How to Write a History Research Paper

  • How do I pick a topic?
  • But I can’t find any material…

Research Guide

Writing guide.

See also: How to Write a Good History Essay

1. How do I pick a topic?

Picking a topic is perhaps the most important step in writing a research paper. To do it well requires several steps of refinement. First you have to determine a general area in which you have an interest (if you aren’t interested, your readers won’t be either). You do not write a paper “about the Civil War,” however, for that is such a large and vague concept that the paper will be too shallow or you will be swamped with information. The next step is to narrow your topic. Are you interested in comparison? battles? social change? politics? causes? biography? Once you reach this stage try to formulate your research topic as a question. For example, suppose that you decide to write a paper on the use of the films of the 1930’s and what they can tell historians about the Great Depression. You might turn that into the following question: “What are the primary values expressed in films of the 1930’s?” Or you might ask a quite different question, “What is the standard of living portrayed in films of the 1930’s?” There are other questions, of course, which you could have asked, but these two clearly illustrate how different two papers on the same general subject might be. By asking yourself a question as a means of starting research on a topic you will help yourself find the answers. You also open the door to loading the evidence one way or another. It will help you decide what kinds of evidence might be pertinent to your question, and it can also twist perceptions of a topic. For example, if you ask a question about economics as motivation, you are not likely to learn much about ideals, and vice versa.

2. But I can’t find any material…

No one should pick a topic without trying to figure out how one could discover pertinent information, nor should anyone settle on a topic before getting some background information about the general area. These two checks should make sure your paper is in the realm of the possible. The trick of good research is detective work and imaginative thinking on how one can find information. First try to figure out what kinds of things you should know about a topic to answer your research question. Are there statistics? Do you need personal letters? What background information should be included? Then if you do not know how to find that particular kind of information, ASK . A reference librarian or professor is much more likely to be able to steer you to the right sources if you can ask a specific question such as “Where can I find statistics on the number of interracial marriages?” than if you say “What can you find on racial attitudes?”

Use the footnotes and bibliographies of general background books as well as reference aids to lead you to special studies. If Carleton does not have the books or sources you need, try ordering through the library minitex. Many sources are also available on-line.

As your research paper takes shape you will find that you need background on people, places, events, etc. Do not just rely on some general survey for all of your background. Check the several good dictionaries of biography for background on people, or see if there is a standard book-length biography. If you are dealing with a legal matter check into the background of the judges who make the court decision and the circumstances surrounding the original incident or law. Try looking for public opinions in newspapers of the time. In other words, each bit of information you find should open the possibility of other research paths.

Learn to use several research techniques. You cannot count on a good research paper coming from browsing on one shelf at the library. A really pertinent book may be hidden in another section of the library due to classification quirks. The Readers’ Guide (Ref. A13 .R4) is not the only source for magazine articles, nor the card catalog for books. There are whole books which are listings of other books on particular topics. There are specialized indexes of magazine articles. Modern History Journals are indexed in the Social Studies and Humanities Index (Ref. A13 .R282) before 1976 After 1976 use the Social Sciences Index (REF A13 .S62) and the Humanities Index (Ref. A13 .H85). See also Historical Abstracts (Ref. D1 .H5). Reference Librarians would love to help you learn to use these research tools. It pays to browse in the reference room at the library and poke into the guides which are on the shelves. It also pays to browse the Internet.

3. Help! How do I put this together?

A. preliminary research:.

If you do not already have a general background on your topic, get the most recent good general source on the topic and read it for general orientation. On the basis of that reading formulate as clearly focused question as you can. You should generally discuss with your professor at that point whether your question is a feasible one.

B. Building a Basic Bibliography:

Use the bibliography/notes in your first general source, MUSE, and especially Historical Abstracts on cd-rom in the Library Reading Room (the computer farthest to the left in the front row as you walk past the Reference Desk — or ask there). If there is a specialized bibliography on your topic, you will certainly want to consult that as well, but these are often a bit dated.

C. Building a Full Bibliography:

Read the recent articles or chapters that seem to focus on your topic best. This will allow you to focus your research question quite a bit. Use the sources cited and/or discussed in this reading to build a full bibliography. Use such tools as Historical Abstracts (or, depending on your topic, the abstracts from a different field) and a large, convenient computer-based national library catalog (e.g. the University of California system from the “Libs” command in your VAX account or the smaller University of Minnesota library through MUSE) to check out your sources fully. For specific article searches “Uncover” (press returns for the “open access”) or possibly (less likely for history) “First Search” through “Connect to Other Resources” in MUSE can also be useful.

D. Major Research:

Now do the bulk of your research. But do not overdo it. Do not fall into the trap of reading and reading to avoid getting started on the writing. After you have the bulk of information you might need, start writing. You can fill in the smaller gaps of your research more effectively later.

A. Outline:

Write a preliminary thesis statement, expressing what you believe your major argument(s) will be. Sketch out a broad outline that indicates the structure — main points and subpoints or your argument as it seems at this time. Do not get too detailed at this point.

B. The First Draft:

On the basis of this thesis statement and outline, start writing, even pieces, as soon as you have enough information to start. Do not wait until you have filled all the research gaps. Keep on writing. If you run into smaller research questions just mark the text with a searchable symbol. It is important that you try to get to the end point of this writing as soon as possible, even if you leave pieces still in outline form at first and then fill the gaps after you get to the end.

Critical advice for larger papers: It is often more effective not to start at the point where the beginning of your paper will be. Especially the introductory paragraph is often best left until later, when you feel ready and inspired.

C. The Second Draft:

The “second draft” is a fully re-thought and rewritten version of your paper. It is at the heart of the writing process.

First, lay your first draft aside for a day or so to gain distance from it. After that break, read it over with a critical eye as you would somebody else’s paper (well, almost!). You will probably find that your first draft is still quite descriptive, rather than argumentative. It is likely to wander; your perspective and usually even the thesis seemed to change/develop as you wrote. Don’t despair. That is perfectly normal even for experienced writers (even after 40 years and a good deal of published work!). You will be frustrated. But keep questioning your paper along the following lines: What precisely are my key questions? What parts of my evidence here are really pertinent to those questions (that is, does it help me answer them)? How or in what order can I structure my paper most effectively to answer those questions most clearly and efficiently for my reader?

At this point you must outline your paper freshly. Mark up your first draft, ask tough questions whether your argument is clear and whether the order in which you present your points is effective! You must write conceptually a new paper at this point, even if you can use paragraphs and especially quotes, factual data in the new draft.

It is critical that in your new draft your paragraphs start with topic sentences that identify the argument you will be making in the particular paragraph (sometimes this can be strings of two or three paragraphs). The individual steps in your argument must be clearly reflected in the topic sentences of your paragraphs (or a couple of them linked).

D. The Third or Final Draft:

You are now ready to check for basic rules of good writing. This is when you need to check the diction, that is, the accuracy and suitability of words. Eliminate unnecessary passive or awkward noun constructions (active-voice, verbal constructions are usually more effective); improve the flow of your transitions; avoid repetitions or split infinitives; correct apostrophes in possessives and such. Make the style clear and smooth. Check that the start of your paper is interesting for the reader. Last but not least, cut out unnecessary verbiage and wordiness. Spell-check and proof-read.

– Diethelm Prowe, 1998

how to write history research paper

Princeton Correspondents on Undergraduate Research

How to Write a History Research Paper

how to write history research paper

In my last post, I shared some tips on how to conduct research in history and emphasized that researchers should keep in mind a source’s category (transcript, court document, speech, etc.). This post is something of a sequel to that, as I will share some thoughts on what often follows primary-source research: a history research paper. 

1. Background Reading   The first step to a history research paper is of course, background reading and research. In the context of a class assignment, “background reading” might simply be course readings or lectures, but for independent work, this step will likely involve some quality time on your own in the library. During the background reading phase of your project, keep an eye out for intriguing angles to approach your topic from and any trends that you see across sources (both primary and secondary).

2. T hemes and Context Recounting the simple facts about your topic alone will not make for a successful research paper. One must grasp both the details of events as well as the larger, thematic context of the time period in which they occurred. What’s the scholarly consensus about these themes? Does that consensus seem right to you, after having done primary and secondary research of your own?

3. Develop an Argument  Grappling with answers to the above questions will get you thinking about your emerging argument. For shorter papers, you might identify a gap in the scholarship or come up with an argumentative response to a class prompt rather quickly. Remember: as an undergraduate, you don’t have to come up with (to borrow Philosophy Professor Gideon Rosen’s phrase) ‘a blindingly original theory of everything.’ In other words, finding a nuanced thesis does not mean you have to disprove some famous scholar’s work in its entirety. But, if you’re having trouble defining your thesis, I encourage you not to worry; talk to your professor, preceptor, or, if appropriate, a friend. These people can listen to your ideas, and the simple act of talking about your paper can often go a long way in helping you realize what you want to write about.

4. Outline Your Argument  With a history paper specifically, one is often writing about a sequence of events and trying to tell a story about what happened. Roughly speaking, your thesis is your interpretation of these events, or your take on some aspect of them (i.e. the role of women in New Deal programs). Before opening up Word, I suggest writing down the stages of your argument. Then, outline or organize your notes to know what evidence you’ll use in each of these various stages. If you think your evidence is solid, then you’re probably ready to start writing—and you now have a solid roadmap to work from! But, if this step is proving difficult, you might want to gather more evidence or go back to the thesis drawing board and look for a better angle. I often find myself somewhere between these two extremes (being 100% ready to write or staring at a sparse outline), but that’s also helpful, because it gives me a better idea of where my argument needs strengthening.

5. Prepare Yourself   Once you have some sort of direction for the paper (i.e. a working thesis), you’re getting close to the fun part—the writing itself. Gather your laptop, your research materials/notes, and some snacks, and get ready to settle in to write your paper, following your argument outline. As mentioned in the photo caption, I suggest utilizing large library tables to spread out your notes. This way, you don’t have to constantly flip through binders, notebooks, and printed drafts.

In addition to this step by step approach, I’ll leave you with a few last general tips for approaching a history research paper. Overall, set reasonable goals for your project, and remember that a seemingly daunting task can be broken down into the above constituent phases. And, if nothing else, know that you’ll end up with a nice Word document full of aesthetically pleasing footnotes!

