shakespeare essay hooks

A Guide To Writing Shakespeare Essays, Including Pitfalls & Tips

William Shakespeare is undoubtedly one of the most significant personalities of the world and culture in particular. This dramatist is considered to be an inventor of literary English language, an inventor of modern theater, and the greatest poet in the history of England. Starting in the 15th century, Shakespeare’s poems and plays have been published in a lot of countries and translated into almost all languages of the world. It is no wonder that students have to write a Shakespeare essay despite their disciplines and specialization. The assignments vary. You might get a task to analyze the sonnets or a play of a famous playwright and writer, write a book report, or say some words about his life in a Shakespeare biography essay. No matter what is your writing about, experts from  ProHighGrades  collected some ideas and essential tips that will help.

How to Write a Shakespeare Biography Essay

If you are to write essays about the background of a great author, you need to know his biography, and the peculiarities of the time he lived in. Here are some ideas:

• Describe the town he was born and lived. Stratford-upon-Avon was a small English town, and his family was among the noble ones. You can analyze the primal education and the reasons to move to London.
• Literature resources give a little knowledge of young Shakespeare. No one knows the real day of birth. The authors know he was baptized in April. History did not save much about his school or university education. The period which starts in the year 1585 and finishes in 1593 is called “the lost years of Shakespeare.” An excellent attempt to analyze and make suggestions concerning his real life and a search for additional facts will amaze the professors.
• You can analyze the relationship between Shakespeare and other people. Some works and pages contain suggestions about his love, friends, etc. A good Shakespeare biography essay will try to study the stories related to the company surrounding him. Study the writers he mailed.
• Finally, his last years and death are covered in mystery as well. You can try to find a reason why Shakespeare left a big part of his property to his daughter Susanna. Write about a real reason to move back to Stratford.

A good story about a simple man, people to follow him, the political and historical circumstances and terms, the rights of a human of Shakespeare’s society, popular suggestions, and references to his biography from other sources deserve to appear in an excellent Shakespeare essay.

How to Write an Essay About Shakespeare’s Works

Everybody read the author. Students compose tons of writings, where they give information about his collection of works. In order to claim some originality and score free points on exclusiveness, you need to consider many things:

• All the essays about Shakespeare’s literature are written. People wrote about the classic plays after his sonnet or plots. Scholars read, search, and research the significance of his works in almost every paper. You need something contemporary. New plays and interpretations of the texts appear today (for example, a fresh Hamlet play with Benedict Cumberbatch). New movies come from Hollywood and other countries. Take them into account. Many original Shakespeare essay topics are reserved for you
• If you are in despair, choose a way that worked for centuries. Analyze the title of a particular poem or play. A Midsummer Night’s Dream , the plays entitled by names ( Romeo and Juliet , Macbeth , Much Ado About Nothing and others are a reason to write a good, short essay about William Shakespeare.
• A good idea is to analyze the characters of Shakespeare. His plays are not all full of action, but characters are deep. Conflicts, emotions, experience, and background stand behind every one. To make a Shakespeare paper better, reading work is not enough. Try to watch the performance of actors from plays and movies. Usually, they do not make an exact copy of the text but bring the new interpretation.
• Good Shakespeare essay examples choose famous critics for referencing. A catchy quote or a properly referenced idea will make your essay worth money and effort. Remember that the question you ask in the Shakespeare paper must find its answer despite the length of a paper, and a number of essay pages needed.
• Adjust your essay to a discipline. In every Shakespeare text, you can find something for a history, sociology, culture, linguistics, psychology, arts, mythology, and literature essay.

Shakespeare was not a simple person and now has a truly global identity. His impact on his and further times are great. Many people study him, and increasingly significant numbers will no doubt do so in the future. You can also count on the guys from EditProofRead to check out your paper to make sure it’s good.

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50 Awesome Shakespeare Essay Topics You Should Consider for Your Literature Class

William Shakespeare is the most frequently discussed author in English Literature classes. By assigning the Shakespeare essay, teachers assess students' knowledge of his most distinguished works, as well as their overall ability to analyze literary pieces. Why is it so important? Because knowing Shakespeare's best stories and citing his most famous lines is the mark of how enlightened a person really is.

There are many types of academic essays, but if you stick with an essay on Shakespeare it will probably fall in one of the below categories:

• Descriptive essay (pick a particular idea and introduce it to the audience).
• Expository essay (shed light on a problem with the help of proven facts).
• Persuasive essay (take a position and try to justify it by citing evidence).

Picking Shakespeare essay topics is always challenging, which is why we decided to spare you the trouble and prepared a list of the top William Shakespeare essay topics.

Best Shakespeare Argumentative Essay Topics

• The topic of revenge & love: Does Hamlet reveal his feelings for Ophelia because of the desire for revenge?
• Discuss how real the ghost in Hamlet is.
• Sexual problems in William Shakespeare's works.
• The difference between historical events and the way Shakespeare interprets them.
• How convincing is the presence of the ghost in Hamlet ?
• Polonius's judgment: wrong or right perception?
• What do Shakespeare's characters use for achieving political goals?
• Does Hamlet deserve to die at the end?
• Analysis of films based on Shakespeare's poems.

Topics for Shakespeare Plays

• The role of emotions & social status in Shakespeare's works.
• Analysis of Comedy of Errors .
• William Shakespeare as a playwright.
• What are the similarities between Hamlet and Moby-Dick ?
• Melodrama - the primary genre of Shakespeare's plays.
• The most important feature of Shakespeare's plays (tragedy).
• The role of women in Othello .
• The influence of political events on the author.
• How Shakespeare brought about a revolution in literature.
• The most successful movies based on Shakespeare's famous plays.

