what's the first sentence of an essay

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Writing Your First Sentence

Do you struggle with how to write the first line of your paper’s introduction? Or do you feel like you just can’t write the rest of your paper until you get that first sentence? You are not alone! In the spirit of learning by example, check out the following quotes. They are all first sentences from peer-reviewed scholarly articles from various disciplines. The principle technique behind each sentence is also given.

❖ “The appeal to economists of estimation methods based on moment conditions is largely due to their intimate link to economic theory.” – Nese Yildiz, “Consistency of Plug-in Estimators of Upper Contour and Level Sets" (Econometric Theory, Vol. 28, Issue 2, April 2012)

How does it work? Establishes a current preference in the field and gives a reason for it. Will be discussed at greater length in the paper.

❖ “Current standard theory assumes spin/rotation to be the result of an initial impulse generated in the Big Bang conserved over billions of years of evolution in a frictionless environment.” – N. Haramein and E.A. Rauscher, “The Origin of Spin: A Consideration of Torque and Coriolis Forces in Einstein’s Field Equations and Grand Unification Theory,” Beyond the Standard Model: Searching for Unity in Physics, by R.L. Amoroso et al. (eds) 2005, the Noetic Press

How does it work? Establishes a predominant theory in the field, which the paper will argue against. ❖ “In the past 15 years, many studies demonstrated associations between low birth weight and cardiovascular disease, type 2 diabetes and their risk factors in adult life.” – Vincent W.V. Jaddoe & Jacqueline C.M. Witteman, “Hypotheses on the fetal origins of adult diseases: Contributions of epidemiological studies” (European Journal of Epidemiology, Vol. 21, 2006)

How does it work? Establishes the field of conversation in which the author is writing.

❖ “Within the rhetorical tradition of American civil religion, the United States is often depicted as divinely obligated to spread and defend democratic government throughout the world.” – Adam Gomez, “Deus Vult: John L. O’Sullivan, Manifest Destiny, and American Democratic Messianism" (American Political Thought, Vol. 1, No. 2, September 2012)

How does it work? Presents a contentious, yet defensible, perception which appears to be held by many people.

❖ “For children, folkloric play communicates the body.” – Claiborne Rice, “Folk Illusions: An Unrecognized Genre of Folklore” (Journal of American Folklore Vo. 125, No. 498 [Fall 2012])

How does it work? Poses an interesting, unusual argument that must be defended. Creates a sense of mystery.

❖ “Ritual use of neurotropic fungi has been noted in several culture areas, most notably Mexico and Siberia.” – Brian P. Akers, et al. “A Prehistoric Mural in Spain Depicting Neurotropic Psilocybe Mushrooms?” (Economic Botany, Vol. 65, No.2, June 15, 2011).

How does it work? Although this sentence is uncomplicated, it presents the current state of the field (neurotropic fungi mostly found in Mexico and Siberia), which the paper will move beyond (they’re also found in Spain).

❖ “When I asked thirteen-year-old Rose and ten-year-old Chip what made their evangelical Christian family different from other families, Rose explained that her family prays together, and her parents monitor what she watches on television.” – Susan B. Ridgely, “Doing Ethnography with Child Consultants: Making the IRB Process Work” (Journal of American Folklore Vol. 125, No. 498, [Fall 2012])

How does it work? This sentence relies on contrast (prayer and television), and on “holding back” the mysterious or unusual component (television) until the end of the sentence. The television monitoring is both unexpected and intriguing. The sentence also establishes the central research around which the piece will revolve.

❖ “A significant body of prior literature examines relations between accounting quality and financial market characteristics, yet little prior research exists that analyzes the effects of accounting quality on investment.” – Gary C. Biddle and Gilles Hilary “Accounting Quality and Firm-Level Capital Investment” (The Accounting Review, Vol. 81, No. 5, 2006)

How does it work? Establishes the current field of research, and shows a gap, which the paper will seek to fill in.

❖ “Islam has increasingly become an internal affair in several western European countries, where the Muslim population has grown to ten to fifteen million.” – Ahmet T. Kuru, “Secularism, State Policies, and Muslims in Europe: Analyzing French Exceptionalism” (Comparative Politics, Vol. 41, No.1, Oct. 2008).

How does it work? Establishes a current state of affairs, which will be the central topic/concern of the essay.

❖ “A lot of ash has fallen on this purple land. During the twelve years of military dictatorship, Liberty was no more than the name of a plaza and a prison.” – Eduardo Galeano, "The Dictatorship and Its Aftermath: The Secret Wounds” (Contemporary Marxism, No. 14, Fall 1986)

How does it work? Uses a poetic, culturally meaningful first sentence, the context of which is somewhat explained in the second sentence. Establishes a sense of mystery, cultural significance, and states the general topic of concern.

There are many ways to write your first sentence, and it doesn’t have to be complicated. Most of the time, first sentences set the stage for the paper by showing the context, or the conversation into which the paper is entering. You can do this by establishing the current state of the field, or by presenting an assumption in the field which you will either support or argue against. You should feel free to “jump right in” to your paper in your first sentence. You can also enter into your paper more subtly, either by using a relevant and artistic first sentence (as in “A lot of ash...”) or by using interesting syntax to create a sense of mystery, suspense, or contrast (as in “When I asked thirteen-year-old Rose...”). Just remember that your first sentence doesn’t need to be fancy, and it shouldn’t be agonizing. Don’t get hung up on it—just jump right in!

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The Introductory Paragraph: Start Your Paper Off Right

Begin with a great first sentence

Writing Research Papers
Writing Essays
English Grammar
M.Ed., Education Administration, University of Georgia
B.A., History, Armstrong State University

The introductory paragraph of any paper, long or short, should start with a sentence that piques the interest of your readers .

In a well-constructed first paragraph, that first sentence leads into three or four sentences that provide details about the subject you address in the body of your essay. These sentences should also set the stage for your thesis statement .

Writing a good thesis statement is the subject of much instruction and training, as it's the driver of your research and the subject of your paper. The entirety of your paper hangs on that sentence, which is generally the last sentence of your introductory paragraph and is refined throughout your research and drafting phases.

Writing an Intro Paragraph

It's often easier to write the introductory paragraph after you've written the first draft of the main part of the paper (or at least sketched out a detailed outline, section by section or paragraph by paragraph). After the drafting stage, your research and main points are fresh in your mind, and your thesis statement has been polished to gleaming. It's typically honed during the drafting stage, as research may have necessitated its adjustment.

At the start of a large writing project, it can also be intimidating to put those first words down, so it's often easier to begin composing in the middle of the paper and work on the introduction and conclusion after the meat of the report has been organized, compiled, and drafted.

Construct your introductory paragraph with the following:

An attention-grabbing first sentence
Informative sentences that build to your thesis
The thesis statement, which makes a claim or states a view that you will support or build upon

Your First Sentence

As you researched your topic, you probably discovered some interesting anecdotes, quotes, or trivial facts. This is exactly the sort of thing you should use for an engaging introduction.

Consider these ideas for creating a strong beginning.

Surprising fact: The Pentagon has twice as many bathrooms as are necessary. The famous government building was constructed in the 1940s when segregation laws required that separate bathrooms be installed for people of African descent. This building isn’t the only American icon that harkens back to this embarrassing and hurtful time in our history. Across the United States, there are many examples of leftover laws and customs that reflect the racism that once permeated American society.

Humor: When my older brother substituted fresh eggs for our hard-boiled Easter eggs, he didn’t realize our father would take the first crack at hiding them. My brother’s holiday ended early that particular day in 1991, but the rest of the family enjoyed the warm April weather, outside on the lawn, until late into the evening. Perhaps it was the warmth of the day and the joy of eating Easter roast while Tommy contemplated his actions that make my memories of Easter so sweet. Whatever the true reason, the fact remains that my favorite holiday of the year is Easter Sunday.

Quotation: Hillary Rodham Clinton once said, “There cannot be true democracy unless women's voices are heard.” In 2006, when Nancy Pelosi became the nation’s first female Speaker of the House, one woman’s voice rang out clearly. With this development, democracy grew to its truest level ever in terms of women’s equality. The historical event also paved the way for Senator Clinton as she warmed her own vocal cords in preparation for a presidential race.

Finding the Hook

In each example, the first sentence draws the reader in to find out how the interesting fact leads to a point. You can use many methods to capture your reader’s interest.

Curiosity: A duck’s quack doesn’t echo. Some people might find a deep and mysterious meaning in this fact…

Definition: A homograph is a word with two or more pronunciations. Produce is one example…

Anecdote: Yesterday morning I watched as my older sister left for school with a bright white glob of toothpaste gleaming on her chin. I felt no regret at all until she stepped onto the bus …

Supporting Sentences

The body of your introductory paragraph should fulfill two functions: It should explain your first sentence and should build up to your thesis statement. You'll find that this is much easier than it sounds. Just follow the pattern you see in the above examples.

During the revision stage for the paper as a whole, you can make further refinements to the introduction as needed.

Examples of Great Introductory Paragraphs
Write an Attention-Grabbing Opening Sentence for an Essay
How to Write a Good Thesis Statement
Definition and Examples of Analysis in Composition
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The Ultimate Guide to the 5-Paragraph Essay
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How To Write an Essay
How to Write a Solid Thesis Statement
How to Structure an Essay
How to Help Your 4th Grader Write a Biography
How to Develop a Research Paper Timeline
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Anne R. Allen's Blog... with Ruth Harris

Writing about writing. Mostly.

April 28, 2018 By Anne R. Allen 53 Comments

How to Write a Great First Sentence—with 22 Inspiring Examples

First sentences from classic and contemporary literature analyzed.

by Ruth Harris

No matter what genre you write, your first sentence is a seduction. It can be in the form of an invitation. A declaration. A tease. A promise. A jolt. A shock.

You must be shameless and your first sentence must be irresistible. It must induce curiosity and promise the answer to an urgent question.

You must do whatever you can to lure your reader into the web you’ve woven by writing a sentence so provocative and so powerful that s/he is compelled to continue.

You’re the master of ceremonies and in your first sentence you must present yourself and your book with confidence and authority. If you’ve written a thriller, your first sentence must promise thrills. If you’ve written a romance, your first sentence must promise romance.

Just like a nothingburger cover or a meh blurb, a clunky or poorly-conceived first sentence that’s inconsistent with your genre, will turn readers off and cause them to skip your book.

Whether you’re writing fiction or non-fiction, romance or sci fi, a thriller or a mystery, the first sentence of your book must achieve one goal: compel the reader to read on.

Stephen King has said that he spends “months and years” creating that first line. He goes on to say: “An opening line should invite the reader to begin the story. It should say: Listen. Come in here. You want to know about this.”

The question is, how do we accomplish all this in one sentence? From Moby Dick ’s “ Call me Ishmael” to Charles Dickens’ “ It was the best of times, it was the worst of times ,” some first sentences have become famous classics. So, too, Jane Austen’s “ It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.”

A deeper look into the breadth of masterful first sentences offers a wide array of the ways writers draw readers into their stories and inspiring examples of how much information can be conveyed in a single sentence.

The First Person Introduction.

