorum Est: Line by line Analysis

The poem develops along three stages – presentation of weary and tired soldiers, then their sudden exposure to bombings and gassing and finally, the horrific after-effect of the war – described so emphatically.

Bent double, like old beggars under sacks, Knock-kneed, coughing like hags,

The first stanza starts with the description of the tired, war-ridden soldiers. According to the speaker, the soldiers were bent double like old beggars with heavy sacks. Here, ‘double’ points to the fact that the soldiers were not only physically but also mentally exhausted.

They were knock-kneed or physically deformed, coughing like hags. With the use of simile with the word “like” in ‘like old beggars’, and ‘hags’, the poet tries to induce the convincing image of horrid and terrifying experiences of the war.

… we cursed through sludge, Till on the haunting flares we turned our backs And towards our distant rest began to trudge.

Exhausted, they dragged on through the sludge nonetheless. The “sludge” may actually depict the trenches the soldiers had to live through during the First World War. Seemingly, these trenches became a part of an extended war-plan. The soldiers wouldn’t turn around even if the haunting flares or bombs exploded near them. They kept on moving to their camps, a place where they could rest. It was certainly ‘distant’ from the war-front.

Here, ‘distant rest’ can also point to subtle description of death as the ultimate destiny for the war-soldiers. Only death could be the real guarantee of rest. The First World War did cost over nine million lives.

Men marched asleep. Many had lost their boots But limped on, blood-shod. All went lame; all blind; Drunk with fatigue; deaf even to the hoots Of tired, outstripped Five-Nines that dropped behind.

With this, the speaker continues the description and says the men marched on. They were dog-tired as if they were asleep. Even when many of them lost their boots they limped on their blood-shod feet. They all went lame and blind and drunk with fatigue. They even grew deaf to the noises, hoots of the shells and the bombs around them. Even the five-point-nine calibre shells which dropped behind them seemed to fail to awaken the soldiers.

To make it easy, the soldiers were so tired that they could not even hear the sounds of all the noises, hoots, bombs or the mighty shells.

Gas! Gas! Quick, boys! – An ecstasy of fumbling, Fitting the clumsy helmets just in time; But someone still was yelling out and stumbling, And flound’ring like a man in fire or lime. . .

With the second stanza, we move on to the second act or stage where a sudden chaos ensues. The poem suddenly gains pace with the abrupt gas-attack. The soldiers were caught in the frenzy which is marked by ‘Gas! Gas! Quick, boys!’. They hastened to ready themselves with masks and helmets. While fitting their clumsy helmets in time, they fumbled. But, there was one soldier still yelling out and stumbling, floundering like a man on fire or lime (which burns live tissues).

The ‘ecstasy of fumbling’ provides us with an irony. Surely, the situation was far from being ecstasy. It only describes the picture of how tired and jaded they were. The chaos followed the fatigue and presented itself as ecstasy.

With the use of simile, the poet takes help from outside to actually describe what he was feeling. It is as if he cannot deal with the event head-on. So, he sought similarity with hags to minimize the pain he was feeling – the pain of a life getting lost right in front of his eyes.

Dim, through the misty panes and thick green light, As under a green sea, I saw him drowning.

The speaker then says that through the hazy window-panes and the dim, thick green light, he saw his comrade drowning under a green sea. The gas-attack produced the “green” sea that his eyes saw.

With the repetition of the word ‘green’, the poet paints a gruesome picture of how overwhelming the scene must have been.

In all my dreams, before my helpless sight, He plunges at me, guttering, choking, drowning.

The poet stresses upon the dreams the speaker is having in the third stanza. In all his dreams, the same soldier plunges at the speaker. And, like always, he can do nothing but look at him helplessly.

Here, ‘helpless sight’ underscores the sense of helplessness he felt at not being able to help his fellow soldier when he succumbed to the gas-attack. As in past, he was unable to do anything about it and was guilt-ridden, the same is reflected in his dreams.