Excellent Shakespeare Sonnets Essay Topics

• Choose The Dark Lady and argue the way she would be represented in the real world.
• The conflict between platonic love & carnal desire.
• Homoerotic desire in Shakespeare's sonnets.
• How should the sonnets be divided?
• Provide a couple of examples where Shakespeare criticizes himself for his inadequacies.
• The meaning of the black color in Shakespeare's sonnets.
• The images used by Shakespeare in his sonnets.
• In-depth analysis of sonnets 153-154.
• Methods used to characterize women's identity.
• The financial imagery in Shakespeare's sonnets.

Shakespeare Essay Topics - Female Characters

• The characters who dress up as boys (example: Viola ).
• Ladies with the power to do whatever they want ( Cleopatra ).
• Unassuming female characters who act for the sake of love.
• Shakespeare's common representation of women.
• The topic of sexism in Taming of the Shrew .
• Temptation in Macbeth .
• A feminist perspective on Shakespeare's famous works.
• The way Shakespeare depicts the relationships between men and women.
• Modern reaction to Shakespeare's representation of women.
• Describing female characters in Othello .

Stunning Essay Topics about Shakespeare

• Characters in Henry V .
• The issue of racism in Othello .
• The role of supernatural phenomena in Macbeth .
• What was Cassius' motivation?
• What was the central role of the Fool in King Lear ?
• How do 7 soliloquies represent Hamlet?
• Analysis of Othello's Desdemona.
• Racism in the art of Shakespeare.
• Characterizing King Duncan .
• Hermione from The Winter's Tale .

Which Format to Choose?

Once you are done selecting among the Shakespeare essay topics, think about the appropriate format for your essay. Go with the standard 5-paragraph essay, which usually comprises the following parts: an introduction, at least three body paragraphs, and conclusion. Make sure to include background orientation to the topic, and thesis in the introduction; provide arguments in support of the thesis statement (main idea of the writing) in the body paragraphs; summarize the body paragraphs and restate the thesis in the conclusion. The conclusion should leave a lasting impression on the reader so that you can do that with the help of a hook sentence of your choice:

• Literary quote.
• Rhetorical question.

It's also a good idea to finish your essay with an interesting fact from the author's life or a quote from his work proving your point.

What If You Are Running Out of Time?

Struggling to prepare an impressive Shakespeare research project in one evening? Better leave the job of both choosing William Shakespeare essay topics and writing it all to us! Our team of dedicated writers & editors is always ready to come to your rescue and write your paper from scratch! And it does not matter to them whether you need a paper on William Shakespeare or some other famous British or American author - they work 24/7 to deliver all kinds of homework assignments. So, what are you waiting for? Place your order now!

100+ Shakespeare Essay Topics

The enigmatic William Shakespeare remains one of the most studied literary figures, and writing essays on his comprehensive works can be as enlightening as it is challenging. At WriteOnDeadline, we understand the complexities and subtleties involved in crafting compelling essays about Shakespeare’s compositions. Therefore, we are here to assist you in navigating this journey through selecting intriguing topics and offering a helping hand in bringing your Shakespeare essay to life.

Table of Contents

What is a Shakespeare Essay?

A Shakespeare essay is a scholarly composition that explores the various aspects of Shakespeare’s works, including his plays, sonnets, and other poetic works. These essays can delve into themes like tragedy, love, betrayal, leadership, and supernatural elements, to name a few, all frequent in Shakespeare’s writings. Analyzing the historical context, linguistic techniques, character development, and unique plot twists are also integral parts of a Shakespeare essay, requiring a deep understanding of literature, Renaissance culture, and, importantly, Elizabethan English.

Choosing the Perfect Shakespeare Essay Topic: A Quick Guide

Embarking on the journey of writing a Shakespeare essay involves first selecting a topic that is not only engaging but also offers ample avenues for research and analysis. Here’s a quick guide on making this crucial choice:

• Passion Meets Relevance: Choose a theme or character from Shakespeare’s works that intrigues you the most. Your passion for the subject will fuel your research and writing process.
• Scope for Exploration: Opt for a topic that allows multiple perspectives and interpretations. The richness of Shakespeare’s work lies in its complexity and the myriad ways it can be understood.
• Resource Availability: Ensure there are sufficient resources and scholarly materials available for your chosen topic. The depth of your analysis will largely depend on the quality of the research you conduct.
• Originality is Key: While Shakespeare’s works have been discussed extensively, strive to find a unique angle or an under-represented theme that will make your essay stand out.

Captivating Shakespeare Essay Topics Lists

Delving into the world of Shakespeare requires a guide to the possible paths one can explore. Below are unique and engaging topics that can be the foundation of insightful essays.

Analyzing the Tragedies

• The manifestation of political power in “Macbeth.”
• Exploring the theme of revenge in “Hamlet.”
• The role of fate and free will in the tragedy of “Romeo and Juliet.”
• Moral dilemmas faced by characters in “King Lear.”

Delving into the Comedies

• Gender disguises and their implications in “Twelfth Night.”
• The concept of love in “A Midsummer Night’s Dream.”
• Analyzing the comedic elements in “Much Ado About Nothing.”
• Portrayal of friendship in “The Two Gentlemen of Verona.”

The Histories and Their Relevance

• Historical truths versus artistic license in “Richard III.”
• Exploring national identity in “Henry V.”
• The role of prophecy and divination in “Julius Caesar.”
• Leadership qualities depicted in “Henry IV, Part 1.”

Unraveling the Romances

• The supernatural elements in “The Tempest.”
• Realism and idealism in “The Winter’s Tale.”
• Exploration of forgiveness and reconciliation in “Cymbeline.”
• Depictions of loss and redemption in “Pericles.”