In a memoir or a novel written in the first person, the author puts himself in the mind of the central character and, in one way or another, tells us that we are about to get the real deal. No BS here, the sentence promises, just the honest, unvarnished truth about someone we want to know more about.

Sylvia Plath uses the first sentence of The Bell Jar , to establish the nervous, dark mood that hovers over the character and the story. Her story begins—

“It was a queer, sultry summer, the summer they electrocuted the Rosenbergs, and I didn’t know what I was doing in New York.”

Plath’s use of the word electrocuted provides an unexpected jolt and mention of the Rosenbergs sets a time (June 1953). Sultry summer sets an uncomfortable season, New York establishes a place, and the final phrase conveys the uncertainty of a young woman struggling to find an identity and a place in life.

Vladimir Nabokov uses the first nine words of Lolita to convey the note of obsessive erotic desire that pulses through the entire novel.

“Lolita, light of my life, fire of my loins.”

Nabokov begins by naming the object of his passion, the word light expresses her transformative influence on the narrator, the word loins promises that we will be reading a story about sex, and the repetition of the letter l creates the feeling of an incantation.

In Ghostwriters In The Sky , Book 1 of The Camilla Randall Mysteries, Anne uses her first sentence to introduce the MC, locate the place (the subway can only mean NYC), and refer to the season (sweaty indicates hot, most likely summer).

“The subway car was so crowded I couldn’t tell which one of the sweaty men pressing against me was attached to the hand now creeping up my thigh.”

The phrase “creeping up my thigh” indicates a level of unwanted personal attention which places the character in an uncomfortable, if rather ludicrous situation—a theme that will be repeated in different variations throughout the novel.

In Catcher In the Rye , J.D. Salinger uses an effective but contradictory combination of bravado and vulnerability to establish a unique voice as he introduces us to preppy Holden Caulfield.

“If you really want to hear about it, the first thing you’ll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don’t feel like going into it, if you want to know the truth.

We read on because Salinger’s confessional tone makes us want to know more about his lousy childhood and find out why he doesn’t feel like going into it.

The Third Person Introduction.

In Goldfinger , Ian Fleming introduces 007 in the first sentence.

“James Bond, with two double bourbons inside him, sat in the final departure lounge of Miami airport and thought about life and death.”

Fleming has told us in only a few words that his MC is a drinking man, one who travels, and one who contemplates the larger questions of existence. Where, we wonder, is Bond going, what is he going to do once he gets there, and why does he need to down two double bourbons before he boards his flight?

In The Hobbit , JRR Tolkien simply tells us where his MC lives, but in such a startling way that we feel compelled to read on.

“In a hole in the ground there lived a hobbit.”

A hobbit? A story about a creature who lives in a hole? Who or what is this hobbit and why does he live in a hole. Curious, we read on.

I introduce DeeDee Dahlen, the MC in Love And Money , Book 1 of the Park Avenue Series with a brief, declarative sentence.

“Her name was DeeDee Dahlen and she was famous from the day she was born.”

How can a newly-born infant be famous?, the reader wonders. What rewards—and penalties—does unasked-for celebrity impose? What secrets and scandal will shadow her future?—urgent questions that will reverberate throughout the entire novel.

Graham Greene, in Brighton Rock , compels us to want to know more.

“Hale knew, before he had been in Brighton three hours, that they meant to murder him.”

Who are the ‘they?’ we wonder. And what has Hale done? Why do ‘they’ want to kill him?

Gabriel Garcia Marquez begins One Hundred Years of Solitude with this famous sentence—

“Many years later, as he faced the firing squad, Colonel Aureliano Buendia was to remember that distant afternoon when his father took him to discover ice.”

The author uses a shocking situation—a man facing a firing squad—plus a long-ago memory to pique our curiosity. Who is the Colonel and what had he done that he ends up facing a firing squad? What was there about the discovery of ice that it has lodged so forcefully in his memory? Compelling questions to which we must find the answer and, thus, we continue to read.

Whether classic literature, hard-boiled pulp fiction, or cyberpunk scifi, the first sentence establishes a theme that will continue throughout the story. If the book does not follow through on the promise of that first sentence, the disappointed reader will feel cheated.

In his first sentence, Leo Tolstoy in Anna Karenina tells us that we are about to read a story about an unhappy family.

“All happy families are alike; each unhappy family is unhappy in its own way.”

Why, we ask ourselves, are they unhappy? What has happened to them and what will they do? Powerful questions the reader wants answered.

James Matthew Barrie establishes the theme of Peter Pan with a brief, declarative statement.

“All children, except one, grow up.”

Which child, we wonder. Why not? And what will happen to a child who doesn’t grow up?

A far different theme is set by Franz Kafka in his posthumously published 1925 novel, The Trial.

Someone must have slandered Josef K., for one morning, without having done anything truly wrong, he was arrested.

Kafka’s first sentence thrusts us immediately into the MC’s waking nightmare of terror and paranoia that will be sustained throughout the story.

William Gibson’s Neuromancer was the first novel to win the Nebula Award, the Philip K. Dick Award, and the Hugo Award. The chilling first sentence, said to have been written at the last minute, sets the novel’s theme of a burnt-out computer hacker adrift in a dystopian near future governed by artificial intelligence.

“The sky above the port was the color of television, tuned to a dead channel.”

Hunter S Thompson, starts his novel, Fear and Loathing in Las Vegas , by establishing a place, a mood, and a theme (a disenchanted retrospective look at the 1960s) in the first sentence.

“We were somewhere around Barstow on the edge of the desert when the drugs began to take hold.”

A Tease, a Shock, a Jolt.

A skillfully written first sentence containing a tease, a shock or a jolt can introduce a character, establish a tone or a setting, and dare the reader not to continue.

The first sentence of Nineteen Eighty-Four, George Orwell’s dystopian novel, often considered one of the best one hundred books of the 20 th Century, tells us immediately that something—time itself—is awry in a future world of Big Brother, doublethink and government surveillance.

“It was a bright cold day in April, and the clocks were striking thirteen.”

Joe Konrath pulls us right into the action in the first sentence of his mystery thriller, Dirty Martini , Book 4 of the Jacqueline “Jack” Daniels Mystery series.

“No security cameras this time, but he still has to be careful.”

What is he doing, we wonder? In his first sentence, Konrath lets us know that whatever it is, it’s something he’s done before. Something risky, perhaps dangerous, and, even though experienced, he still has to be careful. Of what? Of whom?

In his legal thriller, The Firm , John Grisham uses his first sentence to tell us that this unnamed and mysterious senior partner will indeed find something to dislike about Mitchell Y. McDeere who, the word résumé indicates, is being considered for a job.

“The senior partner studied the résumé for the hundredth time and again found nothing he disliked about Mitchell Y. McDeere, at least not on paper.”

What kind of job, we wonder, and what will the senior partner find to dislike? Grisham’s tease promises evil doings and the reader is lured on.

In L.A. Confidential, James Ellroy’s first sentence introduces a main character, sets a theme, and tells us exactly what we are about to read. Ellroy uses a knowledgable tone and vernacular language to let us know that he knows what he’s talking about.

“An abandoned auto court in the San Berdoo foothills; Buzz Meeks checked in with ninety-four thousand dollars, eighteen pounds of high-grade heroin, a 10-gauge pump, a .38 special, a .45 automatic, and a switchblade he’d bought off a pachuco at the border—right before he spotted the car parked across the line: Mickey Cohen goons in an LAPD unmarked, Tijuana cops standing by to bootsack his goodies, dump his body in the San Ysidro River.”

Dennis Lehane, in his short story, Until Gwen pulls us in with the use of the second person combined with the promise of drugs and sex.

“Your father picks you up from prison in a stolen Dodge Neon, with an 8-ball of coke in the glove compartment and a hooker named Mandy in the back seat.”

The Rule Breakers.

Although writers are often cautioned about starting a book with a character’s dream, that rule was effectively broken in the classic first sentence of Daphne DuMaurier’s famous gothic mystery, Rebecca .

“Last night I dreamt I went to Manderley again.”

Marie Force begins her Gansett Island romance, Meant For Love , with a reference to a dream.

“The dream was always the same, the last perfect moment before life as Jenny Wilks knew it changed forever.”

Both dreams refer to emotionally significant aspects of the characters’ pasts. The reader wonders why the unidentified first-person narrator of Rebecca dreams of a place and Jenny Wilks of a “perfect” life now gone forever. The authors use dreams to provoke interest in their characters and in the events of the story to come.

The passive tense is usually considered to be another no-no. Charles McCarry, in TheTears Of Autumn, considered to be one of the best espionage thrillers of the 20 th Century, uses the passive tense to introduce American intelligence officer, Paul Christopher, who is investigating the assassination of John F. Kennedy.

“Paul Christopher had been loved by two women who could not understand why he had stopped writing poetry.”

McCarry’s elegant use of the passive tense to introduce his MC sets the theme of the book: an exploration of glittering promise that results in the wreckage of unintended consequences—the end of poetry and the end of Camelot.

Your first sentence is your opportunity to let your creativity shine. Whether you decide to go for a tease or a jolt, a theme or a rule breaker, a first person or third person introduction, remember what Mom always said: You never have a second chance to make a first impression.

For more info on beginnings, Anne and I have both opined about first chapters. For Anne’s take . For Ruth’s take .

by Ruth Harris (@RuthHarrisBooks) April 29, 2018

What about you, scriveners? Do you have a favorite first line? Do you find your first line hard to write? (I usually write mine last.) Do you have a dynamite first line for a book you haven’t written yet?

This week Anne is Poisoning People for Fun and Profit again. This time she’s talking about Gelsemium , a pretty plant that may be growing in your own backyard. And is so deadly it’s the drug of choice of many professional assassins. It also nearly killed Arthur Conan Doyle.

BOOK OF THE WEEK

OPPORTUNITY ALERTS

Central Coasters: Don’t miss the “Writers in Action: From Idea to Publication” Workshop on May 19th! 1-day workshop by Sisters in Crime, Central Coast at the PG&E Energy Center in San Luis Obispo. Should be a lot of fun. Here’s a link to the application form and lunch menu.

Red Hen Press annual Nonfiction Contest. $25 entry FEE. $1,000 prize and publication by the prestigious Red Hen Press. They’re looking for an essay collection, memoir, or book of narrative nonfiction. Florencia Ramirez will judge. Using the online submission system, submit a manuscript of at least 150 pages. Deadline April 30

CRAFT Literary Short Story contest. $20 FEE . Short fiction up to 6000 words. $2000 first prize; the two runners-up will receive $500 and $300, respectively. plus publication in CRAFT Literary Magazine. Deadline April 30th.

Mad Scientist Journal: Battling in All Her Finery. Genre : Speculative fiction stories about women leaders in any field. Payment : 2 cents/word. Deadline: April 30, 2018.

13 Imprints of Big 5 publishers who take unagented submissions. From the good people at Authors Publish Magazine.

Supernatural Fiction Award : $1000 prize + publication in The Ghost Story magazine. Not just ghost stories. Any paranormal story welcome. 1500-10,000 words $20 entry fee. Deadline April 30 th .