The man in his dreams is always guttering, choking and drowning. Here, ‘guttering’ may point to gurgling like water draining down a gutter or the sounds in the throat of the choking man.

The rhyme scheme of this stanza follows the second one. Quite possibly, it highlights how the past (second stanza) is affecting his present (third stanza).

If in some smothering dreams you too could pace Behind the wagon that we flung him in, And watch the white eyes writhing in his face, His hanging face, like a devil’s sick of sin;

Now with this stanza, the poem enters its final stage where the speaker takes over the narrative. Here, as discussed earlier, ‘you’ is meant to point out to  the extended audience Owen tries to show the real face of the war to. Here, he attempts to convince us to see the war as if we were there.

Yet again, the pace of the poem slows down. The whole stanza is a single complex sentence comprising of some conditional (if) clauses. The motive is to say that we the readers could feel the poet’s agony and support his point if we were present in the battlefield and saw the horrific happenings there.

Clearly, through this stanza, he wants the reader to feel the pain he went through. But he knows there is no way that we the readers can feel the same. It is just not possible to feel the same from afar. So, everything from now can only be hypothetical.

Owen continues to exhort the readers to prove his point. He claims that we the readers could feel the same pity of war if we could follow the wagon that they (speaker and his comrades) flung the soldier’s body in, or watch the dead soldier’s lifeless white eyes or his pitiful face in an overwhelming (smothering) dream.

Here, the poet has used expressions like ‘white eyes’, ‘writhing in his face’, ‘hanging face’ and ‘devil’s sick of sin’ to express how horrible the dream could be.

Here is a simile in comparing the lifeless face to a devil’s sick of sin. Again, when we notice keenly we find the use of sibilance with ‘face’, ‘devil’s’,  ‘sick’ and ‘sin’ in the last line above.

If you could hear, at every jolt, the blood Come gargling from the froth-corrupted lungs, Obscene as cancer, bitter as the cud Of vile, incurable sores on innocent tongues, My friend, you would not tell with such high zest To children ardent for some desperate glory, The old Lie; Dulce et Decorum est Pro patria mori.

Further, the poet invokes the readers and calls them his friend (‘my friend’) while carrying on with his logic. He opines, if we could hear the soldier’s voice gargling blood from his lung corrupted by the gas at every jolt the wagon experienced sounding as “obscene as cancer” and bitter as cud, then we would not say with such high zest and conviction to the keen children desirous of glory, “the old lie” of “Dulce et decorum est”.

Here, ‘high zest’ is a satirical take to point out the idealistic conviction and enthusiasm of people sitting back home. Nonetheless, it brings in light the hypocrisy of such men and women who are far away from the war and unaware of the true reality of the war.

He clearly calls “Dulce et Decorum est Pro patria mori” (“It is sweet and fitting to die for one’s country”) an old lie. Even when he maintains that he is not unwilling to sacrifice his life for his country, he simply doesn’t believe in the old conviction that it is the sweet and fitting thing to do. Needless to say, he didn’t gain any sweet or fitting, worthwhile experience from the war.

So, this anti-war poem goes on to paint the tragedy of war and to convince the leaders against trying to infuse false patriotism in youths. And, unlike many other war-poems, this is based on real stocktaking, real knowledge and real assessment of the situation.

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Dulce et Decorum est

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Analysis: “Dulce et Decorum Est”

Content Warning: The section features references to and descriptions of war and its effects on the human body, physical descriptions of the effects of chemical warfare, and discussions of post-traumatic stress disorder.

Owen’s speaker is a soldier in a regiment for the Allied Forces. His goal is to make sure that those on the home front, whom he directly addresses later in the poem, understand the realities of the soldier’s burden and the circumstances he faces. These are no glorified warriors in shiny uniforms, but young men “[b]ent-double, like old beggars” (Line 1) by the weight of their equipment and the ceaselessness of battle. Placing the narrative post-battle, the speaker notes how they “trudge” (Line 4) wearily toward some “distant rest” (Line 4). Some are sick and “coug[h] like hags” (Line 2) while others have “blood-shod” (Line 6) feet from having lost their boots.