Sonnets and Poems

• The theme of immortality in Shakespeare’s sonnets.
• Shakespeare’s depiction of love in his sonnets.
• Analysis of narrative techniques in “The Rape of Lucrece.”
• The role of symbolism in “Venus and Adonis.”

Special Topics

• Shakespeare’s influence on modern literature.
• The relevance of Shakespeare in today’s world.
• Shakespeare’s portrayal of female characters.
• The use of soliloquies in Shakespeare’s plays.

Shakespeare’s Worldview

• Shakespeare’s perception of the human experience.
• The idea of mortality in Shakespeare’s plays.
• How Shakespeare’s personal life influenced his work.
• The importance of nature in Shakespeare’s literature.
• Social hierarchies and class distinctions in Shakespearean plays.

Portrayal of Relationships

• Familial bonds in “King Lear.”
• Love versus infatuation in “Romeo and Juliet.”
• Friendship dynamics in “The Merchant of Venice.”
• Manipulative relationships in “Othello.”
• Power struggles in marital relationships throughout Shakespeare’s plays.

Villains and Antagonists

• The psychological profile of Iago in “Othello.”
• Lady Macbeth: Power, ambition, and guilt.
• Richard III’s quest for power and its implications.
• The role of jealousy in creating villains in Shakespeare’s works.
• Aaron the Moor’s malevolence in “Titus Andronicus.”

Supernatural Elements

• The importance of the Three Witches in “Macbeth.”
• The role of ghosts and apparitions in “Hamlet.”
• Prophecies and their influences in Shakespeare’s plays.
• The supernatural as a reflection of human psychology.
• Ariel vs. Caliban: Contrasting representations of the supernatural in “The Tempest.”

Philosophical Insights

• To be or not to be: An exploration of existentialism in “Hamlet.”
• The notion of predestined fate in “Romeo and Juliet.”
• The philosophy of dreams in “A Midsummer Night’s Dream.”
• The concept of time in Shakespeare’s sonnets.
• Views on ambition and its consequences in “Macbeth.”

Lesser Studied Plays

• Exploration of societal norms in “Troilus and Cressida.”
• Themes of betrayal and loyalty in “Coriolanus.”
• The tragic elements in “Timon of Athens.”
• Elements of satire in “All’s Well That Ends Well.”
• Role of disguise in “Measure for Measure.”

Historical and Political Analysis

• Shakespeare’s portrayal of Roman politics in “Antony and Cleopatra.”
• The Tudor myth in Shakespeare’s historical plays.
• Analysis of the political climate in “Julius Caesar.”
• Leadership dynamics in “Henry IV, Part 2.”
• The politics of love in “Antony and Cleopatra.”

Language and Rhetoric

• Shakespeare’s innovative use of the English language.
• The power of soliloquies in driving plot and character development.
• Wordplay, puns, and their significance in “Twelfth Night.”
• Rhetorical devices in Mark Antony’s speech in “Julius Caesar.”
• The language of love in Shakespeare’s sonnets.

Gender and Sexuality

• The role of cross-dressing in “As You Like It.”
• Examining the feminist aspects of “The Taming of the Shrew.”
• Gender roles and expectations in “Macbeth.”
• Exploration of sexuality in “The Sonnets.”
• Female empowerment in “Much Ado About Nothing.”

Religion and Morality

• Religious undertones in “The Merchant of Venice.”
• The interplay of sin, redemption, and justice in “Hamlet.”
• Examination of moral dilemmas in “Othello.”
• Pagan vs. Christian beliefs in “King Lear.”
• The concept of divine retribution in Shakespeare’s tragedies.

Character Development and Evolution

• Evolution of Macbeth: From hero to tyrant.
• Desdemona’s resilience and fragility in “Othello.”
• The transformation of Prince Hal to King Henry V.
• Juliet’s journey from innocence to maturity.
• The multifaceted nature of Shylock in “The Merchant of Venice.”

Symbolism and Imagery

• The symbolism of blood in “Macbeth.”
• Light and darkness imagery in “Romeo and Juliet.”
• Nature imagery in “As You Like It.”
• The role of the handkerchief in “Othello.”
• Sea and land as contrasting symbols in “The Tempest.”

Settings and Their Implications

• The significance of the Forest of Arden in “As You Like It.”
• Venice vs. Belmont: Contrasting worlds in “The Merchant of Venice.”
• The claustrophobic setting of Elsinore in “Hamlet.”
• Social dynamics in the court vs. wilderness in “King Lear.”
• The island’s role as a microcosm of society in “The Tempest.”

Deceptions and Revelations

• The impact of Iago’s deceptions in “Othello.”
• Secrets and revelations in “Twelfth Night.”
• The tragic consequences of deceit in “Macbeth.”
• Mistaken identities in “The Comedy of Errors.”
• Portia’s cunning in “The Merchant of Venice.”

Love in Its Many Forms

• Unrequited love in “A Midsummer Night’s Dream.”
• The destructive nature of obsessive love in “Antony and Cleopatra.”
• Familial love in “King Lear.”
• Friendship vs. romantic love in “The Two Gentlemen of Verona.”
• The portrayal of true love in “The Sonnets.”

Struggling with your Shakespeare essay? At WriteOnDeadline, we offer unparalleled support and professional writing services to help bring clarity, precision, and creativity to your essays. Our team of experts is equipped to provide comprehensive guidance, from selecting a captivating topic to delivering a meticulously crafted essay. Don’t let the stress dim your academic sparkle; reach out to us and let’s create your masterpiece together!