— Shanon FitzGerald, Social Sciences Correspondent

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how to write history research paper

UCLA History Department

Steps for Writing a History Paper

Writing a history paper is a process.  Successful papers are not completed in a single moment of genius or inspiration, but are developed over a series of steps.  When you first read a paper prompt, you might feel overwhelmed or intimidated.  If you think of writing as a process and break it down into smaller steps, you will find that paper-writing is manageable, less daunting, and even enjoyable.  Writing a history paper is your opportunity to do the real work of historians, to roll up your sleeves and dig deep into the past.

What is a History paper?

History papers are driven by arguments.  In a history class, even if you are not writing a paper based on outside research, you are still writing a paper that requires some form of argument.  For example, suppose your professor has asked you to write a paper discussing the differences between colonial New England and colonial Virginia.  It might seem like this paper is straightforward and does not require an argument, that it is simply a matter of finding the “right answer.”  However, even here you need to construct a paper guided by a larger argument.  You might argue that the main differences between colonial New England and Virginia were grounded in contrasting visions of colonization.  Or you might argue that the differences resulted from accidents of geography or from extant alliances between regional Indian groups.  Or you might make an argument that draws on all of these factors.  Regardless, when you make these types of assertions, you are making an argument that requires historical evidence.  Any history paper you write will be driven by an argument demanding evidence from sources.

History writing assignments can vary widely–and you should always follow your professor’s specific instructions–but the following steps are designed to help no matter what kind of history paper you are writing.  Remember that the staff of the History Writing Center is here to assist you at any stage of the writing process.

  • Sometimes professors distribute prompts with several sub-questions surrounding the main question they want you to write about.  The sub-questions are designed to help you think about the topic.  They offer ideas you might consider, but they are not, usually, the key question or questions you need to answer in your paper.  Make sure you distinguish the key questions from the sub-questions.  Otherwise, your paper may sound like a laundry list of short-answer essays rather than a cohesive argument. A helpful way to hone in on the key question is to look for action verbs, such as “analyze” or “investigate” or “formulate.”  Find such words in the paper prompt and circle them.  Then, carefully consider what you are being asked to do.  Write out the key question at the top of your draft and return to it often, using it to guide you in the writing process.  Also, be sure that you are responding to every part of the prompt.  Prompts will often have several questions you need to address in your paper.  If you do not cover all aspects, then you are not responding fully to the assignment.  For more information, visit our section, “Understanding Paper Prompts.”
  • Before you even start researching or drafting, take a few minutes to consider what you already know about the topic.  Make a list of ideas or draw a cluster diagram, using circles and arrows to connect ideas–whatever method works for you.  At this point in the process, it is helpful to write down all of your ideas without stopping to judge or analyze each one in depth.  You want to think big and bring in everything you know or suspect about the topic.  After you have finished, read over what you have created.  Look for patterns or trends or questions that keep coming up.  Based on what you have brainstormed, what do you still need to learn about the topic?  Do you have a tentative argument or response to the paper prompt?  Use this information to guide you as you start your research and develop a thesis.
  • Depending on the paper prompt, you may be required to do outside research or you may be using only the readings you have done in class.  Either way, start by rereading the relevant materials from class.  Find the parts from the textbook, from the primary source readings, and from your notes that relate to the prompt. If you need to do outside research, the UCLA library system offers plenty of resources.  You can begin by plugging key words into the online library catalog.  This process will likely involve some trial and error.  You will want to use search terms that are specific enough to address your topic without being so narrow that you get no results.  If your keywords are too general, you may receive thousands of results and feel overwhelmed.  To help you narrow your search, go back to the key questions in the essay prompt that you wrote down in Step 1.  Think about which terms would help you respond to the prompt.  Also, look at the language your professor used in the prompt.  You might be able to use some of those same words as search terms. Notice that the library website has different databases you can search depending on what type of material you need (such as scholarly articles, newspapers, books) and what subject and time period you are researching (such as eighteenth-century England or ancient Rome).  Searching the database most relevant to your topic will yield the best results.  Visit the library’s History Research Guide for tips on the research process and on using library resources.  You can also schedule an appointment with a librarian to talk specifically about your research project.  Or, make an appointment with staff at the History Writing Center for research help.  Visit our section about using electronic resources as well.
  • By this point, you know what the prompt is asking, you have brainstormed possible responses, and you have done some research.  Now you need to step back, look at the material you have, and develop your argument.  Based on the reading and research you have done, how might you answer the question(s) in the prompt?  What arguments do your sources allow you to make?  Draft a thesis statement in which you clearly and succinctly make an argument that addresses the prompt. If you find writing a thesis daunting, remember that whatever you draft now is not set in stone.  Your thesis will change.  As you do more research, reread your sources, and write your paper, you will learn more about the topic and your argument.  For now, produce a “working thesis,” meaning, a thesis that represents your thinking up to this point.  Remember it will almost certainly change as you move through the writing process.  For more information, visit our section about thesis statements.  Once you have a thesis, you may find that you need to do more research targeted to your specific argument.  Revisit some of the tips from Step 3.
  • Now that you have a working thesis, look back over your sources and identify which ones are most critical to you–the ones you will be grappling with most directly in order to make your argument.  Then, annotate them.  Annotating sources means writing a paragraph that summarizes the main idea of the source as well as shows how you will use the source in your paper.  Think about what the source does for you.  Does it provide evidence in support of your argument?  Does it offer a counterpoint that you can then refute, based on your research?  Does it provide critical historical background that you need in order to make a point?  For more information about annotating sources, visit our section on annotated bibliographies. While it might seem like this step creates more work for you by having to do more writing, it in fact serves two critical purposes: it helps you refine your working thesis by distilling exactly what your sources are saying, and it helps smooth your writing process.  Having dissected your sources and articulated your ideas about them, you can more easily draw upon them when constructing your paper.  Even if you do not have to do outside research and are limited to working with the readings you have done in class, annotating sources is still very useful.  Write down exactly how a particular section in the textbook or in a primary source reader will contribute to your paper.
  • An outline is helpful in giving you a sense of the overall structure of your paper and how best to organize your ideas.  You need to decide how to arrange your argument in a way that will make the most sense to your reader.  Perhaps you decide that your argument is most clear when presented chronologically, or perhaps you find that it works best with a thematic approach.  There is no one right way to organize a history paper; it depends entirely on the prompt, on your sources, and on what you think would be most clear to someone reading it. An effective outline includes the following components: the research question from the prompt (that you wrote down in Step 1), your working thesis, the main idea of each body paragraph, and the evidence (from both primary and secondary sources) you will use to support each body paragraph.  Be as detailed as you can when putting together your outline.

If you have trouble getting started or are feeling overwhelmed, try free writing.  Free writing is a low-stakes writing exercise to help you get past the blank page.  Set a timer for five or ten minutes and write down everything you know about your paper: your argument, your sources, counterarguments, everything.  Do not edit or judge what you are writing as you write; just keep writing until the timer goes off.  You may be surprised to find out how much you knew about your topic.  Of course, this writing will not be polished, so do not be tempted to leave it as it is.  Remember that this draft is your first one, and you will be revising it.

A particularly helpful exercise for global-level revision is to make a reverse outline, which will help you look at your paper as a whole and strengthen the way you have organized and substantiated your argument.  Print out your draft and number each of the paragraphs.  Then, on a separate piece of paper, write down each paragraph number and, next to it, summarize in a phrase or a sentence the main idea of that paragraph.  As you produce this list, notice if any paragraphs attempt to make more than one point: mark those for revision.  Once you have compiled the list, read it over carefully.  Study the order in which you have sequenced your ideas.  Notice if there are ideas that seem out of order or repetitive.  Look for any gaps in your logic.  Does the argument flow and make sense?

When revising at the local level, check that you are using strong topic sentences and transitions, that you have adequately integrated and analyzed quotations, and that your paper is free from grammar and spelling errors that might distract the reader or even impede your ability to communicate your point.  One helpful exercise for revising on the local level is to read your paper out loud.  Hearing your paper will help you catch grammatical errors and awkward sentences.

Here is a checklist of questions to ask yourself while revising on both the global and local levels:

– Does my thesis clearly state my argument and its significance?

– Does the main argument in each body paragraph support my thesis?

– Do I have enough evidence within each body paragraph to make my point?

– Have I properly introduced, analyzed, and cited every quotation I use?

– Do my topic sentences effectively introduce the main point of each paragraph?

– Do I have transitions between paragraphs?

– Is my paper free of grammar and spelling errors?

  • Congratulate yourself. You have written a history paper!

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Harvard Writing Center

Chicago-Style Citation Quick Guide

Patrick Rael, “Reading, Writing, and Research for History: A Guide for Students” (Bowdoin College, 2004)

Hamilton College, "Writing a Good History Paper" A nice overview; the discussion of pitfalls in editing/revision is excellent.

Prof. William Cronon on Historical Writing Prof. William Cronon's excellent guide to historical writing; part of an even larger guide to doing historical research.

How to Organize a Research Paper

Writing Center Handout on History Writing

List of Resources on History Writing

Formulating a Research Question

Making the Most of Research Time

Formulating an Argument

General Writing Guidelines

Sources and Evidence

Citations and Notes

Writing a 4-7 page History Paper (David Herzberg, 1992, Wesleyan University)

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History: How to Write a History paper

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  • Citation: Chicago or Numbered Styles
  • The Information Cycle Video
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Guides and Samples

  • Harvard guide to writing a history paper
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Books on Writing History

how to write history research paper

How to Write a Literature Review in History

                                     goals of a literature review  .

Before doing work in primary sources, historians must know what has been written on their topic.  They must be familiar with theories and arguments–as well as facts–that appear in secondary sources.

Before you proceed with your research project, you too must be familiar with the literature: you do not want to waste time on theories that others have disproved and you want to take full advantage of what others have argued.  You want to be able to discuss and analyze your topic.

Your literature review will demonstrate your familiarity with your topic’s secondary literature.

More . . . 