Prophecy Creek Book Award for Speculative Fiction . Prize $1,000 and publication by Hidden River Publishing. Any length novel that includes elements of science fiction, supernatural fiction, or fantasy. $22 fee. Deadline May 15.

Smokelong Quarterly Flash Fiction contest. $13 Fee. Under 1000 words. Nominates for Pushcart. Must never have been published (including on blogs.) $1500 prize plus publication. Runner-up prizes, too. Deadline May 20th.

Nowhere Spring Travel Writing Contest $10 Fee. 800-5000 words showing a powerful sense of place: Fiction or nonfiction. Previous publication okay. $1000 prize plus publication in Nowhere magazine. Deadline May 31st

About Anne R. Allen

Anne writes funny mysteries and how-to-books for writers. She also writes poetry and short stories on occasion. Oh, yes, and she blogs. She's a contributor to Writer's Digest and the Novel and Short Story Writer's Market.

Her bestselling Camilla Randall Mystery RomCom Series features perennially down-on-her-luck former socialite Camilla Randall—who is a magnet for murder, mayhem and Mr. Wrong, but always solves the mystery in her quirky, but oh-so-polite way.

Anne lives on the Central Coast of California, near San Luis Obispo, the town Oprah called "The Happiest City in America."

April 29, 2018 at 10:27 am

I didn’t fully appreciate the importance of the first line until after my first book. I am proud of the first lines of the next three books, especially the two that say so much about the character. Those are excellent examples and a good breakdown as to why they work. Knowing that is half the struggle.

April 29, 2018 at 12:54 pm

Alex—Thanks! Congratulations on your quality first lines….knowing what and where the target is makes it so much easier to score!

April 29, 2018 at 11:10 am

Couldn’t agree more Ruth, and it’s one of my favorite topics to cover with aspiring authors on the library-circuit. It’s one of those things a newish writer hasn’t truly considered, but they light up when you show examples like these gems (we overlap with several!). I would suggest there’s also the out-and-out lunatic opening to consider, like Ian Banks who set the bar pretty high with his opening to “The Crow Road” (1992):

“It was the day my grandmother exploded.”

Tell me who’s going to put that one back on the rack!

April 29, 2018 at 12:56 pm

Will—Love the Ian Banks first line. Thanks for the great addition!

April 29, 2018 at 11:28 am

Excellent! I particularly like the constellation of 1st person examples: Plath, Nabokov, Salinger, & Allen! Well-chosen, indeed. And, as I am big-idea person more than an analytical person, I love seeing these split into categories — I simply wouldn’t think to do that to these fine examples, but it helps me conceptualize it all. Thanks again.

April 29, 2018 at 12:59 pm

CS—Thanks and happy to hear my category breakdown helped. There are infinite ways to write a great first sentence!

April 29, 2018 at 1:39 pm

I love the topic you chose for today, Ruth, and the way you take a close, illuminating look at each one. Thanks so much for the insight.

I think you had one or two short story first lines in the mix, and I’m glad for that.(I write short stories.) I think an awesome first line is every bit as important in short stories. (Last line too.)

Tolstoy’s Anna Kerenina first line is also an example of what I think has the potential to be powerful: A truism, or a simple philosophical (sort of) statement. He certainly nails it with this one!

An article on great last lines would be a fascinating complement to this one.

April 29, 2018 at 4:32 pm

Tricia—thanks! Yes, the Dennis Lehane first sentence was from a short story. First sentences matter!

April 29, 2018 at 2:35 pm

My favourite opening line is from J.G. Ballard’s ‘High-Rise’:

“Later, as he sat on his balcony eating the dog, Dr Robert Laing reflected on the unusual events that had taken place within this huge apartment building during the previous three months.”

It sets tone, character, place…and the opportunity to decline an invitation to proceed.

April 29, 2018 at 4:34 pm

Patricia—that’s just great! Thanks!

April 29, 2018 at 3:44 pm

I used my favorite first line in an email signature that earned me a visit from the President of the college; he never made me take it down, but I knew somebody had asked about it nonetheless. From James Crumley’s Last Good Kiss: “When I finally caught up with Abraham Trahearne, he was drinking beer with an alcoholic bulldog named Fireball Roberts in a ramshackle joint just outside of Sonoma, California, drinking the heart right out of a fine spring afternoon.” I can smell that wasted, lost afternoon, I know the likes of Abraham Trahearne right up front, and one day I’m going to name my new bulldog Fireball Roberts.

April 29, 2018 at 4:38 pm

Ruthie—thanks for another fabulous first line! Wonder if anyone would name a kitten Fireball Roberts? Nah, don’t think so. 😉

April 29, 2018 at 4:35 pm

Sorry to be picky, but there are two typos in this article…which, by the way, is great. This a wonderful collection of first lines, some of which I’ve never seen before. ‘auto court’, I think, rather than ‘auto cout’ – although maybe this is a type of area I’ve not come across before! And Mr Grisham gets spelt as Grosham at one point….

April 29, 2018 at 4:47 pm

Mcrow—Thanks for your eagle eye! I wondered about “cout” but that’s how it came up in my research so I decided to go with it. Maybe a regionalism? Grissom is just a plain vanilla typo. (As I type this, tho, autocorrect turns it into Grissom.) lol

April 30, 2018 at 8:53 am

This is such a great post. I love to look at the first line of a book. It really does either pull you in … or not. I really liked ““All children, except one, grow up.” I’ve never read the book. Maybe now I will. I always try to write a first line or at least the first few lines in a way that the reader will wonder what’s going to happen next and what’s going on. Thanks for this.

April 30, 2018 at 11:24 am

Patricia—thanks for the kind words. First lines are well worth the effort.:)

April 30, 2018 at 10:01 am

First lines are tough and hard to make appealing to a large group of people–even within our own genres.

One I like is: This is the way the world ends – not with a band or a whimper, but with zombies breaking down the back door. – Hollowland by Amanda Hocking

I love the call back to Eliot with a fantasy twist.

April 30, 2018 at 11:27 am

HR—thanks for another good example and fine analysis!

April 30, 2018 at 5:48 pm

Thanks so much for this insightful look into first lines, Ruth. A good reminder to go over some of my old favs and revisit first lines in particular. 🙂

May 1, 2018 at 6:11 am

Dg—appreciate your kind words. Have fun with your old faves!

April 30, 2018 at 6:41 pm

Thanks for this article! I was inspired to re-check out some first lines. I’m pretty happy with the first lines of my two fantasy novels…the second one took a long time. The whole first chapter and especially the first paragraph went through a dozen false starts before I managed to like one I tried. But the first line of Stephen King’s “The Gunslinger” is wonderful–and it must be, as it begins not only a novel, but an epic seven-book series. The line: “The man in black fled across the desert, and the gunslinger followed.”

May 1, 2018 at 6:15 am

Fred—*only* a dozen tries? Wow! Speedy. ;-). Thanks for the excellent Stephen King addition. Much appreciated!

May 6, 2018 at 4:32 pm

Not really speedy. I had it published about twenty-two years after I finished the first draft. I’m finishing a paranormal romance and beginning a fantasy series. Thanks to your article I re-examined, and changed, the first sentence of each one. And of course I may do so again before I’m finished. My thanks to you and Anne both for all these great helpful blogs.

May 1, 2018 at 6:47 am

Wow, those are some great first lines. I’ve always found first lines hard to write and this post has really motivated me to make sure the promise I’m making to my audience is there inside it.

One of my favorite first lines is from the manga Fullmetal Alchemist (English Translation):

“Teachings that do not speak of pain have no meaning…for humankind cannot gain anything without first giving something in return.”

May 1, 2018 at 7:25 am

Amy—happy to hear the post helped. 🙂 thanks,too, for the excellent addition to our first lines!

May 1, 2018 at 7:30 am

I often write my first lines after the first draft. Rather, I should say, I “rewrite” my first line a gazillion times after the first draft. Great post, Ruth. Thanks for the inspiration!

May 1, 2018 at 11:06 am

Sue—yes! It’s not the writing. It’s the rewriting. + the revisions. Facts of life! 😉

May 1, 2018 at 10:17 pm

I love, love, love first sentences. I’ve written hundreds of them! If only I had completed stories to go with all with my first lines….heavy sigh. Enjoyed the post.

May 2, 2018 at 4:13 am

Tammy—ditto and thanks. Maybe find the love for second sentences? 😉

May 6, 2018 at 8:26 am

A great article, Anne.

May 6, 2018 at 12:20 pm

Robbie–The thanks go entirely to Ruth. Not only did she write the piece. but she chose the image this time too. I thought it was perfect!

May 6, 2018 at 4:52 pm

Robbie—glad to learn you enjoyed the post!

May 6, 2018 at 10:31 am

3 greatest are from Moby Dick, Old Man and Sea and Tale of 2 Cities. Oh, and that “In the beginning…” one is pretty famous too.

May 6, 2018 at 1:10 pm

Carl—thanks for the suggestions. We should also add “once upon a time.” 🙂

May 7, 2018 at 3:55 am

Yes, of course !

May 6, 2018 at 4:50 pm

Fredwaiss—22 years? Definitely not speedy! I stand corrected. 🙂 Pleased to learn the post encouraged you to go back and review your first lines. Anne and I work with the goal of helping writers avoid the mistakes we made!

May 8, 2018 at 12:23 pm

Great post, thanks! It was a dark and stormy night…?????

May 8, 2018 at 12:52 pm

M. L.—Perfecto! A truly worthy addition! 🙂

May 8, 2018 at 1:08 pm

Great article Ruth! I have a harder time with LAST lines but reading this reminded me of an unread book I peeked at while unpacking last week that made me want to sit in the pile boxes to keep reading:

“Even before I push the fucking door open I know.” First line of IN SIGHT OF THE STARS by Gae Polisner.

I’m a little envious of that opening…

May 8, 2018 at 2:06 pm

Eldonna—Thanks. 🙂 Thanks, too, for adding another great first sentence!

May 10, 2018 at 3:17 pm

What a fun post – and great comments with more first lines – love it! Thanks for this.

My favorite for description is from IN COLD BLOOD by Truman Capote because of the contrast with the title:

“The village of Holcomb stands on the high wheat plains of western Kansas, a lonesome area that other Kansans call ‘out there.’ ”

and my favorite for ‘you had me at the first line’ (technically, 3 sentences, they could have been separated by commas… but it would change the rhythm) still, it got me and I read this one, then pretty much all his other books in a 2-month binge. It’s in STRAIGHT by Dick Francis:

“I inherited my brother’s life. Inherited his desk, his business, his gadgets, his enemies, his horses and his mistress. I inherited my brother’s life, and it nearly killed me.”

May 10, 2018 at 5:58 pm

Msmartha—Thanks for the kind words—and for two great suggestions! I recall a lengthy dick Francis binge, too. 🙂

June 3, 2018 at 3:09 pm

I don’t have a favorite first line, sorry! I opened an email from you and saw this as title as one of your previous posts and was intrigued. Fantastic post! I’m starting my new WIP today and you’ve inspired me to nail down that first line of my WIP. Thanks!

June 3, 2018 at 4:16 pm

Fiona—Ruth Harris here. Glad you enjoyed the post! Even happier to learn it was inspiring. Good luck with your great first sentence!