Useful References

• Shakespeare Online
• The British Library – Shakespeare in Quarto
• Folger Shakespeare Library
• Shakespeare’s Works: A Comprehensive Resource
• Shakespeare Resource Center

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Shakespeare Studies & Criticism

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Welcome to the home of Shakespeare Studies & Criticism on Oxford Academic. We hope you will enjoy this celebration of Shakespeare, and that this page will act as a springboard to new discoveries on your research journey.

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Latest posts on x, shakespeare on the oupblog.

Sir Stanley Wells and the First Folio

It’s often been difficult to dispel this reverence and distinguish an actual author behind it.

For enabling many readers to accomplish that, we have to thank Sir Stanley Wells, general editor of The Oxford Shakespeare and Emeritus Professor of Shakespeare Studies at Birmingham University. His diligent and common-sense scholarship has done much to de-mystify Shakespeare and reposition the plays as working documents.

OUP Archivist Martin Maw examines one scholar’s immense contribution to Shakespeare Studies.

“A tiger’s heart wrapped in a player’s hide”: Shakespeare under attack

Robert Stagg 

Around three years into his career as a dramatist, Shakespeare’s blank verse, came under attack.  

In 1592, playwright Robert Greene described William Shakespeare’s blank verse—his unrhymed iambic pentameter—as "bombastic".

Robert Stagg explores this criticism and how Shakespeare came to fend it off over the course of his career.

Why “the all-male stage” wasn’t

Pamela Allen Brown 

Why is “the all-male stage” inadequate as shorthand for the early modern stage?

Pamela Allen Brown explores gender roles on stage, and the arrival and impact of the 'innamorata accesa' (woman inflamed with passion), the trademark of the foreign diva.

How did Shakespeare become a London playwright?

Lena Cowen Orlin

Shakespeare’s first biographer, Nicholas Rowe, wrote in 1709 that the author married “while he was yet very young.” He then fell in with a bad crowd that “made a frequent practice of deer-stealing” from Warwickshire magnate Sir Thomas Lucy.

Lena Cowen Orlin traces the key events that took the playwright from Stratford to London.

Written in the stars: Prince Hal’s almanac

Marissa Nicosia

Saturn and Venus this year in conjunction! What says th’almanac to that?

Marissa Nicosia explores the role of the almanac as a measure of time in Shakespeare’s Henry IV , and the parallels between a past and present-day fascination with astrology.

Shakespeare and the sciences of emotion

Benedict S. Robinson

What role should literature have in the interdisciplinary study of emotion? The dominant answer today seems to be “not much.”

Using Shakespeare's Hamlet , Thomas Wright’s Passions of the Mind and Aristotle's Rhetoric ’ as points of departure, Benedict S. Robinson takes a wide view of emotion and "passion" to think about how passion also shaped the rise of new empirical sciences of the mind between 1600 and 1800.

Adapting Shakespeare: shattering stereotypes of Asian women onstage and onscreen

Alexa Alice Joubin

“I should like to see Miss Wong playing Shakespeare. Why not a Chinese Ophelia?”

Alexa Alice Joubin explores the perceptions and portrayal of Ophelia by Asian actors, arguing that gender roles in Shakespeare’s plays take on new meanings when they are embodied by Asian women.

Cut out characters and cracky plots: Jacob’s Room as Shakespeare play

Emily Kopley

But there is another reason, a reason outside of the novel, that Jacob is unknowable. He is the hero of a Shakespeare play.

Emily Kopley analyses Virginia Woolf's Jacob's Room as a Shakespeare play, using letters between her and her brother Thoby, as an insight into the novel.

Early Modern Literary Geographies

Influenced by the work of cultural and human geographers, literary scholars have started to attend to the ways in which early modern people constructed their senses of the world out of interactions among places, spaces, and embodied practices. Early Modern Literary Geographies features innovative and agenda-setting research monographs that partake of this spatial turn.

Series Editors: Julie Sanders and Garrett Sullivan

Oxford Shakespeare Topics

Oxford Shakespeare Topics provide students and teachers with short books on important aspects of Shakespeare criticism and scholarship. Each book is written by an authority in its field, and combines accessible style with original discussion of its subject.

General Editors: Stanley Wells, Peter Holland, and Lena Cowen Orlin

Oxford Wells Shakespeare Lectures

These Lectures are derived from the series of biennial lectures established in 2008 in honour of Professor Stanley Wells. The inaugural lectures were given by Professor David Scott Kastan and since then a series of highly respected scholars have presented and published in this series.

New Oxford Shakespeare

The New Oxford Shakespeare presents an entirely new consideration of all of Shakespeare's works, edited from first principles from the base-texts themselves, and drawing on the latest textual and theatrical scholarship.

The three interconnected print publications and the online edition have been created by an international, intergenerational team of scholars. The project's scope, depth, and vision provide the perfect platform for the future of Shakespeare studies.

Edited by: Gary Taylor, John Jowett, Terri Bourus, and Gabriel Egan

The Oxford Handbook of Shakespeare and Race

Edited by Patricia Akhimie

Premodern critical race studies, long intertwined with Shakespeare studies, has broadened our understanding of the definitions and discourse of race and racism to include not only phenotype, but also religious and political identity, regional, national, and linguistic difference, and systems of differentiation based upon culture and custom.

Replete with fresh readings of the plays and poems, The Oxford Handbook of Shakespeare and Race brings together some of the most important scholars thinking about the subject today.

The Oxford Handbook of Shakespeare and Music

Edited by Christopher R. Wilson and Mervyn Cooke

With global coverage and an extensive survey of genres embracing music for theatre, opera, ballet, musicals, the concert hall, and film, in addition to Shakespeare's ongoing afterlives in folk music, jazz, and popular music.

The Handbook showcases the latest international research into the captivating and vast subject of the many uses of music in relation to Shakespeare's plays and poems, extending from the Bard's own time to the present day.