  • How to Write a Literature Review tips in a 3-page pdf

Subject Guide

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  • Last Updated: Feb 5, 2024 10:07 AM
  • URL: https://researchguides.njit.edu/history

Handbook for Historians

  • Choosing a Paper Topic
  • Thesis Statement
  • What Sources Can I use?
  • Gathering sources
  • Find Primary Sources
  • Paraphrasing and Quoting Sources
  • How to create an Annotated Bibliography
  • Formatting Endnotes/Footnotes
  • Formatting Bibliographies
  • Avoiding Plagiarism

Sample History Papers

  • Research Paper Checklist

These are examples of well written, properly cited history papers.

  • Example of full paper with outline For World Civilizations I & II
  • Outline Example Example of an outline for a first year level history paper.
  • Judge and Langdon Book Review/Research Paper - Example 1
  • Judge and Langdon Book Review/Research Paper - Example 2
  • HST 302 Title Page
  • HST 302 Paper Example example of a paper for upper division History courses
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  • Last Updated: Jun 16, 2023 10:12 AM
  • URL: https://resources.library.lemoyne.edu/guides/history/handbook

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There is no single method for writing a history paper; however, there are certain strategies that can be employed to make the whole process less daunting. Ultimately that is the purpose of the present guide – to introduce general strategies and guidelines for writing history papers.

Further instruction on how to write a history paper can be found in a number of comprehensive guides, including:

  • Writing About History , produced by the University of Toronto

For the purposes of the present guide, however, consideration will primarily be given to research, writing, referencing, style, and common mistakes to avoid.

When beginning to write it is useful to refer back to your research notes to remind yourself of the questions you asked, the ideas you generated, and insights you made. In the early stages of writing it is also beneficial to create an outline; this will give your paper structure, create smooth transitions among supporting arguments, and help avoid repetition of ideas. An outline can also help you decide whether you will structure your paper chronologically or thematically.

Introduction

In the introduction you should identify the topic that is to be discussed, as well as the time period, main themes and, if applicable, key figures. Ideally the introduction will lead logically toward one's thesis.

Students often have difficulty coming up with an argumentative, clearly defined thesis. Sometimes they think they have nothing "new" to say, or state something that is too vague or simplistic. A good thesis often emerges from good research questions – ask yourself why something happened, why it was significant, or offer different interpretations. If you find yourself struggling with the exact wording of the thesis, allow yourself to return to it after you have written the rest of the draft. Often your conclusion can provide insight into what you were really arguing throughout your paper, and it may be worth revisiting your introduction and thesis to ensure that it reflects the conclusions that were made.

The body of the paper is where evidence and analysis is presented, ultimately creating a narrative in support of the paper's thesis. Keep in mind that the study of history is concerned with why and how past events took place and for understanding the actions and motivations of persons involved in said events.

Effective analysis includes comparing and contrasting information, consideration of primary sources, thoughtful inferences, and recognition of alternate interpretations or theories. For instance, you could compare American and Canadian propaganda produced during the First World War. Were there significant differences between the two? What were the similarities? Or, you could examine different types of propaganda, such as posters encouraging volunteerism or the purchase of war bonds. Alternately, you could examine visual representations of nationalism or gender from propaganda posters and make arguments based on such inferences.

While the conclusion should relate back to the thesis, it does not need to reiterate the entire introduction or thesis. Rather it should bring loose ends together, indicate the significance of the issue, and generally bring the essay to a close.

While history papers are primarily assessed for content and analysis, a poor style can negatively influence evaluation of the final product. There are several easy steps, however, that, if followed, will make your essay seem more polished and professional.

Keep in mind some simple formatting basics. These include creating a title page, which includes the title of the paper, your name and student number, the course number, and date; double-spacing the text and using a clear 12-point font; numbering pages; and stapling the pages together.

Try to make the text as interesting as possible for the reader. This can be achieved by using sentences of varying lengths, while fluidity can be enhanced by using transition words like "consequently," "arguably," "alternatively," etc. It is also best to avoid words such as "felt" or "believed" since it may be difficult to prove that the persons in question actually did feel a certain way. Similarly, avoid the use of "I." While you may want to identify that an idea is your own, this can be implied in how and what you are arguing.

Since history papers rely extensively on primary sources, effective quoting is integral to good essays. However, it is important not to quote for the simple sake of doing so. Rather, one should consider what the quote actually adds to the paper. Does it simply reiterate what has already been said in the text? Or does it provide additional information? Do not let the quotes "write" the paper for you – and keep in mind that readers can be wary of multiple, lengthy quotes!

Avoid quoting extensively from secondary documents, as paraphrasing can be much more effective. For instance, while the following examples provide the same information, the information is better paraphrased, evident in Example B.

Example A: According to Ede and Cormack, Vesalius "began with humanism, since he compared alternate texts of Galen in order to find the purest and least corrupted."1

Example B: Vesalius adhered to humanistic principles, comparing different texts of Galen to find the purest and least corrupt information.1

Furthermore, quotes need to be "anchored" and context should be provided to show how it relates to the text. Essentially, the existence of quotes – however lengthy – should add to the overall narrative and not detract from it.

Examples of effective quoting:

Poor: In 1857, the Royal Commission published findings that generated a public outcry, as illustrated in this quote from the June 3, 1857 issue of the Scotsman, ". . . such treatment is utterly disgraceful . . . ."2 Clearly, these findings upset many people in Scotland.

Fair: The publication of the findings by the Royal Commission in 1857 generated a public outcry. The treatment of lunacy in Scotland was felt to be "utterly disgraceful . . . The humanity of the country, upon knowing this information, would be moved to insist on legislation if this had been known."2

Good: The Royal Commission to examine Scottish asylums and lunacy laws published its findings in 1857, the results of which generated a public outcry. The treatment of lunacy in Scotland was deemed "utterly disgraceful," and it was claimed by some that the "humanity of the country" would have been roused "to insist on legislation" had this information been made available to the public earlier. 2

Poor: Vesalius prescribed first-hand dissection for all would-be anatomists since, as illustrated in a quote from The Surgical Art, "Galen hardly noticed anything except the fingers and the bend of the knee – which he would certainly have passed over with the rest if they had not been obvious to him without dissection."3 This is why he criticized Galen because he did not do his own dissections.

Good: Vesalius criticized Galen's methods, commenting that Galen only understood the underlying structure of "the fingers and the bend of the knee" and nothing else since he did not conduct dissections on humans.3

There are a number of common mistakes that students sometimes make when writing history papers – especially if they have little experience doing so.

  • Avoid wide-sweeping or generalized statements, including "since the beginning of time" or "throughout history," or general terms such as "society," unless you have already established what society you are discussing. Such statements are impossible to prove and immediately suggest that the paper may be approaching a topic too simplistically.
  • Confusing chronology can also be a problem, and can be a particular problem when discussing different time periods. Stick to simple past tense. With the exception of historiographical papers - when the present tense can occasionally be utilized – it makes sense to use the past tense when discussing history.
  • Avoid the passive voice, which can make text seem overly long, and instead use an active voice. This makes the narrative more engaging for the reader. For instance "John read the book" is considered active, while "The book was read by John" is considered passive. More examples of active and passive voice can be located at the Purdue University Online Writing Lab .
  • With respect to general tone, avoid slang and colloquial language. Remember that you are writing for an academic audience.
  • In your analysis, be careful when distinguishing between causation and correlation. While it may be tempting to argue that a particular event or action directly influenced a later event or action, it can be difficult to make links between events that were many years apart. Similarly, it is not necessary to link historical events to contemporary concerns.
  • Avoid overly long paragraphs; essays do not have to follow the "five paragraph model" and new paragraphs should be used when needed – i.e., when a new thought is being introduced. Also avoid overly long sentences that try to deal with multiple ideas.
  • Be careful of explicit or implicit judgment about certain events or actions. Recognize that events happen in a specific context, and that moral attitudes and social mores constantly change and evolve.
  • Lastly, print your paper and proof-read, proof-read, proof-read! This will help catch some obvious errors, including grammatical missteps, poor word choice, and strange transitions between ideas.
  • Next: Conducting Research for History Papers >>
  • Last Updated: Jan 4, 2024 9:27 AM
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Introduction and Conclusion

INTRODUCTIONS The introduction of a paper must introduce its thesis and not just its topic. Readers will lose some—if not much—of what the paper says if the introduction does not prepare them for what is coming (and tell them what to look for and how to evaluate it).

For example, an introduction that says, “The British army fought in the battle of Saratoga” gives the reader virtually no guidance about the paper’s thesis (i.e., what the paper concludes/argues about the British army at Saratoga).

History papers are not mystery novels. Historians WANT and NEED to give away the ending immediately. Their conclusions—presented in the introduction—help the reader better follow/understand their ideas and interpretations.

In other words, an introduction is a MAP that lays out “the trip the author is going to take [readers] on” and thus “lets readers connect any part of the argument with the overall structure. Readers with such a map seldom get confused or lost.”1

Introductions do four things:

attract the ATTENTION of the reader convince the reader that he/she NEEDS TO READ what the author has to say define the paper’s SPECIFIC TOPIC state and explain the paper’s THESIS Writing the introduction: Consider writing the introduction AFTER finishing your paper. By then, you will know what your paper says. You will have thought it through and provided arguments and supporting evidence; therefore, you will know what the reader needs to know—in brief form—in the introduction. (Always think of your initial introduction as “getting started” and as something that “won’t count.” It is for your eyes only; discard it when you know exactly what your paper says.) A common technique is to turn your conclusion into an introduction. It usually reflects what is in the paper—topic, thesis, arguments, evidence—and can be easily adjusted to be a clear and useful introduction.

Some types of introductions:

Quotation Historical overview (provides introduction to topic AND background so that fewer explanations are needed later in paper) Review of literature or a controversy Statistics or startling evidence Anecdote or illustration Question From general to specific OR specific to general Avoid:

“The purpose of this paper is . . .” OR “This paper is about . . . .” First person (e.g., “I will argue that”) Too many questions Dictionary definitions Length: There is no rule other than to be logical. Short papers require short introductions (e.g., a short paragraph); longer ones may require a page or more to provide all that a reader needs. Longer papers require ELABORATION of the thesis; a sentence is not sufficient to prepare the reader for the many pages of arguments and evidence that follow.