October 7, 2018 at 3:21 pm

“If there were a way, if I could, I would write this book in sign language.” Ruth Sidranski’s first line in her memoir entitled In Silence.

October 7, 2018 at 4:48 pm

Katherine—excellent! Thank you.

October 28, 2019 at 8:58 am

I read and try to write romance. This is my favorite opening line from a romance novel, The Best Man by Kristan Higgins:

“On a beautiful day in June, in front of literally half the town, wearing a wedding dress that made her look like Cinderella and holding a bouquet of perfect pink roses, Faith Elizabeth Holland was left at the altar.”

It was my first book by Kristan Higgins, but I can assure you it wasn’t my last!

October 28, 2019 at 10:24 am

Dena Jo—Wonderful! Thanks for a great addition to the list of compelling first lines. Appreciated! 🙂

November 21, 2019 at 6:54 am

First lines–yes! I waffled when I started to write my first book. (A fantasy novel based on a D&D scenario I wrote.) I decided to self-publish it after an agent who had taken me on tried to get me to publish with a publisher who asked for a lot of money. At least it was a lot to me. I was proud of that book, but it took far too long to get to the story proper. I wrote part 2 of the series and published it. Then I found a publisher for my next book, who wanted to take on my previously published books, so I took the opportunity of rewriting the beginning. I cut at least the first 4 chapters and began where the protagonist and his friends were given their quest. A much better beginning,I think.

November 21, 2019 at 1:34 pm

V.M.—Thanks for the great comment! Sounds like you’re on the right track by cutting your early chapters and starting with the quest. And yes, indeed, sometimes getting a book right does take “too long.” Frustrating but worth it!

June 19, 2020 at 5:30 am

so I wrote a first paragraph and I was hoping that someone might help me with critiquing it “You know that every time I peek my head through this window and see the tower, my heart fills with uneasiness, how it pokes into the sky here in Paris and is quite the centerpiece in the culture. Of course, I was talking about the Eiffel tower, the looming feeling I get measures to about the amount you get when you see the corpse of a person next to a puddle of blood with a 15mm Occitane Pistol floating along slowly to a sewer pipe. When you know whatever caused it can just peek out and get you too, slide its fingers along the side of the trigger, and in seconds your years of life have come to an end. ” by the way, Occitane is a region in France, in the book I am writing it also holds a secret underground gun producing factory.

June 19, 2020 at 6:26 am

Noah—Thanks for taking the time to comment. Anne and I do not offer critique services, but wish you the best of luck with your book.

August 15, 2021 at 4:10 pm

Here’s the first sentence of my second novel, plus the short one that follows:

“Who was that,” Greg asked as he and Josie drove home from the folk dance, “the fiddler, singing, at the end? You know him?” Jealousy tainted his question.

It seems to set up the emotional tension that permeates the book.

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How to write a great first sentence and nail your opening.

In the process of writing a novel or memoir—or anything, really—no single sentence is more outright intimidating than the first. It isn’t easy to figure out how to write a great first sentence.

You hear it in workshops, college classrooms, writer’s conferences, and how-to books, and for that matter in blog posts like this one written by book editors like me: The first sentence needs to hook the reader. If the first sentence doesn’t engage the reader, why bother with the second? There are millions and millions of other books out there. There are thousands and thousands of other submissions.

That’s a lot for any one sentence to live up to. It’s not difficult to understand why writers agonize over it. But learning how to write a great first sentence and nailing the hook doesn’t have to be scary. It certainly isn’t easy , but here in the third installment of our series on the opening pages, we’ll run through some ideas and concepts to help you determine what to do, and what not to do, to start off your story in just the right way.

[Missed the first article in this series? Click here to get caught up !]

Utilize Action Over Exposition

In the last couple of articles in this series, we talked about the importance of beginning a story with action rather than exposition . It shouldn’t be a surprise that the same applies to the opening sentence, because it applies for essentially the same reason: It’s easier to engage with the momentum of action than the inertia of expository background.

Action could be your protagonist’s hand getting caught in the door of her pick-up truck. It could be a rocket ship blasting off into space. It could be something as simple as sipping a cup of coffee. Utilized as a first sentence, any of these actions, big or small, provides readers a clear and well-defined visual detail that presents some level of narrative. It suggests the existence of subsequent action, which compels readers to move on to the next sentence.

This is even truer if the sentence includes or implies conflict. If your protagonist’s hand is caught in the door, there’s going to be a reaction to that—immediate repercussions to be dealt with. That rocket ship may include less obvious conflict, but maybe the first sentence establishes as well that it’s going in entirely the wrong direction, or that our protagonist should be in it but isn’t. Maybe the coffee in the third example is stale. Whatever the specific detail, it establishes a situation for subsequent sentences to develop.

Exposition doesn’t do that. Sure, you can elaborate on the world, but that background on the universe or town or protagonist isn’t a situation. It’s just a sequence of facts. And facts are useful, but they don’t generate momentum, and that’s what we’re looking for.

Avoid Cliches

The first sentence in a lot of ways is a message to the reader. It’s the introduction to your story, told in your voice, representing your vision. So the last thing you want to do is write exactly the same first sentence as the last twelve authors.

So one of the most important rules for how to write a great first sentence is to avoid the clichés utilized by those who have gone before you.

Clichés can manifest in a few different ways, and some are more obvious than others. For instance, if you’re writing a horror or murder mystery story, you’re probably familiar with the classic first sentence: It was a dark and stormy night. It’s become such a common expression that it’s easy to forget that it was once an original opening by an actual author: specifically, Edward Bulwer-Lytton, in his 1830 novel Paul Clifford .

He wrote it. You didn’t.

Taken out of its historical context, that sentence actually has a lot going for it—it certainly sets a tone—but we’ve heard it a million times. If you start your novel that way, the agent or publisher or reader is going to close the book right there.

But what if you start with a sound effect?

It could be brrrrrrring , like the ringing of an alarm clock. It might be the chirp chirp of an incoming text message. Sounds like these are known collectively as onomatopoeia , and a lot of authors utilize them for a first sentence that suggests immediately action or movement. The theory isn’t bad. It’s just that someone else had the same idea first, and at this point a sound effect will probably do you more harm than good.

Another very common introduction—sometimes in the opening sentence, and sometimes elsewhere in the opening paragraphs—is a description of the main character, often in a mirror. Like the sound effect device, there’s nothing intrinsically wrong with the concept other than its familiarity. And familiarity breeds contempt.

That’s a cliché too. Best not to open with it.

Don’t Overcomplicate It

Above I described “it was a dark and stormy night” as the opening sentence of Bulwer-Lytton’s Paul Clifford —but actually, that isn’t entirely true. The entire first sentence is as follows:

It was a dark and stormy night; the rain fell in torrents—except at occasional intervals, when it was checked by a violent gust of wind which swept up the streets (for it is in London that our scene lies), rattling along the housetops, and fiercely agitating the scanty flame of the lamps that struggled against the darkness.

Presented in full, this sentence contains some of the positive characteristics about which we’ve been speaking. It certainly describes action, and the potential for conflict in the severity of the storm. Yet it’s also a long sentence composed of numerous clauses describing the setting from a variety of different angles. It hooks the reader, but also provides ample opportunity to lose them.

This sort of thing was not uncommon in classic Victorian literature—another famous example is Charles Dickens’s “it was the best of times, it was the worst of times,” which is but a small fraction of the first sentence of the 1859 novel A Tale of Two Cities . But in the present day this sort of elaborate first sentence is a far less palatable approach.

When figuring out how to write a great first sentence, some writers will ask too much of their hooks, describing multiple beats of action in quick succession or describing a single moment or object in inordinate detail. If that results in too complex a sentence—even a run-on sentence, or any phrasing that proves difficult to follow—then instead of hooking your reader, you might instead leave them behind.

So you want to be original. But you also want to be precise. Keep an eye out for too many commas, or too many “and”s, or any ambiguity in the writing that might muddy the waters of the action you mean to convey and the story you mean to tell.

That brings us to our last point.

Don’t Forget the Second Sentence

The goal of the first sentence is to convince readers to read the second—but the second sentence is there too. If your first sentence includes too much , write another. If the second sentence is not enough to contain the idea, build the paragraph.

In other words, the task of hooking the reader doesn’t fall upon the first sentence alone. That’s why this series is about opening pages . Learning how to write a great first sentence is important—critical, even—but only if you’re able to match it with a second great sentence, and a third great sentence, and so on are you going to keep readers engaged throughout those pages. And only then is the reader truly hooked .

What’s your favorite first-sentence hook? Let us know in the comments below!

And don’t miss the next installment in this series, where I’ll explore the factors that influence how different story types can most effectively begin, and tell you how to start your story .

Harrison Demchick came up in the world of small press publishing, working along the way on more than two dozen published novels and memoirs, several of which have been optioned for film. He is an award-winning, twice-optioned screenwriter, and the author of literary horror novel The Listeners . He’s part of The Writer’s Ally team as a developmental editor of fiction and memoir, for which he’s currently accepting new clients.

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November 27, 2021 at 5:25 pm

My favorite first sentence: Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice. (English translation) 100 Years of Solitude, Gabriel García Márquez

November 28, 2021 at 6:26 am

After being killed by my own Guru, I concluded that enlightened masters don’t always know what they are about.

(An autobiography in the process)

[…] And don’t miss the next installment in this series, where I’ll explore what makes a truly great first sentence. […]

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Sentence Starters: Ultimate List to Improve Your Essays and Writing

Ashley Shaw

This blog post is going to be about … No. Too boring.

Today, I am going to talk to you about ... No. Too specific.

This is a blog post for all writers ... Nope. Too generic.

Has this ever been you while writing? I get it. Writing a good sentence can be hard, and when you have to string a whole lot of them together, the task can become daunting. So what do you do?

From the first sentence you write to the very last, you want each one to show your style and motivate your reader to keep reading. In this post, we are going to think about how you start your sentences.

What Is a Good Sentence Starter for an Essay Introduction?

What is a good sentence starter for a body paragraph, 25 useful transitions, can i repeat a sentence starter, how can i rephrase "in conclusion".

The first paragraph of a paper can make or break your grade. It is what gets your audience into the topic and sets the whole stage. Because of this, it is important to get your readers hooked early.

The first sentence of a paper is often called the hook. It shouldn’t be anything ordinary. It should have strong language and be a little surprising, with an interesting fact, story, statistic, or quote on the topic.

Because it is designed to pull the reader in and surprise them a little, it is often good to avoid pre-written sentence starter examples when writing your hook. Just get into it here, and worry about the flow later.

Here are some examples:

Spider webs were once used as bandages.

I taught myself to read when I was three. At least, that’s the story my parents tell.

Recent studies suggest that the average person lies at least once in every conversation.

“The world is bleeding and humans wield the knife,” or so says environmental scientist So Andso.

(P.S. Except for example 1, which is true, I just made all of these up to demonstrate my point. So, please don’t quote me on these!)

Once you jump right in with your hook, it is time to start working on ways to move sentences along. Here is where you may need some sentence starter examples.

In your first paragraph, you basically want to connect your hook to your thesis. You’ll do this with a few sentences setting up the stage for your topic and the claim you will make about it. To do that, follow the tips found in the next section on body paragraphs and general sentence starter tips.