The Oxford Handbook of Shakespeare and Dance

Edited by Lynsey McCulloch and Brandon Shaw

A concise reference on dance as both an integral feature of sixteenth- and seventeenth-century culture and as a means of translating Shakespearean text into movement - a process that raises questions of authorship and authority, cross-cultural communication, semantics, embodiment, and the relationship between word and image.

From narrative ballet adaptations to dance in musicals, physical theatre adaptations, and interpretations using non-Western dance forms this Handbook explores the relationship between William Shakespeare - his life, works, and afterlife - and dance.

The Oxford Handbook of Shakespeare and Embodiment

Edited by Valerie Traub

Extending the purview of feminist criticism, over 40 chapters offer an intersectional paradigm for considering representations of gender in the context of race, ethnicity, sexuality, disability, and religion.

Theoretically sophisticated and elegantly written this Handbook provides a comprehensive overview of current debates.

Shakespeare Quarterly | Submit your research  

Shakespeare Quarterly (SQ)  is a leading journal in Shakespeare studies, publishing highly original, rigorously researched essays, notes, and book reviews. Published for the Folger Shakespeare Library by Oxford University Press, SQ is peer-reviewed and extremely selective.

Read our Author Guidelines to find out how to submit your work

Shakespeare’s Reading

Sir Stanley Wells, CBE, describes the many different sources Shakespeare drew upon in his work. Highlighting comparison passages, Wells explores Shakespeare’s relationship with the different texts he read throughout his life.

Shakespeare and Women

Julie Crawford, Mark van Doren Professor of Humanities at Columbia University, discusses Shakespeare’s portrayal of the power balance between the sexes, women’s contribution to the Elizabethan stage, and Renaissance ideas about gender. She also considers key speeches by Desdemona and Emilia in Othello .

Shakespeare and Religion

Rev. Dr Paul Edmondson, Head of Research and Knowledge at the Shakespeare Birthplace Trust, explores the religious influences in Shakespeare’s work in the context of 16th century England - a time when the Church of England was given an established authority, Pope Pius V had excommunicated Queen Elizabeth I, and anti-Catholic laws were introduced.

Shakespeare and Sexuality

Sir Stanley Wells, CBE, analyses the references to sexuality in Shakespeare’s plays and poems. From his earlier comedies, such as The Two Gentleman of Verona or Much Ado About Nothing , where he is unafraid to play with this topic, to his middle and last texts where he demonstrates a deeper preoccupation with the destructive potential of sexual desire.

Shakespeare and Death

Laurie Maguire, Emeritus Professor, Magdalen College Oxford discusses the theme of death in Shakespeare's tragedies, histories, and comedies. She considers how Elizabethans encountered death on a daily basis, and how Shakespeare was clearly very familiar with the details of death, and murder.

Shakespeare and Music

Joseph M. Ortiz, Associate Professor of Liberal Arts at the University of Texas, El Paso, explains how music was experienced and understood in Shakespeare’s time, with reference to education, the emerging music publishing industry, conflicting religious views, audiences’ expectations, and music as an instrument of political power.

Shakespeare and Race

Ayanna Thompson considers the theme of race in Shakespeare’s plays, the extent to which he would have been aware of Africans, and how he introduced them into his plays. She discusses the current debate amongst black actors about whether or not to play the part of Othello .

Shakespeare and His Collaborators

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The Dogs Helping the Covenant Children Find Their Way Back

To heal after a mass shooting, the Covenant School families have turned to therapy, faith, one another — and a lot of dogs.

Monroe Joyce, 10, runs with one of two dachshunds taken in by her family. She is one of several children who now have a dog after surviving the Covenant School shooting. Credit...

Supported by

By Emily Cochrane

Photographs by Erin Schaff

Emily Cochrane and Erin Schaff spoke with more than a dozen Covenant School parents, students, staff and their dogs.

• Published March 24, 2024 Updated March 28, 2024

Two of April Manning’s children, Mac and Lilah, had just survived the mass shooting at the Covenant School in Nashville. They needed stability and time to grieve.

Listen to this article with reporter commentary

Open this article in the New York Times Audio app on iOS.

So she did everything she could to keep the family dog, Owen, their sweet but ailing 15-year-old golden retriever, with them for as long as possible. She pushed back his final trip to the vet, keeping him comfortable as he slowly moved around the house.

Getting another dog was the furthest thing from her mind. But a few weeks after the shooting, her children sat her down for an important presentation.

Prepared with a script and a PowerPoint — “Why We Should Get (Another) Dog” — they rattled through research showing the mental health benefits of having one. It could limit their chances of developing PTSD and help them feel safe. Playing together would get them outside and boost their happiness.

Ms. Manning and her husband considered. Maybe a second dog was possible.

First came Chip, a Cavalier King Charles spaniel. Then, after Owen succumbed to old age, came Birdie, a miniature poodle and Bernese Mountain dog mix. And in taking them in, the Mannings were far from alone.

In the year since Tennessee’s worst school shooting, in which three third-graders and three staff members were killed by a former student, more than 40 dogs have been taken in by families at Covenant, a small Christian school of about 120 families.

“I really only expected them to help in a cuddly kind of way, like just to snuggle the kids when they’re upset ,” Ms. Manning said. “But I wasn’t really expecting all the other benefits from them.”

To spend time with the Covenant families is to understand how they have relied on one another, traditional psychological treatments and mental health counseling, and their Christian faith to hold them together.

But it is also to see how often what they needed — a distraction, a protector, a friend who could listen, something untouched by darkness — came from a dog.