CONCLUSIONS Conclusions are the last thing that readers read; they define readers’ final impression of a paper. A flat, boring conclusion means a flat, boring (or, at least, disappointing) paper.

Conclusions should be a climax, not an anti-climax. They do not just restate what has already been said; they interpret, speculate, and provoke thinking.

Some types of conclusions:

Statement of subject’s significance Call for further research Recommendation or speculation Comparison of part to present Anecdote Quotation Questions (with or without answers) Avoid:

“In conclusion”; “finally”; “thus” Additional or new ideas that introduce a new paper First person Length: Again, there is no rule, although too short conclusions should definitely be avoided. Short conclusions leave the reader on the edge of a cliff with no directions on how to get down.

You are the expert – help your reader pull together and appreciate what he/she has read.

____________________________ 1Howard Becker, Writing for Social Scientists (Chicago: University of Chicago Press, 1986).

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A Step-by-Step Guide to Doing Historical Research [without getting hysterical!] In addition to being a scholarly investigation, research is a social activity intended to create new knowledge. Historical research is your informed response to the questions that you ask while examining the record of human experience. These questions may concern such elements as looking at an event or topic, examining events that lead to the event in question, social influences, key players, and other contextual information. This step-by-step guide progresses from an introduction to historical resources to information about how to identify a topic, craft a thesis and develop a research paper. Table of contents: The Range and Richness of Historical Sources Secondary Sources Primary Sources Historical Analysis What is it? Who, When, Where, What and Why: The Five "W"s Topic, Thesis, Sources Definition of Terms Choose a Topic Craft a Thesis Evaluate Thesis and Sources A Variety of Information Sources Take Efficient Notes Note Cards Thinking, Organizing, Researching Parenthetical Documentation Prepare a Works Cited Page Drafting, Revising, Rewriting, Rethinking For Further Reading: Works Cited Additional Links So you want to study history?! Tons of help and links Slatta Home Page Use the Writing and other links on the lefhand menu I. The Range and Richness of Historical Sources Back to Top Every period leaves traces, what historians call "sources" or evidence. Some are more credible or carry more weight than others; judging the differences is a vital skill developed by good historians. Sources vary in perspective, so knowing who created the information you are examining is vital. Anonymous doesn't make for a very compelling source. For example, an FBI report on the antiwar movement, prepared for U.S. President Richard Nixon, probably contained secrets that at the time were thought to have affected national security. It would not be usual, however, for a journalist's article about a campus riot, featured in a local newspaper, to leak top secret information. Which source would you read? It depends on your research topic. If you're studying how government officials portrayed student activists, you'll want to read the FBI report and many more documents from other government agencies such as the CIA and the National Security Council. If you're investigating contemporary opinion of pro-war and anti-war activists, local newspaper accounts provide a rich resource. You'd want to read a variety of newspapers to ensure you're covering a wide range of opinions (rural/urban, left/right, North/South, Soldier/Draft-dodger, etc). Historians classify sources into two major categories: primary and secondary sources. Secondary Sources Back to Top Definition: Secondary sources are created by someone who was either not present when the event occurred or removed from it in time. We use secondary sources for overview information, to familiarize ourselves with a topic, and compare that topic with other events in history. In refining a research topic, we often begin with secondary sources. This helps us identify gaps or conflicts in the existing scholarly literature that might prove promsing topics. Types: History books, encyclopedias, historical dictionaries, and academic (scholarly) articles are secondary sources. To help you determine the status of a given secondary source, see How to identify and nagivate scholarly literature . Examples: Historian Marilyn Young's (NYU) book about the Vietnam War is a secondary source. She did not participate in the war. Her study is not based on her personal experience but on the evidence she culled from a variety of sources she found in the United States and Vietnam. Primary Sources Back to Top Definition: Primary sources emanate from individuals or groups who participated in or witnessed an event and recorded that event during or immediately after the event. They include speeches, memoirs, diaries, letters, telegrams, emails, proclamations, government documents, and much more. Examples: A student activist during the war writing about protest activities has created a memoir. This would be a primary source because the information is based on her own involvement in the events she describes. Similarly, an antiwar speech is a primary source. So is the arrest record of student protesters. A newspaper editorial or article, reporting on a student demonstration is also a primary source. II. Historical Analysis What is it? Back to Top No matter what you read, whether it's a primary source or a secondary source, you want to know who authored the source (a trusted scholar? A controversial historian? A propagandist? A famous person? An ordinary individual?). "Author" refers to anyone who created information in any medium (film, sound, or text). You also need to know when it was written and the kind of audience the author intend to reach. You should also consider what you bring to the evidence that you examine. Are you inductively following a path of evidence, developing your interpretation based on the sources? Do you have an ax to grind? Did you begin your research deductively, with your mind made up before even seeing the evidence. Historians need to avoid the latter and emulate the former. To read more about the distinction, examine the difference between Intellectual Inquirers and Partisan Ideologues . In the study of history, perspective is everything. A letter written by a twenty- year old Vietnam War protestor will differ greatly from a letter written by a scholar of protest movements. Although the sentiment might be the same, the perspective and influences of these two authors will be worlds apart. Practicing the " 5 Ws " will avoid the confusion of the authority trap. Who, When, Where, What and Why: The Five "W"s Back to Top Historians accumulate evidence (information, including facts, stories, interpretations, opinions, statements, reports, etc.) from a variety of sources (primary and secondary). They must also verify that certain key pieces of information are corroborated by a number of people and sources ("the predonderance of evidence"). The historian poses the " 5 Ws " to every piece of information he examines: Who is the historical actor? When did the event take place? Where did it occur? What did it entail and why did it happen the way it did? The " 5 Ws " can also be used to evaluate a primary source. Who authored the work? When was it created? Where was it created, published, and disseminated? Why was it written (the intended audience), and what is the document about (what points is the author making)? If you know the answers to these five questions, you can analyze any document, and any primary source. The historian doesn't look for the truth, since this presumes there is only one true story. The historian tries to understand a number of competing viewpoints to form his or her own interpretation-- what constitutes the best explanation of what happened and why. By using as wide a range of primary source documents and secondary sources as possible, you will add depth and richness to your historical analysis. The more exposure you, the researcher, have to a number of different sources and differing view points, the more you have a balanced and complete view about a topic in history. This view will spark more questions and ultimately lead you into the quest to unravel more clues about your topic. You are ready to start assembling information for your research paper. III. Topic, Thesis, Sources Definition of Terms Back to Top Because your purpose is to create new knowledge while recognizing those scholars whose existing work has helped you in this pursuit, you are honor bound never to commit the following academic sins: Plagiarism: Literally "kidnapping," involving the use of someone else's words as if they were your own (Gibaldi 6). To avoid plagiarism you must document direct quotations, paraphrases, and original ideas not your own. Recycling: Rehashing material you already know thoroughly or, without your professor's permission, submitting a paper that you have completed for another course. Premature cognitive commitment: Academic jargon for deciding on a thesis too soon and then seeking information to serve that thesis rather than embarking on a genuine search for new knowledge. Choose a Topic Back to Top "Do not hunt for subjects, let them choose you, not you them." --Samuel Butler Choosing a topic is the first step in the pursuit of a thesis. Below is a logical progression from topic to thesis: Close reading of the primary text, aided by secondary sources Growing awareness of interesting qualities within the primary text Choosing a topic for research Asking productive questions that help explore and evaluate a topic Creating a research hypothesis Revising and refining a hypothesis to form a working thesis First, and most important, identify what qualities in the primary or secondary source pique your imagination and curiosity and send you on a search for answers. Bloom's taxonomy of cognitive levels provides a description of productive questions asked by critical thinkers. While the lower levels (knowledge, comprehension) are necessary to a good history essay, aspire to the upper three levels (analysis, synthesis, evaluation). Skimming reference works such as encyclopedias, books, critical essays and periodical articles can help you choose a topic that evolves into a hypothesis, which in turn may lead to a thesis. One approach to skimming involves reading the first paragraph of a secondary source to locate and evaluate the author's thesis. Then for a general idea of the work's organization and major ideas read the first and last sentence of each paragraph. Read the conclusion carefully, as it usually presents a summary (Barnet and Bedau 19). Craft a Thesis Back to Top Very often a chosen topic is too broad for focused research. You must revise it until you have a working hypothesis, that is, a statement of an idea or an approach with respect to the source that could form the basis for your thesis. Remember to not commit too soon to any one hypothesis. Use it as a divining rod or a first step that will take you to new information that may inspire you to revise your hypothesis. Be flexible. Give yourself time to explore possibilities. The hypothesis you create will mature and shift as you write and rewrite your paper. New questions will send you back to old and on to new material. Remember, this is the nature of research--it is more a spiraling or iterative activity than a linear one. Test your working hypothesis to be sure it is: broad enough to promise a variety of resources. narrow enough for you to research in depth. original enough to interest you and your readers. worthwhile enough to offer information and insights of substance "do-able"--sources are available to complete the research. Now it is time to craft your thesis, your revised and refined hypothesis. A thesis is a declarative sentence that: focuses on one well-defined idea makes an arguable assertion; it is capable of being supported prepares your readers for the body of your paper and foreshadows the conclusion. Evaluate Thesis and Sources Back to Top Like your hypothesis, your thesis is not carved in stone. You are in charge. If necessary, revise it during the research process. As you research, continue to evaluate both your thesis for practicality, originality, and promise as a search tool, and secondary sources for relevance and scholarliness. The following are questions to ask during the research process: Are there many journal articles and entire books devoted to the thesis, suggesting that the subject has been covered so thoroughly that there may be nothing new to say? Does the thesis lead to stimulating, new insights? Are appropriate sources available? Is there a variety of sources available so that the bibliography or works cited page will reflect different kinds of sources? Which sources are too broad for my thesis? Which resources are too narrow? Who is the author of the secondary source? Does the critic's background suggest that he/she is qualified? After crafting a thesis, consider one of the following two approaches to writing a research paper: Excited about your thesis and eager to begin? Return to the primary or secondary source to find support for your thesis. Organize ideas and begin writing your first draft. After writing the first draft, have it reviewed by your peers and your instructor. Ponder their suggestions and return to the sources to answer still-open questions. Document facts and opinions from secondary sources. Remember, secondary sources can never substitute for primary sources. Confused about where to start? Use your thesis to guide you to primary and secondary sources. Secondary sources can help you clarify your position and find a direction for your paper. Keep a working bibliography. You may not use all the sources you record, but you cannot be sure which ones you will eventually discard. Create a working outline as you research. This outline will, of course, change as you delve more deeply into your subject. A Variety of Information Sources Back to Top "A mind that is stretched to a new idea never returns to its original dimension." --Oliver Wendell Holmes Your thesis and your working outline are the primary compasses that will help you navigate the variety of sources available. In "Introduction to the Library" (5-6) the MLA Handbook for Writers of Research Papers suggests you become familiar with the library you will be using by: taking a tour or enrolling for a brief introductory lecture referring to the library's publications describing its resources introducing yourself and your project to the reference librarian The MLA Handbook also lists guides for the use of libraries (5), including: Jean Key Gates, Guide to the Use of Libraries and Information Sources (7th ed., New York: McGraw, 1994). Thomas Mann, A Guide to Library Research Methods (New York: Oxford UP, 1987). Online Central Catalog Most libraries have their holdings listed on a computer. The online catalog may offer Internet sites, Web pages and databases that relate to the university's curriculum. It may also include academic journals and online reference books. Below are three search techniques commonly used online: Index Search: Although online catalogs may differ slightly from library to library, the most common listings are by: Subject Search: Enter the author's name for books and article written about the author. Author Search: Enter an author's name for works written by the author, including collections of essays the author may have written about his/her own works. Title Search: Enter a title for the screen to list all the books the library carries with that title. Key Word Search/Full-text Search: A one-word search, e.g., 'Kennedy,' will produce an overwhelming number of sources, as it will call up any entry that includes the name 'Kennedy.' To focus more narrowly on your subject, add one or more key words, e.g., "John Kennedy, Peace Corps." Use precise key words. Boolean Search: Boolean Search techniques use words such as "and," "or," and "not," which clarify the relationship between key words, thus narrowing the search. Take Efficient Notes Back to Top Keeping complete and accurate bibliography and note cards during the research process is a time (and sanity) saving practice. If you have ever needed a book or pages within a book, only to discover that an earlier researcher has failed to return it or torn pages from your source, you understand the need to take good notes. Every researcher has a favorite method for taking notes. Here are some suggestions-- customize one of them for your own use. Bibliography cards There may be far more books and articles listed than you have time to read, so be selective when choosing a reference. Take information from works that clearly relate to your thesis, remembering that you may not use them all. Use a smaller or a different color card from the one used for taking notes. Write a bibliography card for every source. Number the