Many of the tips I am about to discuss can be used anywhere in a paper, but they are especially helpful when writing body paragraphs.

Let’s start with one of the most important types of sentence starter in essay writing: transition words.

How Do I Use Transitions in an Essay?

If you want to start writing terrific sentences (and improve your essay structure ), the first thing you should do is start using transition words.

Transition words are those words or phrases that help connect thoughts and ideas. They move one sentence or paragraph into another, and they make things feel less abrupt.

The good thing about transition words is that you probably know a lot of them already and currently use them in your speech. Now, you just need to transition them into your writing. (See what I did there?)

Before we get into examples of what a good transition word is, let’s look at a paragraph without any transitions:

I went to the store. I bought bacon and eggs. I saw someone I knew. I said hello. I went to the cashier. They checked me out. I paid. I got my groceries. I went to my car. I returned home.

Yikes! That is some boring writing. It was painful to write, and I am sure it is even worse to read. There are two reasons for this:

I start every sentence with the same word (more on this later)
There are no signposts showing me how the ideas in the paragraph connect.

In an essay, you need to show how each of your ideas relate to each other to build your argument. If you just make a series of statements one after the other, you’re not showing your instructor that you actually understand those statements, or your topic.

How do we fix this? Transition words. Roughly 25% of your sentences should start with a transition word. If you can hit that number in your essay, you’ll know that you’ve made meaningful steps towards demonstrating your understanding.

Of course, hitting that number isn’t enough—those transitions need to be meaningful. Let’s look at the different types of transitions and how you can use them.

What Are Words Like First , Next , and Last Called?

You probably already use some transitions in your essays. For example, if you start a paragraph with firstly , you’ve used a transition word. But transitions can do so much more!

Here are 25 common transitional words and phrases that you could use in your essay:

Additionally / In Addition
Alternatively / Conversely
As a result of
At this time
Consequently
Contrary to
First(ly), Second(ly), etc.
In contrast
Nonetheless
On the other hand
Particularly / In particular
In other words

This list isn’t exhaustive, but it is a good start.

These words show different types of relationships between ideas. These relationships fall into four main categories: Emphasis , Contrast , Addition , and Order .

What Are Emphasis Transition Words?

These phrases are used when you want to highlight a point. Examples from my above list include clearly , particularly , and indeed . Want to see some more? Follow my bolded transitions: Undoubtedly , you understand now. It should be noted that you don’t need to worry.

How Do You Use Addition Transitions?

These words add on to what you just said. These are words like along with , moreover , and also . Here are some more: Not only are you going to be great at transitions after this, but you will also be good at writing sentences. Furthermore , everyone is excited to see what you have to say.

How Can I Use Transitions to Contrast Ideas?

This is the opposite of addition, and you use it when you want to show an alternative view or to compare things. Examples from my list include words like nonetheless , contrary to , and besides .

Here are some more: Unlike people who haven’t read this article, you are going to be really prepared to write great sentences. Even so , there is still a lot more about writing to learn.

How Do I Order Ideas in My Essay?

A good first step is using order transition words.

This set of transitions helps mark the passage of time or gives an order to events. From the list, think of things like first and finally . Now for some extras: At this time yesterday , you were worried about starting sentences. Following this , though, you will be an expert.

Now that you get the concept of transitions, let’s go back to that poorly written paragraph above and add some in to see what happens:

This morning , I went to the store. While I was there, I bought bacon and eggs. Then I saw someone I knew. So I said hello. After that , I went to the cashier. At that time , they checked me out. First , I paid. Next , I got my groceries. Following that , I went to my car. Finally , I returned home.

(Notice the use of commas after most of these transitions!)

This isn’t the best paragraph I’ve ever written. It still needs a lot of work. However, notice what a difference just adding transitions makes. This is something simple but effective you can start doing to make your sentences better today.

If you want to check your transition usage, try ProWritingAid’s Transitions report . You’ll see how many of each type of transition word you've used so you can pin-point where you might be losing your reader.

prowritingaid transitions report for essay

What Are Some Linking Phrases I Can Use in My Essay?

As well as individual words, you can also use short phrases at the beginning of your sentences to transition between ideas. I just did it there— "As well as individual words" shows you how this section of the article is related to the last.

Here are some more phrases like this:

As shown in the example,

As a result of this,

After the meeting,

While this may be true,

Though researchers suggest X,

Before the war began,

Until we answer this question,

Since we cannot assume this to be true,

While some may claim Y,

Because we know that Z is true,

These short phrases are called dependent clauses . See how they all end with a comma? That's because they need you to add more information to make them into complete sentences.

While some may claim that chocolate is bad for you, data from a recent study suggests that it may have untapped health benefits .
Since we cannot assume that test conditions were consistent, it is impossible to reach a solid conclusion via this experiment .
As a result of this, critics disagree as to the symbolism of the yellow car in The Great Gatsby .

The bolded text in each example could stand on its own as a complete sentence. However, if we take away the first part of each sentence, we lose our connection to the other ideas in the essay.

These phrases are called dependent clauses : they depend on you adding another statement to the sentence to complete them. When you use a sentence starter phrase like the ones above in your writing, you signal that the new idea you have introduced completes (or disrupts) the idea before it.

Note: While some very short dependent clauses don’t need a comma, most do. Since it is not wrong to use one on even short ones (depending on the style guide being used), it is a good idea to include one every time.

Along with missing transitions and repeating sentence structure, another thing that stops sentences from being great is too much repetition. Keep your sentences sharp and poignant by mixing up word choices to start your sentences.

You might start your sentence with a great word, but then you use that same word 17 sentences in a row. After the first couple, your sentences don’t sound as great. So, whether it is varying the transitional phrases you use or just mixing up the sentence openers in general, putting in some variety will only improve your sentences.

ProWritingAid lets you know if you’ve used the same word repeatedly at the start of your sentences so you can change it.

The Repeats Report also shows you all of the repeats in your document. If you've used a sentence starter and then repeated it a couple of paragraphs down, the report will highlight it for you.

Try the Repeats Report with a free ProWritingAid account.

Now that you have your introduction sentences and body sentences taken care of, let’s talk a little about conclusion sentences. While you will still use transitions and clauses as in the body, there are some special considerations here.

Your conclusion is what people will remember most after they finish reading your paper. So, you want to make it stand out. Don’t just repeat yourself; tell them what they should do with what you just told them!

Use the tips from above, but also remember the following:

Be unique. Not only should you vary the words you use to start different sentences, but you should also think outside of the box. If you use the same conclusion sentence starter everyone else is using, your ideas will blend in too.

Be natural. Some of the best writing out there is writing that sounds natural. This goes for academic writing, too. While you won’t use phrases like "at the end of the day" in essay writing, stilted phrases like "in conclusion" can disrupt the flow you’ve created earlier on.

Here are some alternatives to "in conclusion" you could use in an essay:

To review, ... (best for scientific papers where you need to restate your key points before making your final statement)
As has been shown, ...
In the final analysis, ...
Taking everything into account, ...
On the whole, ...
Generally speaking, ...

If you’re looking for more ways to rephrase "in conclusion," take a look at our complete list of synonyms you can use.

There may not be a set word or words that you can use to make your sentences perfect. However, when you start using these tips, you’ll start to see noticeable improvement in your writing.

If you’ve ever heard people talk about pacing and flow in academic writing, and you have no idea what they mean or how to improve yours, then this is your answer. These tips will help your writing sound more natural, which is how you help your ideas flow.

Take your writing to the next level:

20 Editing Tips from Professional Writers

Whether you are writing a novel, essay, article, or email, good writing is an essential part of communicating your ideas., this guide contains the 20 most important writing tips and techniques from a wide range of professional writers..

Be confident about grammar

Check every email, essay, or story for grammar mistakes. Fix them before you press send.

Ashley Shaw is a former editor and marketer/current PhD student and teacher. When she isn't studying con artists for her dissertation, she's thinking of new ways to help college students better understand and love the writing process.

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Topic sentences and signposts make an essay's claims clear to a reader. Good essays contain both. Topic sentences reveal the main point of a paragraph. They show the relationship of each paragraph to the essay's thesis, telegraph the point of a paragraph, and tell your reader what to expect in the paragraph that follows. Topic sentences also establish their relevance right away, making clear why the points they're making are important to the essay's main ideas. They argue rather than report. Signposts , as their name suggests, prepare the reader for a change in the argument's direction. They show how far the essay's argument has progressed vis-ˆ-vis the claims of the thesis.

Topic sentences and signposts occupy a middle ground in the writing process. They are neither the first thing a writer needs to address (thesis and the broad strokes of an essay's structure are); nor are they the last (that's when you attend to sentence-level editing and polishing). Topic sentences and signposts deliver an essay's structure and meaning to a reader, so they are useful diagnostic tools to the writer—they let you know if your thesis is arguable—and essential guides to the reader

Forms of Topic Sentences

Sometimes topic sentences are actually two or even three sentences long. If the first makes a claim, the second might reflect on that claim, explaining it further. Think of these sentences as asking and answering two critical questions: How does the phenomenon you're discussing operate? Why does it operate as it does?

There's no set formula for writing a topic sentence. Rather, you should work to vary the form your topic sentences take. Repeated too often, any method grows wearisome. Here are a few approaches.

Complex sentences. Topic sentences at the beginning of a paragraph frequently combine with a transition from the previous paragraph. This might be done by writing a sentence that contains both subordinate and independent clauses, as in the example below.

Although Young Woman with a Water Pitcher depicts an unknown, middle-class woman at an ordinary task, the image is more than "realistic"; the painter [Vermeer] has imposed his own order upon it to strengthen it.

This sentence employs a useful principle of transitions: always move from old to new information. The subordinate clause (from "although" to "task") recaps information from previous paragraphs; the independent clauses (starting with "the image" and "the painter") introduce the new information—a claim about how the image works ("more than Ôrealistic'") and why it works as it does (Vermeer "strengthens" the image by "imposing order").

Questions. Questions, sometimes in pairs, also make good topic sentences (and signposts). Consider the following: "Does the promise of stability justify this unchanging hierarchy?" We may fairly assume that the paragraph or section that follows will answer the question. Questions are by definition a form of inquiry, and thus demand an answer. Good essays strive for this forward momentum.

Bridge sentences. Like questions, "bridge sentences" (the term is John Trimble's) make an excellent substitute for more formal topic sentences. Bridge sentences indicate both what came before and what comes next (they "bridge" paragraphs) without the formal trappings of multiple clauses: "But there is a clue to this puzzle."

Pivots. Topic sentences don't always appear at the beginning of a paragraph. When they come in the middle, they indicate that the paragraph will change direction, or "pivot." This strategy is particularly useful for dealing with counter-evidence: a paragraph starts out conceding a point or stating a fact ("Psychologist Sharon Hymer uses the term Ônarcissistic friendship' to describe the early stage of a friendship like the one between Celie and Shug"); after following up on this initial statement with evidence, it then reverses direction and establishes a claim ("Yet ... this narcissistic stage of Celie and Shug's relationship is merely a transitory one. Hymer herself concedes . . . "). The pivot always needs a signal, a word like "but," "yet," or "however," or a longer phrase or sentence that indicates an about-face. It often needs more than one sentence to make its point.