An Immediate Response

Dogs greeted the surviving children at Sandy Hook Elementary School as they returned to a refurbished middle school in 2013. A dozen golden retrievers were on hand in Orlando to provide comfort after the deadly attack at a L.G.B.T.Q. nightclub in 2016. The therapy dogs who tended to the surviving students in Parkland, Fla., made the school yearbook .

“Over this period of sort of, 35,000 years, dogs have become incredibly adept at socializing with humans, so they’re sensitive to our emotional state,” said Dr. Nancy Gee, who oversees the Center for Human-Animal Interaction at Virginia Commonwealth University.

Even brief, minute-long interactions with dogs and other animals can reduce cortisol, the body’s stress hormone, research by Dr. Gee and others has shown, providing a possible lifeline for veterans struggling with PTSD and others recovering from trauma.

And on the day of the Covenant shooting, dogs were immediately there to help. Covey, the headmaster’s dog, was at a nearby firehouse, where dozens of staff members and students were evacuated. Squid, a retriever mix, was at the children’s hospital at Vanderbilt University Medical Center, helping to comfort the staff if needed.

When the students who survived were put on a school bus to be reunited with their anguished parents, Sgt. Bo, a police dog, was sitting at their side.

Officer Faye Okert, the dog’s handler with the Metro Nashville Police, handed out a baseball card of dog facts to distract and comfort the children.

“The focus was on him,” said Officer Okert. “You had smiles after what they had been through.”

After families reunited, counselors offered clear advice: To help your child, get a dog. Or borrow a neighbor’s.

That led several parents to connect with Comfort Connections, a nonprofit comfort dog organization. Jeanene Hupy, the group’s founder, had seen firsthand how therapy dogs had helped the Sandy Hook students and started her own organization once she moved to Nashville.

The group, which oversees a menagerie of golden retrievers, a gentle pit bull and a massive English mastiff, began its work by visiting individual homes in the days after the shooting. Then, when students returned to class weeks later, the dogs were once again there.

They were something to look forward to, in the moments when walking through the school doors felt overwhelming. And when there were painful reminders — a water bottle clattering to the floor, an unsettling history lesson on war or the absence of a friend — a child could slip away and cuddle a dog.

As Ms. Hupy put it, something special happens “when you bring in something that loves you more than it loves itself, which is these guys.”

A Reassuring Presence

First it was a joke, then a reality: Everyone was getting a dog.

Fueled by community donations and her own money, Ms. Hupy began connecting several parents and puppies. Even for families who could easily afford a new dog, Ms. Hupy and her trainers dramatically eased the logistical hurdles by finding and training puppies that seemed perfect fits to each family.

The Anderson girls shrieked and cried with joy when they learned they were getting a dog, and have now taught Leo how to flaunt sunglasses and do tricks. The Hobbs children constantly scoop up Lady Diana Spencer, often fashionably dressed in a string of pearls or sweaters.

The dogs are also there in the harder moments, too, like when an ambulance or police car drives by blaring its siren or when the memorial ribbons in their neighborhood remind them of what was lost.

“Sometimes it’s just nice to have a giant soft pillow that doesn’t need to talk to you and just cuddle it,” said Evangeline Anderson, now 11.

And if the dogs chew on a shoe or make a mess on a rug, Ms. Manning said, it is a lesson in how to deal with conflicting emotions.

“We still love them and we’re so glad we have them — both things can be true,” she said. “Just like we can be really nervous about going back to school and still also be excited to do it.”

And maybe, the parents realized, it was not just for the children.

Rachel and Ben Gatlin were driving back from vacation on the day of the shooting. That has meant grappling with the heaviness of survival and knowing that Mr. Gatlin, a history teacher who carried a pistol on his ankle for personal protection, could have run toward the shooter that day.

And while their new dog, Buddy, has adapted to the bossiness of their young children and has developed a penchant for sock consumption, he has also kept the adults’ thoughts focused in the moment. Tending to his needs has served as a reminder of their own.

“When you see it working, you’re in total comfort,” Ms. Gatlin said.

Even the school’s chaplain, Matthew Sullivan, found that the stories of new puppies being shared each day in chapel were “wearing me down in a good way.”

“I kind of wanted to enter into the experience of all these families firsthand,” he said.

Now Hank, a slightly anxious, floppy-eared Scooby-Doo doppelgänger, has been adopted into his home, which had been a little empty without his grown children.

The Alternatives

Not everyone got a dog.

For the McLeans, the solution was two rabbits.

“It’s an incredible distraction to their reality,” Abby McLean said of her children, cupping her hands to mimic cradling a rabbit on her shoulder. “I find myself occasionally doing it as well.”

Another family added Ginny, a tortoise with a possible seven-decade life span, to the mix of animals already in their house.

“For having lost people early in life — there was something that equated to me in that, that there was a longevity to it, to a tortoise,” said Phil Shay, who picked out the tortoise with his 12-year-old daughter, Ever.

Still, the dogs far outnumber the other pets. And every day they can make a little difference.

The first night that George, Jude and Amos Bolton had tried to sleep alone without their parents after the shooting, the slightest grumble from the ice machine or the dryer had been too much. Their mother, Rachel, who had maintained that she liked dogs, just not in her house, soon agreed to take in Hudson, a miniature Goldendoodle puppy with doe-like eyes and wild curls.

“We didn’t realize the dogs could create comfort for people,” Jude, now 10, said, his hands ruffling Hudson’s ears. And when Hudson came home, he added, “he’s just been comforting us ever since.”

It is now easier to sleep through the night, safe with the knowledge that Hudson is there.

“All my friends joke, they’re like, ‘I can’t believe you’re a dog person now,’” Ms. Bolton said. But this dog, she added, “has healed this family.”

Read by Emily Cochrane

Audio produced by Patricia Sulbarán .