bibliography cards. On the note cards, use the number rather than the author's name and the title. It's faster. Another method for recording a working bibliography, of course, is to create your own database. Adding, removing, and alphabetizing titles is a simple process. Be sure to save often and to create a back-up file. A bibliography card should include all the information a reader needs to locate that particular source for further study. Most of the information required for a book entry (Gibaldi 112): Author's name Title of a part of the book [preface, chapter titles, etc.] Title of the book Name of the editor, translator, or compiler Edition used Number(s) of the volume(s) used Name of the series Place of publication, name of the publisher, and date of publication Page numbers Supplementary bibliographic information and annotations Most of the information required for an article in a periodical (Gibaldi 141): Author's name Title of the article Name of the periodical Series number or name (if relevant) Volume number (for a scholarly journal) Issue number (if needed) Date of publication Page numbers Supplementary information For information on how to cite other sources refer to your So you want to study history page . Note Cards Back to Top Take notes in ink on either uniform note cards (3x5, 4x6, etc.) or uniform slips of paper. Devote each note card to a single topic identified at the top. Write only on one side. Later, you may want to use the back to add notes or personal observations. Include a topical heading for each card. Include the number of the page(s) where you found the information. You will want the page number(s) later for documentation, and you may also want page number(s)to verify your notes. Most novice researchers write down too much. Condense. Abbreviate. You are striving for substance, not quantity. Quote directly from primary sources--but the "meat," not everything. Suggestions for condensing information: Summary: A summary is intended to provide the gist of an essay. Do not weave in the author's choice phrases. Read the information first and then condense the main points in your own words. This practice will help you avoid the copying that leads to plagiarism. Summarizing also helps you both analyze the text you are reading and evaluate its strengths and weaknesses (Barnet and Bedau 13). Outline: Use to identify a series of points. Paraphrase, except for key primary source quotations. Never quote directly from a secondary source, unless the precise wording is essential to your argument. Simplify the language and list the ideas in the same order. A paraphrase is as long as the original. Paraphrasing is helpful when you are struggling with a particularly difficult passage. Be sure to jot down your own insights or flashes of brilliance. Ralph Waldo Emerson warns you to "Look sharply after your thoughts. They come unlooked for, like a new bird seen on your trees, and, if you turn to your usual task, disappear...." To differentiate these insights from those of the source you are reading, initial them as your own. (When the following examples of note cards include the researcher's insights, they will be followed by the initials N. R.) When you have finished researching your thesis and you are ready to write your paper, organize your cards according to topic. Notecards make it easy to shuffle and organize your source information on a table-- or across the floor. Maintain your working outline that includes the note card headings and explores a logical order for presenting them in your paper. IV. Begin Thinking, Researching, Organizing Back to Top Don't be too sequential. Researching, writing, revising is a complex interactive process. Start writing as soon as possible! "The best antidote to writer's block is--to write." (Klauser 15). However, you still feel overwhelmed and are staring at a blank page, you are not alone. Many students find writing the first sentence to be the most daunting part of the entire research process. Be creative. Cluster (Rico 28-49). Clustering is a form of brainstorming. Sometimes called a web, the cluster forms a design that may suggest a natural organization for a paper. Here's a graphical depiction of brainstorming . Like a sun, the generating idea or topic lies at the center of the web. From it radiate words, phrases, sentences and images that in turn attract other words, phrases, sentences and images. Put another way--stay focused. Start with your outline. If clustering is not a technique that works for you, turn to the working outline you created during the research process. Use the outline view of your word processor. If you have not already done so, group your note cards according to topic headings. Compare them to your outline's major points. If necessary, change the outline to correspond with the headings on the note cards. If any area seems weak because of a scarcity of facts or opinions, return to your primary and/or secondary sources for more information or consider deleting that heading. Use your outline to provide balance in your essay. Each major topic should have approximately the same amount of information. Once you have written a working outline, consider two different methods for organizing it. Deduction: A process of development that moves from the general to the specific. You may use this approach to present your findings. However, as noted above, your research and interpretive process should be inductive. Deduction is the most commonly used form of organization for a research paper. The thesis statement is the generalization that leads to the specific support provided by primary and secondary sources. The thesis is stated early in the paper. The body of the paper then proceeds to provide the facts, examples, and analogies that flow logically from that thesis. The thesis contains key words that are reflected in the outline. These key words become a unifying element throughout the paper, as they reappear in the detailed paragraphs that support and develop the thesis. The conclusion of the paper circles back to the thesis, which is now far more meaningful because of the deductive development that supports it. Chronological order A process that follows a traditional time line or sequence of events. A chronological organization is useful for a paper that explores cause and effect. Parenthetical Documentation Back to Top The Works Cited page, a list of primary and secondary sources, is not sufficient documentation to acknowledge the ideas, facts, and opinions you have included within your text. The MLA Handbook for Writers of Research Papers describes an efficient parenthetical style of documentation to be used within the body of your paper. Guidelines for parenthetical documentation: "References to the text must clearly point to specific sources in the list of works cited" (Gibaldi 184). Try to use parenthetical documentation as little as possible. For example, when you cite an entire work, it is preferable to include the author's name in the text. The author's last name followed by the page number is usually enough for an accurate identification of the source in the works cited list. These examples illustrate the most common kinds of documentation. Documenting a quotation: Ex. "The separation from the personal mother is a particularly intense process for a daughter because she has to separate from the one who is the same as herself" (Murdock 17). She may feel abandoned and angry. Note: The author of The Heroine's Journey is listed under Works Cited by the author's name, reversed--Murdock, Maureen. Quoted material is found on page 17 of that book. Parenthetical documentation is after the quotation mark and before the period. Documenting a paraphrase: Ex. In fairy tales a woman who holds the princess captive or who abandons her often needs to be killed (18). Note: The second paraphrase is also from Murdock's book The Heroine's Journey. It is not, however, necessary to repeat the author's name if no other documentation interrupts the two. If the works cited page lists more than one work by the same author, include within the parentheses an abbreviated form of the appropriate title. You may, of course, include the title in your sentence, making it unnecessary to add an abbreviated title in the citation. > Prepare a Works Cited Page Back to Top There are a variety of titles for the page that lists primary and secondary sources (Gibaldi 106-107). A Works Cited page lists those works you have cited within the body of your paper. The reader need only refer to it for the necessary information required for further independent research. Bibliography means literally a description of books. Because your research may involve the use of periodicals, films, art works, photographs, etc. "Works Cited" is a more precise descriptive term than bibliography. An Annotated Bibliography or Annotated Works Cited page offers brief critiques and descriptions of the works listed. A Works Consulted page lists those works you have used but not cited. Avoid using this format. As with other elements of a research paper there are specific guidelines for the placement and the appearance of the Works Cited page. The following guidelines comply with MLA style: The Work Cited page is placed at the end of your paper and numbered consecutively with the body of your paper. Center the title and place it one inch from the top of your page. Do not quote or underline the title. Double space the entire page, both within and between entries. The entries are arranged alphabetically by the author's last name or by the title of the article or book being cited. If the title begins with an article (a, an, the) alphabetize by the next word. If you cite two or more works by the same author, list the titles in alphabetical order. Begin every entry after the first with three hyphens followed by a period. All entries begin at the left margin but subsequent lines are indented five spaces. Be sure that each entry cited on the Works Cited page corresponds to a specific citation within your paper. Refer to the the MLA Handbook for Writers of Research Papers (104- 182) for detailed descriptions of Work Cited entries. Citing sources from online databases is a relatively new phenomenon. Make sure to ask your professor about citing these sources and which style to use. V. Draft, Revise, Rewrite, Rethink Back to Top "There are days when the result is so bad that no fewer than five revisions are required. In contrast, when I'm greatly inspired, only four revisions are needed." --John Kenneth Galbraith Try freewriting your first draft. Freewriting is a discovery process during which the writer freely explores a topic. Let your creative juices flow. In Writing without Teachers , Peter Elbow asserts that "[a]lmost everybody interposes a massive and complicated series of editings between the time words start to be born into consciousness and when they finally come off the end of the pencil or typewriter [or word processor] onto the page" (5). Do not let your internal judge interfere with this first draft. Creating and revising are two very different functions. Don't confuse them! If you stop to check spelling, punctuation, or grammar, you disrupt the flow of creative energy. Create; then fix it later. When material you have researched comes easily to mind, include it. Add a quick citation, one you can come back to later to check for form, and get on with your discovery. In subsequent drafts, focus on creating an essay that flows smoothly, supports fully, and speaks clearly and interestingly. Add style to substance. Create a smooth flow of words, ideas and paragraphs. Rearrange paragraphs for a logical progression of information. Transition is essential if you want your reader to follow you smoothly from introduction to conclusion. Transitional words and phrases stitch your ideas together; they provide coherence within the essay. External transition: Words and phrases that are added to a sentence as overt signs of transition are obvious and effective, but should not be overused, as they may draw attention to themselves and away from ideas. Examples of external transition are "however," "then," "next," "therefore." "first," "moreover," and "on the other hand." Internal transition is more subtle. Key words in the introduction become golden threads when they appear in the paper's body and conclusion. When the writer hears a key word repeated too often, however, she/he replaces it with a synonym or a pronoun. Below are examples of internal transition. Transitional sentences create a logical flow from paragraph to paragraph. Iclude individual words, phrases, or clauses that refer to previous ideas and that point ahead to new ones. They are usually placed at the end or at the beginning of a paragraph. A transitional paragraph conducts your reader from one part of the paper to another. It may be only a few sentences long. Each paragraph of the body of the paper should contain adequate support for its one governing idea. Speak/write clearly, in your own voice. Tone: The paper's tone, whether formal, ironic, or humorous, should be appropriate for the audience and the subject. Voice: Keep you language honest. Your paper should sound like you. Understand, paraphrase, absorb, and express in your own words the information you have researched. Avoid phony language. Sentence formation: When you polish your sentences, read them aloud for word choice and word placement. Be concise. Strunk and White in The Elements of Style advise the writer to "omit needless words" (23). First, however, you must recognize them. Keep yourself and your reader interested. In fact, Strunk's 1918 writing advice is still well worth pondering. First, deliver on your promises. Be sure the body of your paper fulfills the promise of the introduction. Avoid the obvious. Offer new insights. Reveal the unexpected. Have you crafted your conclusion as carefully as you have your introduction? Conclusions are not merely the repetition of your thesis. The conclusion of a research paper is a synthesis of the information presented in the body. Your research has led you to conclusions and opinions that have helped you understand your thesis more deeply and more clearly. Lift your reader to the full level of understanding that you have achieved. Revision means "to look again." Find a peer reader to read your paper with you present. Or, visit your college or university's writing lab. Guide your reader's responses by asking specific questions. Are you unsure of the logical order of your paragraphs? Do you want to know whether you have supported all opinions adequately? Are you concerned about punctuation or grammar? Ask that these issues be addressed. You are in charge. Here are some techniques that may prove helpful when you are revising alone or with a reader. When you edit for spelling errors read the sentences backwards. This procedure will help you look closely at individual words. Always read your paper aloud. Hearing your own words puts them in a new light. Listen to the flow of ideas and of language. Decide whether or not the voice sounds honest and the tone is appropriate to the purpose of the paper and to your audience. Listen for awkward or lumpy wording. Find the one right word, Eliminate needless words. Combine sentences. Kill the passive voice. Eliminate was/were/is/are constructions. They're lame and anti-historical. Be ruthless. If an idea doesn't serve your thesis, banish it, even if it's one of your favorite bits of prose. In the margins, write the major topic of each paragraph. By outlining after you have written the paper, you are once again evaluating your paper's organization. OK, you've got the process down. Now execute! And enjoy! It's not everyday that you get to make history. VI. For Further Reading: Works Cited Back to Top Barnet, Sylvan, and Hugo Bedau. Critical Thinking, Reading, and Writing: A Brief Guide to Argument. Boston: Bedford, 1993. Brent, Doug. Reading as Rhetorical Invention: Knowledge,Persuasion and the Teaching of Research-Based Writing. Urbana: NCTE, 1992. Elbow, Peter. Writing without Teachers. New York: Oxford University Press, 1973. Gibladi, Joseph. MLA Handbook for Writers of Research Papers. 4th ed. New York: Modern Language Association, 1995. Horvitz, Deborah. "Nameless Ghosts: Possession and Dispossession in Beloved." Studies in American Fiction , Vol. 17, No. 2, Autum, 1989, pp. 157-167. Republished in the Literature Research Center. Gale Group. (1 January 1999). Klauser, Henriette Anne. Writing on Both Sides of the Brain: Breakthrough Techniques for People Who Write. Philadelphia: Harper, 1986. Rico, Gabriele Lusser. Writing the Natural Way: Using Right Brain Techniques to Release Your Expressive Powers. Los Angeles: Houghton, 1983. Sorenson, Sharon. The Research Paper: A Contemporary Approach. New York: AMSCO, 1994. Strunk, William, Jr., and E. B. White. The Elements of Style. 3rd ed. New York: MacMillan, 1979. Back to Top This guide adapted from materials published by Thomson Gale, publishers. For free resources, including a generic guide to writing term papers, see the Gale.com website , which also includes product information for schools.