Signposts operate as topic sentences for whole sections in an essay. (In longer essays, sections often contain more than a single paragraph.) They inform a reader that the essay is taking a turn in its argument: delving into a related topic such as a counter-argument, stepping up its claims with a complication, or pausing to give essential historical or scholarly background. Because they reveal the architecture of the essay itself, signposts remind readers of what the essay's stakes are: what it's about, and why it's being written.

Signposting can be accomplished in a sentence or two at the beginning of a paragraph or in whole paragraphs that serve as transitions between one part of the argument and the next. The following example comes from an essay examining how a painting by Monet, The Gare Saint-Lazare: Arrival of a Train, challenges Zola's declarations about Impressionist art. The student writer wonders whether Monet's Impressionism is really as devoted to avoiding "ideas" in favor of direct sense impressions as Zola's claims would seem to suggest. This is the start of the essay's third section:

It is evident in this painting that Monet found his Gare Saint-Lazare motif fascinating at the most fundamental level of the play of light as well as the loftiest level of social relevance. Arrival of a Train explores both extremes of expression. At the fundamental extreme, Monet satisfies the Impressionist objective of capturing the full-spectrum effects of light on a scene.

The writer signposts this section in the first sentence, reminding readers of the stakes of the essay itself with the simultaneous references to sense impression ("play of light") and intellectual content ("social relevance"). The second sentence follows up on this idea, while the third serves as a topic sentence for the paragraph. The paragraph after that starts off with a topic sentence about the "cultural message" of the painting, something that the signposting sentence predicts by not only reminding readers of the essay's stakes but also, and quite clearly, indicating what the section itself will contain.

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2.7: Writing Paragraphs

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Terri Pantuso, Sarah LeMire, and Kathy Anders Ed.

Kathryn Crowther, Lauren Curtright, Nancy Gilbert, Barbara Hall, & Tracienne Ravita
Texas A&M Univesrity

Once you decide on a method for organizing your essay, you’ll want to start drafting your paragraphs. Think of your paragraphs as links in a chain where coherence and continuity are key. Imagine reading one long block of text, with each idea blurring into the next. You are likely to lose interest in a piece of writing that is disorganized and spans many pages without breaks. Paragraphs separate ideas into logical, manageable chunks, each paragraph focusing on only one main idea and presenting coherent sentences to support that one point. Because all the sentences in one paragraph support the same point, a paragraph may stand on its own. For most types of informative or persuasive academic writing, writers find it helpful to think of the paragraph analogous to an essay, as each is controlled by a main idea or point, and that idea is developed by an organized group of more specific ideas. Thus, the thesis of the essay is analogous to the topic sentence of a paragraph, just as the supporting sentences in a paragraph are analogous to the supporting paragraphs in an essay.

In essays, each supporting paragraph adds another related main idea to support the writer’s thesis, or controlling idea. Each related supporting idea is developed with facts, examples, and other details that explain it. By exploring and refining one idea at a time, writers build a strong case for their thesis. Effective paragraphing makes the difference between a satisfying essay that readers can easily process and one that requires readers to mentally organize the piece themselves. Thoughtful organization and development of each body paragraph leads to an effectively focused, developed, and coherent essay.

An effective paragraph contains three main parts:

a topic sentence
body, supporting sentences
a concluding sentence

In informative and persuasive writing, the topic sentence is usually the first or second sentence of a paragraph and expresses its main idea, followed by supporting sentences that help explain, prove, or enhance the topic sentence. In narrative and descriptive paragraphs, however, topic sentences may be implied rather than explicitly stated, with all supporting sentences working to create the main idea. If the paragraph contains a concluding sentence, it is the last sentence in the paragraph and reminds the reader of the main point by restating it in different words.

Creating Focused Paragraphs with Topic Sentences

The foundation of a paragraph is the topic sentence which expresses the main idea or point of the paragraph. A topic sentence functions in two ways: it clearly refers to and supports the essay’s thesis, and it indicates what will follow in the rest of the paragraph. As the unifying sentence for the paragraph, it is the most general sentence, whereas all supporting sentences provide different types of more specific information such as facts, details, or examples.

An effective topic sentence has the following characteristics:

A topic sentence provides an accurate indication of what will follow in the rest of the paragraph.

Weak Example

First, we need a better way to educate students.

Explanation: The claim is vague because it does not provide enough information about what will follow and it is too broad to be covered effectively in one paragraph.

Stronger Example

Creating a national set of standards for math and English education will improve student learning in many states.

Explanation: The sentence replaces the vague phrase “a better way” and leads readers to expect supporting facts and examples as to why standardizing education in these subjects might improve student learning in many states.

A good topic sentence is the most general sentence in the paragraph and thus does not include supporting details.

Salaries should be capped in baseball for many reasons, most importantly so we don’t allow the same team to win year after year.

Explanation: This topic sentence includes a supporting detail that should be included later in the paragraph to back up the main point.

Introducing a salary cap would improve the game of baseball for many reasons.

Explanation: This topic sentence omits the additional supporting detail so that it can be expanded upon later in the paragraph, yet the sentence still makes a claim about salary caps – improvement of the game.

A good topic sentence is clear and easy to follow.

In general, writing an essay, thesis, or other academic or nonacademic document is considerably easier and of much higher quality if you first construct an outline, of which there are many different types.

Explanation: The confusing sentence structure and unnecessary vocabulary bury the main idea, making it difficult for the reader to follow the topic sentence.

Most forms of writing can be improved by first creating an outline.

Explanation: This topic sentence cuts out unnecessary verbiage and simplifies the previous statement, making it easier for the reader to follow. The writer can include examples of what kinds of writing can benefit from outlining in the supporting sentences.

Location of Topic Sentences

As previously discussed, a topic sentence can appear anywhere within a paragraph depending upon the mode of writing, or it can be implied such as in narrative or descriptive writing. In college-level expository or persuasive writing, placing an explicit topic sentence at the beginning of each paragraph (the first or second sentence) makes it easier for readers to follow the essay and for writers to stay on topic, but writers should be aware of variations and maintain the flexibility to adapt to different writing projects. The following examples illustrate varying locations for the topic sentence. In each example, the topic sentence is underlined.

Topic Sentence Begins the Paragraph (General to Specific)

After reading the new TV guide this week I wondered why we are still being bombarded with reality shows, a plague that continues to darken our airwaves. Along with the return of viewer favorites, we are to be cursed with yet another mindless creation. Prisoner follows the daily lives of eight suburban housewives who have chosen to be put in jail for the purposes of this fake psychological experiment. A preview for the first episode shows the usual tears and tantrums associated with reality television. I dread to think what producers will come up with next season and hope that other viewers will express their criticism. These producers must stop the constant stream of meaningless shows without plotlines. We’ve had enough reality television to last us a lifetime.

The first sentence tells readers that the paragraph will be about reality television shows, and it expresses the writer’s distaste for these shows through the use of the word bombarded . Each of the following sentences in the paragraph supports the topic sentence by providing further information about a specific reality television show and why the writer finds it unappealing. The final sentence is the concluding sentence. It reiterates the main point that viewers are bored with reality television shows by using different words from the topic sentence.

Paragraphs that begin with the topic sentence move from the general to the specific. They open with a general statement about a subject (reality shows) and then discuss specific examples (the reality show Prisoner ). Most academic essays contain the topic sentence at the beginning of the first paragraph. However, when utilizing a specific to general method, the topic sentence may be located later in the paragraph.

Topic Sentence Ends the Paragraph (Specific to General)

Last year, a cat traveled 130 miles to reach its family who had moved to another state and had left their pet behind. Even though it had never been to their new home, the cat was able to track down its former owners. A dog in my neighborhood can predict when its master is about to have a seizure. It makes sure that he does not hurt himself during an epileptic fit. Compared to many animals, our own senses are almost dull.

The last sentence of this paragraph is the topic sentence. It draws on specific examples (a cat that tracked down its owners and a dog that can predict seizures) and then makes a general statement that draws a conclusion from these examples (animals’ senses are better than humans’). In this case, the supporting sentences are placed before the topic sentence, and the concluding sentence is the same as the topic sentence. This technique is frequently used in persuasive writing. The writer produces detailed examples as evidence to back up his or her point, preparing the reader to accept the concluding topic sentence as the truth.

When the Topic Sentence Appears in the Middle of the Paragraph

For many years, I suffered from severe anxiety every time I took an exam. Hours before the exam, my heart would begin pounding, my legs would shake, and sometimes I would become physically unable to move. Last year, I was referred to a specialist and finally found a way to control my anxiety—breathing exercises. It seems so simple, but by doing just a few breathing exercises a couple of hours before an exam, I gradually got my anxiety under control. The exercises help slow my heart rate and make me feel less anxious. Better yet, they require no pills, no equipment, and very little time. It’s amazing how just breathing correctly has helped me learn to manage my anxiety symptoms.

In this paragraph, the underlined sentence is the topic sentence. It expresses the main idea—that breathing exercises can help control anxiety. The preceding sentences enable the writer to build up to his main point (breathing exercises can help control anxiety) by using a personal anecdote (how he used to suffer from anxiety). The supporting sentences then expand on how breathing exercises help the writer by providing additional information. The last sentence is the concluding sentence and restates how breathing can help manage anxiety. Placing a topic sentence in the middle of a paragraph is often used in creative writing. If you notice that you have used a topic sentence in the middle of a paragraph in an academic essay, read through the paragraph carefully to make sure that it contains only one major topic.

Implied Topic Sentences

Some well-organized paragraphs do not contain a topic sentence at all, a technique often used in descriptive and narrative writing. Instead of being directly stated, the main idea is implied in the content of the paragraph, as in the following narrative paragraph.

Example of Implied Topic Sentence

Heaving herself up the stairs, Luella had to pause for breath several times. She let out a wheeze as she sat down heavily in the wooden rocking chair. Tao approached her cautiously, as if she might crumble at the slightest touch. He studied her face, like parchment, stretched across the bones so finely he could almost see right through the skin to the decaying muscle underneath. Luella smiled a toothless grin.

Although no single sentence in this paragraph states the main idea, the entire paragraph focuses on one concept—that Luella is extremely old. The topic sentence is thus implied rather than stated so that all the details in the paragraph can work together to convey the dominant impression of Luella’s age. In a paragraph such as this one, an explicit topic sentence would seem awkward and heavy-handed. Implied topic sentences work well if the writer has a firm idea of what he or she intends to say in the paragraph and sticks to it. However, a paragraph loses its effectiveness if an implied topic sentence is too subtle or the writer loses focus.

Developing Paragraphs

If you think of a paragraph as a sandwich, the supporting sentences are the filling between the bread. They make up the body of the paragraph by explaining, proving, or enhancing the controlling idea in the topic sentence. The overall method of development for paragraphs depends upon the essay as a whole and the purpose of each paragraph; thus paragraphs may be developed by using examples, description, narration, comparison and contrast, definition, cause and effect, classification and division. A writer may use one method or combine several methods.