Emily Cochrane is a national reporter for The Times covering the American South, based in Nashville. More about Emily Cochrane

Erin Schaff is a photojournalist for The Times, covering stories across the country. More about Erin Schaff

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Moscow, like other international urban areas , is decentralizing, despite considerable barriers. The expansion will lead to even more decentralization, which is likely to lead to less time "stuck in traffic" and more comfortable lifestyles. Let's hope that Russia's urban development policies, along with its plans to restore population growth, will lead to higher household incomes and much improved economic performance.

Wendell Cox is a Visiting Professor, Conservatoire National des Arts et Metiers, Paris and the author of “ War on the Dream: How Anti-Sprawl Policy Threatens the Quality of Life ”

Note 1: The 23 ward (ku) area of Tokyo is the geography of the former city of Tokyo, which was abolished in the 1940s. There is considerable confusion about the geography of Tokyo. For example, the 23 ward area is a part of the prefecture of Tokyo, which is also called the Tokyo Metropolis, which has led some analysts to think of it as the Tokyo metropolitan area (labor market area). In fact, the Tokyo metropolitan area, variously defined, includes, at a minimum the prefectures of Tokyo, Kanagawa, Chiba and Saitama with some municipalities in Gunma, Ibaraki and Tochigi. The metropolitan area contains nearly three times the population of the "Tokyo Metropolis."

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Russians seeing the light while Western elites are bickering?

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It is also extremely interesting that the Russian leadership is reasonably pragmatic about urban form, in contrast to the "planners" of the post-rational West.

An acquaintance recently sent me an article from "The New Yorker", re Moscow's traffic problems.

The article "abstract" is HERE (but access to the full article requires subscription)

http://www.newyorker.com/reporting/2010/08/02/100802fa_fact_gessen

One classic quote worth taking from it, is: "People will endure all manner of humiliation to keep driving".

I do find it odd that the "New Yorker" article author says nothing at all about the rail transit system Moscow had, on which everyone was obliged to travel, under Communism. It can't surely have vaporised into thin air?

Moscow is a classic illustration of just how outmoded rails are, and how important "automobility" is, when the auto supplants rails so rapidly than even when everybody did travel on rails up to a certain date, and the road network dates to that era, when nobody was allowed to own a car; an article written just 2 decades later does not even mention the rail transit system, other than to criticise the mayor for "failing to invest in a transit system".......!!!!!!!!

This is also a give-away of "The New Yorker's" inability to shake off the modern PC ideology on rails vs cars.

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The History of Moscow City

• Categories: Russia Travel and Tourism Industry

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Published: Feb 12, 2019

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The Comprehensive Guide to Moscow Nightlife

• Posted on April 14, 2018 July 26, 2018
• by Kings of Russia
• 8 minute read

Moscow’s nightlife scene is thriving, and arguably one of the best the world has to offer – top-notch Russian women, coupled with a never-ending list of venues, Moscow has a little bit of something for everyone’s taste. Moscow nightlife is not for the faint of heart – and if you’re coming, you better be ready to go Friday and Saturday night into the early morning.

This comprehensive guide to Moscow nightlife will run you through the nuts and bolts of all you need to know about Moscow’s nightclubs and give you a solid blueprint to operate with during your time in Moscow.

What you need to know before hitting Moscow nightclubs

Prices in moscow nightlife.

Before you head out and start gaming all the sexy Moscow girls , we have to talk money first. Bring plenty because in Moscow you can never bring a big enough bankroll. Remember, you’re the man so making a fuzz of not paying a drink here or there will not go down well.

Luckily most Moscow clubs don’t do cover fees. Some electro clubs will charge 15-20$, depending on their lineup. There’s the odd club with a minimum spend of 20-30$, which you’ll drop on drinks easily. By and large, you can scope out the venues for free, which is a big plus.

Bottle service is a great deal in Moscow. At top-tier clubs, it starts at 1,000$. That’ll go a long way with premium vodka at 250$, especially if you have three or four guys chipping in. Not to mention that it’s a massive status boost for getting girls, especially at high-end clubs.

Without bottle service, you should estimate a budget of 100-150$ per night. That is if you drink a lot and hit the top clubs with the hottest girls. Scale down for less alcohol and more basic places.

Dress code & Face control

Door policy in Moscow is called “face control” and it’s always the guy behind the two gorillas that gives the green light if you’re in or out.

In Moscow nightlife there’s only one rule when it comes to dress codes:

You can never be underdressed.

People dress A LOT sharper than, say, in the US and that goes for both sexes. For high-end clubs, you definitely want to roll with a sharp blazer and a pocket square, not to mention dress shoes in tip-top condition. Those are the minimum requirements to level the playing field vis a vis with other sharply dressed guys that have a lot more money than you do. Unless you plan to hit explicit electro or underground clubs, which have their own dress code, you are always on the money with that style.

Getting in a Moscow club isn’t as hard as it seems: dress sharp, speak English at the door and look like you’re in the mood to spend all that money that you supposedly have (even if you don’t). That will open almost any door in Moscow’s nightlife for you.

Types of Moscow Nightclubs

In Moscow there are four types of clubs with the accompanying female clientele:

High-end clubs:

These are often crossovers between restaurants and clubs with lots of tables and very little space to dance. Heavy accent on bottle service most of the time but you can work the room from the bar as well. The hottest and most expensive girls in Moscow go there. Bring deep pockets and lots of self-confidence and you have a shot at swooping them.

Regular Mid-level clubs:

They probably resemble more what you’re used to in a nightclub: big dancefloors, stages and more space to roam around. Bottle service will make you stand out more but you can also do well without. You can find all types of girls but most will be in the 6-8 range. Your targets should always be the girls drinking and ideally in pairs. It’s impossible not to swoop if your game is at least half-decent.