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How To Write A History Research Paper? Complete Guide To Ace It

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The joy of history writing is unmatched by anything else. Only those who have dived into this sea know the pleasure of exploring and writing history. Today, we are here to take yet another journey into history writing, looking for ways to answer the question: How to write a history research paper?

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5Ws: What, When, Why, Who, and How to Write A Research Paper?

what,when,why,who and how to write a research paper

A generation that ignores history has no past and no future.

Robert A. Heinlein

If you are studying history, you are serving a noble cause. Through history, we keep the memory of our ancestors alive. Through history, we can understand and appreciate the people before us. However, there are some questions you need to ask before you begin. Asking questions is the best way to ace your research paper from all dimensions.

What History Research Paper Consists Of?

The first thing to know when writing for  history research topics  is the concept of a historical research paper. Every research paper must have an outline, an introduction, key elements of research, proofs and citings of data added and a proper conclusion. The optional parts can include people’s opinions, interviews, visual entities and experimental techniques.

In a history research paper, you could choose a specific era, a person, a movement, or an event of interest. That concept is the foundation for your research. You gather all your data from liable resources. You ask questions from people, books, and even the internet. After you have all the data, you must prepare your facts, figures, and chronicles. The next ingredient is to include all the data in a document with your thoughts and understanding.

When Do You Need To Write A History Research Paper?

The need to write a research paper can come at any point in your life. You will need to write for your high school when you are studying history. Then again, you might major in history when you go to university. Almost all universities require you to write a research paper for your majors. However, one of the most significant times you will need to write a history research paper is when you are an archaeologist or a historian. Imagine visiting the pyramids as a Ph.D. scholar. You will need to ask a lot of questions, not a lot of points, and discover a lot of secrets. And to preserve all that knowledge, what can be better than writing a history research paper?

In the end, you are the researcher; find the impeccable timing and get them like the Rebels.

Why do Academia And Institutes Require You To Write A Research Paper About History?

Academia exists to serve the purpose of creating knowledge and preserving it. When you are studying history, your university requires specific protocols and measures that you need to take. The universities exist to ensure the knowledge cycle is a river that must flow. The flow of knowledge since the dawn of time is what makes us who we are today. If there were some chapters missing, the man of today and his life would be completely different. Through history research papers, academic institutes make sure that this flow of knowledge continues. The collective knowledge of what existed before our generation makes the pathway to knowing ourselves. History research papers help us understand our history. After we understand, we can write another research paper to keep the flow of knowledge intact.

Who Are You?

When you embark on your history journey, your research paper requires several things to take care of. Who are you? A high school student? A university attendant? A Ph.D. scholar? Or a research assistant? These questions matter a lot. Every field and stage of study requires its criteria to meet.

There are different degrees and ranks associated with varying types of research assistants. A research assistant is someone who helps a professor with their research paper. They may be an undergraduate or graduate student or a person with no formal training.

Many different qualities are associated with a research assistant. They should have strong writing skills, stay on top of their work, and have a lot of patience. They are also often required to have much knowledge of a specific subject matter.

When you Google “how to write a history research paper,” it can lead you through a maze. That could be a vague situation, and if you are aware of your position as a researcher, you could stay focused and focused. Luckily, you found this blog, and now you know the right questions to ask.

How to do your best with your research regarding history?

There are many different sources of information on history. You have to be careful when you are looking for verification. You want to ensure that you take the report seriously and accurately.

Unfortunately, the history we are told is often at odds with the facts. Many different narratives tell different stories about the same events. You want to avoid getting in the middle of the argument.

You need to make sure that you are verifying the information that you are taking from different sources. When looking for verification, you want to ensure that you look at the same sources as the others. You want to be sure that you are getting the same information that they are. You don’t want to get your information from a different source and have it end up in your paper. You want to ensure you get the information you need to make your argument.

Steps To Writing A Research Paper

steps to writing a research a paper

To answer how to write a history research paper, follow the following steps.

Finding Your History Research Topic

Finding a research topic can be exciting, especially if it’s about something, at some point in history, that you feel connected to. It fills you with an adrenaline rush. For example,  the History of Andalus , the Moorish Period in the Iberian Peninsula, moves the writer of this blog deeply. However, ensuring that your history research paper topic is familiar and new and that you find no data is essential. And it should be used sparingly, which turns your paper into a cliche.

You can use modern history research to find a research topic that fills you with an adrenaline rush. However, ensure that your research paper topic is contemporary and precise. For example, refrain from researching the American Revolution when writing about European Renaissance and Its Impact.