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NAT 5/Higher 'Dulce Et Decorum Est' Bundle

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17 December 2019

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Resources included (3)

NAT 5 English Model Critical Essay: Dulce Et Decorum Est (17/20)

NAT 5 English Model Critical Essay: Dulce et Decorum Est (18/20)

NAT 5/Higher 'Dulce Et Decorum Est' Critical Essay Quote Booklet

A collection of two essays and a detailed critical essay quote booklet aimed at National 5 students studying Wilfred Owen’s ‘Dulce Et Decorum Est’. This can be used for Higher English as well.

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Dulce et Decorum Est Critical Essay.

Dulce et Decorum Est Critical Essay

Wilfred Owen deals with the horror of war in his eloquent poem “Dulce et Decorum Est”.  The poem is written with a bitter tone to describe men before and through an attack that happened during the First World War.  The theme of the poem, as the title is an antithesis of, is it is no “fine and fitting thing to die for one’s country.  Owen has created a different atmosphere in each verse, creating a picture that is certainly not glorious; the point the author uses this poem to prove.

Owen has used the first verse to create a scene of despair  “deaf even to the hoots”. He has used enjambment to create a conversational tone, but each phrase strikes the reader while being part of a list to reinforce how many injuries there were. It suggests that the soldiers are elderly, giving up and barely alive “old beggars under sacks” and “coughing like hags”.  Owen has created a slow pace in the first verse using long sentences and figurative language “Knock-kneed, coughing like hags”.  The word choice “asleep”, “lame” and blind also gives connotations of old men, slowly dying.  This shows the author’s skill; he creates images that he can later shatter.  Owen had cleverly caused me to forget that these men are young and should be in good health.

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The second verse contrasts well with the first, the author has cleverly built a lively, fast-moving scene.  Minor sentences “Gas! Gas!” quickly readjusts the pace.  Repeated present participle endings have been used to emphasise the feeling of haste. The use of “boys” in the first line quickly shows the reader that it is youths being described in this poem, another transformation from the first verse, which suggests otherwise.  Again, the word choice is of importance, unusual words like “ecstasy” have been carefully chosen to suggest excitement. The word “drowning” gives connotations of someone drowning in the sea, gasping as they are dragged down to their death.  The last three lines of the verse touched me and gave vivid images with their detailed descriptions.  The informality of the language “yelled” is used by Owen to reach out to the reader.  

The third verse has another change of atmosphere, which Owen uses to show the true meaning and horror of war.  He uses onomatopoeia, “gargling”, a word that has vivid imagery and suggests the severity of the injuries sustained by the soldiers.  The alliterative words “froth-corrupted” evoke graphic images, which could make any reader shudder.  During the third verse the author addresses the reader, “If you could hear”, to create intimacy and bring to life the horror of war.  The two lines which end the poem are possibly the most important; they emphasize the theme of the poem, it is not glorious to die for your country.

The theme is apparent throughout the poem, there are no positives aspects of war mentioned in it. Owen has used imagery and structure to create a negative and graphic picture of war, this ties in perfectly with the theme.  It is clear that Owen strongly objects to war and uses this poem to circulate his message, that is why he made the last two lines particularly blunt

“The old Lie: Dulce et Decorum est Pro patria mori”.  There is a capital letter at the beginning of the word “Lie” to emphasize his point.

Owen has used his poem “Dulce et Decorum Est” to convey a message about war, it is no fine and fitting thing to die for one’s country.  To do this effectively he used figurative language, enjambment, informal language and carefully controlled the tone.  The poem was effectively written, causing the reader to be shocked by the graphic images and word choice.  

Document Details

• Word Count 629
• Page Count 2
• Level AS and A Level
• Subject English

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