Writers often want to know how many words a paragraph should contain, and the answer is that a paragraph should develop the idea, point, or impression completely enough to satisfy the writer and readers. Depending on their function, paragraphs can vary in length from one or two sentences, to over a page; however, in most college assignments, successfully developed paragraphs usually contain approximately one hundred to two hundred and fifty words and span one-fourth to two-thirds of a typed page. A series of short paragraphs in an academic essay can seem choppy and unfocused, whereas paragraphs that are one page or longer can tire readers. Giving readers a paragraph break on each page helps them maintain focus.

This advice does not mean, of course, that composing a paragraph of a particular number of words or sentences guarantees an effective paragraph. Writers must provide enough supporting sentences within paragraphs to develop the topic sentence and simultaneously carry forward the essay’s main idea.

For example, in a descriptive paragraph about a room in the writer’s childhood home, a length of two or three sentences is unlikely to contain enough details to create a picture of the room in the reader’s mind, and it will not contribute in conveying the meaning of the place. In contrast, a half page paragraph, full of carefully selected vivid, specific details and comparisons, provides a fuller impression and engages the reader’s interest and imagination. In descriptive or narrative paragraphs, supporting sentences present details and actions in vivid, specific language in objective or subjective ways, appealing to the readers’ senses to make them see and experience the subject. In addition, some sentences writers use make comparisons that bring together or substitute the familiar with the unfamiliar, thus enhancing and adding depth to the description of the incident, place, person, or idea.

In a persuasive essay about raising the wage for certified nursing assistants, a paragraph might focus on the expectations and duties of the job, comparing them to that of a registered nurse. Needless to say, a few sentences that simply list the certified nurse’s duties will not give readers a complete enough idea of what these healthcare professionals do. If readers do not have plenty of information about the duties and the writer’s experience in performing them for what she considers inadequate pay, the paragraph fails to do its part in convincing readers that the pay is inadequate and should be increased.

In informative or persuasive writing, a supporting sentence usually offers one of the following:

Reason: The refusal of the baby boom generation to retire is contributing to the current lack of available jobs.
Fact: Many families now rely on older relatives to support them financially.
Statistic: Nearly 10 percent of adults are currently unemployed in the United States.
Quotation: “We will not allow this situation to continue,” stated Senator Johns.
Example: Last year, Bill was asked to retire at the age of fifty-five.

The type of supporting sentence you choose will depend on what you are writing and why you are writing. For example, if you are attempting to persuade your audience to take a particular position, you should rely on facts, statistics, and concrete examples, rather than personal opinions. Personal testimony in the form of an extended example can be used in conjunction with the other types of support.

Consider the elements in the following paragraph.

Example Persuasive Paragraph

Topic sentence: There are numerous advantages to owning a hybrid car.

Sentence 1 (statistic): First, they get 20 percent to 35 percent more miles to the gallon than a fuel- efficient gas-powered vehicle.

Sentence 2 (fact): Second, they produce very few emissions during low speed city driving.

Sentence 3 (reason): Because they do not require gas, hybrid cars reduce dependency on fossil fuels, which helps lower prices at the pump.

Sentence 4 (example): Alex bought a hybrid car two years ago and has been extremely impressed with its performance.

Sentence 5 (quotation): “It’s the cheapest car I’ve ever had,” she said. “The running costs are far lower than previous gas powered vehicles I’ve owned.”

Concluding sentence: Given the low running costs and environmental benefits of owning a hybrid car, it is likely that many more people will follow Alex’s example in the near future.

Sometimes the writing situation does not allow for research to add specific facts or other supporting information, but paragraphs can be developed easily with examples from the writer’s own experience.

Farheya, a student in a freshman English Composition class, quickly drafted an essay during a timed writing assignment in class. To practice improving paragraph development, she selected the body paragraph below to add support:

Example of Original Body Paragraph

Topic: Would you be better off if you didn’t own a television? Discuss.

Lack of ownership of a television set is also a way to preserve innocence, and keep the exposure towards anything inappropriate at bay. From simply watching a movie, I have seen things I shouldn’t have, no matter how fast I switch the channel. Television shows not only display physical indecency, but also verbal. Many times movies do voice-overs of profane words, but they also leave a few words uncensored. Seeing how all ages can flip through and see or hear such things make t.v. toxic for the mind, and without it I wouldn’t have to worry about what I may accidentally see or hear.

The original paragraph identifies two categories of indecent material, and there is mention of profanity to provide a clue as to what the student thinks is indecent. However, the paragraph could use some examples to make the idea of inappropriate material clearer. Farheya considered some of the television shows she had seen and made a few changes.

Example of Revised Body Paragraph

Not owning a television set would also be a way to preserve innocence and keep my exposure to anything inappropriate at bay. While searching for a program to view, I have seen things I shouldn’t have, no matter how fast I switched the channel. The synopsis of Euro Trip, which describes high school friends traveling across Europe, leads viewers to think that the film is an innocent adventure; however; it is filled with indecency, especially when the students reach Amsterdam. The movie Fast and Furious has the same problem since the women are all half-naked in half tops and mini-skirts or short- shorts. Television shows not only display physical indecency, but also verbal. Many television shows have no filters, and the characters say profane words freely. On Empire, the main characters Cookie and Lucious Lyon use profane words during their fights throughout entire episodes. Because The Big Bang Theory is a show about a group of science geeks and their cute neighbor, viewers might think that these science geniuses’ conversations would be about their current research or other science topics. Instead, their characters regularly engage in conversations about their personal lives that should be kept private. The ease of flipping through channels and seeing or hearing such things makes t.v. toxic for the mind, and without a television I wouldn’t have to worry about what I may accidentally see or hear.

Farheya’s addition of a few examples helps to convey why she thinks she would be better off without a television.

Concluding Sentences

An effective concluding sentence draws together all the ideas raised in your paragraph. It reminds readers of the main point—the topic sentence—without restating it in exactly the same words. Using the hamburger example, the top bun (the topic sentence) and the bottom bun (the concluding sentence) are very similar. They frame the “meat” or body of the paragraph.

Compare the topic sentence and concluding sentence from the first example on hybrid cars:

Topic Sentence: There are many advantages to owning a hybrid car.

Concluding Sentence: Given the low running costs and environmental benefits of owning a hybrid car, it is likely that many more people will follow Alex’s example in the near future.

Notice the use of the synonyms advantages and benefits . The concluding sentence reiterates the idea that owning a hybrid is advantageous without using the exact same words. It also summarizes two examples of the advantages covered in the supporting sentences: low running costs and environmental benefits.

Writers should avoid introducing any new ideas into a concluding sentence because a conclusion is intended to provide the reader with a sense of completion. Introducing a subject that is not covered in the paragraph will confuse readers and weaken the writing.

A concluding sentence may do any of the following:

Restate the main idea.

Childhood obesity is a growing problem in the United States.

Summarize the key points in the paragraph

A lack of healthy choices, poor parenting, and an addiction to video games are among the many factors contributing to childhood obesity.

Draw a conclusion based on the information in the paragraph.

These statistics indicate that unless we take action, childhood obesity rates will continue to rise.

Make a prediction, suggestion, or recommendation about the information in the paragraph.

Based on this research, more than 60 percent of children in the United States will be morbidly obese by the year 2030 unless we take evasive action.

Offer an additional observation about the controlling idea.

Childhood obesity is an entirely preventable tragedy.

Paragraph Length

Although paragraph length is discussed in the section on developing paragraphs with supporting sentences, some additional reminders about when to start a new paragraph may prove helpful to writers:

If a paragraph is over a page long, consider providing a paragraph break for readers. Look for a logical place to divide the paragraph; then revise the opening sentence of the second paragraph to maintain coherence.
A series of short paragraphs can be confusing and choppy. Examine the content of the paragraphs and combine ones with related ideas or develop each one further.
When dialogue is used, begin a new paragraph each time the speaker changes.
Begin a new paragraph to indicate a shift in subject, tone, or time and place.

Improving Paragraph Coherence

A strong paragraph holds together well, flowing seamlessly from the topic sentence into the supporting sentences and on to the concluding sentence. To help organize a paragraph and ensure that ideas logically connect to one another, writers use a combination of elements:

A clear organizational pattern: chronological (for narrative writing and describing processes), spatial (for descriptions of people or places), order of importance, general to specific (deductive), specific to general (inductive)
Transitional words and phrases: These connecting words describe a relationship between ideas.
Repetition of ideas: This element helps keep the parts of the paragraph together by maintaining focus on the main idea, so this element reinforces both paragraph coherence and unity.

In the following example, notice the use of transitions ( bolded ) and key words ( underlined ):

Example of Transition Words

Owning a hybrid car benefits both the owner and the environment . First , these cars get 20 percent to 35 percent more miles to the gallon than a fuel-efficient gas-powered vehicle. Second , they produce very few emissions during low speed city driving. Because they do not require gas, hybrid cars reduce dependency on fossil fuels, which helps lower prices at the pump. Alex bought a hybrid car two years ago and has been extremely impressed with its performance. “It’s the cheapest car I’ve ever had,” she said. “The running costs are far lower than previous gas-powered vehicles I’ve owned.” Given the low running costs and environmental benefits of owning a hybrid car , it is likely that many more people will follow Alex’s example in the near future.

Words such as first and second are transition words that show sequence or clarify order. They help organize the writer’s ideas by showing that he or she has another point to make in support of the topic sentence. The transition word because is a transition word of consequence that continues a line of thought. It indicates that the writer will provide an explanation of a result. In this sentence, the writer explains why hybrid cars will reduce dependency on fossil fuels (because they do not require gas).

In addition to transition words, the writer repeats the word hybrid (and other references such as these cars , and they ), and ideas related to benefits to keep the paragraph focused on the topic and hold it together.

To include a summarizing transition for the concluding sentence, the writer could rewrite the final sentence as follows:

In conclusion, given the low running costs and environmental benefits of owning a hybrid car, it is likely that many more people will follow Alex’s example in the near future.

Although the phrase “in conclusion” certainly reinforces the idea of summary and closure, it is not necessary in this case and seems redundant, as the sentence without the phrase already repeats and summarizes the benefits presented in the topic sentence and flows smoothly from the preceding quotation. The second half of the sentence, in making a prediction about the future, signals a conclusion, also making the phrase “in conclusion” unnecessary. The original version of the concluding sentence also illustrates how varying sentence openings can improve paragraph coherence. As writers continue to practice and develop their style, they more easily make these decisions between using standard transitional phrases and combining the repetition of key ideas with varied sentence openings.

Table 5.3.1 provides some useful transition words and phrases to connect sentences within paragraphs as well as to connect body paragraphs:

[table id=3 /]

Practice Activity

The original version of this chapter contained H5P content. You may want to remove or replace this element.

This section contains material from:

Crowther, Kathryn, Lauren Curtright, Nancy Gilbert, Barbara Hall, Tracienne Ravita, and Kirk Swenson. Successful College Composition . 2nd edition. Book 8. Georgia: English Open Textbooks, 2016. http://oer.galileo.usg.edu/english-textbooks/8 . Licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License .

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Sentence Starters Made Easy for Better Essays

Table of Contents

The first sentence of an essay is a sentence starter. They must intrigue the reader enough to read further into the paper without being too wordy.