Remember to be creative and develop something new when finding suitable  research paper topics . So don’t be afraid to take risks, and ensure your research paper is well-written.

Defining Your Thesis Problem

Now that you know what to do to research your problem developing a hypothesis is next. A hypothesis is a speculative idea that you have about the issue you’re studying. You can come up with one based on your research so far, or you can come up with one based on your intuitions.

Once you’ve formulated your hypothesis, you can begin to test it. You can do this by doing some experiments or interviewing people familiar with your research problem.

After you’ve tested your hypothesis, you should be ready to write your paper. To report a good, influential research paper, you’ll need to use a lot of red, white, and blue writing. You’ll also need to use a lot of grammar and punctuation.

Choose Your Supervisor

When looking for a research supervisor, it is essential to consider your career path. If you are looking for a research advisor to help you grow as a scientist, you should look for someone similar to you. However, you will need help if you are looking for a research supervisor who will look out for your interests.

There are a lot of factors that go into choosing a research advisor. Some of these include the person’s experience, drive to help scientists, and willingness to take on new tasks. If you are looking for someone who will help you grow as a scientist, you should look for someone similar to you. However, if you are looking for someone who will look out for your interests, you will be in for a tough time.

One of the best ways to ensure that you get the best research supervisor for your career is to do your research with them first. This will give you a better understanding of their methods and their goals. If you are looking for someone similar, you should look for someone similar in research; however, if you are looking for someone just looking out.

Ask Questions To The People, Conduct Interviews

You need to go to the field and ask people their opinion about the event you cover in your research paper. Now, if you are sitting in South Carolina and writing about Egyptian Mummies, what to do then? Of course, there is a great chance you won’t be able to afford a trip to the Orient. Still, not a problem. The greatest gift the recent generations ever got was the internet. You can explore relevant forums and ask people your questions. Another great help could be looking for research papers previously written. You can find thousands of research papers on any topic by looking into international university databases.

Write Your Research Paper Outline

After completing your data, you must know  how to write a research outline  for your research paper. An outline is the base of a research paper that does more than define the content of your research paper. It helps you motivate, stay focused, and keep you direct and away from distractions.

Discuss With Your Supervisor And Start Writing

There are a lot of different types of research you can do in college. One type of research you can do is historical research. History research is about understanding the past and looking at different events and people.

When you do historical research, you will be working with a supervisor. The supervisor will help you with the study and also give you feedback. Once you have finished your history research, you will be ready to go to the battlefield of research. The battlefield of research is where you will be working with your supervisor. The battlefield of study is where you will be working with other people and also working with data.

Most people write their research papers themselves. However, the new world has new solutions to your problems. You can also  buy history papers services  to get your job done.

Revise and Verify

One of the most common mistakes that people coming to us seeking  paper writing help  make is paying attention to the process of revision and verification. Most have done a perfect job collecting the facts and defining them. However, your text can be corrected when writing in the flow and deep thought. Revising your research paper and verifying the points after completion could help significantly.

Writing a history research paper is not that big of a problem when you have the right people to guide you. Follow the SOPs of historical research we have defined above, combine that with your passion, and nothing can stop you from leading. The question of how to write a history research paper has now been answered.

You can explore  our blog  or read  about us  for more value and information. We will not disappoint you.

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How to Create a Structured Research Paper Outline | Example

Published on August 7, 2022 by Courtney Gahan . Revised on August 15, 2023.

How to Create a Structured Research Paper Outline

A research paper outline is a useful tool to aid in the writing process , providing a structure to follow with all information to be included in the paper clearly organized.

A quality outline can make writing your research paper more efficient by helping to:

  • Organize your thoughts
  • Understand the flow of information and how ideas are related
  • Ensure nothing is forgotten

A research paper outline can also give your teacher an early idea of the final product.

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Research paper outline example, how to write a research paper outline, formatting your research paper outline, language in research paper outlines.

  • Definition of measles
  • Rise in cases in recent years in places the disease was previously eliminated or had very low rates of infection
  • Figures: Number of cases per year on average, number in recent years. Relate to immunization
  • Symptoms and timeframes of disease
  • Risk of fatality, including statistics
  • How measles is spread
  • Immunization procedures in different regions
  • Different regions, focusing on the arguments from those against immunization
  • Immunization figures in affected regions
  • High number of cases in non-immunizing regions
  • Illnesses that can result from measles virus
  • Fatal cases of other illnesses after patient contracted measles
  • Summary of arguments of different groups
  • Summary of figures and relationship with recent immunization debate
  • Which side of the argument appears to be correct?

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Follow these steps to start your research paper outline:

  • Decide on the subject of the paper
  • Write down all the ideas you want to include or discuss
  • Organize related ideas into sub-groups
  • Arrange your ideas into a hierarchy: What should the reader learn first? What is most important? Which idea will help end your paper most effectively?
  • Create headings and subheadings that are effective
  • Format the outline in either alphanumeric, full-sentence or decimal format

There are three different kinds of research paper outline: alphanumeric, full-sentence and decimal outlines. The differences relate to formatting and style of writing.

  • Alphanumeric
  • Full-sentence

An alphanumeric outline is most commonly used. It uses Roman numerals, capitalized letters, arabic numerals, lowercase letters to organize the flow of information. Text is written with short notes rather than full sentences.

  • Sub-point of sub-point 1

Essentially the same as the alphanumeric outline, but with the text written in full sentences rather than short points.

  • Additional sub-point to conclude discussion of point of evidence introduced in point A

A decimal outline is similar in format to the alphanumeric outline, but with a different numbering system: 1, 1.1, 1.2, etc. Text is written as short notes rather than full sentences.

  • 1.1.1 Sub-point of first point
  • 1.1.2 Sub-point of first point
  • 1.2 Second point

To write an effective research paper outline, it is important to pay attention to language. This is especially important if it is one you will show to your teacher or be assessed on.

There are four main considerations: parallelism, coordination, subordination and division.

Parallelism: Be consistent with grammatical form

Parallel structure or parallelism is the repetition of a particular grammatical form within a sentence, or in this case, between points and sub-points. This simply means that if the first point is a verb , the sub-point should also be a verb.

Example of parallelism:

  • Include different regions, focusing on the different arguments from those against immunization

Coordination: Be aware of each point’s weight

Your chosen subheadings should hold the same significance as each other, as should all first sub-points, secondary sub-points, and so on.

Example of coordination:

  • Include immunization figures in affected regions
  • Illnesses that can result from the measles virus

Subordination: Work from general to specific

Subordination refers to the separation of general points from specific. Your main headings should be quite general, and each level of sub-point should become more specific.

Example of subordination:

Division: break information into sub-points.

Your headings should be divided into two or more subsections. There is no limit to how many subsections you can include under each heading, but keep in mind that the information will be structured into a paragraph during the writing stage, so you should not go overboard with the number of sub-points.

Ready to start writing or looking for guidance on a different step in the process? Read our step-by-step guide on how to write a research paper .

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Guidelines for Writing Art History Research Papers

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Writing a paper for an art history course is similar to the analytical, research-based papers that you may have written in English literature courses or history courses. Although art historical research and writing does include the analysis of written documents, there are distinctive differences between art history writing and other disciplines because the primary documents are works of art. A key reference guide for researching and analyzing works of art and for writing art history papers is the 10th edition (or later) of Sylvan Barnet’s work, A Short Guide to Writing about Art . Barnet directs students through the steps of thinking about a research topic, collecting information, and then writing and documenting a paper.

A website with helpful tips for writing art history papers is posted by the University of North Carolina.

Wesleyan University Writing Center has a useful guide for finding online writing resources.

The following are basic guidelines that you must use when documenting research papers for any art history class at UA Little Rock. Solid, thoughtful research and correct documentation of the sources used in this research (i.e., footnotes/endnotes, bibliography, and illustrations**) are essential. Additionally, these guidelines remind students about plagiarism, a serious academic offense.

Paper Format

Research papers should be in a 12-point font, double-spaced. Ample margins should be left for the instructor’s comments. All margins should be one inch to allow for comments. Number all pages. The cover sheet for the paper should include the following information: title of paper, your name, course title and number, course instructor, and date paper is submitted. A simple presentation of a paper is sufficient. Staple the pages together at the upper left or put them in a simple three-ring folder or binder. Do not put individual pages in plastic sleeves.

Documentation of Resources

The Chicago Manual of Style (CMS), as described in the most recent edition of Sylvan Barnet’s A Short Guide to Writing about Art is the department standard. Although you may have used MLA style for English papers or other disciplines, the Chicago Style is required for all students taking art history courses at UA Little Rock. There are significant differences between MLA style and Chicago Style. A “Quick Guide” for the Chicago Manual of Style footnote and bibliography format is found http://www.chicagomanualofstyle.org/tools_citationguide.html. The footnote examples are numbered and the bibliography example is last. Please note that the place of publication and the publisher are enclosed in parentheses in the footnote, but they are not in parentheses in the bibliography. Examples of CMS for some types of note and bibliography references are given below in this Guideline. Arabic numbers are used for footnotes. Some word processing programs may have Roman numerals as a choice, but the standard is Arabic numbers. The use of super script numbers, as given in examples below, is the standard in UA Little Rock art history papers.

The chapter “Manuscript Form” in the Barnet book (10th edition or later) provides models for the correct forms for footnotes/endnotes and the bibliography. For example, the note form for the FIRST REFERENCE to a book with a single author is:

1 Bruce Cole, Italian Art 1250-1550 (New York: New York University Press, 1971), 134.

But the BIBLIOGRAPHIC FORM for that same book is:

Cole, Bruce. Italian Art 1250-1550. New York: New York University Press. 1971.

The FIRST REFERENCE to a journal article (in a periodical that is paginated by volume) with a single author in a footnote is:

2 Anne H. Van Buren, “Madame Cézanne’s Fashions and the Dates of Her Portraits,” Art Quarterly 29 (1966): 199.

The FIRST REFERENCE to a journal article (in a periodical that is paginated by volume) with a single author in the BIBLIOGRAPHY is:

Van Buren, Anne H. “Madame Cézanne’s Fashions and the Dates of Her Portraits.” Art Quarterly 29 (1966): 185-204.