Basic clubs/dive bars:

Usually spots with very cheap booze and lax face control. If you’re dressed too sharp and speak no Russian, you might attract the wrong type of attention so be vigilant. If you know the local scene you can swoop 6s and 7s almost at will. Usually students and girls from the suburbs.

Electro/underground clubs:

Home of the hipsters and creatives. Parties there don’t mean meeting girls and getting drunk but doing pills and spacing out to the music. Lots of attractive hipster girls if that is your niche. That is its own scene with a different dress code as well.

What time to go out in Moscow

Moscow nightlife starts late. Don’t show up at bars and preparty spots before 11pm because you’ll feel fairly alone. Peak time is between 1am and 3am. That is also the time of Moscow nightlife’s biggest nuisance: concerts by artists you won’t know and who only distract your girls from drinking and being gamed. From 4am to 6am the regular clubs are emptying out but plenty of people, women included, still hit up one of the many afterparty clubs. Those last till well past 10am.

As far as days go: Fridays and Saturdays are peak days. Thursday is an OK day, all other days are fairly weak and you have to know the right venues.

The Ultimate Moscow Nightclub List

Short disclaimer: I didn’t add basic and electro clubs since you’re coming for the girls, not for the music. This list will give you more options than you’ll be able to handle on a weekend.

Preparty – start here at 11PM

Classic restaurant club with lots of tables and a smallish bar and dancefloor. Come here between 11pm and 12am when the concert is over and they start with the actual party. Even early in the night tons of sexy women here, who lean slightly older (25 and up).

The second floor of the Ugolek restaurant is an extra bar with dim lights and house music tunes. Very small and cozy with a slight hipster vibe but generally draws plenty of attractive women too. A bit slower vibe than Valenok.

Very cool, spread-out venue that has a modern library theme. Not always full with people but when it is, it’s brimming with top-tier women. Slow vibe here and better for grabbing contacts and moving on.

High-end: err on the side of being too early rather than too late because of face control.

Secret Room

Probably the top venue at the moment in Moscow . Very small but wildly popular club, which is crammed with tables but always packed. They do parties on Thursdays and Sundays as well. This club has a hip-hop/high-end theme, meaning most girls are gold diggers, IG models, and tattooed hip hop chicks. Very unfavorable logistics because there is almost no room no move inside the club but the party vibe makes it worth it. Strict face control.

Close to Secret Room and with a much more favorable and spacious three-part layout. This place attracts very hot women but also lots of ball busters and fakes that will leave you blue-balled. Come early because after 4am it starts getting empty fast. Electronic music.

A slightly kitsch restaurant club that plays Russian pop and is full of gold diggers, semi-pros, and men from the Caucasus republics. Thursday is the strongest night but that dynamic might be changing since Secret Room opened its doors. You can swoop here but it will be a struggle.

Mid-level: your sweet spot in terms of ease and attractiveness of girls for an average budget.

Started going downwards in 2018 due to lax face control and this might get even worse with the World Cup. In terms of layout one of the best Moscow nightclubs because it’s very big and bottle service gives you a good edge here. Still attracts lots of cute girls with loose morals but plenty of provincial girls (and guys) as well. Swooping is fairly easy here.

I haven’t been at this place in over a year, ever since it started becoming ground zero for drunken teenagers. Similar clientele to Icon but less chic, younger and drunker. Decent mainstream music that attracts plenty of tourists. Girls are easy here as well.

Sort of a Coyote Ugly (the real one in Moscow sucks) with party music and lots of drunken people licking each others’ faces. Very entertaining with the right amount of alcohol and very easy to pull in there. Don’t think about staying sober in here, you’ll hate it.

Artel Bessonitsa/Shakti Terrace

Electronic music club that is sort of a high-end place with an underground clientele and located between the teenager clubs Icon and Gipsy. Very good music but a bit all over the place with their vibe and their branding. You can swoop almost any type of girl here from high-heeled beauty to coked-up hipsters, provided they’re not too sober.

Afterparty: if by 5AM  you haven’t pulled, it’s time to move here.

Best afterparty spot in terms of trying to get girls. Pretty much no one is sober in there and savage gorilla game goes a long way. Lots of very hot and slutty-looking girls but it can be hard to tell apart who is looking for dick and who is just on drugs but not interested. If by 9-10am you haven’t pulled, it is probably better to surrender.

The hipster alternative for afterparties, where even more drugs are in play. Plenty of attractive girls there but you have to know how to work this type of club. A nicer atmosphere and better music but if you’re desperate to pull, you’ll probably go to Miks.

Weekday jokers: if you’re on the hunt for some sexy Russian girls during the week, here are two tips to make your life easier.

Chesterfield

Ladies night on Wednesdays means this place gets pretty packed with smashed teenagers and 6s and 7s. Don’t pull out the three-piece suit in here because it’s a “simpler” crowd. Definitely your best shot on Wednesdays.

If you haven’t pulled at Chesterfield, you can throw a Hail Mary and hit up Garage’s Black Music Wednesdays. Fills up really late but there are some cute Black Music groupies in here. Very small club. Thursday through Saturday they do afterparties and you have an excellent shot and swooping girls that are probably high.

Shishas Sferum

This is pretty much your only shot on Mondays and Tuesdays because they offer free or almost free drinks for women. A fairly low-class club where you should watch your drinks. As always the case in Moscow, there will be cute girls here on any day of the week but it’s nowhere near as good as on the weekend.

In a nutshell, that is all you need to know about where to meet Moscow girls in nightlife. There are tons of options, and it all depends on what best fits your style, based on the type of girls that you’re looking for.

Related Topics

• moscow girls
• moscow nightlife

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