Generally, they should introduce the topic and give the reader the main idea of the paper at a glance. It also helps establish the tone and direction of the essay.

Without them, writing can become fragmented and disjointed, making reading difficult. However, it is not always clear which ones to include and when.

In this article, we provide sentence starters that you can use in your writing, separated into categories for simple references. Let’s get started!

person writing on brown wooden table near white ceramic mug

What Is a Sentence Starter?

Sentence starters are the words or phrases that introduce the remainder of the sentence and are generally separated by commas. Sentence-beginning words are crucial in writing. They introduce the subject of the sentence so that the reader knows what to anticipate.

The first sentence of an essay are vital to the cohesion of lengthy academic writing works. Because each sentence effectively has its own theme, these compositions frequently and sometimes abruptly move from point to point.

Sentence starters facilitate the reader’s comprehension by softening abrupt transitions and introducing the next topic.

This rule also applies to paragraphs that bounce from subject to subject. Paragraph starters provide an organizational signpost via introductory sentence starters to bridge the gap between themes.

Although prevalent in fiction, sentence starters are most effective when writing nonfiction, especially essays.

In contrast to fiction, nonfiction employs a range of facts that serve as sentence starters for the reader. In other words, if you believe nonfiction to be dull, imagine if it were simply a list of facts!

When Should You Employ Sentence Starters?

Sentence starters aren’t required for all sentences. In fact, their overuse can be distracting. These are some instances where a sentence starter is most effective:

When it’s hard to see how one sentence fits with the others.
You’re bringing up a new idea, like at the start of an essay or a paragraph.
Giving a summary or conclusion, like at the end of an essay.
Want to put more attention on a certain sentence or point.
You need to write a hook to get people interested.
The sentence needs some background information or context to make sense.

There is no hard and fast rule for when to utilize and when to avoid sentence starters. If you are having difficulty deciding, consider revisiting your past few paragraphs and evaluating their flow.

There is no need for sentence starters if your sentence flows well. If something feels odd, out of place, or absent, try adding one to see if it helps.

Below you will discover samples of context-appropriate phrase beginnings.

First Sentence of an Essay (Topic Sentences)

Topic sentences introduce the topic of the paragraph or the entire content to enable readers know what to expect.

This paper discusses …
In this paper . . .
Here, we discuss . . .
Below, you will find . . .

Sequences or Lists: Sentence Starters

Sentence starters come particularly handy when writing sets of instructions or explaining a succession of events. These components aren’t always related in obvious ways. Sentence openers connect them and put them in the proper order, so your reader can organize them in their thoughts.

First . . ., Second . . ., Third . . ., etc.
Subsequently . . .
After that . . .

Comparisons: Sentence Starters

To show that two items are similar or linked, use sentence starters.

Similarly . . .
I n the same way . . .
Likewise . . .
Again . . .

Elaboration or Adding New Points

When a single sentence is insufficient to properly express your idea, including sentence starters to subsequent sentences can connect them.

Additionally . . .
Moreover . . .
Furthermore . . .
Also . . .

Introducing Examples

For essays, you should support your claims with proof. Sentence openers facilitate the shift from describing the large picture to illustrating the application of these principles in the real world.

For example . . .
For instance . . .
This is evidenced by . . .
Consider the [case/example] of . . .

Contrasts and Abrupt Transitions

Sentence starters are most effective when switching topics abruptly. The writing seems abrupt and disjointed without them, so utilize them to keep your reader on track, especially when comparing topics.

Although . . .
On the other hand . . .
In contrast . . .
Despite that . . ..

To Establish Cause and Effect

Commonly, two sentences are used to describe a cause-and-effect relationship, such as something causing something else to occur. This link can be clarified by using sentence starters to show the distinction between the cause and effect.

As a result . . .
Accordingly . . .
Therefore . . . .
That is why . . .

Emphasis: Sentence Starters

In other instances, sentence beginnings are not required, but they serve to emphasize a point. Reserve these for the sentences that you want your audience to remember most.

Above all . . .
As usual . . .
Certainly . . .
Generally speaking . . .

Starters for References

If you are crediting someone else’s concept, such as in a research paper, include the attribution in the first words of the phrase. Use these phrase openers before quoting or discussing an idea from another source.

According to . . .
Based on the findings of . . .
As explained by . . .
With regards to . . .

Generally Accepted Concepts (Historicals)

Some sentences lack meaning when removed from their context. This could be a popular, mainstream notion that is unknown to the reader, or some historical context that is not well known. Sentence starters can provide background in these cases without veering off topic.

Traditionally . . .
Historically . . .
Initially . . .
Until now . . .

To Show Uncertainty or Doubt

If you are writing about facts, your audience will assume that everything you write is true. In circumstances where something is unproven or unknown, tell your readers that doubt exists so as not to mislead them.

Perhaps . . .
Although not proven . . .
Arguably . . .
While debatable . . .

Conclusion and Summaries

Because they do not convey fresh information, conclusions and summaries always behave differently than other phrases and paragraphs.

Sentence starters can signal to the reader that you’re about to “close things up,” so they don’t expect any fresh points or proof.

In summary . . .
To summarize . . .
In conclusion . . .
To wrap things up . . .

A sentence starter is a brief word or phrase to help the reader transition . Sentence starters are commonly used in written texts, blog posts, reports, and essays.

If you want your sentence starters to stand out from the crowd, avoid common words. Common words such as “I,” “am,” and “this” should be avoided. Always use sentences that are familiar to most readers.

Sentence Starters Made Easy for Better Essays

Abir Ghenaiet

Abir is a data analyst and researcher. Among her interests are artificial intelligence, machine learning, and natural language processing. As a humanitarian and educator, she actively supports women in tech and promotes diversity.

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It can’t be said enough, first impressions matter. And it goes the same for essays because your starter sentences will…

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Starting Sentences for Essays & Tips for Opening Sentences
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Introduction 101: How to Engage the Reader from the First Sentence
School essay: Good first sentences for essays
How To Write The Introduction Of An Essay

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Argumentative essay writing
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The Writing Center
You can do this by establishing the current state of the field, or by presenting an assumption in the field which you will either support or argue against. You should feel free to "jump right in" to your paper in your first sentence. You can also enter into your paper more subtly, either by using a relevant and artistic first sentence (as ...
How to Write an Essay Introduction
Table of contents. Step 1: Hook your reader. Step 2: Give background information. Step 3: Present your thesis statement. Step 4: Map your essay's structure. Step 5: Check and revise. More examples of essay introductions. Other interesting articles. Frequently asked questions about the essay introduction.
Write a Great First Sentence and Introductory Paragraph
Begin with a great first sentence. The introductory paragraph of any paper, long or short, should start with a sentence that piques the interest of your readers . In a well-constructed first paragraph, that first sentence leads into three or four sentences that provide details about the subject you address in the body of your essay.
How to Write a Great First Sentence, with 22 Examples
No matter what genre you write, your first sentence is a seduction. It can be in the form of an invitation. A declaration. A tease. A promise. A jolt. A shock. You must be shameless and your first sentence must be irresistible. It must induce curiosity and promise the answer to an urgent question.
How to Write an Introduction Paragraph in 3 Steps
Intro Paragraph Part 3: The Thesis. The final key part of how to write an intro paragraph is the thesis statement. The thesis statement is the backbone of your introduction: it conveys your argument or point of view on your topic in a clear, concise, and compelling way. The thesis is usually the last sentence of your intro paragraph.
How to Write a Great First Sentence and Nail Your Opening
Avoid Cliches. The first sentence in a lot of ways is a message to the reader. It's the introduction to your story, told in your voice, representing your vision. So the last thing you want to do is write exactly the same first sentence as the last twelve authors. So one of the most important rules for how to write a great first sentence is to ...
The Beginner's Guide to Writing an Essay
The essay writing process consists of three main stages: Preparation: Decide on your topic, do your research, and create an essay outline. Writing: Set out your argument in the introduction, develop it with evidence in the main body, and wrap it up with a conclusion. Revision: Check your essay on the content, organization, grammar, spelling ...
Writing the Essay: The First Sentence
The first draft of your first sentence should be just enough to get you started as you begin to write. Later, after you have a good command of your topic and have a good sense of the overall tone of your essay--this may not be until after you have written several drafts--you can spend time focusing on the first sentence.
Sentence Starters: Ultimate List to Improve Your Essays and Writing
What Is a Good Sentence Starter for an Essay Introduction? The first paragraph of a paper can make or break your grade. It is what gets your audience into the topic and sets the whole stage. Because of this, it is important to get your readers hooked early. The first sentence of a paper is often called the hook. It shouldn't be anything ordinary.
How to Structure an Essay
The second principle is that background information should appear towards the beginning of your essay. General background is presented in the introduction. If you have additional background to present, this information will usually come at the start of the body. The third principle is that everything in your essay should be relevant to the thesis.
How To Start a College Essay: 9 Effective Techniques
For many, getting started is the hardest part of anything. And that's understandable. First, because it turns whatever you're doing into a reality, which raises the stakes. Second, because where you start can easily dictate the quality of where you end up. College essays have their own special brand of DTDT.
Powerful First-Sentence Techniques for Personal Essays and Creative
First sentences can grab readers emotionally, pulling them instantly into the story. First sentences can amuse us, scare us, confuse us. One of the keys is getting us to engage emotionally, regardless of the emotion. This is the first strategy for an opening sentence to a great personal essay or piece of CNF. It gets the reader to feel something.
How To Write A First Sentence To Grab A Reader's Attention
The opening sentence in any form of writing needs to fulfill the goal of convincing a reader that what follows is worth reading. Whether you are writing a novel, an essay, an article, a blog post, or a poem, your first few words matter. You need to craft these five, ten, or fifteen words to instantly grab, hook, inform or interest a reader.
Topic Sentences and Signposting
Topic sentences and signposts make an essay's claims clear to a reader. Good essays contain both. Topic sentences reveal the main point of a paragraph. They show the relationship of each paragraph to the essay's thesis, telegraph the point of a paragraph, and tell your reader what to expect in the paragraph that follows.
2.7: Writing Paragraphs
The first sentence tells readers that the paragraph will be about reality television shows, and it expresses the writer's distaste for these shows through the use of the word bombarded.Each of the following sentences in the paragraph supports the topic sentence by providing further information about a specific reality television show and why the writer finds it unappealing.
Sentence Starters Made Easy for Better Essays
The first sentence of an essay is a sentence starter. They must intrigue the reader enough to read further into the paper without being too wordy. Generally, they should introduce the topic and give the reader the main idea of the paper at a glance. It also helps establish the tone and direction of the essay.
How to Write Topic Sentences
Step 2: Make an essay outline and draft topic sentences. Next, you should make an outline of your essay's structure, planning what you want to say in each paragraph and what evidence you'll use. At this stage, you can draft a topic sentence that sums up the main point you want to make in each paragraph. The topic sentences should be more ...
How to Write a Thesis Statement
Step 2: Write your initial answer. After some initial research, you can formulate a tentative answer to this question. At this stage it can be simple, and it should guide the research process and writing process. The internet has had more of a positive than a negative effect on education.