If you reference an article that you found through an electronic database such as JSTOR, you do not include the url for JSTOR or the date accessed in either the footnote or the bibliography. This is because the article is one that was originally printed in a hard-copy journal; what you located through JSTOR is simply a copy of printed pages. Your citation follows the same format for an article in a bound volume that you may have pulled from the library shelves. If, however, you use an article that originally was in an electronic format and is available only on-line, then follow the “non-print” forms listed below.

B. Non-Print

Citations for Internet sources such as online journals or scholarly web sites should follow the form described in Barnet’s chapter, “Writing a Research Paper.” For example, the footnote or endnote reference given by Barnet for a web site is:

3 Nigel Strudwick, Egyptology Resources , with the assistance of The Isaac Newton Institute for Mathematical Sciences, Cambridge University, 1994, revised 16 June 2008, http://www.newton.ac.uk/egypt/ , 24 July 2008.

If you use microform or microfilm resources, consult the most recent edition of Kate Turabian, A Manual of Term Paper, Theses and Dissertations. A copy of Turabian is available at the reference desk in the main library.

C. Visual Documentation (Illustrations)

Art history papers require visual documentation such as photographs, photocopies, or scanned images of the art works you discuss. In the chapter “Manuscript Form” in A Short Guide to Writing about Art, Barnet explains how to identify illustrations or “figures” in the text of your paper and how to caption the visual material. Each photograph, photocopy, or scanned image should appear on a single sheet of paper unless two images and their captions will fit on a single sheet of paper with one inch margins on all sides. Note also that the title of a work of art is always italicized. Within the text, the reference to the illustration is enclosed in parentheses and placed at the end of the sentence. A period for the sentence comes after the parenthetical reference to the illustration. For UA Little Rcok art history papers, illustrations are placed at the end of the paper, not within the text. Illustration are not supplied as a Powerpoint presentation or as separate .jpgs submitted in an electronic format.

Edvard Munch’s painting The Scream, dated 1893, represents a highly personal, expressive response to an experience the artist had while walking one evening (Figure 1).

The caption that accompanies the illustration at the end of the paper would read:

Figure 1. Edvard Munch, The Scream, 1893. Tempera and casein on cardboard, 36 x 29″ (91.3 x 73.7 cm). Nasjonalgalleriet, Oslo, Norway.

Plagiarism is a form of thievery and is illegal. According to Webster’s New World Dictionary, to plagiarize is to “take and pass off as one’s own the ideas, writings, etc. of another.” Barnet has some useful guidelines for acknowledging sources in his chapter “Manuscript Form;” review them so that you will not be mguilty of theft. Another useful website regarding plagiarism is provided by Cornell University, http://plagiarism.arts.cornell.edu/tutorial/index.cfm

Plagiarism is a serious offense, and students should understand that checking papers for plagiarized content is easy to do with Internet resources. Plagiarism will be reported as academic dishonesty to the Dean of Students; see Section VI of the Student Handbook which cites plagiarism as a specific violation. Take care that you fully and accurately acknowledge the source of another author, whether you are quoting the material verbatim or paraphrasing. Borrowing the idea of another author by merely changing some or even all of your source’s words does not allow you to claim the ideas as your own. You must credit both direct quotes and your paraphrases. Again, Barnet’s chapter “Manuscript Form” sets out clear guidelines for avoiding plagiarism.

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Insights from zachary schrag, author of the princeton guide to historical research, how to research a history paper.

August 2000. Revised May 2010.

Instructing students how to structure their essays is relatively easy. Essays should generally follow some fairly well established rules. The form is not as rigid as the sonnet or the haiku, but it does exist, and it is usually an achievement, not an embarrassment, to stay within it. Research, in contrast, must be messy. Every research paper is a unique experience for which there can be no hard and fast rules. In fact, I would suggest, the key to a good research paper is the successful management of bewilderment. I cannot guide you to bewilderment, but I can provide some hints on how to find it.

The first step in managing bewilderment is knowing what to look for. I suggest that you seek a mood, a moment of confusion. As Isaac Asimov may have written , “The most exciting phrase to hear in science, the one that heralds new discoveries, is not ”Eureka!” (”I found it!”) but rather ”hmm. . . that”s funny. . . .”” At some point in your research, early or late, you should read something that makes perfect sense on its own yet clashes with something else you previously thought made perfect sense. Whether you leap from your chair and shout incomprehensible half-sentences at your roommate, or simply furrow your brow, at some point you should hit a fact or pattern that is noticeably more interesting than other things you have learned, for the simple reason that it does not fit with what you thought you knew. From there, the writing of the essay is merely a matter of stating the problem that confounded you and then explaining how you got out of it.

Some researchers begin their projects confused as a result of personal experience. David Halberstam, for example, writes that when he began the work that became The Best and the Brightest he was trying to understand “what was it about the men, their attitudes, the country, its institutions and above all the era which allowed this tragedy to take place?” Having spent seven years covering American involvement in Vietnam, he began his work admirably befuddled. David Nye dates his interest in electricity back to childhood observations of the differences between his electrified suburban home and the quieter life on his grandparents” nonelectrified farm. For Nye, childhood wonder fermented into historian”s curiosity. 1

It is not, however, necessary to begin one”s project confused, for libraries and archives are rich reservoirs of bewilderment, especially as one taps the primary sources. Secondary sources, especially newspaper stories and reference works, are dangerous, for they are designed to project false certainty. They can, however, supply some bewilderment if, for example, you find arguments by two or more historians who disagree with each other. Primary sources , sources not written with the researcher in mind, are generally better at leading researchers profitably astray. Take Rachel Maines. While reading crumbling issues of turn-of-the-century needlework magazines she kept noticing advertisements for electric vibrators. Puzzled by the early and public appearance of now-taboo devices, she turned that puzzlement into a splendid book, The Technology of Orgasm. Charles Beard read original documents by the framers of the Constitution and received, in his words, “the shock of my life.” 2

Once achieved, bewilderment must be managed, and I have some suggestions for keeping your confusion under control and your paper on schedule. First, try to answer your question with a narrow set of primary sources. For a 10-12 page term paper, a cubic foot or less of interesting primary materials may well suffice. I”ve read very successful papers based on a single magazine column, tracked over the course of two decades, or a pair of interviews with the owners of two very different Chinese restaurants. I do not want to discourage you from asking big questions, but big questions can be answered with small samples.

Chronology helps as well. It can rule out some causal chains; for example, it is clear that the decision to execute the Rosenbergs in 1953 was not a product of hysteria over Sputnik, launched in 1957. And a pair of dates can bracket your search for causes. If you find that John Calhoun supported expansive federal power in 1817 and rejected it in 1828, you know that something happened in the interval to make him change his mind.

The most important technique is to write as you research. Software engineers keep track of their progress with something called a daily build, a rough draft of a program under development. Each day the engineers add to it whatever new enhancements they”ve devised, watching anxiously to find if the build still runs. The historian”s equivalent is a working draft. As soon as you have even a vague idea of what your paper will look like, even if it”s only a three-line outline, write a draft. As you research, plug the fruits of your labor into the draft and see if it still makes sense, if it still runs. (Asking a friend to read it is one way to find out.) If it does, you may be on the right track, or you may not be confused enough. If something crashes–a sentence seems to belong in more than one section, or two sentences in the same section contradict each other–you may have tapped a new well of confusion. You may need to rewrite your thesis to take account of the new material. On the other hand, when you have worked through a few points of bewilderment and every new piece of evidence fits your argument, it is time to stop researching and to polish your paper into its final form.

In short, your research must follow the itinerary of Bilbo Baggins: there and back again. The farther you wander into the wilderness, the more perilous the paradoxes and the more fearful the inconsistencies, the more impressed your reader will be. Assuming, of course, that you make it back alive.

1 David Halberstam, The Best and the Brightest (Greenwich, Conn. : Fawcett Publications, 1972); David E. Nye, Electrifying America: Social Meanings of a New Technology, 1880-1940 (Cambridge, Mass.: MIT Press, 1990), xiii. .

2 Rachel P. Maines, The Technology of Orgasm: “Hysteria,” the Vibrator, and Women”s Sexual Satisfaction (Baltimore, Md.: Johns Hopkins University Press, 1999), x-xi; Charles Austin Beard, An Economic Interpretation of the Constitution of the United States (1935; reprint, New York: Free Press, 1986), xliii.

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[Re]considering the male gaze in Italian Baroque sculpture

photo of Baroque style bust statue

The Lamar Dodd School of Art directs us to this essay written by art history student Gabriela Diaz-Jones published in The Classic Journal, the Franklin College Writing intensive Program's journal of undergraduate writing and research, “ Baroque Women in Marble as Intimate or Intricate.” Diaz-Jones explores the objectification of female sitters sculpted in marble during the Italian Baroque era, focusing on two busts, one by Gian Lorenzo Bernini and the other by Alessandro Algardi:

The two artworks are borne from nearly opposite contexts. Algardi created a poised, almost lifeless portrait, befitting of its likely funerary purpose. Bernini, on the other hand, carved a work that is stunningly intimate and energetic, gesturing to his secret sexual relationship with Costanza. Bernini’s invention of the “speaking likeness,” the concept of ownership regarding women’s jewelry and clothing during this period, sexual connotations of women’s hair, the myth and symbolism of Medusa, and the legacy of men’s signing images of women as assertions of ownership all come into play when examining and interrogating these works. The tenor of this paper will be that both busts, while they have entirely opposite approaches to depicting women (formal versus intimate, reserved versus dynamic) are still stunningly alike. In both artworks, male artists used sculpture to construct an idealized version of a woman, either moral or seductive. Ultimately both “constructions” are fictions, not reflective of reality but rather, reflections of the role they wanted these women to play (deceased wife of a patron, or lover.) Bernini and Algardi both brought marble to life in the quintessential Baroque style, but the “life” that they imbued into the rock was, without a doubt, not their subjects’ own.

Read the entire essay .

Image: Algardi, Alessandro.  Bust of Maria Cerri Capranica , 1640, marble, 90 x 61.3 x 29.2 cm, The J. Paul Getty Museum, Los Angeles, California (Artstor, ITHAKA).

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